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PROGRAM mode: HD-1
Filter EG Release Time. (–99...+99)
This scales the release times of the Filter EGs.
Amp EG Attack Time. (–99...+99)
This scales the attack times of the Amp EGs.
Amp EG Decay Time. (–99...+99)
This scales the decay and slope times of the Amp EGs.
Amp EG Sustain Level. (–99...+99)
This scales the sustain levels of the Amp EGs.
Amp EG Release Time. (–99...+99)
This scales the release times of the Amp EGs.
Pitch EG Attack Time. (–99...+99)
This scales the attack times of the Pitch EG (or EGs, in the
case of some EXi instruments).
Pitch EG Decay Time. (–99...+99)
This scales the decay and slope times of the Pitch EG (or
EGs, in the case of some EXi instruments).
Pitch EG Sustain Level. (–99...+99)
This scales the sustain levels of the Pitch EG (or EGs, in the
case of some EXi instruments).
Note: This does not apply to the HD-1.
Pitch EG Release Time. (–99...+99)
This scales the release times of the Pitch EG (or EGs, in the
case of some EXi instruments).
Pitch LFO1 Intensity. (–99...+99, CC#77)
This scales the effect of LFO1 on the Pitch.
–99 removes the LFO modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
LFO1 Speed. (–99...+99, CC#76)
This scales LFO1's frequency. When the LFO is in
MIDI/Tempo mode, this adjusts the Base Note. For more
information, please see "Frequency" on page 84.
LFO1 Fade. (–99...+99)
This scales LFO1's fade-in time. For more information,
please see "Fade" on page 85.
LFO1 Delay. (–99...+99, CC#78)
This scales LFO1's delay time - the time between note-on
and the onset of the LFO. For more information, please see
"Delay" on page 85.
This parameter interacts with CC# 78.
LFO1 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO1 is stopped
or running. For more information, please see "Stop" on
page 84.
The PROG setting restores the Program's original values–
convenient if Oscillator 1's LFO was stopped, but Oscillator
2's was not.
LFO2 Speed. (–99...+99)
This scales LFO2's frequency. When the LFO is in
MIDI/Tempo mode, this adjusts the Base Note. For more
information, please see "Frequency" on page 84.
LFO2 Fade. (–99...+99)
This scales LFO2's fade-in time. For more information,
please see "Fade" on page 85.
LFO2 Delay. (–99...+99)
This scales LFO2's delay time - the time between note-on
and the onset of the LFO. For more information, please see
"Delay" on page 85.
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LFO2 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO2 is stopped
or running. For more information, please see "Stop" on
page 84.
Common LFO Speed. (–99...+99)
This scales the Common LFO's frequency. When the LFO is
in MIDI/Tempo mode, this adjusts the Base Note.
Unison. (Off/On, Absolute)
This Absolute parameter turns Unison on and off. For more
information, please see "Unison" on page 37.
Number Of Voices. (2...16, Absolute)
This Absolute parameter sets the number of Unison voices.
If Unison is not On, this parameter has no effect. For more
information, please see "Number of voices" on page 37.
Detune. (0.0...200.0, Absolute)
This Absolute parameter sets amount of detuning between
the Unison voices. If Unison is not On, this parameter has
no effect. For more information, please see "Detune" on
page 37.
Thickness. (Off/01...09, Absolute)
This Absolute parameter sets the pattern of detuning
between the Unison voices. If Unison is not On, or if
Detune is set to 0, this parameter has no effect. For more
information, please see "Thickness" on page 37.
Common Step Sequencer Attack Smoothing. (00...99,
Absolute)
This Absolute parameter sets amount of attack smoothing
for the Common Step Sequencer. Note that this applies only
to EXi Programs. For more information, please see
"Smoothing" on page 137.
Common Step Sequencer Decay Smoothing. (00...99,
Absolute)
This Absolute parameter sets amount of decay smoothing
for the Common Step Sequencer. Note that this applies only
to EXi Programs. For more information, please see
"Smoothing" on page 137.
HD-1 Tone Adjust Parameters
Macro parameters
The following three parameters affect both Oscillator 1 and
Oscillator 2.
* In the list below, the items in parentheses are (value
range, edit type) respectively.
Pitch Stretch. (–12...+12, Relative)
This special control increases the Oscillator Tune parameter
while lowering the Transpose parameter. The result is that
the pitch stays the same, but the mapping of the samples to
the keys changes. You can use this to create interesting shifts
in timbre.
Hold. (Off/On, Absolute)
This lets you turn Hold on and off. For more information on
this parameter, see "Hold" on page 38.
Reverse. (PROG/Off/On, Absolute)
This provides a quick way to turn Reverse on or off for all
Multisamples in both Oscillators. PROG restores the
Program's original settings–convenient if some
Multisamples had been set to Off, and others set to On.
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