Table of Contents
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APPENDICES
NOTE: Due to constant research, the information in this manual is subject to change without notice
54-017188-05P
C S 5 0 - D 1 0 0 U & C S 7 0 - D 1 0 0 U / U F
Table of Contents
Contents
1.1 Product Overview ....................................................................................... 1-1
1.2 Components ................................................................................................ 1-2
1.3 Purchase Record and Servicing .................................................................. 1-2
2.1 Introduction ................................................................................................ 2-1
2.2 Source Connections .................................................................................... 2-1
2.3 Serial Port Connections .............................................................................. 2-8
2.4 Power Connection..................................................................................... 2-10
2.5 Keypad Protocol ....................................................................................... 2-10
3.1 Introduction ................................................................................................ 3-1
3.2 Projector Basics .......................................................................................... 3-1
3.3 Using the Keypad ....................................................................................... 3-3
3.4 Navigating the Menus................................................................................. 3-8
3.5 Using Inputs and Channels ....................................................................... 3-12
3.6 Adjusting an Image................................................................................... 3-18
3.7 System Configuration ............................................................................... 3-35
3.8 System Communications .......................................................................... 3-40
3.9 System Status ........................................................................................... 3-43
3.10 Auto Setup .............................................................................................. 3-43
3.11 The Lamp Menu .................................................................................... 3-44
3.12 Using Multiple Projectors....................................................................... 3-48
3.13 Error Conditions ..................................................................................... 3-54
4.1 Warning and Guidelines ............................................................................. 4-1
4.2 Cleaning and Maintenance ......................................................................... 4-3
4.3 Replacing Keypad Batteries ....................................................................... 4-5
4.4 Lamp Replacement ..................................................................................... 4-5
4.5 Troubleshooting........................................................................................ 4-10
5.1 Specifications ............................................................................................. 5-1
Appendix A: Glossary ..................................................................................... A-1
Appendix B: Auxiliary Fan Connector.............................................................B-1
Appendix C: Keypad Reference .......................................................................C-1
Appendix D: Serial Communication Cables ................................................... D-1
Appendix E: Optional Input Modules ..............................................................E-1
Appendix F: The Menu Tree ............................................................................ F-1
R P M S - D 1 0 0 U / U F ,
U s e r ' s M a n u a l
RPMS, CS50 & CS70 User's Manual
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Troubleshooting
Related Manuals for Christie GraphXMASTER RPMS-D100U
Summary of Contents for Christie GraphXMASTER RPMS-D100U
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Page 1: Table Of Contents
R P M S - D 1 0 0 U / U F , C S 5 0 - D 1 0 0 U & C S 7 0 - D 1 0 0 U / U F U s e r ’ s M a n u a l Table of Contents Contents Page... -
Page 2: Introduction
S e c t i o n 1 Introduction GraphXMASTER RPMS-D100U/UF, CS50-D100U and CS70-D100U/UF products Product are based on single chip DLP(Digital Light Processing) technology by Texas Overview Instruments with SXGA resolution. The RPMS-D100U/UF (Rear Projection Module) is a dual lamp projector that has been specifically designed for rear screen projection applications. -
Page 3: Components
Servicing If you encounter any problems with the projector and require assistance, contact your dealer or Christie Digital Systems. Fill out the information in the table below and keep with your records for future reference. Purchase Record... -
Page 4: Source Setups
S e c t i o n 2 Source Setup This section provides instructions on how to connect various sources to the projector. 2.1. Introduction A variety of external sources can be connected to the input ports on the Electronics 2.2. - Page 5 SOURCE SETUP RGBHV (5 BNCs) Input 1 provides 5 BNC connectors for connecting to a variety of sources such as VGA, SVGA, XGA, SXGA, Mac, PowerMac, DEC, Sun, SGI and others. This projector supports multiple sync types with RGB signals: sync-on-green, composite sync, and separate H &...
- Page 6 SOURCE SETUP Figure 2.3. Connecting Component Video Sources DVI Digital Video Signals The DVI Input module installed in 2 displays digital video input signals INPUT conforming to the DVI (Digital Visual Interface) standard. This is a standard module in D100U projector models only. DVI Connection for D100U models To connect an incoming digital video signal to the projector, connect the cable running from the source to the DVI input connector at Input 2 - the DVI output...
- Page 7 SOURCE SETUP NOTE: The DVI output connector (J94) on the output panel is used to connect the Projection Head Module (PHM) and Electronics Module (EM). DVI Loop Through for D100U models To loop a single incoming digital video input signal (connected to the DVI input) through to another projector connect a cable from the source to the DVI input connector on the main input panel.
