Solid State Logic AWS DELTA 916 Owner's Manual
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Solid State Logic AWS DELTA 916 Owner's Manual

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Solid State Logic
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S O U N D
V I S I O N
AWS elta
916-924-948
O
'
M
WNER
S
ANUAL

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Summary of Contents for Solid State Logic AWS DELTA 916

  • Page 1 Solid State Logic S O U N D V I S I O N AWS elta 916-924-948 ’ WNER ANUAL...
  • Page 2 © Solid State Logic All Rights reserved under International and Pan-American Copyright Conventions Solid State Logic, SSL, AWS 900, AWS 900+ SE, AWS 916, AWS 924, AWS 948 AWS elta and Total Recall are trademarks of Solid State Logic All other trademarks are the property of their respective owners...

  • Page 3: Introduction

    Introduction IMPORTANT INFORMATION This section contains definitions, warnings, and practical information necessary to ensure a safe working environment. Please take time to read this section before installing or using your AWS elta. Please do not dispose of these instructions. RAPHIC YMBOLS The following symbols may be used in this section and elsewhere in this manual: General Hazard (refer to User or Service Instructions for details)
  • Page 4 • The appliance coupler shall remain readily operable. • Use only the Solid State Logic provided power cords. Use of any other power cord is not covered by your warranty and may cause fire or explosion. • The power cord must be earthed and precautions should be made so that the grounding is not defeated.
  • Page 5 Introduction FCC N OTICE This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is used in a commercial environment.
  • Page 6 Introduction This page is intentionally almost blank AWS elta Owner’s Manual Page VI...
  • Page 7 Contents MANUAL CONTENTS NTRODUCTION Important Information General Safety Caution Power Safety Manual Contents Reading this Manual Introduction to the AWS Contacting Solid State Logic Manual Index 1: I & S ECTION NSTALLATION ETUP Pre-Installation Requirements Console Control Surface Air Conditioning...
  • Page 8 Contents : AWS 916-924 T ECTION UTORIAL Studio Configurations 2a-1 Focus Modes 2a-2 Channel Strip 2a-3 Input configuration 2a-3 Signal Processing 2a-3 Routing 2a-3 Panning, Width and Balance 2a-4 Level, cuts and solos 2a-4 Centre Section 2a-5 Adjusting the Mix and Record busses 2a-5 Creating a Monitor Mix 2a-5...
  • Page 9 Contents 3: A ECTION NALOGUE PERATIONS Introduction Focus Modes The TFT Screen Channel Modes (948 only) Channel Configuration (AWS 948 only) Channel Strip Overview Input configuration Channel Meters Dynamics Filter Equalizer Insert Point 3-10 Signal Processing Order 3-10 Cue, FX and EFX Sends 3-11 Direct Output 3-12...
  • Page 10 Contents 4: DAW C ECTION ONTROL Introduction Focus Modes Configuring DAW Layers DAW Layers Communication with your DAW HUI and MCU common Features V-Pots The Master Control Panel Pro Tools HUI Control Guide Channel Functions Channel Solo and Cut Tile 4-10 Channel SEL Button –...
  • Page 11 Contents 5: P ECTION ROJECTS AND THE EMOTE ROWSER Introduction Working with Projects and Titles AWS Remote MIDI SysEx data Connecting the Remote to the Console The Projects Tab Copying Titles, Total Recall and Mix data between Projects Renaming Projects, Titles, Mixes or Total Recall Setups Backing up a Project Restoring a Project The Mixes Tab...
  • Page 12 Contents 7: A ECTION UTOMATION ONTROL UTOMATION Overview The -Control Advantage Console Basics -Control basics The -Ctrl GUI Mix Setup Workflow Mix Set Up Writing Fader Mix data Coalescing Trim Automation Fader Links Switch Automation Write to Start, End or All 7-11 Legacy Console Automation Activating the Automation System...
  • Page 13 Contents PPENDICES A Specifications B Connector Details C Connector Pinouts D Environmental Specification E MIDI Implementation Chart F Service & Warranty Information A-11 Introduction A-11 G Troubleshooting A-13 Introduction A-13 Locating Problems A-13 Audio Faults A-13 Control Faults A-14 Replacing Modules A-15 The Channel Strip (629921X1 / 629994X1 / X2) A-16...
  • Page 14 Introduction EADING THIS ANUAL NTRODUCTION TO THE SECTIONS Following this section, there is a section describing the console’s installation and setup. The rest of the manual presumes that installation has been completed. Two tutorials follow next – one for the AWS elta 916/924 and one for the AWS elta 948.
  • Page 15 Introduction EATURES • Combination of Superanalogue™ console and advanced DAW controller • SSL SuperAnalogue™ mix bus provides pristine audio foundations • SSL SuperAnalogue™ mic pre’s provide transparent record path • Innovative Dual Path Channel with three versatile operating modes (948 only) •...

  • Page 16: Aws Remote

    Introduction ANUAL NDEX C-ST MONO 3-4, 3-5 Cable Ducting Ø switch CAL Function Key 3-21 0dB Function key 3-17 Centre Section 3-17 1 / 2 switches CH PAN 3-4, 3-7 10db Function key 3-29 Chan (TR) 48V switch Channel Banking 80Hz Function Key 3-20 Channel Display...

  • Page 17: Focus Modes

    Introduction 3-11, 3-12 layers (DAW) EFXC Function key 3-11, 3-17 LF0 Function Key 3-20 EFX CHOP 3-4, 3-7 LFG Function Key 3-21 EQ IN switch LINE pot Equalizer LNSL Function key 3-17 Ethernet Logic 4-34 Execute (Automation) Logic Handshaking EXT A / B 3-19 LØ...

  • Page 18: Pre-Installation Requirements

    Introduction Specifications A-1, A-7 SRA Function Key 3-19 PAD switch ST Function key 3-3, 3-17 PAN switch 3-12 stereo cue 3-9, 3-25 3-13 stereo FX Returns 3-24 Patchbay StRt (TR) PFL Function Key 3-22 Studio Integration PFM Function Key 3-19 SUM Function Key 3-19 phantom power...
  • Page 19 AWS elta 916-924-948 ’ WNER ANUAL SECTION 1 & S NSTALLATION ETUP...
  • Page 20 AWS Installation This page is intentionally almost blank AWS elta Owner’s Manual Page 1-ii...

  • Page 21: Table Of Contents

    AWS Installation ECTION ONTENTS Pre-Installation Requirements Console Control Surface Power Connections Service Access Thermal Considerations Air Conditioning Cable Ducting Grounding Unpacking the Console Attaching the Legs Removing the Trim Front Buffer End Trim Top Trim Studio Integration Audio Connections Connecting a Patchbay AWS elta 916-924 Patchbay Layout Example: Patchbay Guidelines Instrument Inputs (916 and 924 Only)
  • Page 22 AWS Installation This page is intentionally almost blank AWS elta Owner’s Manual Page 1-iv...

