1. Manuals
  2. Brands
  3. RED Manuals
  4. Digital Camera
  5. Epic
  6. Operation manual

RED Epic Operation Manual

High speed camera
Hide thumbs Also See for Epic:
Table of Contents

Advertisement

Quick Links

Download this manual See also: Operating Manual

Advertisement

Table of Contents
loading

Related Manuals for RED Epic

Summary of Contents for RED Epic

  • Page 2: Table Of Contents

    Important Safety FIRST TIME USE – SETTING Sensor ......... 88 Instructions ........ 7 Project ......... 89 UP YOUR RED EPIC ....43 THEORY OF OPERATION ....10 Modes ......... 91 1. Attach Power Source ... 43 MYSTERIUM X® Sensor ..10 Audio/Video ......91 Battery .........
  • Page 3 APPENDIX L: MENU MAPS ..162 APPENDIX I: Connector ......135 TROUBLESHOOTING ....154 Charge Status Indicator ..136 No Media Attached ....154 RED EPIC® Operation Guide Version 1.4.0 SVN 29352 BETA April 21, 2011 Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 4: Disclaimer

    RED reserves the right to revise this Operation Guide and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes. In no event shall RED, its employees or authorized agents be liable to you for any damages or losses, direct or indirect, arising from the use of any technical or operational information contained in this document.

  • Page 5: Compliance

    (2) this device must accept any interference received, including interference that may cause undesirable interference. CAUTION: If the device is changed or modified without permission from RED, the user may void his or her authority to operate the equipment. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC.

  • Page 6: Australia And New Zealand Statement

    Install and use the equipment according to the instruction manual. EUROPEAN UNION COMPLIANCE STATEMENTS RED declares that the equipment described in this document is in conformance with the requirements of the European Council EMC Directive 2004/108/EC, Low Voltage Directive 2006/95/EC, RoHS Directive 2002/95/EC and WEEE Directive 2002/96/EC.
  • Page 7 For business users in the European Union, if you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information. Responsible party: Red Digital Cinema. 20291 Valencia Circle Lake Forest, CA 92630 Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC.

  • Page 8: Before You Start

    There are no user-serviceable parts inside. Alteration or repairs made to the camera, lens or other accessory, except by a RED authorized service facility, will void the Limited Warranty. Users are not permitted to make design changes or otherwise modify the operation of the camera, lenses or other accessories, without the express written approval of RED DIGITAL CINEMA.
  • Page 9 If there are any performance issues with your camera or accessories when operating within this temperature range, please file a support ticket on www.RED.com/support. O. Do not bypass the third prong of the grounding-type plug on the power cord of the AC Power Adapter.
  • Page 10 WARNING: Do not expose the battery to excessive heat. WARNING: Danger of explosion if an incorrect battery is charged with the RED Charger or is used to power the camera and accessories. Replace only with the same or equivalent type battery.

  • Page 11: Theory Of Operation

    A B4 mount to PL mount adaptor is also available to permit use of 2/3” HD lenses on the RED EPIC camera. The optical coverage it provides is approximately equivalent to 16mm hence the maximum recording resolution with a B4 lens is 2K RAW (2048 x 1152 pixel) progressive scan.

  • Page 12: Hdrx

    A-track using the motion analysis data extracted from the X-track. • Exporting to EXR file format will give you a multi-view EXR with both exposures (like a stereo EXR). Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 13: Magic Motion

    AUDIO RECORDING The RED EPIC can record up to two discreet channels of microphone level uncompressed 24-bit, 48 KHz audio (four channels of microphone level or line level audio inputs when equipped with a PRO I/O Module), that are synchronized with video and timecode, to REDMAG 1.8”...

  • Page 14: Line Level Analog Inputs

    In its default configuration, the RED EPIC camera can simultaneously support one VIEWFINDER output (suitable for use by a BOMB EVF®, or RED LCD) plus one HD-SDI based PROGRAM output and one HDMI based PREVIEW output. Each output can support a set of overlay graphics including camera GUI, timecode, clip name and framing guides;...

  • Page 15: Hdmi

    For applications where use of an attached RED EVF or RED LCD is not desired – for example when working on a crane – the VIEWFINDER output can be transferred to the HD-SDI or HDMI outputs, supporting remote camera monitoring up to 200 ft away.

  • Page 16: Redmote

    REDMOTE® REDmote is a proprietary camera control unit for RED EPIC cameras that attaches to the rear of the camera Brain or the back face of the rearmost expansion module. The REDmote may also be detached from the camera and operate over a proprietary REDlink™ 2.4Ghz wireless connection.

  • Page 17: Digital Magazine (Media)

    For additional information about digital magazines, refer to APPENDIX B: MANAGING DIGITAL MEDIA. METADATA RED EPIC cameras record extensive Metadata, which is data that describes the precise characteristics of the picture and sound signals in each frame of the recording. This includes camera specific setup information, project and clip management information, Clip Name, Time Code, Date and GMT, lens and shutter speed / angle parameters, audio settings and any video image processing information.

