RED Epic Operation Manual
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RED Epic Operation Manual

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RED DSMC
O P E R AT I O N G U I D E
E P I C
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S C A R L E T
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V 5 . 3
R E D D R A G O N
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M Y S T E R I U M - X
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M O N O C H R O M E
R E D . C O M

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Summary of Contents for RED Epic

  • Page 1 RED DSMC O P E R AT I O N G U I D E E P I C S C A R L E T V 5 . 3 R E D D R A G O N M Y S T E R I U M - X M O N O C H R O M E R E D .

  • Page 2: Table Of Contents

    Additional Resources Master/Slave Operation BRAIN Set Up Stereo/3D Configuration DSMC Media Modules Set Up a Camera Array REDMAG and RED MINI-MAG Systems Set Up Motion Control (MoCo) DSMC Adaptor Modules Compatible Devices DSMC Power Modules Chapter 9: Upgrade DSMC Firmware...

  • Page 3: Disclaimer

    While thought to be accurate, the informa- code, and product names used in association with the accompa- tion in this document is provided strictly “as is” and RED will not nying product are the copyrights, trademarks, or other intellectual be held responsible for issues arising from typographical errors or property owned and controlled exclusively by RED.COM, INC.

  • Page 4: Compliance Statements

    (2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est sus- RED declares that the radio equipment described in this document ceptible d’en compromettre le fonctionnement.Cet appareil numéri- comply with the following international standards.
  • Page 5 Restrictions d’utilisation - Zone géographique où les restrictions s’appliquent : France Pour la France métropolitaine 2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur 2.400 - 2.454 GHz (canaux 1 à 10) autorisé en usage extérieur COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 6: Safety Instructions

    WARNING: Danger of explosion if an incor- DO NOT operate or store near any heat sources such as radia- rect battery is charged with the RED Char- tors, heat registers, stoves, or any other apparatus that pro- ger or is used to power the camera and duce heat.

  • Page 7: Battery Storage And Handling

    50% to 80%. If RED batteries. batteries will be stored for long periods of time, RED recommends Store the battery in a location where children cannot reach it. that you check the charge level at least once every six (6) months, If the battery leaks or gives off a bad odor, discontinue use and recharge batteries to a capacity level of 50% to 80%.

  • Page 8: Chapter 1: Dsmc System Introduction

    EPIC-M RED DRAGON MONOCHROME READ BEFORE YOU SHOOT Read this operation guide carefully and in its entirety before assembling or operating your DSMC or other RED accessories. In addition to this document, RED offers the following operation guides for the DSMC system:...

  • Page 9: Dsmc Brain

    , housing the critical image capture electronics and digital image sensor. ® The expansive RED arsenal of DSMC modules, monitors, lens mounts, controllers, power, media, and other accessories supports both the EPIC and SCARLET BRAINs. Modular DSMC lens mounts enable you to use your existing Canon , Nikon , Leica-M , and PL lenses to capture the perfect shot.

  • Page 10: Red Digital Sensors

    35mm film in both latitude and image density. The RED DRAGON sensor is a model for image innovation, leading the way in the evolution of digital cinema technology. Boasting an industry-leading 19 megapixels at 6K resolution, the RED DRAGON supports 100+ frames per second (FPS), 16.5+ stops of dynamic range, and advanced color science.

  • Page 11: R3D File Format And Redcode

    NOTE: The MONOCHROME and RED DRAGON MONOCHROME sensors are only available with EPIC BRAINs. R3D FILE FORMAT AND REDCODE The R3D file format was developed by RED to provide an efficient and manageable RAW video data format that promotes advanced post-production editing capabilities. In the R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other aspects unprocessed) 16-bit per pixel RAW data frame.

  • Page 12: Shoot For Video And Stills

    Because of the ability to record at high frame rates and resolution, the DSMC is ideally suited to capture video and still images, simultaneously. Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files. POST-PRODUCTION WITH REDCINE-X PRO...

  • Page 13: Hdrx And Magic Motion

    MAGIC MOTION creates an image that matches the natural motion observed by the human eye. ADDITIONAL RESOURCES The following resources offer additional information about RED, the DSMC system, and the RED community:  RED.com: Check the official RED website for the latest information about RED products.

  • Page 14: Chapter 2: Dsmc System Components

    NOTE: Availability of components listed in this chapter is subject to change at any time. ADDITIONAL RESOURCES For more information on media and power, see the following guides, available at www.red.com/downloads: DSMC Media Operation Guide DSMC Power Operation Guide COPYRIGHT ©...

  • Page 15: Brain

    Red flashing (fast) Recording; 5% media left Recording Amber Finalizing Power Status LED (PWR) Both green flashing Firmware update in progress and Record Status LED (REC) Both red flashing Firmware update error COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 16: Dsmc Media Modules

    Rear SSD Module 720-0009 1. The DSMC 1.8” SSD Side Module (DRAGON) is only available with the purchase of a RED DRAGON sensor-based BRAIN. 2. Carbon fiber side SSD modules are only available with the purchase of a carbon fiber BRAIN.

  • Page 17: Rear Ssd Module

    The Rear SSD Module secures to the back of a Module Adaptor or a +1 Adaptor Module to serve as a rear location for recording to a REDMAG 1.8" SSD. For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 18: Redmag And Red Mini-Mag Systems

    RED STATION REDMAG 2.5" 750-0007 1. These REDMAG 1.8" SSDs are no longer available for purchase at red.com, but are still supported by RED. 2. The REDMAG 1.8" SSD (240GB) requires that your DSMC is on firmware v5.1.44 or later.

  • Page 19: Dsmc Adaptor Modules

    WARNING: The Module Adaptor is NOT compatible with the +1 Adaptor Module. WARNING: The +1 Adaptor Module IS NOT compatible with the Module Adaptor. WARNING: DO NOT use the EVF/LCD port if a Pro I/O Module is connected to the BRAIN. RED offers the following DSMC adaptor modules: ITEM PART NUMBER...
  • Page 20 Power Out > +1 PWR. The last power output setting is saved until a firmware upgrade or a factory reset. +1 ADAPTOR MODULE ACCESSORIES For more information, as well as a full list of EVF/LCD cables and other accessory cables, visit www.red.com. ACCESSORY...

  • Page 21: Dsmc Power Modules

    , REDVOLT XL, and RED BRICK batteries. When used in combination with a ® ® DSMC AC Power Adaptor or DSMC Side Handle, you can hot-swap batteries without interrupting recording. RED offers the following DSMC power modules: ITEM PART NUMBER Pro Battery Module (Dual) 720-0005...

  • Page 22: Red Batteries And Chargers

    BRAIN. These batteries provide long-term mobile power and attach to the BRAIN via a DSMC power module or other RED accessory, such as the DSMC Side Handle. RED chargers replenish lost capacity for REDVOLT, REDVOLT XL, and RED BRICK batteries.