- Page 8 SOURCE SETUP Figure 2.7. Connecting Composite Video Sources S-Video Connect an S-Video input to either the 4-pin mini DIN connector or the Y and C INPUT 4 BNC connectors provided on the video decoder module ( NOTE: 1) Requires Optional Video Decoder module (38-804600-01). 2) Not applicable to D100UF.
- Page 9 SOURCE SETUP Figure 2.9. Composite Video Loop Through VIDEO TERMINATION: In the Video Options menu (Image Settings), make sure Video Termination is checked for the final projector only. All other projectors must have this option unchecked in order for the signal to continue. For other types of display devices in the chain, typically a “Hi-Z”...
- Page 10 INPUT 1 module installed at —the optional HDTV Input Module used in earlier INPUT 2 Christie projector models is not needed or recommended. 2) See Appendix E, Optional Input Modules for a brief description of each interface. Connecting a switcher...
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Page 11: Serial Port Connections
SOURCE SETUP Figure 2.12. Connecting a Marquee Signal Switcher Connecting Multiple If you are using more than one Marquee Signal Switcher, daisy-chain the RS-232 Switchers switcher inputs/outputs together to form a complete network of inputs accessible from the projector (you can network up to 9 switchers), and connect Switcher #1 to the projector as shown in Figure 2.12. - Page 12 SOURCE SETUP Figure 2.13. Connecting to the RS-232 input connector When connecting multiple projectors in a network with serial communication, connect the controlling source to the RS-232 IN connector of the first projector in the network. Then take another serial communication cable and connect one end to the RS-232 OUT connector and the other end to the RS-232 IN connector of the next projector.
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Page 13: Power Connection
SOURCE SETUP Figure 2.15. Connecting RS-232 between multiple projectors Plug the projector’s line cord into the AC receptacle accessible from the rear of the Power projector in the bottom left corner of the Dual Lamp Module (DLM). Then plug the Connection 3-pronged end of the line cord into a grounded AC outlet. - Page 14 SOURCE SETUP effective until the keypad is unplugged and plugged in again (if a wired remote) or until a battery is removed (if an IR remote). Figure 2.16. Independent Keypads and Projectors Remote Keypad The standard IR remote keypad or the optional wired remote can be set to one of two Protocol different protocols —...
- Page 15 SOURCE SETUP Step 4: Set the Jumpers Set the jumpers as shown in Figure 2.18. Refer to the correct part of the drawing — IR or wired (optional). Use tweezers or needle-nose pliers to remove and replace each jumper as necessary. •...
- Page 16 SOURCE SETUP Converting a Keypad If desired, you can convert an IR remote keypad into a wired remote keypad and vice versa. TO CHANGE FROM INFRARED TO WIRED: 1. Remove battery compartment cover from back of keypad. 2. Remove batteries. 3.
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Page 18: Operation
S e c t i o n 3 Operation This section provides a general overview of the projector and a complete description Introduction of the menu system. The projector’s modular architecture is best suited for control room and mission Projector critical environments where ease of servicing is a must and down time must be kept Basics to a minimum. - Page 19 OPERATION Electronics Module (EM) The EM module contains the main electronics and input connectors of the projector. Your projector model identifies which type of EM you have D100U or D100UF. Main Input Panel All source connections are made to the main input panel. NOTE: The connectors located on the input panel vary between models.
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Page 20: Using The Keypad
OPERATION The projector is controlled via an IR remote keypad. The Using the keypad accesses various menus in which settings can be Keypad changed and saved into memory (called channels). There are 99 channels in which you can store customized settings for various sources. - Page 21 OPERATION 5. If you press a key while the projector is busy with another action, such as during a power-up, the key press may not take effect. When you turn on the projector it begins operating at presentation level, such as an image from the most recently used source signal.
- Page 22 OPERATION Stby Stby functions are disabled. To leave standby press and hold again (or use Exit Menu ). Or simply press Menu Menu Menu Press to display the Main menu. A list of several options appears for access to Menu specific functions, such as Configuration or Image Settings.
- Page 23 OPERATION Cont Contrast Cont Press to change the amount of white in your images. Use until you reach the desired level of contrast—for best results, start low and increase so that whites remain bright but are not distorted or tinted, and that light areas do not become white (i.e., are “crushed”).
- Page 24 OPERATION Func Function Key Func From presentation level, press followed by a 2-digit number to enable a specific Func color or colors in the display. For example, will display only red and green Func data, will display all colors data. The list of available color combinations is shown below and also appears on the back of the IR remote keypad.