  • Page 18: Clip Naming Conventions

    SMPTE timecode is created without count jumps that would affect clip playback during editing. If operating in Jam Sync mode referenced to an external timecode source, the clip’s master time reference point is the first frame of the recorded clip. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 19: Power Consumption

    Under typical operating conditions, a REDVOLT™ XL 90Wh battery will run the camera and accessories for about 90 minutes. A REDVOLT 30Wh battery will run the camera and accessories for about 30 minutes. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 20: Camera Operational Controls

    CAMERA OPERATIONAL CONTROLS This section describes the available operational controls on the EPIC camera Brain, Side SSD Module, Side Handle and REDmote accessories. BRAIN Power Status LED Power / Record Button Record Status LED Figure 4: Power / Record Button / Status LEDs •...

  • Page 21: Side Ssd Module

    Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record. • Media Indicator: When media is inserted and ready to record, the LED illuminates Green. When no media is present, the LED is off. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 22: Side Handle

    Focus / Record Button LCD Display Adjustment Ring LCD Backlight Button Figure 6: RED Side Handle Controls - Top • Battery Door Release Button: Releases Side Handle battery door to permit battery exchange. • Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record.

  • Page 23: Front

    Figure 7: Side Handle Controls - Front • Stills / Movie Slider: Selects between STILLS and MOVIE modes of operation. NOTE: This switch is not active at this time. Default camera operation is MOVIE Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 24: Rear

    Rocker Switch System Keys 1- 3 Navigation Group Thumbwheel Lock Figure 8: RED Side Handle Controls - Rear • Menu Button: Press to access / camera setup menus. • Rocker Switch: Increases or decreases selected value based on parameter selected in USER KEYs.
  • Page 25 User Key D – Enables false color Exposure Check. • System Keys: Function are defined by System Firmware Upper: Enables false color Exposure Check. Center: Not currently defined. Lower: Ejects (unmounts) the currently selected Media. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 26: Installation / Removal

    Rotate thumbscrew upwards until tight. 4. Rotate side handle down flush along side of camera brain. 5. Rotate thumbscrew upwards until tight. Ensure side handle is secure to camera brain. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 27 Rotate side handle upwards to remove. Rotate thumbscrew downwards until loose. 2. Rotate upwards to disengage lip at top of side handle from camera brain. 3. Remove side handle from camera. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 28: Redmote

    User Key B – Enables White Balance calculation User Key C – Enables 1:1 Focus Check User Key D – Enables false color Exposure Check. • Menu Button: Press to access / camera setup menus. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 29 Soft Menus Keys 4-8: Functions defined by LCD screen. Not active at this time • Power / Lock Slider: Slide and hold down to power up / down REDmote. Slide up to lock keys. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 30: Bomb Evf

    Focus Ring: Adjusts optimal subject focus for your eye. Available diopter range is +2.0 to -5.0. • EVF User Key 1: Initiates user defined camera function. Default: 1:1 Magnify • EVF User Key 2: Initiates user defined camera function. Default: False Color : Exposure Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 31: Red Lcd

    RED LCD Figure 13: RED LCD Backlight Adjust Power Key LCD User Key • Backlight Adjust: Adjusts LCD backlight intensity. • Power Key: Not Used • LCD User Key: Press to execute user defined function. Default: False Color > Exposure.

  • Page 32: Touchscreen Lcd

    TOUCHSCREEN LCD Figure 14: RED Touchscreen LCD Backlight Adjust Power On/Off LCD User Key • Backlight Adjust: Adjusts LCD backlight intensity. Upper button +, Lower button - • Power Key: Press to power LCD On / Off. • LCD User Key: Press to execute user defined function. Default: False Color > Exposure.

  • Page 33: Basic Operation

    Figure 15: Side Handle Battery Compartment EXTERNAL DC POWER EPIC accepts input voltages between 11.5V - 17V D.C and can draw a maximum current of 12 Amps. • An appropriate 150W supply with DC output rated at 15V 10A is available from RED Digital Cinema.

  • Page 34: Power Up

    Figure 16: Power / Record Button / Status LEDs When an appropriate power source is connected to the Brain, the Power Status LED will illuminate Red. If it is illuminated, depress and then release the Power / Record button. The Power Status LED will initially go out and within 5 seconds illuminate Orange to confirm the camera is powering up, then it will illuminate Green, confirming the camera is powered up and ready to use.

  • Page 35: Power Down

    Depress and continue to hold the Power / Record button in its fully depressed position for 5 seconds. After Power Down, the Power Status LED will illuminate Red, if an appropriate power source is available. NOTE: The camera may also be powered down using REDmote or Side Handle Menu controls, or via Touch Screen LCD icons.

  • Page 36: Graphical User Interface And Navigation

    GRAPHICAL USER INTERFACE AND NAVIGATION RED LCD/TOUCHSCREEN LCD, BOMB EVF, EXTERNAL MONITORS The following is a general description of the structure of the camera’s Graphical User Interface (GUI) which overlays the video monitor signal on the Viewfinder output(s) of the camera.
  • Page 37 Shutter Speed (or Shutter Angle) Record Quality Whichever parameter is underlined with a red bar may be immediately adjusted by pressing ENTER in the Navigation Group of the Side Handle or REDmote, then using the Scroll Wheel to change the value of that parameter.
  • Page 38 If the red bar is not on the parameter you wish to change, first use the Scroll Wheel to position the red bar under that parameter, then press ENTER, adjust with the Scroll Wheel and press ENTER a second time to confirm the value change.

