is especially useful for talent and guests in the same
room as the board operator; their headphone feeds will
all monitor the audio selected on the
tor, but the board op can communicate with each person
privately using
Talkback
Studio Microphone Channel Operation
The third type of mic channel is a Studio Microphone.
This mic is typically located in a location separate from
the control room — perhaps a voice-over booth, a talk
studio separated by glass, or a news booth.
Logic for Studio Microphone channels is identical
to that of the Control Room Guest Microphone chan-
nel. Studio Microphone channels can be turned on and
off remotely and provide on/off status to a remote logic
device.
and
Remote Talk
provided for use with a remote On/Off/Talk/Mute panel.
lets talent and guests communicate
Remote Talk
with the board op. When
Talk
puts to program buses for that channel are muted and the
source audio is fed to the
the
key is lit and the Status Symbol displays
Talkback
TALK. When the user stops talking, the channel returns
to its previous state, and its
three seconds, alerting the board op to the guest who
spoke to him, and enabling reply via the
When
is activated, the Status Symbol
Remote Mute
will display MUTE, all channel outputs are muted until
the key is released, and the channel is again active.
The
speakers mute when a Studio Micro-
Monitor-2
phone channel is turned on, or if it is assigned to the
bus.
Program-4/Record
The Studio Microphone channel can be associated
with an individual Headphone feed. All Studio Micro-
phone-associated feeds will monitor the audio selected
on the
selector, but the board op can commu-
Monitor 2
nicate privately using the
Line Channel Operation
Line-level devices like CD players, tape players, etc.,
selec-
Monitor 2
key on their fader strip.
functions are
Remote Mute
is remotely activated, out-
bus. While active,
Talkback
key flashes for
Talkback
key.
Talkback
function.
Talkback
©2016 Axia Audio- Rev 1.8.1
use the Line Channel profile. The Line Channel is ste-
reo, but the user can change the input mode to mono, left
only or right only by using the
Master Module's
Channel Options
Line channels have a variety of remote logic func-
tions available at the GPIO interface.
can be remotely controlled, as well as the
Each function has a corresponding lamp driver.
A
function is provided to remotely turn the
Reset
channel
while suppressing the
OFF
ful for allowing certain types of tape machines to re-cue.
You'll also find a
command which will remotely
Ready
illuminate the
lamp on the Element channel and ac-
OFF
tivate the GPIO
lamp driver, allowing source equip-
OFF
ment to signal the operator with either a steady-state
button (indicating source ready) or a flashing
(indicating source next). Refer to the GPIO Node User's
Manual for information on interfacing to the GPIO's in-
puts and outputs.
Phone Channel Operation
The Phone Channel profile is used, naturally, for tele-
phone hybrid audio sources. Each Phone Channel has its
own discrete Feed-to-Source mix-minus output.
Each Element can accommodate as many unique,
automatically-generated mix-minus feeds as it has fad-
ers. If the Feed-to-Source mode is set to "Auto" (the
most common option - see Chapter 3: Working with
Sources for the section entitled "Source Profile Op-
tions"), phone callers hear the output of the
bus, minus himself, when the channels they're assigned
to are
. When the caller's channel is
ON
nel's
key is lit and they hear the Board Opera-
Talkback
tor's mic routed to their
Talkback
When a Phone Channel has been assigned to an
Element fader, the Status Symbol display located above
the channel name will display an icon to show the board
operator what is being fed to the caller.
Phone feed-to-source outputs can also be locked to
backfeed only
PGM-1, PGM-2, PGM-3
key in the
Pan & Mode
section.
and
keys
ON
OFF
key.
Preview
command, use-
Stop
OFF
button
OFF
Program-1
, their chan-
OFF
feed.
or
, us-
PGM-4
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