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Page 25: Navigating The Menus
OPERATION Display Display and follow immediately with if you want to guarantee the correct toggle (useful if you are unsure of the present status). Most of the controls for the projector are accessed from within the projector’s menu Navigating the Menu system. - Page 26 OPERATION Figure 3.2. General Help Topics Time-outs Whenever the projector is not at presentation level, such as when there is a slidebar, menu, message or test pattern displayed, you have limited time in which to make a keypad entry before the projector returns to presentation level and the graphic disappears.
- Page 27 OPERATION DOUBLE SLIDEBARS In double slidebars, such as the Pixel Tracking / Pixel Phase double slidebar, adjust the top slidebar with as desired. When you have finished with the top slidebar (whether changed or not), adjust the bottom slidebar with Exit When you are done, press to return to your presentation.
- Page 28 OPERATION Figure 3.3. Example of Pull-Down List Or, if you prefer to quickly scroll through a list without first pulling it down, Enter highlight the option and use . Press when the desired choice appears. NOTES: 1) Press to jump between “pages” in an extra long pull-down Exit list.
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Page 29: Using Inputs And Channels
OPERATION Enter PRESS WHEN FINISHED: To accept the edits and move out of the edit window, Enter press Exit NOTE: Press at any time to cancel changes and return to the previously defined text. Editing Numerical Values Enter numbers directly from the keypad in order to specify numbers representing projectors, channels (source setups), switchers, or slots. - Page 30 OPERATION new input signal based on its frequencies and polarities, and will automatically display an image according to default settings for such a signal. If you used the source once before and changed a display parameter such as contrast, V-Position etc., then a channel was automatically created and still Input Input Input...
- Page 31 OPERATION NOTES: 1) An automatic channel will be discarded unless one or more of its parameters are changed, and will not appear in the Channel List. 2) If two channels have the same distinguishing source characteristics except for the reversal of sync connectors (i.e., H-sync and V-sync, are switched), they are still defined as distinct channels.
- Page 32 OPERATION Table 3.1. Abbreviations for Signal Type Abbrev. Signal Type Composite (4 wire) on HC input Composite (4 wire) on V input Sync-on-green Sync-on-red Separate H,V Separate H,V swapped SVid S-Vid CVid Composite Video Tri-Level on HC input Tri-Level on V input Tri-Level on green E3LH European Tri-Level on HC input...
- Page 33 OPERATION Figure 3.7. Copying A Channel TO DELETE A CHANNEL , highlight the desired channel in the Channel Setup menu, Enter then press to activate the Channel Copy/Delete submenu. Select Delete and Enter press —a confirmation window will appear to make sure that you really want to delete this channel.
- Page 34 OPERATION SAMPLE Figure 3.9. Channel Edit Menu ( If desired, edit the following channel setups in the Channel Edit menu: • CHANNEL NAME: An alpha-numeric label can be defined and/or changed here. Channel names can be up to 12 characters in length. •...
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Page 35: Adjusting An Image
OPERATION Most options for image adjustments can be accessed through two menus: Size and Adjusting an Menu 1 Menu 2 Position ( ) and Image Settings ( ), both of which are listed in the Main Image menu. While in either of these two menus, you can change settings affecting the image from the current channel by working with the appropriate slidebars, Exit checkboxes and pull-down lists. - Page 36 OPERATION Resize Presets Applicable only to D100U models - use the pull down menu to quickly display an image in its native resolution (including anamorphic) or to automatically resize an image to closely fit the screen. The value for Size, Position and Blanking parameters (described later) will, in turn, change as necessary...
- Page 37 OPERATION INPUT 3 INPUT 4 such as video connected to , produce distorted images that are too tall or too wide. See below. SELECT FULL SIZE to use all pixels for displaying the image, regardless of source or original aspect ratio. See right.
- Page 38 OPERATION USING “TILED” RESIZE PRESETS – When you are working with a display wall you will want to resize the image according to the size of your wall. The last four “tiled” resize presets are for this purpose. These options are only available when a display wall has been defined in the Tiling Setup menu.
- Page 39 OPERATION Vertical stretch – adjusts the height the image while keeping the width constant. Use Vertical Stretch to display data from the incoming signal in a different aspect ratio. Pixel tracking – adjusts the frequency of the pixel sampling clock, indicated by the number of pixels per line, so that all pixels generated by a particular source are sampled.