  • Page 39: Side Handle

    Green = 99% - 11% Yellow = 10% - 6 % Red = 5% - 0% NOTE: If using a REDBRICK battery to power the camera, power status displays DC and voltage as if the camera is hooked up to DC power.

  • Page 40: Redmote

    Selects Advanced Settings menu when Cursor is positioned on the Upper Status Row Moves Cursor to the Upper Status Row if the Cursor is positioned on Lower Status Row. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 41: Using Touchscreen Lcd

    Touching Power Status indicator will bring up the Power menu. Refer to SECONDARY MENUS > POWER for complete information. • Touching the Audio Meter will display the Audio Input menu. Refer to SECONDARY MENUS > SETTINGS > AUDIO/VIDEO for complete information. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 42: Power Down

    To lock out the touchscreen operation, touch and hold the MENU icon until the LOCK icon displays; indicating the touchscreen has been locked out. When locked, the main menu will be displayed. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 43 UNLOCK To unlock out the touchscreen and allow normal operation, touch and hold the LOCK icon until the MENU icon displays; indicating the touchscreen has been unlocked. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 44: First Time Use - Setting Up Your Red Epic

    FIRST TIME USE – SETTING UP YOUR RED EPIC 1. ATTACH POWER SOURCE BATTERY Connect a RED battery to the camera in one of the following ways: SIDE HANDLE Attach a Side Handle and insert a REDVOLT battery. INSTALL 1. Press the battery door release button (A).

  • Page 45: Dc Power

    Connect a DC power source to the camera in one of the following ways: • Plug the RED AC Power Adapter into AC power, and the LEMO connector to the DC IN connector. • Plug the RED CHARGER into AC power, and the LEMO connector to the DC IN connector via adaptor cable p/n 140-1060.

  • Page 46: Formatting Media

    Identify a REDMAG 1.8” 64GB, 128GB or 256GB SSD that has not previously been recorded to, or is not a camera master and may therefore be erased and re-used. Aligned the RED logo of the SSD to the outside, and then push the SSD firmly, but without excessive force, into the slot in the Side SSD Module.
  • Page 47 If using a Touch Screen, press the QUALITY icon, adjust the REDCODE value by sliding your finger left / right or tap on the desired value, and then press anywhere else on the touch screen to confirm. Default value for REDCODE is 8:1. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 48: Recording

    Timecode, normally displayed in white colored text, will be displayed in red colored text. A small Red dot will appear in the top right corner of the VIEWFINDER output(s). The REC LED on the right side of the camera Brain will illuminate Red.

  • Page 49: Playback

    REDmote upper LED will illuminate Red, the Timecode will turn Red, and a Red dot will appear to the left of the Timecode display. If using a BOMB-EVF, the LED on the front will illuminate Red if Tally is enabled SMPTE-RP188 timecode VITC-2 HANC metadata record flag will be enabled on HD-SDI outputs.

  • Page 50: Menu Controls

    2. Use the direction keys to navigate to the desired parameter adjustment field and press ENTER. 3. Use the Scroll Wheel to adjust the selected parameter value. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 51 2. Press the field - a keypad type menu may appear to allow adjustments. 3. Press the desired parameter settings to adjust. 4. When desired selection is made, press anywhere in the screen area to set and exit the advanced settings submenu. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 52: Main Menu

    REDCODE setting to the maximum quality that enables that frame rate. BASIC SETTINGS Provides quick selection of the most common Varispeed frame rates. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 53: Advanced Settings

    ISO rating is adjusted, the camera logs the change as metadata and the monitor path reacts accordingly. Higher ISO values lead to brighter images in the monitor path, and vice versa. Range is ISO 80 – 12800 Default is ISO 800 Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 54: F (F-Stop)

    When selected, the advanced settings menu allows fine control over the Exposure value, and permits entry in any of the three following common units – EXPOSURE (Shutter Speed), INTEGRATION TIME or ABSOLUTE ANGLE (Shutter Angle). Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 55 Default is 1/48 Sec. TIME Provides the ability to enter the Exposure value as a Shutter Integration Time (xx milliseconds). Range is 0.125 to 1,000 mS (milliseconds) Default is 20.833 MS Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 56 Equivalent Shutter = 1 / (Frame Rate x 360 / Angle) E.g. = 1/ (24 x 360/180) = 1/ (8640/180) = 1/48 DEGREES SHUTTER DEGREES SHUTTER 1/32 1/120 1/48 1/192 172.8 1/50 22.5 1/348 1/60 1/696 1/96 1/1000 Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 57: White Balance