  • Page 23: Other Dsmc Modules

     Centralized ports that make it easy to manage connections and cables.  LCD/EVF port that allows you to connect an additional RED LCD or EVF.  Customizable triggers that interface with third-party GPIO and RS232 control devices using Pro I/O cables.
  • Page 24 RED 4K BROADCAST MODULE RED 4K Broadcast Module The RED 4K Broadcast Module allows for live 4K streaming, enabling you to capture and view action in real- time. Compatible with both EPIC DRAGON and SCARLET DRAGON cameras, the 4K Broadcast Module uses four (4) 3G-SDI output connections to broadcast 4K video at up to 60 frames per second.

  • Page 25: Displays And Electronic Viewfinders

    DSMC system caused by using these threads are not covered under warranty. WARNING: DO NOT use a RED display as a handle to lift or carry the DSMC. Damage to a RED display or other components of the DSMC system caused by using the display as a handle are not covered under warranty.
  • Page 26 DESCRIPTION EVF connector Custom digital video and power interconnection between BRAIN and RED EVF; Pinout not published EVF Tally LED When enabled, the LED illuminates red when recording; For more information, go to “Indicator” on page Key 1 Programmable key...

  • Page 27: Dsmc Remotes And Controls

    REDLINK Bridge (REDLINK Development Kit) 720-0028 1. The RED Switchblade-M requires that your DSMC is on firmware v5.2.28 or later. Full functionality requires DSMC firmware v5.3 or later. 2. The REDLINK Bridge requires that your DSMC is on firmware v5.2.28 or later.
  • Page 28 RED SWITCHBLADE-M RED Switchblade-M The RED Switchblade-M is a low-profile and lightweight interface solution that mounts to the side of the DSMC BRAIN. With a 1.7" OLED display and full navigation controls, the RED Switchblade-M grants full access to DSMC menus while optimizing the size and weight of y our camera configuration.
  • Page 29 The REDLINK Bridge is part of the REDLINK Development Kit and uses the REDLINK Command Protocol (RCP) to communicate information between the DSMC and your application. For more information, see the REDLINK Bridge Operation Guide, available at www.red.com/downloads. NOTE: The REDLINK Bridge requires DSMC firmware v5.2.8 or later. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 30: Dsmc Lens Mounts

    725-0012 DSMC MOTION MOUNT Ti PL DSMC MOTION MOUNT Ti Canon 725-0014 1. The DSMC RED MOTION MOUNT requires that your DSMC is on firmware v5.1.14 or later. For more information, go to “Default Key Functions” on page 205. COPYRIGHT © 2015 RED.COM, INC...

  • Page 31: Dsmc Interchangeable Olpfs

    DSMC Interchangeable OLPF System The DSMC Interchangeable OLPF system is an upgrade to the optical low-pass filter (OLPF) in your EPIC DRAGON or SCARLET DRAGON. The modular mounting system enables you to remove and replace OLPFs to achieve optimal color reproduction in any lighting and environment.

  • Page 32: Chapter 3: Dsmc Basic Operations

    Backpack Quickplate NOTE: Additionally, one (1) REDVOLT battery may be used in conjunction with the DSMC Side Handle to provide short term power and support hot-swapping of other power sources. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 33: Power Consumption

    The Power Status LED then illuminates green to confirm that the BRAIN is turned on and ready to use. NOTE: Once turned on, the DSMC Power Status LED flashes red when there is less than five (5) minutes of operating time remaining.

  • Page 34: Configure Your Dsmc

    5. Install the appropriate screw at the bottom of the BRAIN side plate using a T10 Torx driver. DO NOT exceed 70 in-oz, or damage may occur. EPIC side plate screw: M3x0.5 x 8 mm ‒ SCARLET side plate screw: M3x0.5 x 5.5 mm ‒...
  • Page 35 3. Rotate the BRAIN side plate upwards to disengage the lip at the top of the side plate from the BRAIN, and remove the BRAIN side plate. 4. Insert the lip on the RED Switchblade-M into the slot where the lip of the BRAIN side plate was installed. 5. Press the Switchblade-M down flush along the side of BRAIN.
  • Page 36 T20 Torx driver. DO NOT FULLY TIGHTEN. 5. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 Torx driver. WARNING: DO NOT OVERTIGHTEN. Tighten screws COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 37 REQUIRED TOOL: T20 Torx driver 1. Turn off the BRAIN. 2. Remove the REDMOTE, if attached. 3. Position the +1 Adaptor Module over the V-mount on the rear of the BRAIN. Install the +1 Module Adaptor COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 38 2. Loosen the four (4) captive mounting screws in a cross pattern (“X” pattern) using a a T20 Torx driver. 3. Disconnect the HDMI connector from the BRAIN. 4. Remove the +1 Adaptor Module from the BRAIN. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 39 2. Use a T20 Torx driver to turn the lock on the adaptor module counter-clockwise to the Unlock position. 3. Rotate the module upwards and away from the adaptor module to disengage. 4. Remove the module. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 40 REQUIRED TOOL: T8 Torx driver The hood scoop on some EPIC-X and EPIC-M models extends beyond the rear plane of the BRAIN. RED offers shorter hood scoops so that you can attach an LCD or other accessory to the mounting locations on the top of the +1 Adaptor Module.

  • Page 41: Dsmc Interchangeable Olpf System

    4. Remove the lens mount. Remove Lens Mount 5. Use a damp, lint-free cloth to gently wipe down the area around the lens mount and OLPF module. Remove as much dust and debris as possible. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 42 6. Remove the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern (“X” pattern) using a T6 Torx driver. Remove OLPF module screws 7. Remove the OLPF module and place it in the protective case. Remove the OLPF module COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 43 12. Fully tighten the four (4) OLPF module screws in a cross pattern (“X” pattern) using a T6 Torx driver. DO NOT exceed 30 in-oz, or damage may occur. WARNING: DO NOT OVERTIGHTEN. 13. Replace the lens mount. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 44 IMPORTANT: Ensure the correct OLPF type is selected from the drop-down menu. Failure to select the correct OLPF type will affect color accuracy. For more information, go to “OLPF” on page 115. OLPF Type menu selection COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 45: Use A Tripod Or Monopod

    WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your DSMC configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support system that does not provide sufficient support.

  • Page 46: Video Monitor Outputs

    4:4:4 RGB. The DSMC offers the following monitor outputs:  EVF/LCD: Supports a RED EVF or LCD display.  HD-SDI: Provides a 720p or 1080p output suitable for monitoring or recording to an external VTR or DDR device. It may be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.
  • Page 47 “Cannot Use Touchsreen or DSMC Side Handle” on page 171. SIMULTANEOUS RECORD You can record simultaneously to an external recorder and RED media. Perform the following steps to simultaneous record. 1. Connect the BRAIN to an external recorder with an HD-SDI or HDMI cable.

