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Common section
• As the MIDI clock master, you can choose either
Internal, External or Auto, letting you synchronize the
NAUTILUS with other MIDI equipment.
• For each song, three-band EQ is provided on each MIDI
track and each audio track.
Setup parameters & Musical data
Each song consists of MIDI tracks 1–16, a master track,
audio tracks 1–16, various song parameters such as the song
name, settings for the
vector
Arpeggiator, effect settings, RPPR parameters, and 100 user
patterns.
Up to 200 such songs can be created in the NAUTILUS.
MIDI tracks 1–16 and audio tracks 1–16 each consist of
"track parameters" that specify the starting state of the track,
and "playback data." The master track consists of tempo and
time signature data.
MIDI tracks 1–16
Setup parameters
Bank/Program No.*, Play/Rec/Mute, Pan*, Volume*
Track Play Loop, Loop Start Measure, Loop End Measure,
Play Intro, EQ (Bypass, Low Gain, Mid Frequency, Mid
Gain, High Gain) Status, MIDI Channel, Bank Select (When
Status=EX2), Track Priority, Force OSC Mode, OSC Select,
Portamento*, Transpose**, Detune**, Bend Range**, Use
Program's Scale, Delay (Mode, Time, Base Note, Times),
Wave Sequence (Key Sync, Swing, Quantize Trigger), ARP
Track On/Off Control, MIDI Filter, Key Zone, Velocity
Zone, Track Name, IFX/Indiv.Out Bus, FX Control Bus, Rec
Bus, Send1(MFX1)*, Send2(MFX2)*, DKit, Drum Kit IFX
Patch
* and **: see "Automating MIDI setup parameters," below.
Musical data
Note On/Off
Program Change (including Bank Select)
Pitch Bend
After Touch (and Poly Aftertouch)
Control Change
Pattern No.
Exclusive Messages (SysEx)
Automating MIDI setup parameters
Most of the setup parameters can be automated simply by
changing them while recording into a MIDI track in real-
time. Changing the parameter sends a MIDI message, and
when that MIDI message is played back, the parameter
changes accordingly.
Setup parameters marked with a single asterisk * transmit
and receive specific MIDI messages, such as CCs.
Setup parameters marked with two asterisks ** respond to
MIDI RPN messages, and also send and receive MIDI
System Exclusive messages.
The other setup parameters transmit and respond to MIDI
System Exclusive messages.
function, settings for
Sequencer Overview Setup parameters & Musical data
• For each song, you can use twelve stereo insert effects,
two stereo master effects, and two stereo total effects.
• When you've created songs, you can resample them to
drive to create WAVE files.
• In addition to the song name, you can assign names to
each pattern, track, and region.
• You can use the LOCATE button to move immediately
to the desired location.
• For details on Control Change messages and RPN, see
"NAUTILUS and MIDI CCs" on page 921, and "Using
RPN (Registered Parameter Numbers)" on page 933.
• For details on MIDI System Exclusive messages, see
"System Exclusive events supported in Sequencer mode"
on page 557.
Master track
Setup parameters/Musical data
Time signature, Tempo
Both Time signature and Tempo can be automated, simply
by changing them in real-time during recording. Any
changes are recorded into the Master Track.
Audio tracks
Setup parameters
Rec Source, Play/Rec/Mute***, Pan***, Volume***
EQ (Bypass***, Low Gain***, Mid Frequency***, Mid
Gain***, High Gain***), Delay (Mode, Time, Base Note,
Times), Track Name, IFX/Indiv.Out Bus, FX Control Bus,
Rec Bus, Send1(MFX1)***, Send2(MFX2)***
Musical data
Audio events
Automation events
Automating Audio setup parameters
All of the Audio setup parameters can be automated simply
by changing them while recording in real-time. Some use
audio automation data, while others use MIDI System
Exclusive messages.
Setup parameters marked with three asterisks *** generate
and respond to audio automation data. You can record
changes to these parameters into audio tracks, in real-time.
The other setup parameters transmit and respond to MIDI
System Exclusive messages. You can adjust these
parameters during realtime recording, and record the
resulting MIDI System Exclusive messages into a MIDI
track.
WAVE files, regions, and audio events
The data recorded on an audio track consists of a WAVE file,
a "region" containing information specifying the section of
the WAVE file that will actually be played, and an "audio
event" containing data that specifies the locations in the song
at which that region will start and stop.
441
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