  • Page 23: Pre-Installation Requirements

    Pre Installation INSTALLATION NSTALLATION EQUIREMENTS ONSOLE ONTROL URFACE The AWS elta console is a self contained system; there are no remote power supplies or I/O racks. The frame is not fitted with cooling fans. See the appendices for the console footprint diagram. OWER ONNECTIONS The console is fitted with auto-sensing power supplies which will function at any voltage from 100 to 230 volts ±10%...
  • Page 24 Pre Installation AWS elta Owner’s Manual Page 1-2...

  • Page 25: Unpacking The Console

    Pre Installation NPACKING THE ONSOLE The AWS consoles are supplied in a wooden crate without the legs fitted. The legs, manuals and anciliaries are located in a tray at the base of the crate. The weight of the console is approximately 100kg. It is recommended that at least four people are available before attempting to manoeuvre the console.
  • Page 26 Pre Installation AWS elta Owner’s Manual Page 1-4...

  • Page 27: Studio Integration

    No normalling: AB 25–48, GH 33–40, JK 33–40 3. D32 is linked to C34, 36, 38, 40 All other jacks are half-normalled Solid State Logic 4. J31 is linked to J32 S O U N D I O N AWS 924 Patch layout proposal Title: 5. Links at G33–36, G37–40, J 33–36,...
  • Page 28 AWS Delta 948 Patch layout 2. Links at: J41–44, J45–48 Title: No normalling: AB 25–48, JK 41–48, NP 22–48 K41–44, K45–48 Standard Configuration Solid State Logic All other jacks are half-normalled Client: Drawn by: 30/06/16 S O U N D I O N...

  • Page 29: Connecting Your Daw

    DAW Connection ONNECTING YOUR The AWS console communicates with a DAW directly via Ethernet or via three MIDI ports. To use the Ethernet option a third party ipMIDI software driver must be installed on the DAW computer. Registered owners can download this from the SSL website: www.update.solidstatelogic.com.

  • Page 30: Software Installation (Pc)

    DAW Connection (PC) OFTWARE NSTALLATION Open the AWS924-948_Win_Support.zip archive. AWS Remote: Double click on AWS924-948Remote.exe to install the program. ipMIDI: Run the setupipmidi_1.8.exe application (note that the last part of the name may change depending on the version you are installing) by double clicking on it. Note that you will have to restart the computer at the end of the setup process. Once the computer has restarted right click on the ipMIDI icon in the task bar and set the number of MIDI ports to 10 in the resulting pop-up.
  • Page 31 DAW Connection • Using an RJ45 cable, make a direct network connection between the network port on your AWS to a network port on your workstation computer and check that the IP address is set to FIXED in the console’s SSL >...

  • Page 32: Direct Network Connection (Pc)

    DAW Connection (PC) IRECT ETWORK ONNECTION To set up the connection: • Double click on Network Connections in Start/Control Panel. Right click on the network adapter connected to your AWS (likely to be called “Local Area Connection”). Select Properties. • Select Internet Protocol (TCP/IP) and Properties. •...

  • Page 33: Network Connection Using Dhcp

    DAW Connection DHCP ETWORK ONNECTION USING If the AWS is being connected to the DAW workstation via a Local Area Network (LAN), a DHCP enabled router with at least 3 Ethernet ports will be required. The principle behind this method is that your Internet router acts as a DHCP server, dynamically assigning IP addresses to all the devices on your network.

  • Page 34: Enabling Ipmidi On Your Aws

    DAW Connection MIDI NABLING IP ON YOUR In the SSL > MISC > SETUP menu, toggle the ‘MIDI connects via:’ setting to ‘Network’. Your console will now communicate with your workstation via Ethernet. With ‘MIDI connects via:’ set to ‘MIDI ports’, AWS will communicate with your workstation via the conventional MIDI connectors on the rear of your console.

  • Page 35: Setting Your Workstation(S) To Communicate Via Ipmidi

    DAW Connection MIDI ETTING ORKSTATION OMMUNICATE VIA IP The AWS software uses 10 virtual MIDI ports which are pre-assigned as follows: Port Layer Assignment Port Layer Assignment Faders 1–8 – MTC/MMC input * Faders 9–16 – SysEx Faders 17–24 – AWS MIDI Port 1 Faders 1–8 –...

  • Page 36: Pro Tools

    DAW Connection OOLS In the Setup menu, click on Peripherals and select the MIDI Controllers tab. Using MIDI controllers 1, 2 (916) and 3 (924- 948), select HUI as the MIDI controller Type and assign the MIDI ports for this layer’s DAW to the two MIDI controllers, as listed in the table above.

  • Page 37: Network Troubleshooting

    DAW Connection ETWORK ROUBLESHOOTING Most Ethernet adaptor cards have two LEDs associated with each port. The one indicates that the link is connected and the other indicates network traffic. Please note that some Macintosh computers do not have external LEDs to indicate status.

  • Page 38: Larger Networks

    DAW Connection ARGER ETWORKS Firewall Router To ensure minimum latency the ipMIDI driver uses broadcast UDP rather than TCP/IP. This means that: • The network connection should be as short as possible and should only use routers that can support high data transfer rates.

  • Page 39: Assigning The Aws Ip Address

    DAW Connection AWS IP A SSIGNING THE DDRESS When shipped from the factory, the AWS uses a fixed IP address of 192.168.1.2. DHCP SING Alternatively, dynamic (DHCP) address can be selected via the SSL > MISC > NET menu. The currently assigned address is also shown in the MISC >...

  • Page 40: Using Physical Midi Ports To Connect Your Daw

    DAW Connection MIDI P SING HYSICAL ORTS TO ONNECT YOUR Optionally the AWS can use a standard MIDI connection between the AWS console and your DAW using a multi port MIDI interface. In this mode only one DAW layer can be configured. To select this mode navigate to the SSL > Misc > Setup menu and set MIDI communicates via: MIDI Ports.
  • Page 41 AWS elta 916-924-948 ’ WNER ANUAL SECTION 2 – AWS 916 & 924 T UTORIAL – AWS 948 T UTORIAL...

  • Page 42: Studio Configurations

    Contents ECTION ONTENTS Introduction 2a-iv ELTA 916-924 Tutorial 2a-1 Studio Configurations 2a-1 Smaller Systems 2a-1 Larger Systems 2a-1 Focus Modes 2a-2 916-924 Channel Strip 2a-3 Input configuration 2a-3 Signal Processing 2a-3 Dynamics 2a-3 Filter and EQ 2a-3 Insert Point 2a-3 Routing 2a-3 Cue, FX and EFX Sends...

  • Page 43: Focus Modes

    Contents ELTA 948 Tutorial 2b-1 Focus Modes 2b-1 Channel Modes 2b-3 Basic Tracking Configuration 2b-4 Mono Configuration 2b-4 Stereo Configuration 2b-4 Analogue-Style In-Line Tracking Configuration 2b-5 Band Tracking Mode 2b-5 Overdub/Playback Tracking Mode 2b-5 Mixing Configurations 2b-6 Basic Stereo Mixdown 2b-6 Additional Send Mixing 2b-6...

