Korg M3 Parameter Manual page 628

Appendices
track whose Status is BTH, EXT, or EX2. For more
information, please see "Pan" on page 199.
Post insert effect pan (CC#08) [Bn, 08, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the Assignable Pedal or
as the Realtime Control Slider 5–8 or as the X–Y CC control
function, operating that controller will transmit Post Insert
Effect Panpot messages, and the panning of the sound
following the insert effect will change. When this message is
received, the result will be the same as when the controller is
operated.
• In Program mode and Sampling mode, this message is
transmitted/received on the global MIDI channel. In
Combination, and Sequencer modes, this message is
transmitted/received on the MIDI channel specified for
each insert effect.
• When you set Pan: #8 (Seq 8–1–3b) in Sequencer mode,
or when you re-select the song or return to the beginning
of the measure in Sequencer mode, Post Insert Effect
Panpot messages will be transmitted by each track
whose Status is BTH, EXT, or EX2. For more
information, please see "8–1–3b: Insert Effect" on
page 258.
Controlling effects
Effect control 1 (CC#12) [Bn, 0C, vv]
Effect control 2 (CC#13) [Bn, 0D, vv]
When the above CC# is assigned to the Assignable Pedal or
as the Realtime Control Slider 5–8 or as the X–Y CC control
function, operating that controller will transmit Effect
Control 1/2 messages, and the specified dynamic
modulation will be controlled. When this message is
received, the result will be the same as when the controller is
operated.
Although various types of control change can be selected as
dynamic modulation sources, Effect Control 1 (CC#12) and 2
(CC#13) are dedicated for dynamic modulation.
Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv]
Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv]
When the above CC# is assigned to the Assignable Pedal or
as the Realtime Control Slider 5–8 or as the X–Y CC control
function, operating that controller will transmit Effect 1
Depth (Send 2) or Effect 3 Depth (Send 1) messages, and the
send level 1 or 2 to the master effects MFX1 or MFX2 will be
controlled respectively. When this message is received, the
result will be the same as when the controller is operated.
On the corresponding MIDI channels, this will
simultaneously control the timbre/track setting as well as
the setting following the Insert Effect.
• In Combination, and Sequencer modes, the actual send
level of the timbre/track is determined by multiplying
this value with the send 1/2 settings for each oscillator
(Prog 8–1d). (See "Send 1 (MFX1)," "Send 2 (MFX2)" on
page 178, page 257)
• When you adjust "Send 1 (MFX1)" or "Send 2 (MFX2)"
(Sequencer 8–1b) in Sequencer mode, or when you re-
select a song or return to the beginning of the measure in
Sequencer mode, Send 1/2 will be transmitted by each
track whose Status is BTH, EXT, or EX2. (See "Send1
(MFX1)" on page 257).
Effect 2 depth (IFX1–5 on/off) (CC#92) [Bn, 5C, vv]
Effect 4 depth (MFX1, 2 on/off) (CC#94) [Bn, 5E, vv]
Effect 5 depth (TFX on/off) (CC#95) [Bn, 5F, vv]
Separately from the effect on/off settings in each mode,
Effect Global SW (Global 0–1b) allows you to turn off insert
618
effects IFX1–5 and master effects MFX1, 2 and total effect
TFX.
If you check "IFX1–5 Off," "MFX1&2 Off" or "TFX Off," the
corresponding message will be transmitted with vv=0 [00].
If you uncheck these settings, the corresponding message
will be transmitted with vv=127 [7F]. If you check these
settings, the corresponding effect(s) will be turned off as a
group. If you uncheck these settings, the on/off settings of
each mode will be used. The same applies to reception. (vv
of 00 is off, and 01 or greater is the original setting.) These
messages are transmitted/received on the global MIDI
channel. ("IFX 1–5 on/off" - "MFX 1, 2 on/off" - "TFX on/
off" on page 99, page 103)
Note: These messages are defined simply for use in adjusting
the effect levels, and may not have the same function on
another instrument connected to the M3.
Using various controllers
Here we will explain typical ways to use the various
controllers. You can choose from MIDI CC#00–CC#119 for
"Realtime Control Slider 5...8" and "X–Y CC control."
Foot controller (CC#04) [Bn, 04, vv]
If the above CC# is assigned as the Assignable Pedal
function, this message will be transmitted when the
controller is operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Foot
Pedal/Switch Combi/Seq 5–2–1(2)c).
Ribbon controller (CC#16) [Bn, 10, vv]
This message will be transmitted when the M3's ribbon
controller is operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Ribbon
Combi 5–1–3(4)c/Seq 5–1–3(4)a).
Controller (CC#18) [Bn, 12, vv]
This message will be transmitted when the M3's VALUE
slider is operated.
This is valid in "Program Select" (Prog 0–1a) and
"Combination Select" (Combi 0–1(2)a) when the program or
combination number/name is selected (highlighted).
Slider modulation 5, 6, 7, 8 (CC#17, 19, 20, 21)
[Bn, 11, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]
If the above CC# are assigned to the Realtime Control Slider
5–8, these messages will be transmitted when the sliders are
operated.
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Realtime
Control Slider1, 2, 3, 4, 5, 6, 7, 8 Combi 5–1–7(6)c/Seq 5–
1–7(8)a).
X–Y modulation +X, –X, +Y, –Y
[Bn, 55, vv], [Bn, 56, vv], [Bn, 57, vv], [Bn, 58, vv]
If you assign the above CC#s as the X–Y CC control
functions, these messages will be transmitted when you
operate the M3' controllers.
They will be transmitted if Global P1– MIDI Routng
page "X–Y MIDI Out" is set to X–Y CC Control.
Controller (CC#83) [Bn, 53, vv]
If you assign the above CC# to a Realtime Control Slider 5–8
or as the X–Y CC control function, this message will be
transmitted when you operate the corresponding controller
of the M3.