Chapter 6: Record And Monitor Audio; Overview; Audio Data Path - RED epic Operation Manual

R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T
06
RECORD AND
MONITOR AUDIO

OVERVIEW

The DSMC can record up to two (2) discrete stereo channels of uncompressed 24-bit, 48 KHz audio. A Pro
®
I/O Module provides two (2) channels of microphone level or line level audio inputs, and up to four (4) digital
AES audio inputs. In total, the DSMC supports eight (8) incoming audio channels, and can record up to four (4)
audio channels.
Input signals are routed via a high-quality pre-amplifier and soft clip analog limiter (the limiter is optional) to
achieve the desired recording levels and maximize dynamic range.
Audio data is synchronized with video and timecode and embedded in the R3D
from REDCINE-X PRO
®
Audio is also embedded in any HD-SDI and HDMI
For more information about using the Pro I/O Module, see the
com/downloads.

AUDIO DATA PATH

The diagram below shows how the DSMC records and outputs audio.
ANALOG INPUT GAIN / CHANNEL
MODE / LIMITER SELECTION
CAM
ANALOG 1
CAM
ANALOG 2
PRO I/O
ANALOG 1
PRO I/O
ANALOG 2
PRO I/O
AES 1
PRO I/O
AES 2
PRO I/O
AES 3
PRO I/O
AES 4
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as separate audio files.
AUDIO DATA PATH
PEAK
ANALYSIS
CH 1/2 PEAK
PEAK
CH 3/4
R3D
RECORDING
output connected to the DSMC
®
Pro I/O Operation
DIGITAL
OUTPUT MIXER
4 CH TO 2 CH
MIXER
4 CH TO 2 CH
MIXER
4 CH TO 2 CH
MIXER
PRE-MIXER
PEAK METER
file. You can export audio data
®
BRAIN .
® ®
Guide, available at www.red.
ANALOG
OUTPUT GAIN
CAM
HEADPHONE L
PEAK
CAM
HEADPHONE R
PRO I/O
LINE 1
PEAK
PRO I/O
LINE 2
MONITOR
LINE 1
PEAK
MONITOR
LINE 2
POST-MIXER
PEAK METER
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