  • Page 48: Chapter 4: Basic Menus And Controls

    Lower Status Row Critical camera parameters, record/playback modes, media and power status, and audio meter. Go to “Lower Status Row” on page For more information, go to “Video Monitor Outputs” on page COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 49: Upper Status Row (Basic Menu)

    UPPER STATUS ROW (BASIC MENU) The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row is underlined with a red bar. The Upper Status Row is also known as the Basic Menu. Upper Status Row...
  • Page 50 For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate. For more information about Advanced Menus, go to “Advanced Menus” on page Select “Advanced...” Button “Advanced...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 51 For example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values to available frame rates. Select “Edit List...” Button “Edit List...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 52 HDRx mode, media, or the target REDCODE compression ratio.  MYSTERIUM-X: Range is 3:1 to 18:1. Default is 8:1.  RED DRAGON: Range is 2:1 to 22:1. Default is 8:1. For maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads.

  • Page 53: Live Action Area

    This section describes the lens information displays when a supported lens is attached. PL LENSES Displays the focal length and focal distance when a RED DSMC Ti PL Mount is installed and a lens with Cooke’s S4/i system (or equivalent) is attached. For more information, go to “Lens Tab”...

  • Page 54: Lower Status Row

    DC voltage in or % of remaining battery “Power Status” on page 56 capacity; tap to access the Power menu Audio Meter Audio input selection and levels; “Audio Meter Levels” on page 139 tap to access the Audio menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 55 (noise) RGB Histogram Provides a visual representation of exposure and sensor data levels for Red, Green, and Blue channels; meter is affected by White Balance, ISO, and VIEW/LOOK settings RAW Level Bar (right) Also known as a “goal post”. Displays the amount of pixels in the image...

  • Page 56: Power Status

     Gray: The sensor sync mode is not set to genlock.  Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or sensor sync is lost while recording.

  • Page 57: Navigation Controls

     Red: <5 minutes NAVIGATION CONTROLS This section describes basic controls for navigating the DSMC menus. TOUCHSCREEN NAVIGATION RED Touch displays offer intuitive menu control and four (4) programmable buttons. RED Touch 7.0" LCD RED TOUCH BUTTON DESCRIPTION User Key 1...

  • Page 58: Default Key Functions" On Page

    R E D D S M C O P E R AT I O N G U I D E NAVIGATION GROUP The Navigation Group is the primary control interface on the DSMC Side Handle, RED Switchblade-M, and REDMOTE. Navigation Group...

  • Page 59: Dsmc Side Handle

    1. Press User Keys 1 + 4 simultaneously to lock/unlock DSMC Side Handle buttons to prevent inadvertent menu changes. NOTE: DSMC Side Handle keys are programmable. For more information, go to “Key Mapping” on page COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 60 Exposure time or shutter angle MENU Access to Advanced Menus Media Status Displays media location and remaining media capacity Power Status Indicates DC supply voltage or % of remaining battery capacity including current supply voltage COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 61 Mounting Thumbscrew Install and remove the RED Switchblade-M 1. Press User Keys A + D simultaneously to lock/unlock RED Switchblade-M buttons to prevent inadvertent menu changes. 2. MODE Button functionality requires DSMC firmware v5.3 or later. NOTE: RED Switchblade-M keys are programmable. For more information, go to “Key Mapping”...
  • Page 62 R E D D S M C O P E R AT I O N G U I D E RED SWITCHBLADE-M DISPLAY The RED Switchblade-M OLED display provides basic camera parameters during operation. RED Switchblade-M OLED (Local Mode) The RED Switchblade-M displays the following camera parameters:...

  • Page 63: Chapter 5: Advanced Menus

     Press the Menu button on the DSMC Side Handle or REDMOTE.  Press the Menu icon on the touchscreen.  Select the Advanced... button in any menu from the Upper Status Row (except the REDCODE menu). COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 64: Settings Menu

     Red: Overexposed; indicates sensor exposure levels that are clipping. Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to clipping. The RGB settings (settings in the Look menu) DO NOT affect the Exposure indicators.
  • Page 65  16: Represents the top stop, and is broken up into 1/8th increments to show highlight roll-off. Each 1/8th stop is represented by a different shade of red, ranging from light red (less light) to dark red (most light). COPYRIGHT © 2015 RED.COM, INC...
  • Page 66 BRAIN. The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.

  • Page 67: Monitor Control

    (2) control surfaces. OVERLAY Select which overlay shows on top of the video. RED provides preset overlays, which have “(RED)” in the overlay name. Create custom overlays in the Overlay tab. For more information, go to “Overlay”...
  • Page 68 Enables the false color modes on the monitor. For more information, go to “Tools” on page FLIP/MIRROR UI NOTE: This setting is NOT available on the RED Touch 7.0" LCD. For more information, go to “Flip Mirror” on page Flip the graphical user interface (GUI) vertically and mirror horizontally (not rotated). Use this setting when mounting a monitor upside down.

  • Page 69: Overlay

    Control > Monitor tab.  Media: Overlays saved to an SSD can be found at S-SSD\Overlays. NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported. OVERLAY ACTIONS  Create...: Create a new custom overlay using a blank overlay template in the Overlay Editor.

