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Retain Existing Setting.
•
PREVIEW SPEAKER MASTER GAIN:
up to -85 dB of attenuation on the Control
Use
Room Preview speakers, turn gain adjustment
or
Retain Existing Setting
•
SOURCE ID FOR EXTERNAL PREVIEW:
External Preview allows other devices to route audio
into the console's Preview system (speakers and op-
erator headphones). Use this dropdown box to select
the External Preview source for this Show Profile.
What's External Preview for? The word "Ex-
ternal" refers here to any source not generated
by the studio you're working in. Let's say you
have an intercom system that you want to feed
the console's Preview channel. To do this, you
would take the GPO from the intercom and use
it to gate open the external preview input, which
would be fed by the intercom audio. Voila!
•
TALKBACK GAIN: Use
10 dB gain on the contents of the
can also turn gain adjustment
ing Setting.
•
GPIO CHANNEL FOR EXTERNAL PROFANITY
Enter the Channel Number of the GPIO port
DELAY:
connected to your station's Profanity Delay Unit.
This assigns the
Delay
Module to control your external delay unit.
Sources for External 1 & 2 Section
•
SOURCE ID FOR EXTERNAL INPUT 1:
dropdown box to specify a source for Monitor 1, Ex-
ternal Input 1.
•
SOURCE ID FOR EXTERNAL INPUT 2:
dropdown box to specify a source for Monitor 1, Ex-
ternal Input 2.
Control Room Monitor (Monitor 1) Options
•
MONITOR ASSIGNMENT:
PGM2, PGM3, PGM4, AUX A, AUX B, AUX C, AUX
or
D, EXT1, EXT 2
No Source
file to be loaded with nothing assigned to Monitor 1.
Lets you
Off
.
Element's
up to -30 dB attenuation or
bus. You
Talkback
or
Off
Retain Exist-
keys on the Element Master
Use the
Use the
Choose to load
PGM1,
if you wish the Pro-
©2008 Axia Audio — Rev. 3.0
•
CR MONITOR MASTER GAIN:
as much as -85 dB of gain reduction on the audio sig-
nal sent to the Monitor 1 Speakers. You can also turn
gain control
or
Off
,
•
SIGNAL MODE: CR MONITOR
dio feed to the Monitor 1 speakers to
or
Right, Sum
Retain Existing Setting.
•
CR MONITOR DIM GAIN:
volume by which the Monitor 1 speakers will dim
when
or
Talk To...
as -30 dB of cut, turn the option
isting Setting.
•
GPIO CHANNEL FOR CR MONITOR:
you assign Monitor 1 a channel number, effectively
making it a "source" to which logic commands – to
activate Mute, Dim, tally lights – can be associated.
You'll enter this channel number in the GPIO Setup
web page to assign a GPIO port for these logic fun-
tions. See Chapter Three, "GPIO Configuraton," for
more information.
This option should typically be programmed with
the same logic channel number for all show profiles
on a single Element, since this function is primarily
used for "on-air" warning light control.
Control Room (Monitor 1) Headphone Options
•
MONITOR ASSIGNMENT:
PGM2, PGM3, PGM4, AUX A, AUX B, AUX C, AUX
or
D, EXT1, EXT2
file to be loaded with nothing assigned to the board
op's headphones.
•
CR HEADPHONES MASTER GAIN:
as much as 85 dB of gain reduction on the au-
Use
dio signal sent to the Control Room headphones. You
can also turn gain control
Setting.
•
SIGNAL MODE: CR HEADPHONE:
feed to the Control Room headphones to
Left, Right, Sum
Allows you to
Retain Existing Setting.
lets you set the au-
Stereo, Left,
Specify the amount of
is in use.
as much
Preview
Use
, or
Off
Retain Ex-
In this box,
Choose to load
if you wish the Pro-
No Source
Allows you to
or
Off
Retain Existing
Set the audio
Stereo,
or
Retain Existing Setting.
Use
PGM1,
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