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3.1.2 SingleSounds, MultiSounds, Performances and Nesting
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a
The
of a Performance containing nested Sounds.
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It can be a time-consuming task to find the sound that exactly fits
into the music you are working on. Following the paradigm described
above, you need to load different plug-ins into your host, and you
need to handle each of them differently in order to find an adequate
sound; tweaking the sound again requires a plug-in-specific procedure.
KORE 2 allows you to abstract from the plug-ins' particularities. Instead,
you can focus on the sound. KORE 2 provides a concise interface to
handle your different plug-ins' parameters in a standardized way (this is
the KORE 2 Controller's function), and the database contains all sounds
of all plug-ins installed on your system, tagged with musical attributes for
quick access.
Each entry in the database is a so-called KoreSound. It holds the mentioned
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as well as additional information, for instance the sound's author,
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If you are familiar with
If you are familiar with
sampling techniques, you
sampling techniques, you
can think of a KoreSound as being
can think of a KoreSound as being
similar to a sample. The only differ-
similar to a sample. The only differ-
ence is that a sample is the record-
ence is that a sample is the record-
ing of a sound, while the KoreSound
ing of a sound, while the KoreSound
is a "recording" of the structure
is a "recording" of the structure
which generates a sound. This al-
which generates a sound. This al-
lows the reproduction of the sound
lows the reproduction of the sound
at any time but it also provides ex-
at any time but it also provides ex-
tensive editing capacities impossi-
tensive editing capacities impossi-
ble with samples.
ble with samples.
KORE 2 – 23
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