Korg M3 Parameter Manual page 621

79 Filter EG intensity
80 SW1 modulation On/Off
81 SW2 modulation On/Off
82 Foot switch On/Off
83 Controller (CC#83)
84 –
85 X–Y modulation +X
86 X–Y modulation –X
87 X–Y modulation +Y
88 X–Y modulation –Y
89...90 –
91 Effect depth 1 (send 2 level)
Effect depth 2 (Insert Effect 1–5 On/
92
Off )
93 Effect depth 3 (send 1 level)
Effect depth 4 (master effect 1, 2 On/
94
Off )
95 Effect depth 5 (total effect On/Off )
96 Data increment
97 Data decrement
98 NRPN(LSB)
99 NRPN(MSB)
100 RPN(LSB)
101 RPN(MSB)
102 KARMA realtime control SW1 On/Off
103 KARMA realtime control SW2 On/Off
104 KARMA realtime control SW3 On/Off
105 KARMA realtime control SW4 On/Off
106 KARMA realtime control SW5 On/Off
107 KARMA realtime control SW6 On/Off
108 KARMA realtime control SW7 On/Off
109 KARMA realtime control SW8 On/Off
110 PAD1 trigger velocity
111 PAD2 trigger velocity
112 PAD3 trigger velocity
113 PAD4 trigger velocity
114 PAD5 trigger velocity
115 PAD6 trigger velocity
116 PAD7 trigger velocity
117 PAD8 trigger velocity
118 X–Y Mode X
119 X–Y Mode Y
You can assign any control change number (CC#00–119) to
the Realtime Control Slider 5–8 or X–Y CC control. In this
case, the transmitted values will all be 0...127.
You can assign any control change number (CC#00–119) to
the KARMA Realtime Control switches and sliders. In this
case, sliders 1–8 will transmit values of 0...127, scenes will
transmit values of 0...7, and others will transmit values of 0
(Off) or 127 (On).
*1 In the M3 sequencer, bank select messages are normally
specified as program change events ("MIDI Event Edit"
Sequencer P4). However in some cases this will be
insufficient when you wish to change banks on an
M3 and MIDI CCs Responses to standard MIDI controllers
0...127 filter EG intensity
0...63(Off ),
corresponds to on/off when the SW1 function is set to SW1 Mod.
64...127(On)
0...63(Off ),
corresponds to on/off when the SW2 function is set to SW2 Mod.
64...127(On)
0...63(Off ), corresponds to on/off when the function of the assignable foot switch is set to
64...127(On) Foot SW
0...127 for controlling AMS or Dmod
– –
0...127 equivalent to when the X–Y CC control function is set to XY +X Mod
0...127 equivalent to when the X–Y CC control function is set to XY –X Mod
0...127 equivalent to when the X–Y CC control function is set to XY +Y Mod
0...127 equivalent to when the X–Y CC control function is set to XY –Y Mod
– –
0...127 send 2 level
0...63(Off ),
turn Insert effect 1...5 on/off
64...127(On)
0...127 send 1 level
0...63(Off ),
master effect 1, 2 on/off
64...127(On)
0...63(Off ),
total effect on/off
64...127(On)
0
0
– LSB of NRPN
– MSB of NRPN
0 selects the pitch bend range
1 controls Fine Tune
2 controls Coarse Tune
0 MSB of RPN
0...63(Off ), equivalent to on/off when CC#102 is assigned to KARMA realtime control
64...127(On) SW1
0...63(Off ), equivalent to on/off when CC#103 is assigned to KARMA realtime control
64...127(On) SW2
0...63(Off ), equivalent to on/off when CC#104 is assigned to KARMA realtime control
64...127(On) SW3
0...63(Off ), equivalent to on/off when CC#105 is assigned to KARMA realtime control
64...127(On) SW4
0...63(Off ), equivalent to on/off when CC#106 is assigned to KARMA realtime control
64...127(On) SW5
0...63(Off ), equivalent to on/off when CC#107 is assigned to KARMA realtime control
64...127(On) SW6
0...63(Off ), equivalent to on/off when CC#108 is assigned to KARMA realtime control
64...127(On) SW7
0...63(Off ), equivalent to on/off when CC#109 is assigned to KARMA realtime control
64...127(On) SW8
0...127 equivalent to when CC#110 is assigned to PAD 1
0...127 equivalent to when CC#111 is assigned to PAD 2
0...127 equivalent to when CC#112 is assigned to PAD 3
0...127 equivalent to when CC#113 is assigned to PAD 4
0...127 equivalent to when CC#114 is assigned to PAD 5
0...127 equivalent to when CC#115 is assigned to PAD 6
0...127 equivalent to when CC#116 is assigned to PAD 7
0...127 equivalent to when CC#117 is assigned to PAD 8
0...127 equivalent to when CC#118 is assigned to the X–Y Mode X-axis
0...127 equivalent to when CC#119 is assigned to the X–Y Mode Y-axis
external device. In such cases, you can use CC#00 and
CC#32 to specify the banks.
For information on the relation between bank select
numbers and the banks of your external device, refer to
the owner's manual for your external device.
*2 Unlike conventional control changes, pitch bend range,
fine tune, and coarse tune settings are made using RPC
(Registered Parameter Control) messages. In Program,
Combination, Sequencer, and Sampling modes, you can
use RPC messages to control the bend range and tuning
for each program, Timbre (Combination), or Track
(Sequencer).
*4
*5
*5
*5
*2
*2
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*7
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