    Available preset options are: SHADE DAYLIGHT FLOURESCENT INCANDECENT Preset to 9,000K Preset to 5,600K Preset to 4,500K Preset to 2,800K CLOUDY FLASH TUNGSTEN Preset to 7,500K Preset to 5,500K Preset to 3,200K Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 58 NOTE: Selecting Calc White Balance calculates a new Tint value. This is maintained if the Color Temp is adjusted via the Color Temp parameter. If you select ANY presets, Tint will be reset to zero, which is the default value. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 59: Resolution

    The following Resolution options are available: • 5K 2:1 • 5K FF • 5K 2.4:1 REDCODE® Allows adjustment of REDCODE settings. Range is 2:1 to 18:1 Default is 8:1 Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 60: Secondary Menus

    HDRx button. Press the HDRx button, which will turn Blue. In the Lower Status Group of the Viewfinder screen, the HDR text will turn White, indicating HDRx is active. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 61: Stops

    Available options are OFF and FOCUS CONFIRM. Default is OFF. If selected, FOCUS CONFIRM places a single box or a grid of boxes on the screen (depending on the ZONES selection) that indicate where the image is in focus. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 62: Zones

    Yellow or Green. When objects located in the circle are out of focus, the circle will be Red. The manual focus square can be moved around the screen. Tap on the manual focus square and drag to the location you wish to relocate the manual focus square to.

  • Page 63: Exposure Menu

    Provides a many targets for focus. When many objects on the screen are in focus, many boxes will be Yellow or Green. When few objects on the screen are in focus, few boxes will be Yellow or Green. Red boxes indicate objects that are out of focus.

  • Page 64: Presets Menu

    Preset Main Menu – your new preset shown. NOTE: If more presets are available, they will be accessible by using the arrow keys on either end of the Preset name field. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 65 Use the arrow keys and Enter button to select the information you want to be stored for your preset. Available options are IMAGE, SYSTEM, PROJECT, KEYS, and/or OUTPUT. When creating a new preset successfully completed, “Preset Created Successfully” will appear and the preset will be listed. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 66: Export / Import Preset

    (1.8” SSD). Once a preset is exported, it will appear as a selection in the DISK PRESETS field. NOTE: If external memory is not connected, the Export Preset function cannot be performed. When successfully completed, “Preset Exported Successfully” will appear. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 67 If the preset could not be applied, “Preset Could Not Be Applied” will appear to inform you. APPLY When APPLY is selected, the preset settings are transferred to active system memory. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 68: Delete Preset

    Available options when selected are SELECT MEDIA, SET MEDIA, FORMAT MEDIA and EJECT MEDIA. IMPORTANT: Media MUST be ejected from the camera before removal to prevent corruption and/or loss of data on media. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 69: Select Media

    CAMERA ID (SLATE) Identifies the camera with a letter A through Z. Default is A. CAMERA POS (POSITION) Identifies the camera position as Right, Left or Center. Default is Center. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 70: Format Media

    CAMERA ID (SLATE) Identifies the camera with a letter A through Z. Default is A. CAMERA POS (POSITION) Identifies the camera position as Right, Left or Center. Default is Center. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 71: Eject Media

    When ejected, camera will display “Media Ejected Successfully”. SETTINGS MENU This section describes the various secondary controls available to configure the camera. Menu options are DISPLAY, LOOK, SENSOR, PROJECT, MODES, AUDIO/VIDEO, SETUP and MAINTENANCE. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 72: Display

    “E√” will be displayed in the Lower Status Group. The EXPOSURE meter’s color bands provide the following information: PURPLE Minimum Exposure Maximum Exposure Between minimum and maximum exposure values, the image is displayed as a monochrome image. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 73 NOTE: Because the RAW data represents a wider color space than RGB, provided that the Red (clip) color is not present in EXPOSURE view, even if Red (clip) color is present in VIDEO view, the apparently clipped RGB highlights can be recovered in post production by adjustment of ISO, FLUT or changing the KNEE and WHITE values of the CURVE box.
  • Page 74 Super White (IRE 101-104) ORANGE Super White (IRE 105-107) Super White (IRE 108-109) At all other values, the monochrome image displayed represents the luminance value of the ISO adjusted image. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 75 FOCUS FOCUS displays a Red color overlay that outlines the edges of objects that are in sharp focus. By adjusting your lens zoom and focus you can see which objects are coming into and falling out of focus. When selected, the icon “F √” will be displayed in the Lower Status Group .
  • Page 76 Zebras enable and adjust the upper and lower values for two independent Zebra indicators. One zebra may be used for highlight exposure, and the other for mid tone or shadows. By default, Zebra 1 and 2 are disabled. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 77 + 45 degrees relative to vertical. Zebra 2 is shown in the image below. High IRE Change the desired setting between 1 and 99 (default is 1). Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 78 Color The color setting for AF ZONES, AE ZONE, FACES, CENTER, GRID and LOOK AROUND may be adjusted. Options are White, Blue, Yellow, Green, Red, or Black. Select the color that provides maximum contrast with the scene you are shooting.
  • Page 79 Selects GUI display of Shutter Exposure as Time (1/xx sec) or Angle (Degrees). APERTURE Selects GUI display of f/stop as 1/4 f Stop or 1/3 f Stop. TIME CODE Selects GUI display of Timecode as Time of Day (TOD) and Edge. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 80 Outdoor displays the menu items in Black text over a Gray background for outdoor shooting conditions. Night Night displays the menu items in Red text over a Gray background for nighttime shooting conditions. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011...
  • Page 81 Available options are Size, Color and Transparency. SIZE Available options are Off, Full, 2.39:1, 1.85:1, 16:9, 4:3, 1.9:1, or User. Full is illustrated below. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 82 Frame guides can be set to your own preferences through the User Settings. Available options are Aspect Ratio, Scale X/Y and Offsets X/Y. COLOR Sets the frame guideline color to White, Blue, Yellow, Green, Red, or Black. Select the color that provides maximum color contrast with the scene you are shooting. TRANSPARANCY Sets the frame guide transparency.
  • Page 83 AREA GUIDES Area Guides displays Title Guides and Action Guides. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 84 For both Title Guide and Action Guide, available options are OFF, 16:9, 14:9, 4:3, 2.4:1, 1.85:1, and User. Default is OFF. User Title Guide and Action Guide can be set to your own preferences through User Settings. Available options are Aspect Ratio and Scale. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 85 COLOR Sets Title Guide and Action Guide line color to White, Blue, Yellow, Green, Red, or Black. Select the color that provides maximum color contrast with the scene you are shooting. TRANSPARENCY Sets Title Guide and Action Guide transparency. Options are 0%, 25%, 50%, 75% and 100%.
  • Page 86 To zoom out to normal view, slide fingers apart. Double-Click Right 25% to Record When selected, the right 25% of the screen can be double-tapped to start and double-tapped again to stop recording. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 87: Look

