0-2: Audio In/Setup - Korg M3 Parameter Manual

Example 4)
Applying the internal insert effect IFX1 007: St.Graphic
7EQ to a stereo source connected to AUDIO INPUT 1 and 2,
and sampling in stereo
Input1 Bus Select: IFX1 (0–2a)
Input1 Pan: L000 (0–2a)
Input1 Level: 127 (0–2a)
Input2 Bus Select: IFX1 (0–2a)
Input2 Pan: R127 (0–2a)
Input2 Level: 127 (0–2a)
Source Bus: L/R (0–2b)
Resample: Manual (0–2b)
IFX1: select 007: St.Graphic 7EQ (P8)
Recording Level [dB]: as desired (0–1c)
Sample Mode: Stereo (0–1d)
(See "Source Bus = L/R" on page 11)
Example 5)
Sampling a digital source connected to S/P DIF without ap-
plying internal effects
Source Bus: S/P DIF IN L/R (0–2b)
Resample: Manual (0–2b)
Recording Level [dB]: as desired (0–1c)
Sample Mode: Stereo (0–1d)
(See "Source Bus = S/P DIF IN L/R" on page 11)
Note: By setting the "0–2a: Input" S/P DIF Input 1, 2
parameters appropriately, the above-listed example settings
for sampling an analog source connected to AUDIO INPUT
1 and 2 can instead be used for sampling a digital source
connected to S/P DIF IN.
Note: For details on settings for performing resampling,
please see "0–2b: Sampling Setup" on page 305.
▼0–1: Menu Command
• 0: Panel–SW Solo Mode On ☞p.329
• 1: Exclusive Solo ☞p.329
• 2: Delete Sample ☞p.329
• 3: Copy Sample ☞p.330
• 4: Rename Sample ☞p.330
• 5: Move Sample ☞p.330
• 6: Sample Mono To Stereo (Change Sample
Type) ☞p.331
• 7: Delete MS (Delete Multisample) ☞p.331
• 8: Copy MS (Copy Multisample) ☞p.332
• 9: Rename MS (Rename Multisample) ☞p.332
• 10: Move MS (Move Multisample) ☞p.332
• 11: Convert MS To Program (Convert Multisample To
Program) ☞p.333
• 12: MS Mono To Stereo ☞p.333
• 12: MS Stereo To Mono ☞p.333
• 13: Optimize RAM ☞p.334
• 14: Select Directory ☞p.334
• 15: Keyboard Display ☞p.334
• 16: Auto Sampling Setup ☞p.334
For more information, please see "Sampling: Menu
Command" on page 329.
Sampling P0: Recording 0–2: Audio In/Setup
0–2: Audio In/Setup
0–2a
0–2b
Here you can specify the output destination and input level
etc. for the external audio signals being input from the
INPUT jacks, and you can also specify the source that will be
sampled, and specify how sampling will be initiated. You
can also specify a metronome count-down before sampling
begins.
Using the control surface to adjust Audio Input
You can use the control surface to adjust the Audio Input
PLAY/MUTE, Solo On/Off, and Level.
For more information, please see "0–8: Control Surface" on
page 14.
0–2a: Input
The settings you make here are valid only in Sampling
mode. These settings will also be valid when you move
from Sampling mode to Global mode.
For more information, please see "0–7a: Audio Input" on
page 9.
Input [Analog, S/P DIF, (FireWire)]
Input 1, Input 2:
PLAY/MUTE
SOLO On/Off
Level
Pan
Bus Select [L/R, IFX1...5, 1...4, 1/2, 3/4, Off]
FX Bus (FX Control Bus)
AUX Bus
Send1
Send2
ADC OVERLOAD !
For more information, please see "Using the control surface
to make audio input settings" on page 8.
0–2b: Sampling Setup
Source Bus
[Analog Input1/2, S/P DIF IN L/R, FireWire IN L/R,
AUX1/2, AUX3/4, Indiv.1/2, Indiv.3/4]
For more information, please see "Using the control surface
to make audio input settings" on page 8.
Trigger
[Sampling START SW, Note On, Threshold]
Specifies how sampling will be initiated.
0–2
Menu
0–2c
[PLAY, MUTE]
[Off, On]
[000...127]
[L000...C064...R127]
[Off, 1, 2]
[Off, 1, 2, 3, 4, 1/2, 3/4]
[000...127]
[000...127]
305