- Page 40 OPERATION Figure 3.11. Adjust Filter NOTE: Filter affects only the current signal. H-Position – This option moves the image to the right or left. NOTE: 1) The value shown represents where the approximate center of the image lies in relation to the total number of pixels available horizontally. This varies widely according to the signal—watch the image while adjusting.
- Page 41 OPERATION NOTE: Unavailable options appear grayed out. Tiling Setup This submenu provides options that will help you define the size of your display wall. See 3.8 Working with Multiple Projectors later in this section for details on how to use the options in this menu. Image Settings Use the options available in the two-page Image Setting Menu to alter your image.
- Page 42 OPERATION Brightness Bright SHORT CUT: Press and adjust the slidebar.) Brightness increases or decreases the amount of black in the image (0-100). Start high and decrease so that dark areas do not become black (i.e., are “crushed”). Conversely, high brightness changes black to dark gray, causing washed-out images. For best results, keep close to 50.
- Page 43 OPERATION • Scan-doubled sync-on-green • Scan-quadrupled sync-on-green For these signals, change the Color Space to RGB, which defines a new channel for future use. Color Setup Color Setup is a submenu of Image Settings that allows you to modify color saturation and hue, select a preset gamma curve or access a color temperature setup submenu.
- Page 44 OPERATION This setting provides good black levels and high contrast DEFAULT (default) – under optimum viewing conditions for virtually all types of images, including video, HDTV and computer graphics. This setting elevates middle gray levels compared to Default, and ENHANCED – provides a more gradual rolled-off transition to maximum white.
- Page 45 OPERATION SELECT COLOR TEMP – The current color temperature is shown in the menu and can be changed here just as in the Color Setup menu. When a User color temperature is selected, the White Level and Interpolated options are disabled and can be adjusted to create your own color temperature.
- Page 46 OPERATION temperature that is similar to what you want. Adjust white levels from there as desired. To use a factory default: The preset color temperature setups (3200K, 5400K, 6500K and 9300K) can be altered from within the password-protected Service menu only—note that although such an alteration changes the setup and appearance for a preset, it does not change its name.
- Page 47 OPERATION - Enter a checkmark to terminate the video inputs 3 and 4 VIDEO TERMINATION (75 Ω). The input should be terminated unless the signal loops through (continues) to another projector or display device, in which case only the last projector in the chain should be terminated.
- Page 48 OPERATION prefer to use the Input Levels menu (see Figure 3.15). These adjustments, which are actually a calibration process to compensate for differences in sources and cabling, enables an experienced user to perfect the source image input levels. Note that input levels are of limited use with digital signals, but offer some ability to tweak poorly mastered source materials.
- Page 49 OPERATION NOTES: 1) Input levels apply for the current source only, but for any color temperature used. 2) Assuming that color temperature has been set up based on the internal test patterns, you can then set up input levels for a given source so that it matches the color temperature of the internal...
- Page 50 OPERATION Figure 3.16.Adjusting Blacklevels by Enabling Peak Detector Processing Mode Found on the second half of the Image Settings menu this control determines the projector’s processing route for the incoming signal. • (default): The projector will automatically AUTO select the correct processing mode according to what input signal it detects.
- Page 51 OPERATION interlaced signals, and the Motion filter will be applied for RGB HDTV interlaced sources. • For static images with no motion, such as graphics from a CD. Note: STILL: Applied for RGB non-HDTV interlaced signals. • For video images that originated from film. This will optimize image FILM: quality and stability.
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Page 52: System Configuration
OPERATION Use the options in the Configuration menu to change system parameters to suit your System preferences, run diagnostics and access the Service Menu. These options should only Configuration be modified by experienced users and technicians and typically don’t require modification when switching sources. - Page 53 OPERATION – Enter a checkmark to display a list of channels that are DISPLAY CHANNEL available. These channels must be marked with a list icon in the Channel Setup menu to appear in the Display Channel list. – Enter a checkmark to display a slidebar over the current imge DISPLAY SLIDEBARS when an adjustable parameter is selected directly with a key.
- Page 54 OPERATION Color and Uniformity Select Color and Uniformity to access sub-menus Color Temperature, Adjust Primary Colors (CSC) or Brightness Uniformity. Figure 3.20. Color and Uniformity Menu Refer to Color Temperature Setup description under Image COLOR TEMP SETUP – Settings. - Select this sub-menu to access options that will assist ADJUST PRIMARY COLORS you in adjusting primary colors and intensity.