  • Page 44: Channel Strip

    AWS 916-924 Tutorial NTRODUCTION These tutorials aim to provide an operational overview of AWS elta consoles, highlighting the ways in which it is different from other consoles with which operators may be familiar. Each tutorial provides an overview of typical studio configurations, mode selection and both the channel strip and Centre Section controls.
  • Page 45 AWS 916-924 Tutorial ELTA 916-924 TUTORIAL TUDIO ONFIGURATIONS There are a number of ways the AWS elta 924(916) can function within your studio environment, depending on how you intend to use it and how much DAW IO is available to you. Two basic ‘serving suggestions’ are outlined below. MALLER YSTEMS Signal...

  • Page 46: V-Pots

    AWS 916-924 Tutorial OCUS ODES In order to allow console controls to be used for controlling either analogue signals or an external DAW, SSL created ‘Focus modes’ as a way of allowing the AWS to ‘focus’ on one or other domain. To switch between modes, press the Focus switch, towards the bottom of the console centre section (shown right).
  • Page 47 AWS 916-924 Tutorial 916-924 C HANNEL TRIP NPUT CONFIGURATION Select the Mic or Line input by pressing FLIP and adjust the input gain using the appropriate gain pot. The signal level is shown in the meter bridge above the channel. IGNAL ROCESSING YNAMICS...
  • Page 48 AWS 916-924 Tutorial OUTING To route channels to the Record and Mix busses, press the REC and/or MIX switch to the right of the channel pan pot. Use the eight numbered switches immediately underneath the channel meters (shown above right) to route to the track busses.

  • Page 49: The Master Control Panel

    AWS 916-924 Tutorial ENTRE ECTION DJUSTING THE IX AND ECORD USSES To assign control of the Record and/or Mix busses to the master fader, hold down the button at the base of the RECORD or MIX columns of the bussing matrix next to the fader, and press the button in the row labelled FADER.
  • Page 50 AWS 948 Tutorial This page is intentionally almost blank AWS elta Owner’s Manual Page 2a-6...
  • Page 51 AWS 948 Tutorial ELTA 948 TUTORIAL OCUS ODES In order to allow console controls to be used for controlling either analogue signals or an external DAW, SSL created ‘Focus modes’ as a way of allowing the AWS to ‘focus’ on one or other domain. To switch between modes, press the Focus switch, towards the bottom of the console centre section (shown right).
  • Page 52 AWS 948 Tutorial This page is intentionally almost blank AWS elta Owner’s Manual Page 2b-2...
  • Page 53 AWS 948 Tutorial HANNEL ODES When in Analogue Focus mode, the AWS elta 948 channel strips can operate within a number of different Channel Modes, suiting a variety of operational contexts. The two channel paths within the channel strips may control any of the following: 1.
  • Page 54 AWS 948 Tutorial ASIC RACKING ONFIGURATION For basic tracking, channels can be a mixture of stereo and mono. The signal processing, cue and FX sends are available within both channel configurations. Sends to the DAW can be sourced either from the Channel Outputs or from the Track Busses, and the stereo master return from the DAW might be brought back into the console via either the External inputs or a stereo channel.
  • Page 55 AWS 948 Tutorial NALOGUE TYLE RACKING ONFIGURATION In In-Line Tracking mode, Channel Paths A and B are used for tracking and monitoring respectively. The V-Pot functions as the ‘small fader’, controlling Path A’s record path to the DAW via the channel outputs. The main faders control the monitor level (Path B).
  • Page 56 AWS 948 Tutorial IXING ONFIGURATIONS When mixing in In-line mode, the secondary channel path can be employed either as an additional send from the channel, as the right input of a stereo signal, or as an independent additional input path, allowing up to 48 signals to be mixed on the console.
  • Page 57 AWS 948 Tutorial DDITIONAL ETURN IXING In the Additional Return configuration (In-line Mix mode with the in-channel RETURN switch selected), the two channel paths can function entirely independently, with signal processing and FX sends switchable between channel paths. The insert points can be switched and routed separately for each path. The V-pot and channel fader provide independent level control to each signal.
  • Page 58 AWS 948 Tutorial ELECTION Modes are selected using the Function keys in the left-hand side of the centre section (shown right). The channel mode options are displayed in the bottom row of softkeys when none of the top row of switches are selected. The channels to be configured are selected by pressing one or more channel strip SEL keys, or globally using the ALL Function key.
  • Page 59 AWS 948 Tutorial 948 C HANNEL TRIP NPUT CONFIGURATION Line input is automatically selected in Stereo mode. In In-line mode, select the Mic or (left) Line input by pressing FLIP and adjust the input gain using the appropriate gain pot. The signal level is shown in the meter bridge above the channel.
  • Page 60 AWS 948 Tutorial OUTING To route channels to the Record and Mix busses, press the REC and/or MIX switch to the right of the channel pan pot. For in-line signals, the REC and MIX switches operate on the channel path assigned to the main fader.
  • Page 61 AWS 948 Tutorial ENTRE ECTION DJUSTING THE IX AND ECORD USSES To assign control of the Record and/or Mix busses to the master fader, hold down the button at the base of the RECORD or MIX columns of the bussing matrix next to the fader, and press the button in the row labelled FADER.
  • Page 62 AWS 948 Tutorial This page is intentionally almost blank AWS elta Owner’s Manual Page 2b-12...
  • Page 63 Solid State Logic S O U N D V I S I O N AWS elta 916-924-948 ’ WNER ANUAL SECTION 3 NALOGUE PERATIONS...
  • Page 64 Analogue Operations This page is intentionally almost blank AWS elta Owner’s Manual Page 3-ii...

  • Page 65: Input Configuration

    Analogue Operations ECTION ONTENTS NTRODUCTION Focus Modes The TFT Screen (948 O HANNEL ODES Channel Configuration (AWS 948 Only) ST Channel In-Line Mix In-Line Track ‘NEXT’ Menus HANNEL TRIP Overview Input configuration Channel Meters Dynamics Filter Equalizer Insert Point 3-10 Signal Processing Order 3-10 Cue, FX and EFX Sends...
  • Page 66 Analogue Operations SOLO Configuration 3-22 Mix and Rec Bus Controls 3-23 Adjusting a master level 3-23 Assigning Centre Section Dynamics 3-23 Assigning the Stereo Compressor 3-23 Activating bus inserts 3-23 Dynamics Operation 3-24 Compressor/Limiter Section 3-24 Gate/Expander Section 3-24 Track Bus Master Controls 3-25 Cue/FX Send Master Controls 3-25...

  • Page 67: Ntroduction

    Analogue Operations ANALOGUE OPERATIONS NTRODUCTION AWS elta consoles combine SuperAnalogue™ technology from SSL’s analogue consoles with powerful DAW control. Much of the control surface will be familiar to any recording engineer who has previously used our SL 4000 or SL/XL 9000 console ranges.

  • Page 68: The Tft Screen

    Analogue Operations TFT S CREEN The centre section TFT screen provides access to a number of console configuration items, in addition to its primary role as plug-in editor. The 16 boxes at the base of the screen indicate the functions assigned to the 16 buttons in two rows of eight below the screen.

