Controller Assignments; X-Y Cc Control - Korg M3 Parameter Manual

Music workstation/sampler
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Appendices

Controller Assignments

X–Y CC Control
X–Y CC control lets you use movements of the X–Y position
in X–Y MODE (or X–Y Motion) as an AMS source to control
the parameters of a program or as a Dmod source to control
an effect.
Each of the four directions of the X–Y can send a different
CC, including left (–X), right (+X), up (+Y), and down (–Y).
You can choose between several different patterns
combining these four directions by using the X Mode and Y
Mode parameters.
X–Y CC Control assignments are saved separately with each
Program, Combination, and Song. For more information,
see:
• Programs: "1–5: X–Y Setup" on page 31
• Combinations: "1–4: X–Y CC T01–08, 1–5: X–Y CC T09–
16" on page 142
• Sequencer mode: "1–4: X–Y CC T01–08, 1–5: X–Y CC
T09–16 (X–Y CC Control T01–08, T09–16)" on page 219
The X–Y control features interact with MIDI in two
different ways: through the X–Y Volume, and through
the X–Y CC Control.
The X–Y mode sends and receives two MIDI
controllers: one for the X axis, and the other for the Y
axis. In Global mode, you can assign these to any MIDI
CC numbers you like. The defaults are CC#118 for the X
axis, and CC#119 for the Y axis.
The X–Y mode (or X–Y motion) and its CCs control the
X–Y position.
In contrast, X–Y CC control normally controls only the
program's sound and effects, but the generated MIDI
control change messages can also be sent to an external
MIDI device using X–Y MIDI Out (Global 1–2a).
Note that, in Combination mode, only the Combi's X–Y
CCs can be sent to external MIDI instruments; the
individual Program's X–Y CCs are only used internally.
List of X–Y CC Control
Off
This setting disables the switch.
XY +X Mod. (CC#85)
XY –X Mod. (CC#86)
XY +Y Mod. (CC#87)
XY–Y Mod. (CC#88)
These settings let you use the X–Y CC control as an AMS or
Dmod source. Note that you'll also need to assign the X–Y
CC control to control the desired parameter within the
Program or Effect.
JS+X
Joystick X (right horizontal) direction
JS-X
Joystick X (left horizontal) direction
JS+Y (CC#01)
Joystick +Y (Vertical upward) direction (CC#01)
JS-Y (CC#02)
Joystick –Y (Vertical downward) direction (CC#02)
Ribbon (CC#16)
Ribbon controller (CC#16)
ValueSlider (CC#18)
value slider (CC#18)
596
Sldr Mod. 5 (CC#17)
Realtime control slider 5 (slider modulation 5 CC#17)
Sldr Mod. 6 (CC#19)
Realtime control slider 6 (slider modulation 6 CC#19)
Sldr Mod. 7 (CC#20)
Realtime control slider 7 (slider modulation 7 CC#20)
Sldr Mod. 8 (CC#21)
Realtime control slider 8 (slider modulation 8 CC#21)
Porta. Time (CC#05)
This controls the portamento time (CC#05).
Volume (CC#07)
Controls the volume, and transmits CC#7.
PostIFXPan (CC#08)
Controls the panning after the last Insert Effect in the chain,
and transmits CC#8.
Pan (CC#10)
Controls stereo pan, and transmits CC#10.
Expression (CC#11)
Expression is a secondary volume control, which you can
use to scale level without affecting the main volume settings
or CC#7 values.
FX Ctrl 1 (CC#12)
FX Ctrl 2 (CC#13)
These assignments are intended for Effect Dynamic
Modulation (Dmod). Note that you'll also need to assign FX
Control 1 or 2 to control the desired parameter within the
Effect.
Cutoff (CC#74)
This scales the cutoff frequency of all of the filters at once.
For instance, in the EDS, it affects both Filters A and B.
Resonance (CC#71)
This scales the resonance of all of the filters at once. For
instance, in the EDS, it affects both Filters A and B.
Fltr EG Int.(CC#79)
This scales the effect of the Filter EG on the cutoff frequency.
It affects all of the filters at once; for instance, in the EDS, it
affects both Filters A and B.
F/A Attack (CC#73)
This scales the attack times of the Filter and Amp EGs, along
with other related parameters.
F/A Decay (CC#75)
This scales the decay and slope times of the Filter and Amp
EGs.
F/A Sustain (CC#70)
This scales the sustain levels of the Filter and Amp EGs.
F/A Release (CC#72)
This scales the release times of the Filter and Amp EGs.
P.LFO1 Spd (CC#76)
This scales LFO1's frequency.
P.LFO1 Dep (CC#77)
This scales the effect of LFO1 on the Pitch.
P.LFO1 Dly (CC#78)
This scales LFO1's fade-in time.
SW1 Mod. (CC#80)
SW2 Mod. (CC#81)
Normally, these are used for the two assignable switches -
but you can assign them to the sliders instead, if you like.

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