Table of Contents
Advertisement
you'll see the "Element Control Center" displayed
onscreen. Using the sidebar menu, choose the "Con-
figuration" menu item under the "Sources & Profiles"
heading. Enter your password in the box (default is
"user") and click
.
OK
2.
Choose the
Source profiles
main screen, and click the
at the bottom of the screen. You're now in the Source
Profile creation screen.
Reminder: Did you define your audio sources
from the Engine and Nodes as outlined in Chap-
ter One? If not, go no further – you've got to do
that before you can continue with Source Profile
setup.
•
PRIMARY SOURCE:
you previously defined (during Audio Node setup)
are available in this drop-down box; pick one.
•
SOURCE PROFILE NAME:
scriptive name for your source.
•
SOURCE NAME OVERRIDE:
defining can supply Program Associated Data (for
instance, a computer playout system that sends song/
artist information), you can choose to have that text
dynamically substituted in the alphanumeric dis-
play of the fader the source is assigned to. Instead
of reading PROPHET_1, for example, it could scroll
FERGIE.
»
Choose
Show Sourcename
alpha display the name you typed into the Source
Profile Name field above.
»
Choose
Allow Application to Override
like the PAD text displayed instead.
»
Choose
Show Both
followed by the PAD text across the alpha dis-
play.
•
SOURCE AVAILABILITY:
termine which faders (or other inputs) you'll allow
this source to be assigned to. For example, if your
source is a Control Room mic, and you only want
it to appear on the left-most fader, you would check
only the box marked
Channel 1
menu item from the
link
New Source Profile
All of the audio sources that
Type a 10-character de-
If the source you're
to have the channel
if you'd
to scroll the Source Name
These check boxes de-
. You might want to
©2008 Axia Audio — Rev. 3.0
make a CD player available on any fader, so you'd
check the boxes for all faders. Some sources – es-
pecially air monitors – you might wish to prevent
from ever being assigned to a fader, so you would
uncheck the boxes for all faders. The number of fad-
er checkboxes show will vary depending upon the
number of faders installed in your Element.
The four final check boxes,
headphone input, Studio monitor input
determine whether the board op will
Mixer input
be able to assign this source to the monitor and head-
phone buses or the Virtual Mixer (please see Chapter
6: Virtual Mixer for details on this feature).
To prevent a source from appearing on these inputs'
selection lists, uncheck the desired box.
About Mics and Headphone Feeds: Element
provides you with several headphone options,
all selectable from Element's Monitor Mod-
ule. The Monitor 1 (control room) headphone
output provides a feed intended for the Host
(board-op's) mic position and includes the abil-
ity to monitor the Preview bus in headphones.
Guests can talk to the host directly using the
Talkback keys on their remote control panels.
The Monitor 2 headphone output sends au-
dio to talent and guest mic positions. Talent
positions include a talkback channel that the
host or board op can use to communicate us-
ing the Talk To Monitor 2 function (guest
positions do not have this Talkback channel).
An individual headphone feed can also be con-
structed to associate a dedicated headphone
channel with a specific mic. This allows the
board op to send individual, targeted talkback
to a specific individual (using the Talkback
keys) without other talent or guests hearing.
Define your source as a micro-
•
SOURCE TYPE:
phone, a line input, a telephone input, a codec or a
computer source.
is the board operator's mic. It is the
»
Operator
source mic for Element's
button serves as a
On
associated logic mutes the CR monitors when
.
On
is used for in-studio Producer's
»
CR Producer
mic positions. It has associated GPIO logic
,
CR monitor input
CR
and
V-
functions. Its
TALK TO
button. Its
COUGH/MUTE
Advertisement
Table of Contents