  • Page 69: Channel Modes (948 Only )

    Analogue Operations (948 O HANNEL ODES When in Analogue Focus mode, the AWS 948 channel strips can operate within a number of different Channel Modes, suiting a variety of operational contexts. The two channel paths within the channel strips may control any of the following: A mono or stereo input signal, for basic tracking.

  • Page 70: Channel Configuration (Aws 948 Only)

    Analogue Operations (AWS 948 O HANNEL ONFIGURATION There are a number of routing and processing options for any channel with an In-line mode, accessed using the TFT screen. The 16 boxes at the base of the screen indicate the function assigned to the 16 buttons in two rows of eight below the screen.

  • Page 71: Next' Menus

    Analogue Operations Cue F-Mon: In In-line Track mode the CUE ST pan pot controls pan for the Channel path whenever it is routed to a stereo bus, or a Track bus with Pan selected, and the Cue pan follows the main channel pan. Select Cue F-Mon (Cue Follows Monitor path) to force the CUE ST bus to always follow.
  • Page 72 Analogue Operations Blank page AWS elta Owner’s Manual Page 3-6...

  • Page 73: Strip

    Analogue Operations HANNEL TRIP Note that throughout this section, where the channels differ the 916-924 channel strip is shown on the left and the 948 on the right. Text specific to one model is framed in a blue box with the model name at the top. VERVIEW AWS 916-924 AWS 948...

  • Page 74: Input Configuration

    Analogue Operations NPUT CONFIGURATION AWS 916-924 AWS 948 Switch between the Mic and Line inputs by pressing Switch the primary channel path’s input between Mic or FLIP. The LED next to each knob lights to indicate it is Line by pressing FLIP. The LED next to each knob lights selected (red for Mic, green for Line).

  • Page 75: Filter

    Analogue Operations ILTER The filter and EQ are both switched in using the EQ IN switch ( Turning the HPF pot up from minimum then activates the filter (18dB/Octave high pass). The EQ IN LED is off when inactive, lights red when the EQ is in circuit but the filter is inactive, and lights green when the filter is active.

  • Page 76: Dynamics

    Analogue Operations NSERT OINT To switch the channel insert into circuit, press the INS IN switch ( in the pictures on the previous page) in the centre of the EQ section – the LED to its left lights yellow to indicate that it is active. Press PRE to place the insert immediately before the EQ in the processing chain.

  • Page 77: Cue, Fx And Efx Sends

    Analogue Operations , FX EFX S ENDS The area below the EQ controls the channel’s send to the console’s two stereo cue busses and four FX busses. Each channel can feed one of stereo cue busses and two of the FX busses (FX1 or 3, FX2 or 4). Alternatively, the send controls for one of the busses can be assigned to the EFX system, which enables greater routing flexibility from the AWS elta channels by employing redundant auxiliary sends to control the level of the channel’s feed to the track busses or direct output.

  • Page 78: Direct Output

    Analogue Operations IRECT UTPUT By default, the channel direct output is sourced post-fader. To source it pre-fader, press the DIRECT PRE/EFX (948: CHOP PRE/EFX) switch, located above the CUE ST gain pot. IRECT UTPUTS AND The EFX system allows redundant auxiliary send controls to be used to control the channel’s send to the direct output. To employ EFX for any channel, select the auxiliary send control which is least likely to be needed in the channel (Stereo Cue, FX1 or FX2), and assign it to the EFX system: AWS 916-924...

  • Page 79: Rec And Mix Bus Routing

    Analogue Operations MIX B OUTING The Record and Mix busses are independent stereo busses which receive a post-pan, post-fader channel signal. To route channels to them, press the REC and/or MIX switch to the right of the channel pan pot ( ).

  • Page 80: Scribble Strips

    Analogue Operations CRIBBLE TRIPS HANNEL ISPLAY The channel display functions as a digital scribble strip. It displays the analogue channel name when in Analogue Focus mode, as defined in the Remote Browser. In DAW Focus mode, it displays the name of a DAW track, selected send, or I/O data according to the function currently assigned on the Master Control Panel.

  • Page 81: Level Control

    Analogue Operations EVEL ONTROL The 100mm fader at the bottom of the channel strip controls the channel send to the Rec and Mix busses, as well as any other sends which are operating post-fader. Note that in DAW focus mode, this function can be assigned to the channel V-pot by pressing the CHANNEL button in the centre section.
  • Page 82 Analogue Operations Bus Meter Panel Oscillator comms levels Dynamics and Aux/track bus masters Foldback and screen and Stereo Return controls controls Function keys control Monitor panel panel Master fader Transport Rec/Mix bus motion Functions controls Comms controls AWS elta Owner’s Manual Page 3-16...

  • Page 83: Centre Section

    Analogue Operations ENTRE ECTION NTRODUCTION The console’s centre section is used to control the console busses, dynamics, monitoring and overall configuration. It also provides access to a number of DAW control elements which are covered in Section 4. OWER UPPLY NDICATORS Beneath the VU meters, on the main control surface, you will find a row of four LEDs that display the current state of power rails within the console.

  • Page 84: Monitoring

    Analogue Operations ONITORING Turn the large blue pot below the MONITOR LEVEL to set the level of the main control room monitors. For fine level adjustments, push down on the monitor pot before turning. The display above it will display ‘Fine’ mode. The monitor pot is also used to control other miscellaneous levels: Press any of the column of six MISC LEVELS switches to the right of the monitor pot, and then use the monitor pot to adjust their level.

  • Page 85: Monitor Configurations

    Analogue Operations ONITOR ONFIGURATIONS XTERNAL OURCE ELECTORS The EXT A and EXT B monitor source selectors in the monitor panel ( in the picture on the previous page) can switch between a number of inputs. EXT A has four external 5.1 inputs which may be fed by any source of six channels or less, with Track busses 1–6 providing a fifth input.

  • Page 86: Monitor Insert

    Analogue Operations ONITOR NSERT The External A selector (ie all 5.1 sources) output is automatically routed via a 5.1 insert point to which an encoder/decoder system may be interfaced; this insert may be switched in/out of circuit using the INS softkey in MONITOR OPTIONS.

  • Page 87: Monitor Level Calibration

    Analogue Operations ONITOR EVEL ALIBRATION The monitor calibration system enables the level of any loudspeaker connected to the AWS to be trimmed by ±10dB. Note that with the monitor gain at maximum a trim level of +10dB corresponds to unity gain through the monitor section. Do not attempt to carry out loudspeaker calibration unless you have accurately calibrated test equipment.

  • Page 88: Monitor Level Display And Calibrated Listening Level

    Analogue Operations ONITOR EVEL ISPLAY AND ALIBRATED LISTENING LEVEL Further monitor calibration options are accessed via the TFT screen. The 16 boxes at the base of the screen indicate the functions assigned to the 16 buttons in two rows of eight below the screen. Press the SSL button, followed by MISC > SETUP and locate the following options in the list: Monitor Gain Display: Music (Off to 11)

  • Page 89: Mix And Rec Bus Controls

    Analogue Operations IX AND ONTROLS The console’s stereo Record and Mix busses are mainly controlled using the master fader and bussing matrix towards the bottom right-hand corner of the center section. The meters for the busses are located immediately to the right of the right VU meter.

