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thus preserving "punch" and a more natural sound. If these peaks
overload subsequent stages, you might want a very short a
the compressor can react quickly.
Note that even with the shortest a
time to analyse the signal. Activating the l
audio by a very short amount (32 samples) so that the compression
algorithm can foresee peaks before they happen, and be ready to process
them the instant they occur.
Label
Threshold
Ratio
Attack
Release
Look Ahead
Out Gain
, the compressor still needs some
ttaCK
ooK
Sets the level above which compression begins.
Sets the amount by which the signal is compressed. At 1 there is no compres-
sion and the output signal equals the input signal. At the maximum setting
signal levels are "clamped" to the threshold level (i.e., the compressor acts as a
limiter).
Sets the time to reach maximum compression once a signal exceeds the thresh-
old level.
Sets the time for compression to cease after a signal goes below the threshold
level.
The compressor delays the signal for a few ms, enabling the algorithm to "know"
what is coming. This improves the clarity of transients in the sound, if wanted.
Controls the output level of the compressed signal.
time so
ttaCK
a
button delays the
Head
Function
Range
Unit
-8...0
dB
1..[inf]
0.1..10
ms
10..1000
ms
On/Off
-2..+2
dB
KORE 2 – 1
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