- Page 55 OPERATION Figure 3.22. Enabling Brightness Uniformity – Use this option to select a variety of test patterns. Select the 13 TEST PATTERNS Point test pattern when adjusting Brightness Uniformity. White Uniformity is a WHITE UNIFORMITY - submenu accessible only when the Uniformity Enable checkbox is checked.
- Page 56 OPERATION Diagnostics and Calibration Test Pattern Geometry Freeze Image Color Enable White Odd Pixel Adjustment Sync Noise Margin Digital Noise Margin Figure 3.23. Diagnostics and Calibration menu – refer to description under Configuration. TEST PATTERN – refer to description under Image Settings. COLOR ENABLE Enter a check mark to freeze the currently displayed image.
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Page 57: System Communications
OPERATION – Enabled for D100UF models only, this option allows you DIGITAL NOISE MARGIN to set how sensitive the digital inputs are to noise, cable lengths and slight incompatibilities between the transmitter and receiver. Adjust the slidebar for the best image possible. - Page 58 OPERATION NOTE: 1) The baud rate setting does not affect the switcher port, which is always 9600 baud. 2) See Serial Port Connections and Appendix D for more information about cable connections between devices. As described in Section 2, the standard IR remote keypad is capable of FRONT IR - sending data to the projector in either one of two protocols called .
- Page 59 OPERATION accidentally disabling the wired keypad during use. Use the IR remote keypad to select . The projector will no longer respond to the wired keypad. BROADCAST KEY - Enter a checkmark if you want keypad commands sent to one projector to be relayed to all projectors in a network.
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Page 60: System Status
OPERATION This read-only menu lists a variety of details about the standard and optional System Status components currently in use on the projector. Refer to the Status menu for versions of hardware (left side) and software (right side) installed, the number of lamp hours logged in total and for a specific period (such as a rental period), and for your projector model name and serial number. -
Page 61: The Lamp Menu
OPERATION The Lamp menu is accessible from the Main menu (item 5). It is comprised of read 3.11 The Lamp only information, options and sub menus. From the lamp menu, you can: Menu • select a lamp operation and lamp power mode •... - Page 62 OPERATION level is reached for both lamps. The power level you select will remain constant throughout operation. In general, dimmer images are produced when power levels are low. Specifying the maximum power level (120W) in this mode is the same as operating in Max Brightness mode.
- Page 63 OPERATION Figure 3.29. Relation between Lamp Operation Modes and Brightness A Note About Switching Lamp Operation Modes The projector is designed with two lamps so that it can potentially maintain constant light on the wall. It automatically detects a failed lamp and responds by switching lamp operation modes and turns the other lamp on.
- Page 64 OPERATION Figure 3.30. LAMP HOURS – This read-only information indicates the number of hours logged on the current lamp. Whenever you record a new lamp serial number, this value automatically resets to “0”, where it begins to log time for the new lamp. NOTE: You can also check Lamp Hours in the Status menu.
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Page 65: Using Multiple Projectors
OPERATION IMPORTANT Always record the serial number of a NEW lamp. LAMP OPERATION – This option is the same as in the Lamp menu. It appears again in the submenu for convenience. When working with multiple projectors, you may want to use the RS-232 or RS-422 3.12 Using Multiple serial ports to chain the projectors together in a network that you control from either a Projectors... - Page 66 OPERATION Defining a Display Wall Tiling Setup Enabled for D100U models only, the Tiling Setup menu allows you to define the size of your display wall and identify the location of each projector within. NUMBER OF ROWS – Set the number of rows in a display wall by adjusting the slidebar.
- Page 67 OPERATION notice a slight posterized or banded effect in images. 6) It is recommended that you look at your primary colors again after installing a new lamp or if there is a change in the lamp operation mode (this occurs automatically if a lamp fails during operation).
- Page 68 OPERATION Figure 3.32. Enabling Primary Color Adjustment SELECT A “USER” COLOR TEMPERATURE (“USER 1” RECOMMENDED) ( Figure 3.33.) In the Adjust Primary Colors (CSC) menu, select a “User” color temperature that you will be defining through your adjustment of primary colors on each projector.
- Page 69 OPERATION ADJUST WHITES – Exit the main Adjust Primary Colors (CSC) menu to view all white fields once more. If necessary, adjust white levels to match all white fields. All screens should now be color matched. For each projector, the settings define your chosen User color temperature.
- Page 70 OPERATION STEP 1: General Setup Adjust primary colors (see Matching Colors in Multiple Screens). This ensures matched overall color temperatures and light output between screens. IMPORTANT Double-check that all WHITES and LIGHT OUTPUT are well matched. See Step 3f of Matching Colors in Multiple Screens procedure.
