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in reach for the host. In the case of Ableton Live, the Pages you want to
automate have to sit in slots lower than 128.
If you tend to think your VST automation from the host (choosing the
parameters in the host, and not automating by recording parameter changes
in KORE 2) the a
utoMation
in the way that suits you best, i.e. first all C
u
P
of the FX and the synthesis stuff last.
Ser
ageS
Use the S
t
to navigate the S
ound
ree
components for accessing their C
of the rows on the list are highlighted. These entries belong to the node
currently selected on the S
Use the a
a
dd to
utoMation
currently selected Page to the a
parameters residing on the respective Page will be accessible to the host.
Each of the added Pages shows up on the a
The first 32 rows of the a
controlling the S
M
ound
other Pages into this upper part of the list.
This also means that there is a maximum of 16 KoreSounds for which you
can automate the S
ound
The left column of the a
while the right column shows the a
Automation IDs is fixed, as they are defined by the VST standard.
l
can also be of help. You can organize it
iSt
Hannel
M
ound
atrix
P
ontrol
ageS
t
(see chapter 3.6.1).
ound
ree
l
button below the P
iSt
l
utoMation
iSt
utoMation
l
are reserved for the X+Y-Parameters
utoMation
iSt
of the KoreSounds. You cannot move any
orPHing
M
– which normally should be enough.
orPHing
l
displays the name of the parameter
utoMation
iSt
utoMatiion
P
, and then all the
ageS
and to select the different
. You will notice that some
l
to add the
age
iSt
. This means that all the
l
.
iSt
id. The order of the
KORE 2 – 102
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