    Adjusts the overall contrast of the image. Range is -1.0 (flat) to +1.0 (max contrast). Default is 0.0. BRIGHTNESS Adjusts brightness without crushing highlights. Available range is – 10 to +10. Default is 0.0. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 88 GAIN The GAIN sub-menu permits adjustment of RED GAIN, BLUE GAIN and GREEN GAIN. Adjusts the gain of the RED channel only. Range is 0.0 (no Red) to 4.0. Default is 1.0. BLUE Adjusts the gain of the BLUE channel only. Range is 0.0 (no Blue) to 4.0. Default is 1.0.

  • Page 89: Sensor

    Defines operational modes for the SENSOR. Available options are SHUTTER and SYNC. SHUTTER Enables one of two shutter timing (duration) modes: Absolute or Relative. Default selection is Absolute. ABSOLUTE Shutter Speed is defined exclusively by the Shutter Speed setting. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 90: Project

    NOTE: When operating in Relative mode, the shutter speed is reported in yellow text. NOTE: If the operator requests a shutter speed that is outside the capability of the camera in that mode, the actual shutter speed used will be reported in red text. SYNC Allows the shutter timing (scan start) to be synced to an external signal.
  • Page 91 INT USER-PROVIDED TC Use RTC Time When selected the camera uses the camera’s Real Time Clock as the timecode counter source. Use Aaton Serial Not operational at this time. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 92: Modes

    When selected allows the user to define a custom value as the timecode counter seed. MODES This menu is currently not operational. AUDIO/VIDEO Menu adjusts AUDIO INPUT, AUDIO OUTPUT, MONITOR CONTROL, and TEST SIGNALS. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 93 OFF, BAL and UNB. Default is OFF. AUDIO OUTPUT Allows adjustment of audio output levels fed to the Headphone jack. Available options for each channel are VOL and MUTE. Default is VOL. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 94 To enable/disable a test signal, select the desired test signal box. SMPTE BARS CHIP CHART NOTE: RED EPIC test signals are not recordable, they are provided to help align external video monitors connected via the HD-SDI or HDMI outputs. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 95: Setup

    NOTE: To reset keys to default settings, go to RESTORE. A reboot of the camera is necessary to restore defaults. NOTE: Multiple keys can be programmed to the same action. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 96 DATE / TIME This menu allows the user to reset the battery backed up clock of the RED EPIC camera. These values will be used to timestamp each recording as they are made to the RED MAG 1.8” SSD media.
  • Page 97 Permits the user to adjust the Gateway address. ENABLE DHCP When checked, the camera will be auto-assigned a dynamic IP address. SERIAL This menu allows the user to select the RS232 Serial Port PROTOCOL and SPEED. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 98 SPEED Available options are 9600 baud and 115200 baud. Default is 9600 baud. REMOTE This function is not enabled at this time. GPIO GPIO selects the GPIO preferences sub-menu. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 99 Permits the function of the SYNC OUT / GPO pin in the CNTL connector to be defined as: Sync Provides an Output Sync signal to act as a Shutter Start tally. General Purpose Provides an Output Tally to act as a General Purpose Output tally signal. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 100 This setting selects VARIABLE speed fan operation based on the camera core temperature. Manual This setting allows you to set a fixed fan speed to be used during Record and Standby modes. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 101 Available options are OFF and RECORD/STOP. When RECORD/STOP is selected, an audible beep will be heard when record is started and another when record is stopped. EVF Tally Light When checked, enables the Record Tally Red LED on the front face of the EVF. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC.