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Page 71: Error Conditions
OPERATION the screen) enough. In the White Uniformity menu Overall should be set to 50.0 or less. Do not exceed 50.0 – a higher level will interfere with achieving brightness uniformity and is not recommended. ◊ Adjust corner White Uniformity last – each corner adjustment affects only this quadrant. - Page 72 OPERATION No Signal The message "No signal" appears when there is no signal detected at the selected input. Both HSYNC and VSYNC are inactive and the screen background is black. Connect or correct the signal, or select another input. Bad Sync The message "Bad Sync"...
- Page 73 OPERATION The specific pattern of flashing indicates the 2-digit code identifying the type of problem encountered—the number of yellow flashes represents the first digit and the number of red flashes indicates the second digit. For example, a pattern of “yellow- yellow-red-red-red”...
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Page 74: Maintenance & Troubleshooting
S e c t i o n 4 Maintenance & Troubleshooting The projector is an internationally approved product designed for safe and reliable Warnings and operation. To assure complete safety at all times it is important to acknowledge the Guidelines following precautions while operating the projector. - Page 75 Use only the lamps specified and supplied by CHRISTIE in the Lamp Replacement Kit. Power Cord Use only the attachments and/or accessories recommended by CHRISTIE. Use of and Attachments others may result in the risk of fire, shock or personal injury.
- Page 76 The projector has been dropped or the shipping case (if applicable) has been badly damaged. Do not attempt to service the projector yourself. All servicing must be performed by CHRISTIE accredited service technicians. Use replacement parts that are manufacturer-approved only. Use of any other part other than the ones specified...
- Page 77 MAINTENANCE & TROUBLESHOOTING Table 4.1. Maintenance Guide Part Description Frequency How to clean Lens As required Clean if absolutely necessary. A small amount of dust on the lens has very little affect on picture quality. To clean: Apply a solvent such as Acetone, Alcohol or Vinegar sparingly to clean, lint- free lens tissue.
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Page 78: Lamp Replacement
MAINTENANCE AND TROUBLESHOOTING Replace the batteries in the keypad when required. Use 4 AA size alkaline batteries. Replacing To replace batteries: Keypad Batteries Turn the keypad over to access the compartment at the back of the keypad. Push the small tab in and up to lift the cover completely off. - Page 79 MAINTENANCE & TROUBLESHOOTING About the Lamp Hot-Swap Feature The projector is designed with the ability to remain operational during lamp replacement. You can replace a single lamp without having to power down the projector. In this case, it is strongly recommended that you switch to the single lamp mode for the lamp that you are not replacing.
- Page 80 MAINTENANCE AND TROUBLESHOOTING Replacing a Lamp TURN PROJECTOR OFF : If your presentation allows, it is strongly recommended Power that you power down the projector prior to replacing a lamp. Press power down the projector. The projector fans will continue to operate for a short cool-down period.
- Page 81 MAINTENANCE & TROUBLESHOOTING REMOVE LAMP : Loosen the two screws securing the lamp in the lamp module. Holding the lamp door open with one hand, grasp the lamp handle and pull straight up to remove the lamp. (Figure 4.3. and Figure 4.4) The lamp disconnects from the terminal block much like unplugging something from an outlet.
- Page 82 MAINTENANCE AND TROUBLESHOOTING INSERT NEW LAMP : a) Hold the new replacement lamp above the lamp compartment. Align the two holes on the lamp module with the locating pins located on the edge of the lamp compartment. See Figure 4.5. Figure 4.5 b) Slide the lamp all the way down until it is fully seated into the compartment.
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Page 83: Troubleshooting
MAINTENANCE & TROUBLESHOOTING performed a hot-swap, use the Lamp menu to return to the original lamp operation mode you were in. RESET LAMP HOURS : Access the Lamp menu (item 5. in Main Menu) and select the submenu for the lamp that you are replacing – More, Lamp 1 or More, Lamp 2. - Page 84 MAINTENANCE AND TROUBLESHOOTING 8. Is the “Status” LED flashing a pattern of yellow and red lights while the “Power” LED is steady red? This indicates an internal system error that may prevent the projector from operating. If the problem persists contact a qualified service technician.
- Page 85 MAINTENANCE & TROUBLESHOOTING 3. The gamma setting may be inadequate. It is recommended that the “default” gamma setting be used for most sources. 4. The projection room may be too bright. Limit the amount of light reflecting off the screen. 5.
