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To the far left you will find the Midi a
MIDI data. Next comes the MIDI C
channel, on which the Sound Matrix channel will receive its data. You can
either specify a MIDI channel from 1 to 16 or choose a
in omni mode.
Every channel has its own MIDI filter that can be used to restrict the note
and velocity ranges for the channel. Click with your mouse and drag up or
down to change the values of the H
Everything between the two note- or velocity values is passed into the
channel, everything outside those borders is discarded. These settings are
identical with those of the C
chapter 3.6.4) and are immediately reflected there.
You can use the P
itCH
messages semitone wise. The range is four octaves up or down.
MIDI routing
In addition to the fact that MIDI signals run vertically through KORE 2's
S
M
, you can also route the data horizontally between channels
ound
atrix
of the same S
M
ound
atrix
you see to the right of the MIDI Filter. By default you have six Midi o
per channel that route the MIDI data into possible other channels. But it
doesn't end there. If you have set up all available MIDI routings, KORE 2
automatically creates an additional Output for you, so you never run out
of routing paths.
The o
S
to the right of the MIDI Filter is for browsing through
utPut
Croll
the MIDI Outputs, when there are more than six in use.
led, displaying any incoming
CtiVity
S
Hannel
eleCt
l
igH and
ow
M
t
Hannel
aPPing
aB
t
Control to transpose incoming note
ranSPoSe
level. This is accomplished by the Midi o
for choosing the MIDI
, to receive MIDI
ll
n
and V
F
ote
eloCity
ilter
of the S
M
(see
ound
anager
utPutS
utPutS
.
KORE 2 – 76
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