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The Channel Description Screen
Click on any of the
Channel
settings for a fader. Many of the options will seem fa-
miliar to you; you've seen them before, during Source
Profile setup.
Remember that these settings are saved with the
Show Profile, not the Source Profile we discussed in the
previous chapter. In the case of a Channel, these settings
apply only to one fader for one specific Show Profile.
Settings that are intended to be global in nature should
be established in the Source Profile - that way they will
apply to ANY fader to which the source is applied.
Let's look at these options one by one; notice as we
go that the fields match the choices you made for this
channel, using Element's
turing the Show Profile.
Note: in addition to "active" options – choic-
es that are actively made to Element settings
when loading a new Show Profile – there is
also a "passive" option for many items: Retain
Source Setting. Choosing Retain allows the
setting for this option to "cascade" from the
Source Profile attached to the source loaded
on this channel.
For example, you've set a Show Profile to load
the Control Room Host mic on Channel 1. You
specified an EQ boost of 2 dB @ 1200 Hz in the
Source Profile for the Control Room Host mic;
checking the Retain Source Setting option
here in the Channel Description Screen allows
that previously-defined EQ setting to "ride along"
when the source is loaded — without your hav-
ing to specify it again.
Channel Description Section
The name of the source you assigned
•
SOURCE ID:
to this fader. You can change the source using the
drop-down box.
•
FEED TO SOURCE MODE:
AUX SEND A/B/C/D
source, or
Retain Source Setting.
for any phone source feeds the caller
when the fader is
and
On,
when the fader is
er)
Off.
links to examine the
menus, prior to cap-
Options
Specify
PGM-1/2/3/4,
or
for this
AUTO mix-minus
Choosing
Auto
PGM-1 minus
Phone (PGM-4 pre-fad-
©2016 Axia Audio- Rev 1.8.1
•
AUTO-START TIMER:
this fader on will start/reset the Event Timer. You can
or
Enable, Disable
Retain Source Setting.
Choose from
•
SIGNAL MODE:
channel fed to both sides),
to both sides),
(sum L+R to mono and feed to
Sum
both sides) or
Retain Source Setting.
•
SIGNAL MODE LOCK: Unlock
ent's ability to change the Signal Mode, or
Source Setting.
Adjusts signal gain just before
•
FADER TRIM GAIN:
the fader if required. Specify a value in the range of
+/- 25 dB or
Retain Source Setting.
•
FADER TRIM LOCK: Unlock
ability to change the Fader Trim, or
Setting.
•
PANORAMA POSITION: Use
ment for this source, or
Adjust for phase errors. May be set to
•
PHASE:
mal, Invert Left, Invert Right, Invert Left And
or
Right,
Retain Source Setting.
Make EQ
•
EQ ACTIVE:
combo,
it, or
Bypass
Retain Source Setting.
Switches high-frequency EQ
•
EQ HIGH MODE:
mode between
and
Shelf
tain Source Setting.
•
EQ HIGH FREQUENCY:
the High Frequency Shelf, or the middle frequency
of the Bandpass filter (depending upon which mode
was chosen for EQ High Mode), or
Setting.
•
EQ MID FREQUENCY / EQ LOW FREQUENCY:
Choose the middle frequency of the Low and Middle
EQ bands, or Retain Source Setting.
Determines whether turning
(left
Stereo, Left
(right channel fed
Right
or
the tal-
Lock
Retain
or
the talent's
Lock
Retain Source
Pan/Balance adjust-
Retain Source Setting.
Nor-
for this fader/source
Active
(peak), or
Bandpass
Re-
You can specify the top of
Retain Source
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