Yamaha PM5D Owner's Manual page 306

Effects Parameters
❏ ST REVERB
Two input, two output stereo reverb.
Parameter Range
REV TIME 0.3–99.0 s
Hall, Room, Stage,
REV TYPE
Plate
INI. DLY 0.0–100.0 ms
HI. RATIO 0.1–1.0
LO. RATIO 0.1–2.4
DIFF. 0–10
DENSITY 0–100%
E/R BAL. 0–100%
THRU, 21.2 Hz–
HPF
8.00 kHz
50.0 Hz–16.0 kHz,
LPF
THRU
❏ M. BAND DYNA.
Two input, two output 3-band dynamics processor, with
individual solo and gain reduction metering for each band.
Parameter Range
LOW GAIN –96.0 to +12.0 dB
MID GAIN –96.0 to +12.0 dB
HI. GAIN –96.0 to +12.0 dB
PRESENCE –10 to +10
CMP. THRE –24.0 dB to 0.0 dB
CMP. RAT 1:1 to 20:1
CMP. ATK 0–120 ms
CMP. REL 1
CMP. KNEE 0–5
LOOKUP 0.0–100.0 ms
CMP. BYP ON/OFF
L–M XOVR 21.2 Hz–8.00 kHz
M–H XOVR 21.2 Hz–8.00 kHz
SLOPE –6 dB, –12 dB
CEILING –6.0 dB to 0.0 dB, OFF
EXP. THRE –54.0 dB to –24.0 dB
1:1 to ∞:1
EXP. RAT
*1
EXP. REL
EXP. BYP ON/OFF
LIM. THRE –12.0 dB to 0.0 dB
LIM. ATK 0–120 ms
LIM. REL 1
LIM. BYP ON/OFF
LIM. KNEE 0–5
*1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz),
3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
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PM5D/PM5D-RH Owner's Manual
Description
Reverb time
Reverb type
Initial delay before reverb begins
High-frequency reverb time ratio
Low-frequency reverb time ratio
Reverb diffusion (left–right reverb
spread)
Reverb density
Balance of early reflections and
reverb (0% = all reverb, 100% =
all early reflections)
High-pass filter cutoff frequency
Low-pass filter cutoff frequency
Description
Low band level
Mid band level
High band level
For positive values, the thresh-
old of the high band is low-
ered and the threshold of the
low band is increased. For
negative values, the opposite
will occur. When set to 0, all
three bands are affected the
same.
Compressor threshold
Compressor ratio
Compressor attack
Compressor release time
Compressor knee
Lookup delay
Compressor bypass
Low/mid crossover frequency
Mid/high crossover frequency
Filter slope
Specifies the maximum output
level
Expander threshold
Expander ratio
Expander release time
Expander bypass
Limiter threshold
Limiter attack
Limiter release time
Limiter bypass
Limiter knee
Reference section
❏ M.BAND COMP
Two input, two output 3-band compressor, with individ-
ual solo and gain reduction metering for each band.
Parameter Range
LOW GAIN –96.0 to +12.0 dB
MID GAIN –96.0 to +12.0 dB
HI. GAIN –96.0 to +12.0 dB
L-M XOVR 21.2 Hz–8.00 kHz
M-H XOVR 21.2 Hz–8.00 kHz
SLOPE –6 dB, –12 dB
CEILING –6.0 dB to 0.0 dB, OFF
LOOKUP 0.0–100.0 ms
LOW THRE –54.0 dB to 0.0 dB
MID THRE –54.0 dB to 0.0 dB
HI. THRE –54.0 dB to 0.0 dB
RATIO 1:1 to 20:1
ATTACK 0–120 ms
*1
CMP. REL
KNEE 0–5
BYPASS ON/OFF
*1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz),
3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)
❏ REV-X HALL, REV-X ROOM, REV-X PLATE
Newly-developed two input, two output reverb algo-
rithm. Delivers dense and rich reverberation, smooth
decay, and provides a spaciousness and depth that
enhances the original sound. Choose from three types
depending on your location and needs; REV-X HALL,
REV-X ROOM, and REV-X PLATE.
Parameter Range
*1
REV TIME
0.47–46.92 s
INI. DLY 0.0–120.0 ms
HI. RATIO 0.1–1.0
LO. RATIO 0.1–2.4
LO.FREQ 22.0 Hz–18.0 kHz
DIFF. 0–10
ROOM
0–28
SIZE
DECAY 0–53
THRU, 22.0 Hz–
HPF
8.00 kHz
1.00 kHz–18.0 kHz,
LPF
THRU
*1. These values are for when the effect type is REV-X HALL and the
ROOM SIZE=28. The range will differ depending on the effect type
and ROOM SIZE setting.
Other preset effects (COMP276, COMP276S, COMP260,
COMP260S, EQUALIZER601, OPENDECK) are sepa-
rately sold Add-On Effects. For details on these effects,
refer to the owner's manual included with the Add-On
Effects package.
Description
Low band level
Mid band level
High band level
Low/mid crossover frequency
Mid/high crossover frequency
Filter slope
Specifies the maximum output
level
Lookup delay
Low band threshold level
Mid band threshold level
High band threshold level
Compression ratio
Compressor attack time
Compressor release time
Compressor knee
Bypasses the compressor
Description
Reverb time
Initial delay before reverb begins
High-frequency reverb time ratio
Low-frequency reverb time ratio
Frequency point for LO.RATIO
setting
Reverb diffusion (left–right reverb
spread)
Size of room
Gate closing speed
High-pass filter cutoff frequency
Low-pass filter cutoff frequency