  • Page 90: Dynamics Operation

    Analogue Operations YNAMICS PERATION While the Stereo Bus Compressor controls are self explanatory, the two compressor/gate sections require a word or two of explanation: The dynamics may be assigned singly or as a pair to any channel using the Dynamics 1 and 2 buttons on the channel meter panel.

  • Page 91: Cue/Fx Send Master Controls

    Analogue Operations RACK ASTER ONTROLS The master output level controls for the eight track busses are located in the top right of the centre section. The Track bus levels are displayed in the eight meters in the lower left-hand quarter of the LCD metering above the bus master controls.

  • Page 92: Foldback Headphone Outputs

    Analogue Operations OLDBACK EADPHONE UTPUTS The console’s Foldback A and B outputs can be used to feed studio floor headphone amplifiers. The F/B A and F/B B controls are located immediately to the right of the TFT screen. At the bottom of each section there is a LEVEL control, plus CUT and AFL functions. The six switches down the right-hand side of each foldback section activate the sources which can be fed to the Foldback outputs.
  • Page 93 Analogue Operations OMMUNICATIONS The main communications controls (talkback etc.) are located to the right of the shuttle wheel at the bottom of the console (see left). There is a built-in talkback microphone ( ) located in the utilities section above the TFT screen. Level controls for the communications are found here (see right).

  • Page 94: Communications Setup Options

    Analogue Operations OMMUNICATIONS ETUP PTIONS Further Talkback, Listen and Red Light communication options are accessed via the TFT screen. The 16 boxes at the base of the screen indicate the functions assigned to the 16 buttons in two rows of eight below the screen. Press the SSL button, followed by Misc >...

  • Page 95: Centre Section Metering

    Analogue Operations ENTRE ECTION ETERING Fitted above the centre section is a meter panel for all of the console busses. On the left there are two VU meters and a phasemeter, which can display the outputs of the Record, Mix, Monitor or Solo busses. The indicators between the meters show the selected signal.

  • Page 96: Console Setup Menu

    Analogue Operations ONSOLE ETUP The centre section TFT screen provides access to a setup menu that holds a number of useful console-related items. Select SSL followed by Misc and then Setup. Project Testing :: Title In Mix show Channel names in Mix running Latched Match and Play Talkback switces are Auto (Play)

  • Page 97: Automation

    Analogue Operations UTOMATION Motors Off Mode: Touch sense can be enabled or disabled. Show MTC Display: Turn the timecode display on or off. ALKBACK Talkback switches are: Select the operation of the talkback buttons: Momentary / Latching / Auto (Play) / Auto (Record). Listen switch is: Select the operation of the Listen buttons: Latching / Auto (Play) / Auto (Record).

  • Page 98: Automation

    Analogue Operations NOTE. The following menu options will only be available if the console is rebooted into Legacy Automation mode: UTOMATION Glide frames: Sets the ramp time in frames for the automation SNAP mode. (range 0 - 255) Rollback threshold frames: Sets the number of consecutive frames that the system needs to see to determine if a Rollback has taken place.
  • Page 99 AWS elta 916-924-948 ’ WNER ANUAL SECTION 4 DAW C ONTROL...
  • Page 100 Contents This page is intentionally almost blank AWS elta Owner’s Manual Page 4-ii...
  • Page 101 Contents ECTION ONTENTS Introduction DAW Controller Features Summary Focus Modes Configuring DAW Layers DAW Layers Communication with your DAW HUI and MCU common Features V-Pots The Master Control Panel Channel Banking Controls Pro Tools HUI Control Guide DAW Window Buttons DAW Utility Buttons Modifier Buttons The Default Button...
  • Page 102 Contents Input, Output and Send Routing 4-14 Viewing Input, Output and Send Routing 4-14 Setting Input, Output and Send Routing 4-14 Assigning Signals to Multiple Channels 4-14 Assigning a Channel to Multiple Outputs 4-14 Motion Control Panel 4-15 Transport Controls 4-15 Other useful transport modes 4-15...
  • Page 103 Contents HUI Automation 4-27 Automation Enables 4-27 Automation Modes 4-27 Automation Status Display 4-27 Suspending Automation 4-28 Writing Automation (Write to Start, End or All) 4-28 Automating Switches (eg. Cuts) 4-28 Automating Pans and Sends 4-28 Automating Plug-Ins 4-28 Automation Indication for Plug-In Parameters 4-28 MCU (Mackie Control) Emulation 4-29...
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  • Page 105: Introduction

    DAW Control DAW CONTROL NTRODUCTION AWS elta communicates with connected DAWs using MIDI ports – either MIDI over Ethernet (ipMIDI) or the physical MIDI ports located on the rear of the console. Please refer to Section 1 of this manual “Installation and Setup” for informataion regarding MIDI connection, software installation and workstation configuration.

  • Page 106: Focus Modes

    DAW Control OCUS ODES In order to allow console controls to be used to control either analogue signals or an external DAW, SSL created ‘Focus modes’ as a way of allowing the AWS to ‘focus’ on one or other domain. To switch between modes, press the Focus switch, towards the bottom of the console centre section (shown right).

  • Page 107: Configuring Daw Layers

    DAW Control DAW L ONFIGURING AYERS DAW Layers The AWS can connect to two DAWs simultaneously which are controlled from the two virtual ‘layers’. Control operations performed on the AWS control surface will then affect whichever DAW is assigned to the currently selected layer.

  • Page 108: Communication With Your Daw

    DAW Control OMMUNICATION WITH YOUR The AWS connects to your chosen DAW via three MIDI ports at the rear of the console or via MIDI over Ethernet. Each AWS DAW layer emulates three HUI or MCU controllers. The HUI and Mackie Control (MCU) protocol are widely supported by DAW manufacturers.

  • Page 109: Hui And Mcu Common Features

    DAW Control COMMON EATURES This section describes functions that are common to both HUI and MCU protocols. Channel Meters SOLO -10dB LEFT RIGHT MONO COMPRESSOR Listen Slate Talkback Out TB to Foldback FREQ Solo and LNSL AUX2 Panel RECORD Channel auto COMP COMP...

  • Page 110: The Master Control Panel

    DAW Control ASTER ONTROL ANEL The Master Control Panel includes a mixture of master functions and modifier keys for control of a DAW. The layout shown below is for HUI. Alternative layouts for the various MCU implementations are given in Page 4-31 onwards. HANNEL ANKING ONTROLS...

  • Page 111: Pro Tools Hui Control Guide

    DAW Control HUI C OOLS ONTROL UIDE This section describes functionality on Digidesign’s Pro Tools 9 and above. The functionality of other packages will depend on their implementation of the Pro Tools HUI protocol. DAW W INDOW UTTONS This group of keys provides instant access to the various windows within the DAW. Press them once to display or hide the relevant menu.

