Wah Stomps (Orange) - Kemper PROFILER Main Manual


Damping
The reverb tail of a natural room gets darker over time because the high frequencies decay faster than the lower
frequencies. As sound waves travel through the air, the oscillation of the air causes friction that attenuates the sound
as it travels - because high frequencies oscillate faster, they cause more friction per time, resulting in a faster
attenuation. This effect is simulated by the "Damping" parameter. With zero damping, the reverb sounds somewhat
artificial, so you should consider this parameter to be as important as

Bandwidth & Frequency
You may have seen this before: that's because this is the same, special bandpass filter as found in the delay. In this
case, however, the filter will not change the color of the sound over time (this is the job of the "Damping" parameter),
but instead create a constant coloration for the reverb. Use "Bandwidth" to narrow the frequency response of the
reverb from soft to artificial. Adjusting "Frequency" will change the center of the coloration from low to high
frequencies. Again, you can set the frequency to a specific musical pitch. The reverb will resonate around this note
when you set "Bandwidth" to higher values.

Wah Stomps (Orange)

The Wah Stomps are a versatile collection of different effects that can all be controlled by an expression pedal set up
Pedal. Alternatively, you can switch to "Pedal Mode" option "Touch", and control the effect using your picking
as Wah
strength.
This is the classic wah pedal effect. By modifying the "Peak" parameter you can achieve
Wah Wah
different wah characteristics. Turning
find wah wah presets including settings of some prominent wah pedals.
Wah Low Pass An alternative wah pedal effect derived from the Access Virus synthesizer. It's a 4-pole low
pass filter, with the "Peak" parameter emphasizing the filter resonance.
"Reverb
Time".
BROWSE while an effect module is in focus you can
Effects 134