  • Page 70: Priority

    If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then re- attach the LCD, then the LCD is the control monitor again. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 71 Control the brightness of each LCD and EVF. Move to the right for a brighter display; move to the left for a dimmer display. Side UI LCD controls the brightness of the Switchblade-M LCD. NOTE: A rear LCD/EVF is an LCD/EVF that is plugged into any rear RED module, such as the +1 Adaptor Module or the Pro I/O Module.
  • Page 72  Input: Displays levels of audio inputs (pre-mixer). (Default)  Output: Displays levels of audio outputs (post-mixer). HISTOGRAM NOTE: The Histogram setting is not accessible on BRAINs with MONOCHROME or RED DRAGON MONOCHROME sensors.  RGB: Displays red, green, and blue channels on histogram. (Default)  Luma: Displays luma channel on histogram.
  • Page 73  Metric: Displays lens focus distances in meters.  Imperial: Displays lens focus distances in feet and inches. (Default) MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED MOTION MOUNT. For more information, see the RED MOTION MOUNT Operation Guide, available at www.red.com/downloads.
  • Page 74 NOTE: Test signals are not recordable; they are provided to help align external HD-SDI and HDMI monitors. 4K BROADCAST The 4K Broadcast menu is only accessible when a RED 4K Broadcast Module is installed. For more information, see the RED 4K Broadcast Module Operation Guide, available at www.red.com/downloads.
  • Page 75 RED recommends setting the ISO to the default, then adjust the F stop, lighting, and ND filters to match. The ISO can later be adjusted around one (1) stop for fine-tuning.
  • Page 76 COLOR SPACE AND GRADED GAMMA SPACE RED recommends using the most recently released Color Space and Graded Gamma settings. Use legacy settings (such as REDcolor2) only if you need to record footage to match footage that you recorded with that legacy setting.
  • Page 77 R3D file. The R3D has the most recently-selected color space and graded gamma space (you cannot select color space and graded gamma space when ACES Proxy is enabled). COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 78 Alternatively, select Color Temperature > Advanced... from the Upper Status Row. 3. Select Auto White Balance. LGG (LIFT, GAMMA, GAIN) Adjust the lift, gamma, and gain for the Red channel, Blue channel, and Green channel individually. PROJECT The Project menu includes: Frame Rate, Exposure, Timecode, Slate, and Format.
  • Page 79 When a sensor frame rate other than the current project time base is selected, the FPS text turns yellow and the word Varispeed replaces the Audio Meter in the lower right corner of the display. Audio is not recorded in Varispeed mode. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 80 R E D D S M C O P E R AT I O N G U I D E EPIC DRAGON FRAME RATES The table below describes the maximum frame rate for each resolution of the EPIC DRAGON. The minimum frame rate is always 1 FPS.
  • Page 81 2K 6:5 240.55 4K 3:2 102.08 2K 3:2 202.74 4K 4:3 90.807 2K 4:3 180.49 4K 5:4 85.164 2K 5:4 169.34 4K 4:1 252.55 2K 4:1 400.00 4K 8:1 400.00 2K 8:1 400.00 COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 82 4K 6:5 60.74 3K FF 67.86 3K 2:1 71.54 3K WS 84.67 3K HD 72.31 3K 6:5 81.22 2K FF 121.83 2K 2:1 128.49 2K WS 2K HD 121.83 2K 6:5 121.83 COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 83 R E D D S M C O P E R AT I O N G U I D E EPIC MYSTERIUM-X AND SCARLET MYSTERIUM-X FRAME RATES The table below describes the maximum frame rate for each resolution of the EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X.
  • Page 84  MYSTERIUM-X: Slowest speed is 1/sensor frame rate. For 24 FPS, the slowest speed is 1/24 sec.  RED DRAGON: Slowest speed is 1/8 sec, regardless of the sensor frame rate. The fastest speed is 1/131,579 sec. Default is 1/48 sec.
  • Page 85 Frame values for Head Slate and Tail Slate on the Auto Slate tab, these values only show in-camera. The Head Slate and Tail Slate metadata values are currently disabled in REDCINE-X PRO. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 86 For more information, go to “Anamorphic” on page EPIC DRAGON offers a 6:5 aspect ratio for each resolution. Using a 6:5 aspect ratio at 2x anamorphic gives you a 2:40:1 aspect ratio. RESOLUTION...
  • Page 87 3K RAW 8:1 3072 2.5K FF 2.5K RAW Full Frame 2560 1340 2.5K 2:1 2.5K RAW 2:1 2560 1280 2.5K WS 2.5K Wide Screen—2.4:1 2560 1080 2.5K HD 2.5K RAW HD—16:9 2304 1296 COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 88 2K 4:3 2K RAW 4:3 1920 1440 2K 5:4 2K RAW 5:4 1920 1536 2K 6:5 2K RAW 6:5 1296 1080 2K 4:1 2K RAW 4:1 2048 2K 8:1 2K RAW 8:1 2048 COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 89 2K RAW Full Frame 2048 1080 2K 2:1 2K RAW 2:1 2048 1024 2K WS 2K RAW Wide Screen—2.4:1 2048 2K HD 2K RAW HD—16:9 1920 1080 2K 6:5 2K RAW 6:5 1296 1080 COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 90 R E D D S M C O P E R AT I O N G U I D E EPIC MYSTERIUM-X AND SCARLET MYSTERIUM-X FORMATS The table below describes the formats that are available for EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X.  EPIC MYSTERIUM-X: Default is 5K 2:1.
  • Page 91 ‒ 5K 1.22:1: Anamorphic 2x NOTE: Anamorphic de-squeeze on the RED PRO LCD 7.0" requires that your DSMC is on firmware v5.3 or later. DE-SQUEEZED RESOLUTION AND DE-SQUEEZED ASPECT RATIO When you enable anamorphic, both the actual format and the de-squeezed format display at the bottom of the Format menu.
  • Page 92 The Anamorphic tab is a short-cut to all of the industry-standard anamorphic formats, so that you can easily select the most common anamorphic formats. The Anamorphic tab lists the following anamorphic formats:  EPIC DRAGON: Every format with a 5:4 or 4:3 aspect ratio and a 1.3x or 2x anamorphic setting.  SCARLET DRAGON: 5K 6:5 2x.
  • Page 93 REDCODE, and then continues to record at the next available REDCODE. To add more bursts to clips during recording, press any key mapped to “Record: Mark Frame”. To use Burst mode, follow the instructions below: COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 94 The maximum frame counts are listed in the Available column, and are based on format and REDCODE. SPEED RAMP MODE NOTE: The Speed Ramp Settings are not accessible on any EPIC DRAGON or SCARLET DRAGON. Speed Ramp mode lets you program the current sensor frame rate to transition to different sensor frame rates during recording.
  • Page 95 1/48 sec, along with the effect of long-exposure. You can use frame averaging to achieve the effect of long-exposure along with the benefits of reduced noise. However, frame averaging does affect motion blur characteristics. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 96 Record Stop ‒ Mark Still Frame  EVF Tally Light: Select this check box to enable the Record Tally LED on the EVF to illuminate red when recording. SETUP The Setup menu includes: Keys, Date/Time, Communication, REDmote, GPIO/Sync, Fan Control, Lens, and Motor Control.
  • Page 97 For example, on a multi-rig 3D shoot, you can send commands to an individual camera (Example: Set CAM_A_L to 1/48 exposure), to a group of cameras (Example: Set 3DRIG_A to 48 FPS), or to all cameras (Example: Start Recording on all cameras). COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 98 GIG-E or the REDLINK Bridge). Select one of the following protocols from the Serial Protocol drop-down menu:  None (Default)  Element Technica  3ality SPC 7XXX  REDLINK Command Protocol  RCP 3D Metadata COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 99  MoCo: Each rising edge on the sync input triggers a frame to be captured. GENLOCK SOURCE Select a genlock input:  Brain (Default)  Rear Module (Pro I/O Module or 4K Broadcast Module) COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 100 For example, if you connect a start/stop trigger to the GPIO connector on the Pro I/O Module and keep the default GPIO A High and Low settings (Key Disabled and Record: Toggle, respectively), then pressing the trigger starts/stops recording. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 101 Regardless of sensor type and fan mode, you will get the best image quality by performing a black shading calibration at the temperature you want to use for your shoot. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 102 Targeting a lower temperature lowers the sensor temperature, shortens the sensor warm-up time, and increases the fan speed.  EPIC DRAGON and SCARLET DRAGON: Target temperature range is 55°C to 70°C. A target temperature of 65°C works best across most environmental conditions.
  • Page 103 Status, and OLPF. SAVE A LOG FILE A LOG file is a detailed text file of the processes and operations performed by the DSMC. If you contact RED for support, you may be asked to send a LOG file. To save a LOG file, follow the instructions below: 1.
  • Page 104 104.  For EPIC DRAGON or SCARLET DRAGON: After each firmware upgrade.  For EPIC MYSTERIUM-X or SCARLET MYSTERIUM-X: After a firmware upgrade if instructed to do so in the firmware release notes. To check the temperature/exposure of the current calibration file, go to Menu > Settings > Maintenance > System Status >...
  • Page 105 6. For EPIC DRAGON or SCARLET DRAGON, you can create up to four (4) calibration maps at a time. Select a check box for each calibration map you want, select the exposure you want for each from the drop-down...
  • Page 106 : Export selected calibration map from camera to SSD. : Import selected calibration map from SSD to camera. This overwrites the user HS calibration map. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 107 NOTE: The camera may not be able to calibrate some electronic lenses. NOTE: The camera does not create calibration files for lenses that are already electronically supported. For a full list of supported lenses, go to “Lens Mounts and Lenses” on page 195. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 108 When you attach a lens that the camera does not recognize, the “Unsupported Lens Found” dialog box displays and asks if you want to calibrate the lens. Select Create Custom Lens Config. ‒ Go to Menu > Settings > Maintenance > Calibrate > Lens and select Create..COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 109 6. To calibrate the next focal length, follow the instructions below: A. Go to Menu > Settings > Maintenance > Calibrate > Lens. B. Select the calibration file name in the Camera list and select Edit..COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 110 DO NOT touch the lens, since that may cause incorrect calibration. 7. Repeat Step 6 for each focal length of the lens. The lens calibration file remains on the camera after system restores and firmware upgrades. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 111 3. You can perform any of the following actions: ‒ Add Cal @ xx...: Calibrate the current focal length; “xx” is the current focal length. ‒ Remove Cal: Remove the calibration for the selected focal length. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 112  Prompt for calibration of unsupported lenses: Select this check box to ensure that the “Unsupported Lens Found” dialog box displays every time the camera detects an unsupported electronic lens at boot-up. Deselect this check box to disable the “Unsupported Lens Found” dialog box. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 113 3. Select Yes on the screen that asks you to confirm the System Restore. The BRAIN turns off. 4. Turn on the BRAIN. NOTE: After performing a system restore, pair the REDMOTE to the camera again. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 114  Attached: The module is attached and detected. CAMERA INFO Displays the following camera information:  Model: Camera type (EPIC or SCARLET) and sensor type.  Version: Current firmware version.  P.I.N.: The personal identification number that is specific to your camera.
  • Page 115 NOTE: The OLPF menu is only available on an EPIC DRAGON or SCARLET DRAGON. RED offers multiple optical low-pass filters (OLPFs) for EPIC DRAGON and SCARLET DRAGON. Each OLPF optimizes certain characteristics to take full advantage and control of each shooting environment. The camera checks the OLPF type, and adjusts the color scienced based on the selected OLPF.
  • Page 116 IMPORTANT: Ensure the correct OLPF type is selected from the drop-down menu. Failure to select the correct OLPF type will affect color accuracy. NOTE: If you are unsure which OLPF is installed, go to “Verify Installed OLPF” on page COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 117: Media Menu