  • Page 102: Maintenance

    SYSTEM INFO When selected the Viewfinder output(s) will display the camera Model, current firmware Version, installed and camera P.I.N. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 103 SAVE LOG Select to write camera’s .LOG file to the REDMAG 1.8” SSD. The .LOG file is a diagnostic tool that can assist RED with camera troubleshooting. After capture, upload the .LOG file to the RED customer service team contactable at www.RED.com/support.
  • Page 104 F24 Light Shading calibration procedure: 1. Ensure the sensor is exposed to the F24 calibration light source. 2. Ensure a properly formatted SSD is attached to the camera and properly formatted. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 105 3. Select OK to perform the Black Shading calibration. A status screen will appear showing progress in percent. 4. When the Black Shading calibration is complete, CALIBRATION SUCCESSFUL is displayed. Select Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 106 NOTE: If the Calibrate Apply procedure fails, APPLY CALIBRATION FAILED. TRY AGAIN will be displayed. Perform the APPLY CALIBRATION procedure again. SELF TEST When selected allows you to perform a self-test for the sensor and LCD Touchscreen. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.
  • Page 107 When selected enables / disables the sensor test pattern (White Screen). To turn on, select ENABLE SENSOR TEST PATTERN. To turn off, select DISABLE SENSOR TEST PATTERN. TOUCHSCREEN When selected allows you to perform a touchscreen self-test. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 108 When selected, you will be asked to confirm if you want to delete all settings and restore the factory default settings. After settings are restored, “DEFAULT SETTINGS RESTORED, INITIALIZING RESTART…” Camera will automatically power down and will require you to manually power it up. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 109: Power Menu

    POWER MENU Power OFF controls are interlocked to prevent accidental powering down of the camera. For details on the different ways to properly power down your RED EPIC, refer to BASIC OPERATION > POWER DOWN. 1. Press the MENU icon in the right corner of the Upper Status Bar to reveal the Secondary Menus.

  • Page 110: Appendix A: Upgrading Camera Firmware

    APPENDIX A: UPGRADING CAMERA FIRMWARE RED EPIC camera functionality may be upgraded by installing the latest firmware. Camera firmware is identified by a Version number, which will be displayed by the camera on the LCD display when SYSTEM INFO is selected. A higher number reflects a later release.

  • Page 111: Upgrade Procedure

    UPGRADE PROCEDURE 1. To download the latest firmware (Build), go to www.RED.com/support. 2. Click on the desired build link and download to your desktop or directory of your choosing. NOTE: Before the download starts you will be prompted to enter your account and password or the camera’s P.I.N.
  • Page 112 NOTE: If multiple cameras are to be upgraded, it is necessary to perform STEPS 6 through 17 of this procedure for each camera. 6. Connect REDMAG 1.8” SSD to the computer using a RED STATION. Ensure the media has been formatted by the camera. For detailed instructions on formatting, go to APPENDIX B: MANAGING DIGITAL MEDIA.
  • Page 113 UPGRADE SUCCESSFUL, PLEASE RE-START THE CAMERA”. 17. Power the camera down and back up. 18. Perform a Dark Shading Calibration. Refer to SECONDARY MENUS > SETTINGS > MAINTENANCE > CALIBRATION for complete information. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 114: Appendix B: Managing Digital Media

    Failure to do so may result in lost data or corrupted files. Refer to REMOVE MEDIA FROM CAMERA (UNMOUNT). This procedure outlines the formatting of REDMAG SSD media using the RED EPIC camera. Formatting the SSD media will take about 10 seconds.

  • Page 115: Media Capacity Remaining Status

    The Viewfinder output(s) will display the remaining media capacity in the MEDIA indicator (100% is shown). At 10%, remaining capacity the media status will turn yellow, at 5% it will turn red. At 2%, remaining the camera will cease recording. This reserves a small amount of capacity for ancillary data to be written to the media.

  • Page 116: Eject Media From Camera (Unmount)

    4. Media can now be removed from the camera. USING SIDE HANDLE 1. By default, the lower of the three (3) SYSTEM KEYS is set to Eject Media when pressed. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 117: Using Side Cf / Ssd

    You will not need to copy the log, magazine profile, or presets files, but if you do so, it will do no harm. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 118: Erasing Media

    ERASING MEDIA MACINTOSH OS X 1. Connect the REDMAG 1.8” SSD via RED STATION REDMAG 1.8". 2. Open the Disk Utility. 3. Carefully choose the drive from the list on the left. 4. Select the Erase tab. 5. Choose MS-DOS (FAT) as the Volume Format. You can add a Name if desired, however the camera will overwrite this.

  • Page 119: Appendix C: Charging Batteries

    1. Plug the supplied AC power cord into the charger’s AC input and then into the AC power source. 2. Verify that the charger’s LED status bar is solid Red (indicating ready to receive battery for charging). 3. Insert a REDVOLT battery into the charger.