- Page 86 MAINTENANCE AND TROUBLESHOOTING 3. Is the video input signal properly terminated? Set in Image settings – Video Options menu. 4. The screen size may be too large. As screen size increases, magnification increases, reducing brightness and clarity. See lens specifications in Section 5. 5.
- Page 87 MAINTENANCE & TROUBLESHOOTING Symptom There is noticeable flicker effects in the display… CAUSE / REMEDY: 1. Try turning the Lamp Conditioning option (Lamp menu) ON. If the entire image is showing signs of flicker, it may be due to the inherent characteristic of the UHP lamps.
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Page 88: Specifications
S e c t i o n 5 Specifications NOTES: 1) Due to continuing research, specifications are subject to change without notice. 2) 5.1 Specifications Specifications apply to all models unless otherwise noted. 3) CS50/CS70 screens are sold separately. Display Display Resolution SXGA resolution, 1280 X 1024 pixels Achievable Brightness... - Page 89 SPECIFICATIONS Brightness Uniformity (single lamp mode) • FOR RPMS > 90%, adjustable to 100% uniformity • FOR CS50/CS70 with Wide Angle LG Screen >90% • FOR CS70 with High Gain Screen >70% Source Input Compatibility Analog RGB (interlaced or progressive scan formats) Horizontal frequency range 15-120 kHz Vertical frequency range...
- Page 90 SPECIFICATIONS Inputs (D100UF) Analog Inputs VESA Standards Supported Resolution 1280 x 960 1280 x 1024 Pixel Frequency (MHz) H-Frequency (KHz) 63.96 H Width (pix) H Back Porch (pix) Tracking 1800 1688 V-Frequency (Hz) V Width (lines) Total Lines 1000 1066 Type Progressive Scan Progressive RGB...
- Page 91 SPECIFICATIONS Environmental Conditions Temperature 10°C to 35°C Operating Humidity 25% to 65% non-condensing Altitude 0 to 4000 meters Temperature -20°C to 35°C Non-operating Humidity 20% to 65% non-condensing Altitude 0 to 15000 meters Physical Characteristics Weight (without lens, < 77lb. including adjuster) shipping weight includes packaging <100lb.
- Page 92 SPECIFICATIONS For CS50 Weight (without screen, top 217 lbs. cover, pedestal or packaging) Size For CS70 Weight (without screen, top 220 lbs. cover, pedestal or packaging) Size Safety and CAN/CSA C22.2 No 60950-00 UL 60950 3 Edition Regulatory Compliance UL 1950 3 Edition EN60950 European Norm, Safety of Information Technology Equipment Electro-Magnetic Compatibility (E.M.C) Emissions...
- Page 93 SPECIFICATIONS EN55022 (CISPR 22) for Information Technology Equipment, Conducted and Radiated, Class A EN61000-3-2 Induced Harmonic Distortion EN61000-3-3 Induced Voltage Fluctuations (Flicker) Electro-Magnetic Compatibility (E.M.C) Immunity EN55024 specific to Information Technology Equipment (all parts), under which are; EN61000-4-2 ESD, EN61000-4-3 Radiated Immunity EN61000-4-4 Fast Transient/Burst Immunity EN61000-4-5 Surge Immunity EN61000-4-6 Immunity to Conducted Disturbances...
- Page 94 A p p e n d i x A Glossary This appendix defines the specific terms used in this manual as they apply to this projector. Also included are other general terms commonly used in the projection industry. Active Line Time The time, inside one horizontal scan line, during which video is generated.
- Page 95 Appendix A: GLOSSARY Checkbox A menu item that indicates whether an option is currently in effect (checked) or not (unchecked). Color Shift A change in the tint of a white field across an image. Color Temperature The coloration (reddish, white, bluish, greenish, etc.) of white in an image, measured using the Kelvin (degrees K) temperature scale.
- Page 96 Appendix A: GLOSSARY screens with gain more than 1 direct more incident light to the audience but have a narrow viewing angle. For example: An image reflecting off a 10 gain screen appears 10 times brighter than it would if reflected off a matte white wall. Curved screens usually have larger gain than flat screens.
- Page 97 Appendix A: GLOSSARY Line of Best Viewing When light from a projector is incident on a screen, the light reflects from the screen such that the angle of reflection equals the angle of incidence. The Line of Best Viewing is along the line of reflection. Loopthrough The method of feeding a series of high impedance inputs from a single video source (Loopthru)
- Page 98 Appendix A: GLOSSARY Resolution (lens) The maximum number of alternate white and black horizontal lines that can be distinguished on a screen when a photographic target is placed between the lens and a light source and illuminated by that source. Resolution (projector) The maximum number of pixels that the projector can display horizontally and vertically across an image, such as 1024 x 768 (called XGA).