    Displays the metadata for the selected clip. PLAYBACK STATUS BAR Displays the progress of the clip during playback. When using the touchscreen, swipe your finger right and left to fast-forward and rewind the clip, respectively. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 118 R E D D S M C O P E R AT I O N G U I D E PLAYBACK CONTROLS The images below show the Playback controls. 14 20 Playback Controls Play Options Marker Options COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 119 Out Point, Previous Marker, and Next Marker. In Point Sets a red In Point marker in the Playback Status Bar. Use an In Point marker in conjunction with an Out Point marker to play only a certain portion of a clip. The In/Out Point markers help when the clip is long and you want to focus on a particular segment.

  • Page 120: Power Menu

    “Turn Off the BRAIN” on page 1. Go to Menu > Power. 2. Select Shutdown. The Shutting Down... message displays and the camera turns off. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 121: Hdr Menu

    A Track: This track shows the video with the selected F stop and exposure settings applied. X Track: This track shows the video with the additional stops applied. ‒ NOTE: For more information, see the High Dynamic Range Video with HDRx article, available at www.red.com/ learn/red-101/hdrx-high-dynamic-range-video. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 122: Focus Menu

     Manual: When selected, all focus operations are manual.  Confirm: Enables the Center or Spot focus target. This mode provides additional focus assistance by using red, yellow, and green color changes to the focus spot window. Inadequate subject illumination and/or contrast may interfere using Confirm mode.
  • Page 123 Objects are in focus CENTER Provides a large target square for focus that is centered in the recording area. SPOT Provides a small target for precise focus that you can move around the recording area. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 124 1. Go to the main screen. 2. Press the Down Arrow in the Navigation Group. The Spot target line weight increases and the red cursor under Menu dims slightly. 3. Use the directional arrows to move the Spot target to the desired location.
  • Page 125 2. Go to Menu > Focus > Mode. 3. Select Rack from the Mode drop-down menu. Spot is automatically selected from the Zone drop-down menu, since rack focus only works with Spot zone. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 126 A line for each rack point displays, indicated by the letters A, B, C, and D. The focus distance displays for each rack point. 8. To reset the focus distance to the value calculated by the autofocus algorithm, select Re-Autofocus. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 127 “Keys” on page You can map the following actions:  AF: Start  AF: Rack to A  AF: Rack to B  AF: Rack to C  AF: Rack to D COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 128: Exposure Assist

    The AE feature is different than traditional AE, in that RED AE only controls the amount of light that hits the sensor, either by adjusting F stop or exposure. RED AE analyzes RAW data before the ISO curve, and ensures that the sensor matches the user-selected brightness.
  • Page 129 When the AE feature is able to match the sensor brightness, the overlay turns yellow. If the brightness fluctuates more than half of a stop, the overlay turns red. When AE is enabled, the “AE” indicator displays before the F stop and exposure parameters in the Upper Status Row.

