Korg M3 Parameter Manual page 372

Music workstation/sampler
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Global mode
Send1
Send2
These adjust the levels at which the external audio input
signal is sent to the master effects.
Send1: Send the signal to master effect 1.
Send2: Send the signal to master effect 2.
This setting is ignored if Bus Select is other than L/R or Off.
If Bus Select is set to IFX1–5, the send levels to the master
effects are set by the post-IFX1–5 Send1 and Send2 (Prog/
Combi 0–7a, Seq 0–1–7a).
0–3b: Output
L/R Bus Indiv. Assign (Assign to L/R and
Indiv.Out)
This lets you simultaneously send the L/R output to any
pair of individual outputs, in addition to L/R.
Off: The L/R output will be sent only to the AUDIO
OUTPUT L (MONO) and R jacks, the HEADPHONE jack,
and the S/P DIF OUT jack. This is the normal setting.
1/2, 3/4: The L/R output will be sent to the corresponding
pair of INDIVIDUAL OUT 1–4 jacks, as well as to the main
L/R outputs, the HEADPHONE jack, and the S/P DIF OUT
jack.
Post-TFX
Individual BUS
L
R
1 2 3 4
Private monitoring
On stage, or in the studio, it can be convenient to audition
sounds or make edits without sending the signal to the
mixer, or to the main monitors. You can use L/R Bus Indiv.
Assign to do this:
1. Connect Individual Outputs 1/2 to the mixer or main
monitors. Do not connect the main L/R outputs.
You can actually use any of the two individual output pairs,
but we'll talk about 1/2 in this example.
2. While you're auditioning sounds or editing, set L/R
Bus Indiv. Assign to Off.
3. Use the built-in headphone output for listening to M3
as you select or edit sounds.
As an alternative, you can connect the main L/R outputs to
your personal monitor mixer.
4. When you're ready for others to hear the results, set L/R
Bus Indiv. Assign to 1/2.
Now, the M3 stereo mix will go to the main board.
362
[000...127]
[000...127]
[Off, 1/2, 3/4]
AUDIO OUTPUT
L (MONO)
(MAIN)
R
1
2
(INDIVIDUAL)
3
4
L/R BUS Indiv.
Assign = 1/2
(INDIV.)
2
1
TAPE
TAPE
MAIN OUTS
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
MIC
STEREO AUX RETURNS
1
AUX SEND
1
INPUT
OUTPUT
L
L
2
2
R
R
LEFT
(1/MONO)
RIGHT
ALL BAL/UNBAL
BAL/UNBAL
BAL
OR
BAL
OR
BAL
OR
BAL
OR
OR
BAL
BAL
OR
BAL
OR
BAL
OR
BAL
OR
BAL
OR
MONO
MONO
MONO
MONO
UNBAL
UNBAL
UNBAL
UNBAL
UNBAL
UNBAL
UNBAL
UNBAL
UNBAL
UNBAL
L
L
L
L
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LINE IN 6
LOW CUT
75Hz
LOW CUT
75Hz
LOW CUT
75Hz
LOW CUT
75Hz
LOW CUT
75Hz
LOW CUT
75Hz
LOW CUT
75Hz
75Hz
LOW CUT
LOW CUT
75Hz
LOW CUT
75Hz
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
BAL
UNBAL
OR
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
R
R
R
R
U
U
U
U
U
U
U
U
U
U
10
60
10
60
10
60
10
60
10
60
10
60
10
60
10
60
10
60
10
60
LEVEL
+4
-10
-10
LEVEL
+4
LEVEL
+4
-10
LEVEL
-10
+4
10dB -40dB
+
TRIM
+
10dB -40dB
TRIM
10dB -40dB
+
TRIM
TRIM
+
10dB -40dB
+
10dB -40dB
TRIM
+
TRIM
10dB -40dB
+
10dB -40dB
TRIM
+
10dB -40dB
TRIM
TRIM
+
10dB -40dB
10dB -40dB
+
TRIM
LINE IN 7-8
LINE IN 9-10
LINE IN 11-12
LINE IN 13-14
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
STEREO AUX RETUNES
U
U
U
U
U
U
U
U
U
U
U
C
1
1
1
1
1
1
1
1
1
1
1
1
1
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
L
R
MON
MON
MON
MON
MON
MON
MON
MON
MON
MON
U
C
2
U
U
U
U
U
U
U
U
U
U
2
2
2
2
2
2
2
2
2
2
2
2
3
0 0
+15
0 0
+15
0 0
+15
0 0
+15
+15
0 0
+15
+15
+15
0 0
+15
0 0
+15
0 0
+15
L
R
INPUT
U
U
U
U
0 0
U
0 0
0 0
U
U
U
C
U
U
U
3
4
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
0 0
+15
L
R
MONO
U
U
U
U
U
U
U
U
U
U
U
C
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
AUX
4
4
SOLO
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
5/6
0 0
0 0
5/6
0 0
5/6
0 0
5/6
5/6
0 0
5/6
0 0
5/6
0 0
0 0
5/6
0 0
5/6
0 0
5/6
0 0
L
R
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
LEVEL
BALANCE
0
HI
0
HI
0
HI
0
HI
0
HI
0
HI
0
HI
0
HI
0
HI
0
HI
CR1604
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
16 CHANNEL MIC/LINE MIXER
0
0
0
0
0
0
0
0
0
0
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
CLIP
+8
ALT PREVIEW
-12 +12
-12 +12
-12 +12
-12 +12
-12 +12
-12 +12
-12 +12
-12 +12
-12 +12
-12 +12
+4
0
0
0
0
0
0
0
0
0
LO
0
+2
LO
LO
LO
LO
LO
LO
LO
LO
LO
0
MAIN OUTPUT
-4
MUTE
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
-8
0
0
0
0
0
0
0
-12
SOLO
0
0
0
MAIN
TO
-16
-20
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
POWER
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
LEVEL
7
8
9
10
11
12
13
14
15
16
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
ALT 3/4
1/LEFT
2/RIGHT
LEVEL
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
SOLO/PHONES
+20
+20
+20
+20
+20
+20
+20
+20
+20
+20
+10
OUTPUT
U
U
U
U
U
U
U
U
U
U
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
▼0–3: Menu Command
• 0: Write Global Setting ☞p.382
• 1: Load Preload/Demo Data ☞p.382
• 2: Set Prog User-Bank Type ☞p.382
• 3: Change all bank references ☞p.383
• 4: Touch Panel Calibration ☞p.383
• 5: Half Damper Calibration ☞p.383
• 6: Pad Calibration ☞p.383
• 7: After Touch Calibration ☞p.383
• 8: Update System Software ☞p.384
For more information, please see "Global: Menu Command"
on page 382.
(MAIN)
Sub Monitor
R
L
Power Amplifier
Power Amplifier

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