  • Page 112: The Default Button

    DAW Control disengages grouping when held down. It is a direct equivalent of the Macintosh keyboard Ctrl key. CTRL EFAULT UTTON Faders, pans and sends can be reset to their default values using the button: DEFAULT ESETTING Select the button on the Master Control Panel, and all 24 V-pots become pan controls. Hold the button DEFAULT while pressing the V-pot on the channel you wish to reset.

  • Page 113: Channel Functions

    DAW Control HANNEL UNCTIONS In DAW focus mode the channel meters, faders and part or all of the Solo and Cuts tile control the DAW and display its status. DAW M ETERS When in DAW focus mode, the 24 stereo channel meters indicate the level of the DAW signal path.

  • Page 114: Channel Solo And Cut Tile

    DAW Control HANNEL OLO AND HANNEL Each channel has a continuous controller (the V-pot). This can be used to control Send levels and Panning, and to assign Input, Output and Send routing. See Page 4-16 for more details. The V-pot includes a push switch that is used (depending on the centre section mode) to select sends to be pre or post fade, to mute sends and to confirm I/O selections.

  • Page 115: Record Ready Mode

    DAW Control SEL B – T HANNEL UTTON RACK RMING ELECT The function of the channel ) button depends on the mode selected on the centre section EDIT keys on the Master Control Panel. ECORD EADY is selected all 24 channel buttons become Record Ready buttons.

  • Page 116: Select Mode

    DAW Control ELECT All 24 channel buttons become track select buttons. They perform the same function as clicking with the mouse on a channel in the DAW. A double click on a button will open the channel naming pop-up for that channel. Multiple channels can be selected by holding down the button while selecting further buttons or by holding...

  • Page 117: Setting Sends Pre/Post Fader

    DAW Control ETTING ENDS ADER When working with sends it is useful to be able to flip a send between pre and post fader. If necessary select the button ( ) on the Master Control Panel. PRE/POST Pushing a channel V-pot will now switch the selected send on that channel between pre and post. The red LED below the V-pot lights to show PRE is selected.

  • Page 118: Viewing Input, Output And Send Routing

    DAW Control NPUT UTPUT AND OUTING The channel V-pots can also be used to assign signals to inputs, outputs and aux sends of your DAW mixer: Viewing Input, Output and Send Routing The Input, Output or Send routing for all DAW channels can be displayed on the channel scribble strip by holding down button ( ) on the Master Control Panel.

  • Page 119: Motion Control Panel

    DAW Control OTION ONTROL ANEL RANSPORT ONTROLS Dedicated transport controls are provided for direct control over Pro Tools: Puts the DAW on line for synchronisation. ON LINE Toggles Loop mode on/off (hold down for Loop Record mode). LOOP CTRL Toggles Quickpunch recording status on/off for your DAW. Q PUNCH Toggles the pre-roll function for your DAW.

  • Page 120: Aws Footswitch Control

    DAW Control ETTING RE AND Hold down and press the button to highlight the left hand numeric field of the pre-roll or post-roll POST time window. The time is displayed on the console TFT screen in place of the DAW position. The selected numeric field will flash.

  • Page 121: Zoom, Navigation And Selection Modes

    DAW Control AVIGATION AND ELECTION ODES The Motion Control panel has a section with four arrow keys and a ZOOM/ button that toggles the selection of three available modes: Navigation Edit, Zoom and Select. AVIGATION EITHER OOM NOR ELECT LIT In this mode the arrow keys can be used to select a region or regions in certain DAWs.

  • Page 122: Shuttle/Scrub Wheel

    DAW Control HUTTLE CRUB HEEL The dual-concentric Shuttle/Scrub wheel has a spring-loaded outer ring and a continuously variable inner wheel for controlling DAW scrub and shuttle functions and for general timeline/clip navigation. AVIGATION When the inner wheel is rotated, a stream of Nudge Commands are sent to the DAW according to rotation direction and speed*.

  • Page 123: Hui Plug-In Control

    DAW Control HUI P ONTROL Plug-In Editor AWS consoles come with a powerful Plug-in Editor located in the console centre section. From here, plug-ins and hardware inserts can be assigned, and plug-in parameters can be edited. DITOR ISPLAY The Plug-In Editor uses a high resolution TFT display, four V- pots and four soft buttons to control the parameters of any plug-in.

  • Page 124: Plug-In Display Modes

    DAW Control Plug-In Display Modes There are three display modes, Insert, Parameter and Assign, which are selected with the ASSIGN INSERT/PARAM buttons below the V-pots. IEWING URRENT NSERTS NSERT Press the button till the box reads ; the plug-in editor is in Insert mode. INSERT/PARAM INSERT/PARAM INSERT...

  • Page 125: Editing Plug-In Parameters (Parameter Mode)

    DAW Control Editing Plug-In Parameters (Parameter Mode) ELECTING A N TO In Insert or Assign mode press the plug-in V-pot for the insert you wish to edit or in Insert mode select Parameter mode by pressing the soft button. INSERT/PARAM 2 3 4 To exit from Parameter mode press the soft key (if...
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  • Page 127: Additional Hui Displays

    DAW Control HUI D DDITIONAL ISPLAYS Timecode/Bars & Beats/Samples Display The on-screen time readout can be assigned to display either Timecode (SMPTE/EBU), Feet/Frames, Bars/Beats or samples. This display will follow the setting selection made within your DAW. Please refer to your DAW manual for further details.

  • Page 128: Edit Tools Menu

    DAW Control 3. E OOLS Edit Tools ( ) displays a list of available tools used by your DAW system. For example, in Pro Tools you can select EdTs the Zoom, Trim, Select, Grabber, Smart Tool, Scrub and Pencil tools. 4.

  • Page 129: Function Keys

    DAW Control 6. F UNCTION The F-Keys ( ) menu gives access to the DAW function keys. The use of the function (F) keys can vary between DAW Fkys applications. A standard configuration for Pro Tools is : Peak Hold Clear for the AWS channel meters Cycles Fixed or Velocity-sensitive modes for the V-pots Escape 7.
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  • Page 131: Hui Automation

    DAW Control HUI A UTOMATION The AWS’s touch sensitive moving faders can be used to write automation for the DAW fader. Most automation functions can be enabled from the soft key matrix below the console’s display screen. Within this are menus for Automation Enables, Automation Modes, Grouping and Editing functions.

  • Page 132: Suspending Automation

    DAW Control USPENDING UTOMATION To suspend all automation writing and playback for the entire project/session, press the SUSPEND AUTO button. The button will flash red to indicate that the suspend function is active. RITING UTOMATION RITE TO TART ND OR In some DAW applications you can write automation data to the start, end or whole part of a track/selection in any automation mode.

  • Page 133: Mcu (Mackie Control) Emulation

    DAW Control MCU (M ACKIE ONTROL MULATION The AWS expands available DAW control options by emulating the Mackie Control MIDI protocol as an alternative to the HUI protocol emulation. The Mackie Control Protocol originates from the Mackie Control Universal MIDI controller and the companion eight fader extender unit.
  • Page 134 DAW Control The majority of DAW functions are controlled via dedicated AWS front panel switches – less reliance is placed on the 8x8 soft key matrix located beneath the TFT screen than with the HUI protocol. All Plug-In editing is via the channel V-pots. The four encoders together with the six switches below the centre section monitor screen are not used with the Mackie Control protocol.

