Advertisement
is received. Please read chapter 3. for details about how to use the e
a
. The Midi i
and o
rea
nPut
when MIDI data passes the plug-in's input or output, respectively.
The V
M
Section is for scaling Velocity values. Use the four
eloCity
aPPing
parameters to the right and select a curve from the t
to manipulate the MIDI velocity values of incoming note messages.
The two V
parameters set the limits for variable velocity. Outside
eloCity
of the i
r
, the incoming values will be set to the lower and upper
n
ange
Velocity values, respectively.
You can look at this process as a transition curve in a coordinate system.
The x-value of the first break point is defined by the first parameter of the
i
r
and the y-value by the first parameter of the o
n
ange
two parameters define x- and y-values for the second break point. When
the right o
value is smaller than the left Out value you get a negative
ut
slope, which can be used for velocity-crossfading applications.
Note that you can only crossfade between two velocity zones with this
concept. More complicated velocity switches are not supported.
The slope of the velocity response curve between the two break points can
be changed via the t
ranSition
four different
slopes and four different
SoFt
ramps up fast with low in-velocities, and tapers off toward higher values
(logarithmic response). With a H
values and becomes steeper for higher values (exponential response).
The next parameter of the Midi t
MIDI notes up or down in half tone steps.
a
M
(labeled In and Out) flash
utPut
CtiVity
eterS
C
menu. You can choose between linear,
urVe
Hard
curve, the curve remains flat for low
ard
, t
ranSForMer
ranSPoSe
dit
C
menu
ranSition
urVe
r
. The other
ut
ange
slopes. The S
curve
oFt
, transposes the
%
Internal MIDI plug-ins are
handled in the same way
as any other device in KORE. This
means you can save them as a
KoreSound to recall their settings at
a later stage.
KORE 2 – 189
Advertisement