  • Page 120: Appendix D: Input / Output Connectors

    APPENDIX D: INPUT / OUTPUT CONNECTORS BRAIN FRONT MIC-1 3.5mm Audio Jack MIC-2 3.5mm Audio Jack Figure18: Brain Connectors - Front Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 121: Microphone Audio)

    Graphical User Interface, with a solid vertical witness mark that indicates 0dBu / 0.775 v RMS /-20dbFS. Peak Level Meter range is –34dBu to +20dBu (-54dBFS to 0dBFS) and provides input clip indication. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 122: Brain Rear

    BRAIN REAR HD-SDI Headphone SYNC (Video Sync) CTRL (RS232 Control) GIG-E (Ethernet) DC IN (Power Input) HDMI Figure 20: Brain Connectors - Rear Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 123: Hd-Sdi

    Day timecode, record tally flag and Clip Name information as SMPTE RP-188 VITC2 HANC metadata. NOTE: Default setting is PROGRAM. NOTE: HD-SDI video output is Progressive Scan; it does not support 1080i or 1080PsF modes. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 124: Headphone

    Volume: (master volume) Adjusts headphone volume equally for left and right outputs. Range is -18dB to 0dB in 1dB steps. Default is -9dB. NOTE: for maximum output signal quality, only use high impedance headphones. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 125: Sync (Video Sync)

    For example, when GPI trigger is used as a Record Start / Stop. • Start Record: Ground - 3.3V Transition • During Record: Hold at 3.3V Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 126 3.3V - Ground Transition • During Stop: Hold at Ground NOTE: A pre-fabricated SYNC interface cable is available from RED Digital Cinema. • Part # 140-0078 - Video Sync - Camera to 3 BNC - 3 ft. (1m) • White BNC: Shutter Sync / GPI •...

  • Page 127: Ctrl (Rs232 Control)

    RS232 TX NOTE: When active, the GPO tally presents 3.3V @ 0.04 Amps maximum between pins 1 and 3. NOTE: A pre-fabricated CTRL interface cable is available from RED Digital Cinema. • Part # 140-0076 - RS232 - Camera to DB-9 - 3 ft. (1m) •...

  • Page 128: Gig-E (Ethernet)

    Data Pair B+ B1_DB- Data Pair B- Do Not Connect NOTE: Two pre-fabricated Ethernet interface cables are available from RED Digital Cinema. • Part # 140-0152 - Ethernet - Camera to Camera - 3 ft. (1m) • Part # 140-0125 - Ethernet- Camera to RJ45 - 3 ft. (1m) Version 1.4.0 SVN 29352 BETA...

  • Page 129: Dc In (Power Input)

    NOT fabricate power cables with just one each of +VBATT and GROUND pins wired, as this may cause damage to the camera’s power supply; this is not covered by Warranty. NOTE: Two pre-fabricated DC Power input cables are available from RED Digital Cinema. •...

  • Page 130: Hdmi Out

    In addition to video data, the HD-SDI output also provides 4 channels of embedded audio. NOTE: Default setting is PREVIEW. NOTE: HDMI video output is Progressive Scan; it does not support 1080i or 1080PsF modes. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 131: Side Ssd Module

    The VIEWFINDER output Module to the front face of the Side SSD provides digital video, communications and power interconnection between the camera and a RED EVF or RED LCD digital display. Due to the requirement for absolute data integrity this requires a custom cable manufactured by RED, the pin-out of this interface is not published.

  • Page 132: Redmote

    The Mini USB connector (A) may be used to charge the REDmote from a 3 party USB power source. The REDmote interface connector (B) allows communication between the REDmote and EPIC Brain or any expansion module when installed. Make sure these contacts are kept clean and free of any grease that may interfere with electrical contact.

  • Page 133: Appendix E: Redmote Operation

    STILLS operation (DOWN) and MOVIE operation (UP). The toggle switch is set to the MOVIE position, the camera settings and defaults become movie specific. When the toggle switch is set to the STILLS position, the camera settings and defaults become still photography specific. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 134: Leds

    LEDS The upper bi-color LED (C) indicates the camera’s record status and illuminates Red when recording. The lower bi-color LED (D) indicates the camera’s power status and illuminates Green when REDmote is powered UP and working. ZOOM ROCKER SWITCH The pressure sensitive ZOOM rocker switch (E) may be assigned by the operator to one of a number of operational controls.

  • Page 135: Focus And Record Button

    Auto Focus; a full press initiates still capture, or starts /stops a movie recording. When recording, the upper LED will illuminate Red and a Red dot will appear to the immediate left of the Timecode on the REDmote LCD display.

  • Page 136: Ambient Light Sensor

    1. Connect the USB connector to any computer (computer must be ON to charge REDmote). 2. Connect the Mini-USB end to the REDmote USB Port located on the lower right side (under rubber protective cover). Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 137: Charge Status Indicator

    CONNECTING / REMOVING This section describes how to physically connect / remove the REDmote to / from an EPIC or SCARLET Brain or to / from the back on an expansion module. On the lower left and right sides of the REDmote are V-lock release buttons (B, N) that must be depressed to release the REDmote from the camera or module.