  • Page 135: Daw Control Function Key Overview

    DAW Control DAW Control Function Key Overview As far as possible all function key templates use key groupings and layouts which follow the original Mackie Control surface groupings to simplify moving from one DAW platform to another. Channel V-pot Functions and Display options. The Encoder switch flips V-pot Parameters on to the channel faders.

  • Page 136: Nuendo/Cubase Template

    DAW Control Nuendo/Cubase Template As with the other templates the AWS emulates a Mackie Control Main unit plus two Mackie Control Extenders. MIDI Control surface assignment is set up in the Remote Device list. Nuendo does not have separate profiles for the Mackie Extender, so three (two for the AWS 916) Mackie Control units are entered in to the device list with the top most unit corresponding to AWS channels 17-24 and the other units mapped to the remaining channels in descending order.

  • Page 137: Nuendo Console Layout

    DAW Control UENDO ONSOLE AYOUT The majority of Nuendo or Cubase functions are controlled via dedicated keys with virtually no reliance on the 8x8 key matrix located beneath the screen. Full details are available in the Mackie Control and Nuendo document available from the Nuendo download page.

  • Page 138: Nuendo Control Screen

    DAW Control UENDO ONTROL SCREEN are the eight functions keys. These are also mapped to the numeric keypad. Fkys Fkys are the eight Fader Group keys. Grps Fkys AWS elta Owner’s Manual Page 4-34...
  • Page 139 AWS elta 916-924-948 ’ WNER ANUAL SECTION 5 ROJECTS AND EMOTE ROWSER...
  • Page 140 Projects and the Remote Browser This page is intentionally almost blank AWS elta Owner’s Manual Page 5-ii...
  • Page 141 Contents ECTION ONTENTS ECTION ONTENTS Introduction AWS R ONFIGURING THE EMOTE Installing the Application A Note On Java ONNECTING THE EMOTE TO THE ONSOLE ROJECTS Project and Title Notes Managing Projects Creating a New Project Project Options Menu New Title Duplicate Rename Deleting a Project...
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  • Page 143: Introduction

    Projects and the Remote Browser PROJECTS AND THE REMOTE BROWSER NTRODUCTION The AWS Remote Browser is used to manage Projects and their associated files. It also allows renaming of mixes, TR setups, channel scribble strips and monitor external sources, and includes space for session notes. The Remote software is a Java application that runs on both Mac and PC.

  • Page 144: Connecting The Remote To The Console

    Projects and the Remote Browser ONNECTING THE EMOTE TO THE ONSOLE Double click on the Remote icon to run the software. When the Remote first opens, it searches for an AWS console to control. If it finds one, it will automatically link to that console.

  • Page 145: Projects Tab

    Projects and the Remote Browser ROJECTS After launching AWS elta Remote the Projects tab will appear. All Projects are listed in the left Projects pane: Clicking on the ‘+’ (or ‘ ’) sign to the left of any folder will expand the folder to show its contents. (Double-clicking on any folder name will also expand or collapse that folder).

  • Page 146: Managing Projects

    Projects and the Remote Browser ANAGING ROJECTS REATING A ROJECT To create a new Project, simply press the button in the bottom left- New Project hand corner of the window. The following window will appear asking you to name the Project and the first Title within that project.

  • Page 147: Managing Titles

    Projects and the Remote Browser ANAGING ITLES REATING A ITLE To create a new Title, simply press the button and a new Title pop-up window will appear. This New Title will create a new Title in the currently selected Project. To create a new Title in a different Project, first open an existing Title in the desired Project using Open Title,...

  • Page 148: Rename

    Projects and the Remote Browser ENAME This option can be used to change the name of any Title, even if it is not the one that is currently open. Selecting Rename will produce the New Name pop-up. Type the new Title name, and click OK.

  • Page 149: The Mixes Tab

    Projects and the Remote Browser IXES The Mixes tab will show you a list of all current mix passes associated with your current project. The Mixes tab refers to Legacy mixes only, -Control mixes are saved in the DAW. To rename one of your Mix passes, highlight the one which you would wish to change and press the Rename Mix button.

  • Page 150: The Total Recall Tab

    Projects and the Remote Browser OTAL ECALL The Total Recall tab will show you all Total Recall setups for your current project. If you would like to rename one of your Total Recall setups, highlight the one which you would wish to change and press the Rename Setup button.

  • Page 151: The Channels Tab

    Projects and the Remote Browser HANNELS The Channels tab allows you to enter names for the AWS console channel scribble strips. AWS 916 and the AWS 924 consoles will only display one row of channel labels in the Channels tab. To change a Channel name, click on the desired field and type the desired name (to a maximum of 8 characters).

  • Page 152: The Externals Tab

    Projects and the Remote Browser XTERNALS The Externals tab allows you to rename the External sources (Ext A + Ext B). These will appear on your console’s monitor section. To rename a source simply click on the desired field and enter your prefered name (to a maximum of 4 characters). Furthermore you can use your computer keyboard’s ‘TAB’, ‘SHIFT’...

  • Page 153: The About Tab

    Projects and the Remote Browser BOUT The About tab shows the current software versions of both console and browser and provides links to the SSL Support, FAQ’s, Downloads and Registration areas of the SSL website. AWS elta Owner’s Manual Page 5-11...
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  • Page 155 AWS elta 916-924-948 ’ WNER ANUAL SECTION 6 OTAL ECALL...
  • Page 156 Total Recall This page is intentionally almost blank AWS elta Owner’s Manual Page 6-ii...
  • Page 157 Total Recall ECTION ONTENTS ECTION ONTENTS Overview Accessing Total Recall TR S ELECTING ETUPS Changing the selected setup ATCHING THE ONSOLE TO THE Display Overview Correcting controls Auto Scan The Channel Display Setting soft switches Copying and Swapping settings between channels Centre section displays Compressor and Foldback Dynamics and Bus Masters...
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  • Page 159: Accessing Total Recall

    Total Recall TOTAL RECALL VERVIEW The AWS Total Recall system uses the inboard TFT screen to give a graphical display of current and stored control settings of all rotary controls, faders and switches on the AWS channel and centre section modules. Controls that are in different positions from the stored values are highlighted in white (faders and rotary controls) or yellow (switches).
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  • Page 161: Selecting Tr Setups

    Total Recall TR S ELECTING ETUPS The Sel menu is the main file menu for the Total Recall system.The main window shows a list of stored setups.The setup which is being displayed has the word ‘selected’ next to it. selected shows which setup is currently being displayed Yellow cursor indicates...
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  • Page 163: Matching The Console To The Tr

    Total Recall ATCHING THE ONSOLE TO THE ISPLAY VERVIEW There are four Total Recall display pages.These are selected using the four soft keys to the right of the Sel button: Chan for the channel strips, CmFb for the bus compressor, foldback busses and main faders, DynB for the dynamics, track busses and cue/FX busses, and StRt for the stereo returns.