  • Page 130: Presets Menu

    You cannot update factory-installed presets, which end with “(RED)”.  Clone...: Create a new preset using the selected preset as a template.  Delete...: Delete the selected preset. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 131 : Import selected Look from SSD to camera. ‒ All: Import all Looks from SSD to camera. For more information, see the “REDCINE-X PRO: Saving Looks to Camera” video tutorial, available at www.red. com/learn/workflow/redcine-x-saving-looks-camera. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 132: Auto Presets

     On Enter Preview: The selected preset is applied every time the camera enters Preview mode, including at startup and when exiting Playback mode.  On Enter Playback: The selected preset is applied every time the camera enters Playback mode. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 133: Chapter 6: Record And Monitor Audio

    PRO I/O PRO I/O LINE 2 AES 3 PRO I/O AES 4 MONITOR LINE 1 4 CH TO 2 CH PEAK MIXER MONITOR LINE 2 POST-MIXER PRE-MIXER RECORDING PEAK METER PEAK METER COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 134: Set Up Audio

    PRO I/O AES A/B (DIGITAL INPUT) The AES connector on the Pro I/O Module allows an input of 24-bit, 48 KHz AES digital audio. NOTE: Digital input audio is only available via the Pro I/O Module. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 135: Channel Modes

    Use the limiter in dynamic environments where external mixers are not practical for controlling signal strength. The limiter is only available with analog audio input. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 136 NOTE: To link the amplification for each channel, go to Menu > Settings > Audio > Channel and select the Gain Sliders check box. For more information, go to “Link” on page 135. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 137: Audio Output Options

    Channel 1 to an output at 100%, and then mix Channel 2 into the same output, the level of Channel 1 decreases to 50%. Assign each audio channel to the Left, Middle, or Right side of the stereo mix. Move the sliders up and down to adjust the volume. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 138: Audio Meter (Vu Meter)

    When you select Output as the VU Meter Source, the Audio Meter displays the Cam Mix, Rear Mix, and Monitor Mix levels. For more information, go to “VU Meter Source” on page When recording to an external device, use the Output levels to help accurately monitor recorded audio. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 139: Audio During Playback

    0 dBFS Audio is clipping (if signal exceeds –1 dBFS, the whole bar is red) NOTE: In the American broadcast and post-production systems, –20 dBFS roughly corresponds to 0 VU and 4 dBu. In a digital system, dBu is an approximation; the correct unit for digital audio levels is dBFS.

  • Page 140: Chapter 7: Redmote Operation

    50 ft. The REDMOTE supports 16 (0-15) wireless channels ranging from 2.4 GHz to 2.4835 GHz. The default channel is 0. IMPORTANT: To operate properly, upgrade both REDMOTE and DSMC firmware to the most recent version. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 141: Controls, Connectors, And Leds

    For a full list of default user key actions for the REDMOTE, go to “Default Key Functions” on page 205. COMPATIBLE CABLE  790-0230: RED Mini-USB-to-USB cable REDMOTE LEDS There are two (2) status LED indicators located above the rocker switch on the left side of the LCD display. REDMOTE LED...
  • Page 142 Shutdown menu.  Lock keys: Move the switch to the up position to prevent unintentional operation. “KEYS LOCKED” display above the Primary Soft Menu Buttons when lock is enabled. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 143: Redmote Basics

    Power/Lock Switch, a slight power draw remains and continues to drain the battery. RECORD START/STOP  Start Record: Press and release the REC button. The Power/Recording LED illuminates red and the Timecode value on the LCD display changes to red text.
  • Page 144 On loss of wireless communication, the REDMOTE scans for the camera it was last paired with. If the REDMOTE is unable to reconnect after 30 seconds, the manual Scan menu opens. DISCONNECT THE REDMOTE FROM A PAIRED DSMC 1. Press Button 1. 2. Select DISCONNECT. 3. Press ENTER. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 145  Green: The battery has a sufficient charge, or is fully charged.  Yellow: The battery is somewhat depleted and should be recharged soon.  Red: The battery is nearly discharged and should be recharged immediately. Wireless communication is at risk of being lost when the battery indicator is red.

  • Page 146: Redmote Lcd Display Menu

    Audio input selection and levels Power Status Indicates DC supply voltage or % of remaining battery capacity including current supply voltage Camera ID Displays camera ID Wireless Status Displays signal strength when connected wirelessly COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 147: Upgrade Redmote Firmware

    This section describes the REDMOTE firmware upgrade process using a Mac. INSTALL REDMOTE UPGRADE UTILITY (MACINTOSH) The REDMOTE Upgrade Utility enables you to upgrade REDMOTE firmware from your computer. 1. Download the REDMOTE Upgrade Utility, available at www.red.com/downloads. 2. Uncompress and open the zip file. 3. Open the REDMOTE_Upgrade_Utility folder.
  • Page 148 ® This section describes the REDMOTE firmware upgrade process using Windows. INSTALL REDMOTE UPGRADE UTILITY (WINDOWS) 1. Download the REDMOTE Upgrade Utility, available at www.red.com/downloads. 2. Uncompress and open the zip file. 3. Open the REDMOTE_Upgrade_Utility folder. 4. Open the Win folder.
  • Page 149 For additional assistance, contact RED SUPPORT at https://support.red.com. 3. Open the REDMOTE_update program from the Start Menu folder you created the shortcut for.

  • Page 150: Chapter 8: Timecode, Genlock, Multi-Camera Setup

     Edge: Edge timecode is continuous between clips, meaning that when recording starts, timecode begins. and when recording stops, timecode stops. Edge timecode default begins at 01:00:00:00, but can be configured in the Media menu. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 151 4. Use the additional controls to sync TOD timecode with the RTC or set manually. Alternatively, go to Menu > Media > Format Media... to set Edge timecode manually. The TC indicator in the Lower Status Row remains gray when internal timecode is enabled. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 152 The TC indicator in the Lower Status Row turns green when an external timecode source is locked. Source: External: BRAIN NOTE: When an external source is selected but not present, timecode displays User Provided settings. REQUIRED CABLE  790-0154: 3BNC-to-00 LEMO Sync Cable COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 153: Genlock

    Monitor Sync is achieved automatically when a genlock signal is provided that is compatible with the current monitor output frequency. When Monitor Sync is achieved, the GEN indicator in the Lower Status Row illuminates green. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 154 The GEN indicator in the Lower Status Row turns green when a compatible genlock signal is present and genlock is enabled. The SYNC indicator in the Lower Status Row turns green when Sensor Sync is achieved. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 155: Master/Slave Operation

    3. On the Slave camera(s), follow the instructions below: A. Go to Menu > Settings > Setup > Communication. B. Type a name for the camera (Example: CAM B, RIGHT, SLAVE, etc) in the Name field. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 156 5. On both cameras, select Format... to format media and set Reel No, Cam ID, and Cam Pos settings. NOTE: Cam ID and Cam Pos settings can also be found at Menu > Settings > Project > Slate > Camera. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 157: Set Up Stereo/3D Configuration