- Page 99 A type of RGB video with digital characteristics. Throw Distance The distance between the front feet of the projector and the screen. Also called "Projector-to-Screen Distance”. Always use the correct Christie throw distance formula to calculate the proper throw distance (±5%) required for your lens. Tint Balance of red-to-green necessary for realistic representation of NTSC signals.
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Page 100: Appendix B: Auxiliary Fan Connector
A p p e n d i x B Auxiliary Fan Connector RPMS, CS50 & CS70-D100U/UF User’s Manual... -
Page 102: Appendix C: Keypad Reference
A p p e n d i x C Keypad Reference * indicates “Press and Hold” for approximately 1 second to activate the feature. RPMS, CS50 & CS70-D100U/UF User’s Manual... -
Page 104: Serial Communications Cables
A p p e n d i x D Serial Communications Cables When connecting projector to a computer or another projector use the appropriate serial communication shielded cabling as illustrated. RPMS, CS50 & CS70-D100U/UF User’s Manual... -
Page 105: Appendix D: Serial Communication Cables
Appendix D: SERIAL COMMUNICATION CABLES NOTE: RS-422 not available on all projector models – D100U projector models only. RPMS, CS50 & CS70-D100U/UF User’s Manual... - Page 106 Appendix D: SERIAL COMMUNICATION CABLES RPMS, CS50 & CS70-D100U/UF User’s Manual...
- Page 107 Appendix D: SERIAL COMMUNICATION CABLES RPMS, CS50 & CS70-D100U/UF User’s Manual...
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Page 108: Appendix E: Optional Input Modules
A p p e n d i x E Optional Input Modules There are many optional input modules and accessories currently available for this projector. Contact your dealer for a complete and up-to-date listing. NOTE: Always unplug the projector or switcher before installing or removing any optional input module or decoder. - Page 109 Appendix E: OPTIONAL INPUT MODULES RGB400 Active Loop-Thru The RGB400 ALT Input Module may be installed in this projector, a Marquee Signal Input Module Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input 38-804607-xx Σ signals from computers or other RGB source devices. Video inputs are 75 terminated.
- Page 110 Appendix E: OPTIONAL INPUT MODULES PC250 Analog Features ◊ accepts VGA or MAC RGB video ◊ 15 pin D connectors for video ◊ active loop-through video outputs NOTES: 1) This interface does not accept VGA and MAC signals simultaneously. 2) The audio connectors are not functional.
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Page 112: Menu Tree
A p p e n d i x F Menu Tree RPMS, CS50 & CS70-D100U/UF User’s Manual... -
Page 113: Appendix F: The Menu Tree
Appendix F: MENU TREE RPMS, CS50 & CS70-D100U/UF User’s Manual... - Page 114 Index Composite Video, 2-4 Loop-Through, 2-5 Contrast Key, 3-6, 3-24 Adjust Primary Colors, 3-49 Adjuster Mechanism, 3-2 Anamorphic, 3-20 Arrow Keys, 3-5 Decoder Luma Delay, 3-30 Auto Input Level, 3-31 Detail Key, 3-25 Auto Power Up, 3-38 Diagnostics and Calibration, 3-38 Automatic Gain Control, 3-30 Digital Noise Margin, 3-40 AutoSource Checkbox, 3-17...
- Page 115 INDEX Input Configuration, 3-35 Definition of, 3-12 Geometry, 3-36 Extra Video, 2-7 Image Settings, 3-24 Optional, 2-7 Lamp, 3-44 Input Levels Location of, 3-35 Setup of, 3-30 Main, 3-8 Input Video Black, 3-29 Menu Preferences, 3-35 Invalid Channel, 3-54 Service, 3-40 Status, 3-43 Menu Key, 3-5 Menu Navigation, 3-8...
- Page 116 INDEX Custom, 3-19 Text Default, 3-19 Editing, 3-11 Presets, 3-19 Tiled Anamorphic, 3-21 RGBHV, 2-2 Tiled Full Height, 3-21 RS-232, 2-7, 2-10, 3-40, 3-48 Tiled Full Size, 3-21 RS-422, 3-40, 3-48 Tiled Full Width, 3-21 Tiled Resize Presets, 3-21 Tiling Setup, 3-24. See Multiple Projectors Screen Size, 4-13 Time-outs, 3-9...