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specified an EQ boost of 2 dB @ 1200 Hz in the
Source Profile for the Control Room Host mic;
checking the Retain Source Setting option
here in the Channel Description Screen allows
that previously-defined EQ setting to "ride along"
when the source is loaded — without your hav-
ing to specify it again.
Channel Description Section
The name of the source you assigned
•
SOURCE ID:
to this fader. You can change the source using the
drop-down box.
•
FEED TO SOURCE MODE:
AUX SEND A/B/C/D
source, or
Retain Source Setting.
for any phone source feeds the caller
when the fader is
and
On,
when the fader is
er)
Off.
•
AUTO-START TIMER:
this fader on will start/reset the Event Timer. You
can
Enable, Disable
Choose from
•
SIGNAL MODE:
channel fed to both sides),
to both sides),
(sum L+R to mono and feed to
Sum
both sides) or
Retain Source Setting.
•
SIGNAL MODE LOCK: Unlock
ent's ability to change the Signal Mode, or
Source Setting.
•
PANORAMA POSITION: Use
ment for this source, or
Adjust for phase errors. May be set to
•
PHASE:
mal, Invert Left, Invert Right, Invert Left And
or
Right,
Retain Source Setting.
Make EQ
•
EQ ACTIVE:
combo,
it, or
Bypass
Retain Source Setting.
Switches high-frequency EQ
•
EQ HIGH MODE:
mode between
and
Shelf
tain Source Setting.
Specify
PGM-1/2/3/4,
or
for this
AUTO mix-minus
Choosing
Auto
PGM-1 minus
Phone (PGM-4 pre-fad-
Determines whether turning
or
Retain Source Setting.
(left
Stereo, Left
(right channel fed
Right
or
the tal-
Lock
Retain
Pan/Balance adjust-
Retain Source Setting.
Nor-
for this fader/dource
Active
(peak), or
Bandpass
©2008 Axia Audio — Rev. 3.0
•
EQ HIGH FREQUENCY:
the High Frequency Shelf, or the middle frequency
of the Bandpass filter (depending upon which mode
was chosen for EQ High Mode), or
Setting.
•
EQ MID FREQUENCY / EQ LOW FREQUENCY:
Choose the middle frequency of the Low and Middle
EQ bands, or Retain Source Setting.
•
EQ HIGH GAIN / EQ MID GAIN / EQ LOW GAIN:
dial in boost or cut for the three EQ bands, or
Source Setting.
Note:
For details on Element EQ operations,
please refer to Chapter Two, "Working With
Sources."
•
ASSIGN TO PGM1/2/3/4 and AUX A /B/C/D:
ing
for any of these buses assigns the fader to that bus
ON
when the Show Profile is loaded. You can also choose
or
Retain Source Settings.
•
AUX A / AUX B / AUX C / AUX D PRE/POST
Allows you to send this fader's source to the
FADER:
specified Aux Send bus either
or
Fader,
Retain Source Settings.
•
AUX SEND A/B/C/D GAIN:
feed to the specified Aux Send bus
to 10 dB of boost or 25 dB of cut, or
Settings.
•
NOISE GATE STATUS:
Omnia Dynamics Processing on and off. Specify
or
Active
Bypass
(Only applies to Mic sources.)
ting.
•
COMPRESSOR STATUS:
the Omnia Dynamics Processing on and off. Specify
or
Active
Bypass
(Only applies to Mic sources.)
ting.
Re-
•
DE-ESSER STATUS:
the Omnia Dynamics Processing on and off. Specify
You can specify the top of
Retain Source
or
Pre-Fader
Turn this channel's
specify up
Off,
Retain Source
Turns the Noise Gate in the
, or choose
Retain Source Set-
Turns the compressor in
, or choose
Retain Source Set-
Turns the de-essing function in
Retain
Check-
OFF
Post-
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