    “Set Up Master/Slave Operation” on page 155 to set Master and Slave camera settings. 4. On both cameras, follow the instructions in “Set Reel Number, Camera ID, and Camera Position” on page to prepare media and camera settings. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 158 3D CONFIGURATION EXAMPLE The diagram below is an example of how to set up a 3D configuration. REQUIRED CABLES  790-0163: Master/Slave Gig-E Cable  790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera) COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 159: Set Up A Camera Array

    B. Connect the Ethernet connector to the router. 4. On all cameras, follow the instructions in “Set Reel Number, Camera ID, and Camera Position” on page to prepare media and camera settings. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 160 The diagram below is an example of how to set up a camera array. REQUIRED CABLES  790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera)  790-0159: LEMO-To-CAT5E Ethernet Cable (9') (required per camera) COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 161: Set Up Motion Control (Moco)

    CTRL port on the BRAIN. 2. Go to Menu > Settings > Setup > GPIO/Sync. 3. On the Sync tab, set Sensor Sync Mode to MoCo. MoCo GPIO/Sync Settings 4. Set Genlock Source to Brain. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 162 Supply a pulse from the Motion Control device to sync the shutter to the rising edge of the sync input. For more information, refer to the Motion Control manufacturer’s instructions. REQUIRED CABLE  790-0154: 3BNC-to-00 LEMO Sync Cable (required per SYNC and CTRL port used) COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 163: Compatible Devices

    COMPATIBLE DEVICES The following timecode and genlock devices are compatible with the DSMC. Additional timecode devices may be compatible, but have not yet been tested by RED. COMPATIBLE TIMECODE DEVICES The following timecode devices have been tested for compatibility with the DSMC:...

  • Page 164: Chapter 9: Upgrade Dsmc Firmware

    1. If you have user-generated preset files on your camera, follow the instructions below to save the files to an SSD: A. Turn on the camera, insert an SSD (RED MINI-MAG or RED STATION REDMAG 1.8") into the camera, and format the SSD.
  • Page 165 C. Go to Menu > Settings > Display > Monitor Control and copy user-generated Overlay files from the SSD to the camera. 15. After upgrading an EPIC DRAGON or SCARLET DRAGON, go to Menu > Settings > Maintenance > Calibrate > Sensor and black shade your camera using the Black Shading (default) option. For more information, go to “Calibration Capture (Black Shading)”...

  • Page 166: Chapter 10: Dsmc Maintenance

    The camera sensor and optical low-pass filter (OLPF) are EXTREMELY sensitive to dust, debris, and contamination. As with all optical glass, any type of physical contact with the OLPF may scratch or damage the surface. RED recommends that you clean the camera sensor or OLPF using physical contact ONLY if absolutely necessary.

  • Page 167: Lcd And Evf Screens

    167. SCREEN STORAGE Store any RED device with a screen in a RED Microfiber bag. Storing devices in a RED Microfiber bag preserves the superior quality of the specialized AR and AS coatings on the LCDs. Hand wash and air-dry the RED Microfiber bag regularly.

  • Page 168: Chapter 11: Troubleshoot Your Dsmc

    SSDs. 10. If any errors occur, save a log file and submit a Technical Support request at https://support.red.com. NOTE: Problems or dropped frames found during the stress test display as “Errors” in the bottom of the user interface.

  • Page 169: Preset Could Not Be Applied

     Upgrade your camera firmware. For more information, go to “Upgrade DSMC Firmware” on page 164.  Perform a System Restore. For more information, go to “Restore System” on page 113. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J | 169...

  • Page 170: Camera Does Not Recognize Lens

    SCREEN FREEZES OR DOES NOT DISPLAY SYMPTOM The screen freezes or does not display. POTENTIAL RESOLUTION Perform a Hard Restore. For more information, go to “Perform a Hard Restore” on page 172. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 171 A. Connect an SSD (RED MINI-MAG or RED STATION REDMAG 1.8") to your computer. NOTE: On Mac computers with REDCINE-X PRO installed, RED Watchdog mounts the SSD as Read- Only by default, which means that you are unable to write files (including firmware upgrade files) to the SSD.
  • Page 172 “Perform a Hard Restore” on page 172.  Update the camera firmware to the latest release build available for download at www.red.com/downloads. PERFORM A HARD RESTORE A common way to resolve camera firmware issues is to perform a Hard Restore. A Hard Restore functions like a System Restore in that it changes all settings to the factory default values.

  • Page 173: Image Appears Grainy

     If you have the DSMC Interchangeable OLPF system installed, verify that you have the correct OLPF selected in the OLPF menu. For more information, go to “OLPF” on page 115. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J | 173...

  • Page 174: Post Production Troubleshooting

     Disable special recording modes: Go to Menu > Settings > Recording > Mode and select Continuous Record from the Recording Mode drop-down menu.  Disable frame processing: Go to Menu > Settings > Recording > Frame Processing and select No Frame Processing from the Frame Processing Mode drop-down menu. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 175 You want to work with .R3D files but your footage is in another file format. POTENTIAL RESOLUTION REDCODE RAW (.R3D) is the native recording format of RED cameras. It is not possible to convert another file format into the .R3D format. For more information, go to “R3D File Format and REDCODE”...

  • Page 176: Appendix A: Technical Specifications

    23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.
  • Page 177 R E D D S M C O P E R AT I O N G U I D E EPIC DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Operating Temperature Range 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) 1.

  • Page 178: Scarlet Dragon

    Project Frame Rates 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.
  • Page 179 “SCARLET DRAGON Formats” on page 89 for a full list. 2. 480p is available for HDMI only. 3. To see all of the maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 180: Epic Mysterium-X

    Equivalent to S35mm (Motion)/APS-H (Still) lenses Equivalent to 16mm (Motion) lens in 2K RAW Acquisition Formats Go to “EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X Formats” on page for a full list Project Frame Rates 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

  • Page 181: Scarlet Mysterium-X

    Equivalent to S35mm (Motion)/APS-H (Still) lenses Equivalent to 16mm (Motion) lens in 2K RAW Acquisition Formats Go to “EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X Formats” on page for a full list Project Frame Rates 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

  • Page 182: Brain Dimensions

    R E D D S M C O P E R AT I O N G U I D E BRAIN DIMENSIONS NOTE: Dimensions are shown in mm. EPIC BRAIN DIMENSIONS FRONT VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 183 R E D D S M C O P E R AT I O N G U I D E SIDE VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 184 R E D D S M C O P E R AT I O N G U I D E TOP VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 185 R E D D S M C O P E R AT I O N G U I D E BOTTOM VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 186 R E D D S M C O P E R AT I O N G U I D E BACK VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 187: Appendix B: Input/Output Connectors

    This appendix provides pinout information for the input/output connectors on the RED BRAIN. NOTE: When connecting a cable to a connector, align the key and red marker on the cable connector with the corresponding key and marker on the device connection.