  • Page 138: Physical

    1. Depress the two (2) release buttons located on the sides of the REDmote. 2. Slide the REDmote upward to release from the V-Mount of the camera/module. 3. Remove the REDmote. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 139: Wireless Communication

    NOTE: When communicating with a camera mounted on a boom or in a remote location, ensure an external monitor is set up to show the camera menus if you plan to adjust those using the REDmote. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 140: Power Up / Down

    To record, press the Red REC (record) button on the REDmote. • If media is connected and properly formatted, the upper LED will illuminate Red and a Red dot will appear to the immediate left of the Timecode display on the REDmote LCD display.

  • Page 141: Settings

    The operations will be the same whether connected physically to the camera, or wirelessly. CHANGING CAMERA SETTINGS To adjust a parameter value displayed on the camera’s Upper Status Group, first note the red colored bar (located under 24fps in this example), indicating the currently active parameter for instant adjustment.

  • Page 142: Appendix F: 3D Setup / Operation

    APPENDIX F: 3D SETUP / OPERATION This section under construction. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 143: Appendix G: Exposure - Using False Color And

    In the image above it is obvious the camera is under exposed. The initial clues are the monitor is very dark, and the histogram is justified to the left. Also note that red bar at the left edge of the histogram and the vertical color stack to the right of the histogram is only at grey.
  • Page 144 These areas are indicated in purple. It is clear those areas are under the matchbox and coin, and between the bottle and cigar holder. ISO 800 - False Color: Video Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 145: Overexposure (~ 2 Stops)

    Note the red bar at the right edge of the histogram and the vertical color stack to the right of the histogram is showing red plus the three traffic lights to the right of that are all illuminated.
  • Page 146 Select False Color – Exposure: note the √ E icon in the GUI when active. This mode allows us to visualize where in the image over exposure is taking place. These areas are indicated in red. It is clear those areas are on the highlight on coin, and at the top right edge of the color chip test chart.
  • Page 147 Because the scene is over exposed, when the recorded .R3D file is color corrected in post-production, the scene’s highlight information will almost certainly be clipped, however the shadow information will probably display cleanly once pulled back down to an acceptable brightness. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 148: Appropriate Exposure

    Note that there is no red bar on either the left or the right edges of the histogram and the vertical color stack to the right of the histogram is at yellow.
  • Page 149 (purple) or over exposure (red) in the image. In this case, there is a very small area of purple under the cracker box, and just a suggestion of red on the highlight on the coin, which suggested that the sensor is appropriately exposed for this scene.
  • Page 150 Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 151: Adjusting The Iso Rating

    RAW meters do not change – they always indicate what is happening at the sensor level and hence where the image is truly in noise or at clipping. ISO 6400 - No Exposure Adjustment Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...
  • Page 152 The technique is similar in principle to re-rating a film stock. With practice, the ISO rating can be used as a tool to assist ideal exposure based on the dynamic range identified within the scene. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 153: Appendix H: Post Production

    The RED EPIC camera records RAW sensor data using wavelet based REDCODE RAW compression to REDMAG 1.8” REDMAG 1.8” SSD. The compressed RAW data is then transferred from the digital media to a Macintosh OSX or Windows XP workstation running REDCINE-X post production software.

  • Page 154: Software Tools

    SOFTWARE TOOLS RED Digital Cinema provides a variety of software tools to aid postproduction. For proper color rendition using a Macintosh OSX computer, your monitor should be set to Adobe 1998, or to SMPTE-C display profile. If you use the HD Cinema display profile, adjust the gamma to 2.2.

  • Page 155: Appendix I: Troubleshooting

    If the preset could not be applied, “Preset Could Not Be Applied” will appear to inform you. Power down camera, power back up and attempt to apply the preset that failed. Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 156: Power Spike Detected - Shutdown

    POWER SPIKE DETECTED – SHUTDOWN If this message appears, power down the camera, power back up and continue camera operation. If error reoccurs, please file a support ticket at www.RED.com/support. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 157: Appendix J: Maintenance

    There are no user-serviceable parts inside. Alteration or repairs made to the camera, lens or other accessory, except by a RED authorized service facility, will void the Limited Warranty.

  • Page 158: Redmote Screen

    Use Pancro Professional Lens Cleaner (Part No. PANCROCLN) and Photographic Solutions Pac Pads (Part No. 05011) or equivalent to clean the screen on the Side Handle LCD. ELECTRICAL CONTACTS This section under construction. Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 159: Appendix K: Technical Data

    5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1) PROJECT FRAME RATES 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions 4K : DPX, TIFF, OpenEXR (RED RAY™ via optional encoder) 2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder) DELIVERY FORMATS * 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.

  • Page 160: Brain Dimensions

    BRAIN DIMENSIONS FRONT VIEW Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

  • Page 161: Side View

    SIDE VIEW Version 1.4.0 SVN 29352 BETA ©2011 RED.COM INC. APRIL 21, 2011...

  • Page 162: Top View

    TOP VIEW Version 1.4.0 SVN 29352 BETA APRIL 21, 2011 ©2011 RED.COM INC.

Table of Contents