  • Page 188: Hd-Sdi Out

    If you have a drop frame project time base (such as 23.98), you can select only drop frame frequencies. 75 OHM BNC CONNECTOR (HD-SDI) SIGNAL DESCRIPTION DIRECTION Center HD-SDI SMPTE ST 424 HD-SDI Shield/Screen GROUND Camera ground COMPATIBLE CABLE  790-0341: RED HD-SDI Cable (6') COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 189: Hdmi Out

    2. The HDMI output is progressive scan (p); it does not support progressive segmented frame (PsF) or interlaced (i) scan formats. COMPATIBLE CABLE  790-0331: RED HDMI Cable (5') HEADPHONE The 3.5mm stereo jack provides two (2) channels of audio for monitoring. For maximum quality, use high impedance headphones.

  • Page 190: Sync (Video Sync In)

    Batteries: 10 V min. 2x AA or AAA 3x AA or AAA 68 ohm 1/4 W Trigger Button Circuit Diagram NOTE: In the diagram above, values are approximate. Use standard values. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 191: Ctrl (Rs232 Control)

    COMPATIBLE CABLES  790-0154: 3BNC-to-00 LEMO Sync Cable  790-0187: 4-Pin 00 LEMO-to-Flying Lead  790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC)  790-0428: RED Start/Stop Cable (14-Pin to 00B SYNC) CTRL (RS232 CONTROL) The 4-pin 00B LEMO CTRL connector supports RS232 remote control for 3D camera communication and third- party metadata ingest applications.

  • Page 192: Gig-E (Ethernet)

    Data pair A+ BI_DB+ Data pair B+ BI_DB- Data pair B- Do not connect NOTE: Mating connector is FGG.0B.309.CLAD32Z. COMPATIBLE CABLES  790-0159: LEMO-to-CAT5E Ethernet Cable (9')  790-0163: Master/Slave Gig-E Cable (4') COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 193: Dc In (Power Input)

    Power return (camera ground) SDA-BATT Serial battery bus data NOTE: Mating connector is FGJ.1B.306.CWLD72Z. COMPATIBLE CABLES  790-0138: 2B-to-1B LEMO Power Adaptor Cable  790-0164: XLR Power Cable (10')  790-0165: XLR Power Cable (30") COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 194: Microphone Audio)

     790-0229: XLR Microphone Cable (20") SSD MODULE CONNECTORS The connectors for the side SSD modules and the REAR SSD MODULE are described in the RED DSMC Media Operation Guide, available at www.red.com/downloads. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 195: Appendix C: Lens Mounts And Lenses

    DSMC MOTION MOUNTS The DSMC RED MOTION MOUNT is a revolutionary and adjustable lens mount system for your DSMC. By integrating a global shutter, temporal anti-aliasing soft shutter, and variable neutral density (ND) system into a single lens mount, the MOTION MOUNT delivers on-the-fly shutter adjustments to reduce motion blur and temporal aliasing.
  • Page 196 R E D D S M C O P E R AT I O N G U I D E REMOVE A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in dust-free environment.
  • Page 197 R E D D S M C O P E R AT I O N G U I D E INSTALL A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in dust-free environment.

  • Page 198: Lens Weight And Lens Support

    DSMC PL MOUNT SUPPORTED LENSES The DSMC TI PL Mount, DSMC PL Mount (Magnesium), and the DSMC RED MOTION MOUNT Ti PL are compatible with most standard PL mount cinema lenses and devices. For information about the compatibility of...
  • Page 199 3. Remove the rear lens cap. 4. Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount. 5. Turn the lens clockwise until it clicks into place.
  • Page 200 2. Press and hold the lens release button. While holding the lens release button, turn the lens clockwise until it stops and remove it from the DSMC mount. 3. Replace the rear lens cap and DSMC mount cap when items are not in use. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 201 Canon EF 300mm f/4L IS Canon EF 400mm f/2.8 IS II USM Canon EF 400mm f/2.8L IS Canon EF 400mm f/2.8L IS with 1.4x Extender Canon EF 400mm f/2.8L IS with 2x Extender COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 202 Tamron SP 24-70mm f/2.8 Di VC USD Tokina Tokina AT-X 116 Pro DX, 11-16mm f/2.8 SD IF DX Tokina AT-X 116 Pro DX-II, 11-16mm f/2.8 SD IF DX Zeiss Otus Zeiss Otus 55mm f/1.4 ® COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...

  • Page 203: Dsmc Nikon Mount Supported Lenses

    Zeiss Distagon T* 21mm f/2.8 ZF.2 ® Zeiss Distagon T* 35mm f/1.4 ZF.2 Zeiss Planar Zeiss Planar T* 50mm f/1.4 ZF.2 ® Zeiss Planar T* 85mm f/1.4 ZF.2 1. Iris control only, no AF. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 204 EPIC DRAGON AND SCARLET DRAGON If you are using an EPIC DRAGON or SCARLET DRAGON camera, you do not need to install a new OLPF frame. You can attach most Leica-M lenses without causing any interference with camera.
  • Page 205 User 1 Press Magnify: Toggle User 2 Press Exposure Check: Toggle User 1+2 Press LCD: Toggle Lock EVF (BRAIN and Rear) User 1 Press Magnify: Toggle User 2 Press Exposure Check: Toggle COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 206 AF: Start Rocker + Press Iris: Open Rocker - Press Iris: Close Rotary Front CW Navigation: CW Rotary Front CCW Navigation: CCW Rotary Jog CW Navigation: CW Rotary Jog CCW Navigation: CCW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J |...
  • Page 207 Iris: Open Rocker - Press Iris: Closed PRO I/O GPIO GPI A LOW Record: Toggle GPI B Low Record: Toggle SW 1 Low Go to: Playback SW 2 Low Record: Toggle COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.3, REV-J | 207...
  • Page 208 MENU See the menu map on the following page. The menu map is applicable to the following cameras, except as noted in the this guide:  EPIC-M RED DRAGON (CARBON FIBER)  EPIC-M RED DRAGON  EPIC-X RED DRAGON  SCARLET DRAGON...

  • Page 209: Copyright © 2015 Red.com, Inc

    } General 1. Only available when a 4K Broadcast Module is attached. } Focus 2. Not available on any BRAIN with a MONOCHROME or RED DRAGON MONOCHROME sensor. } Iris 3. Not accessible on any EPIC DRAGON or SCARLET DRAGON.
  • Page 210 RED DIGITAL CINEMA COPYRIGHT© 2015 RED.COM, INC. All trademarks, trade names, logos, icons, images, written material, code and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by RED.COM, INC.

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