  • Page 164: The Channel Display

    Total Recall HANNEL ISPLAY The Chan page presents a graphical display all of the controls within the channel. Chan selects the channel display. Pressing the fader switch will select a channel to be displayed. The large switch above each fader (bottom right-hand corner) refers to the status of the channel’s cut button, and the smaller switch refers to the solo-isolate function.

  • Page 165: Centre Section Displays

    Total Recall ENTRE SECTION DISPLAYS OMPRESSOR AND OLDBACK Pressing CmFb or pressing the master fader switch will display the centre section compressor, the master fader and foldback sections. A double press on the fader switch will reset the REC and MIX fader positions and the REC and MIX processing switches.
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  • Page 167: Additional Tr Functions

    Total Recall TR F DDITIONAL UNCTIONS TORING SETUPS Setups can be stored at any time using the STORE soft key.This saves the current desk setup to the current title on the SD memory card. Setups can be renamed from the AWS Remote – see page 6-11 New setups are numbered starting at ‘1’.
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  • Page 169: Total Recall Via Logictivity

    Total Recall OTAL ECALL VIA OGICTIVITY Refer to Section 5 for further details on the Logictivity browser. The Total Recall tab will show you all Total Recall setups for your current project. If you would like to rename one of your Total Recall setups, highlight the one which you would wish to change and press the Rename Setup button.
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  • Page 171 AWS elta 916-924-948 ’ WNER ANUAL SECTION 7 UTOMATION...
  • Page 172 Automation This page is intentionally almost blank AWS elta Operator’s Manual Page 7-ii...
  • Page 173 Automation ECTION ONTENTS -Control Automation Overview The -Control Advantage Console Basics -Control basics The -Ctrl Plug-in Workstation Setup – Pro Tools The -Ctrl GUI Mix Setup Workflow Mix Set Up Writing Fader Mix data Revise and Join SNAP TRIM Offline Trim 7-10 Coalescing Trim Automation 7-11...
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  • Page 175: Control Automation

    Automation ONTROL UTOMATION Overview -Ctrl is a native AAX/RTAS/VST/VST3 plug-in that allows the user to automate their AWS console, as if it were a DAW Plug-in. The automation engine in the DAW is used to record and playback control data from the faders and switches on the console replacing the internal time-code based automation system.

  • Page 176: Console Basics

    Automation In AWS elta the following channel parameters are automated: • Channel level Absolute (plus secondary path on AWS elta 948) • Channel level Trim (plus secondary path on AWS elta 948) • Channel Mute (plus secondary path on AWS elta 948) •...

  • Page 177: Control Basics

    Automation -Control basics -Control is optimized to work with the Pro Tools Automation Touch mode. Other update modes, such as Latch, can be emulated with -Control without having to change the Pro Tools track automation mode. Additionally, there are equivalents to certain global HD-only automation features such as capture/punch without having to use the Pro Tools automation menus.
  • Page 178 Automation Installing the -Ctrl Plug-in (Windows) Open the zip file and run the SSL Delta Control Setup.exe file; follow the installation steps as shown below. AWS elta Operator’s Manual Page 7-4...

  • Page 179: Workstation Setup - Pro Tools

    Automation Workstation Setup – Pro Tools Before mixing with the plug-in the following options should be enabled in the Pro Tools Setup / Preferences / Mixing menu : 1. Plug-in Controls Default to Auto-Enabled – Otherwise the parameters will need to be manually enabled for automation from each individual plug-in window either manually or using the Command-Option-Control-click (MAC) or Control-Alt-Start-click (PC) short cut.

  • Page 180: The -Ctrl Gui

    Automation -Ctrl 1 Console Type (Drop-down menu) 2 Console Object (Drop-down menu): Channel, Group or Bus 3 Console Object Number (Drop-down menu). Control Click to enable/disable the Auto Increment feature. Object number is greyed out when active 4 Assigned Console Object Switches – Indicates the current switch state.

  • Page 181: Mix Setup Workflow

    Automation Mix Setup Workflow For each console channel, VCA, or Bus master that will be automated an associated -Ctrl plug-in needs to be inserted into a track in the Pro Tools session. In the case of channels, the plug-in would normally be inserted in the track feeding the channel input as this means that all console automation will follow any subsequent track edits.

  • Page 182: Mix Set Up

    Automation -Control IXING WITH Mix Set Up Two approaches are envisaged, using the NEW MIX option a basic mix is created on the console with the mix system off and then -Control automation enabled to add dynamic moves. Alternatively a mix is built up from scratch with the mix system enabled from the start.

  • Page 183: Revise And Join

    Automation Revise and Join If any channels were in Write when Stop was activated, the JOIN and REVISE mode labels will be shown on the small screen larger soft-keys and the dedicated front panel keys will also illuminate. The REVISE key can then be used to return all the active channels in Write at the stop point back into Write and the JOIN key can then be used to return all the active channels in Write at the stop point back into Write but at the levels that they were at the Stop Position.

  • Page 184: Offline Trim

    Automation Trim... continued To enable the TRIM mode for faders, activate the master TRIM prime function either from small screen softkeys or the dedicated function switch on AWS. Once active, the fader status keys prime the individual faders for writing Trim data, and this is indicated by the green Trim Status led flashing as well as the fader automatically being positioned at the 0dB point (or at the current trim level if the playlist contains existing trim data).

  • Page 185: Coalescing Trim Automation

    Automation Coalescing Trim Automation* There is no offline mechanism for coalescing the Trim playlist back into the main Volume automation playlist. Instead an additional playlist, Merge Trim, is automatically generated for each fader channel which contains the merged Volume(absolute) and Trim data. The data can then be pasted back into the main Volume Playlist and the original Trim Playlist deleted using the standard Pro Tools editing tools.

  • Page 186: Switch Automation

    Automation Switch Automation Provided that the Latching Behaviour for Switch Controls in “Touch” option has been selected In the Pro Tools Setup / Preferences / Mixing menu, the channel switches follow standard Pro Tools Latch Mode operation as far as automation is concerned.

  • Page 187: Write To Start, End Or All

    Automation SING THE OOLS DITING OOLS As the -Ctrl plug-in creates standard Pro Tools automation playlists, all the Pro Tools editing tools are available for use with the saved automation. These are comprehensively described in the Pro Tools Setup Notes on page 5-31. One of the immediate benefits of -Control is that the saved AWS automation will, by default, follow all audio edits made in the workstation ensuring that all the DAW workflow editing options are available at any stage in the mix process –...
  • Page 188 Automation AWS elta Operator’s Manual Page 7-14...

  • Page 189: Legacy Console Automation

    Automation EGACY ONSOLE UTOMATION VERVIEW AWS elta’s integral console timecode-based system was developed from SSL’s renowned G and K Series Ultimation systems, designed specifically for AWS. MTC (MIDI Time Code) serves as the mix timeline reference, together with support for MMC (MIDI Machine Control) locate commands to follow non-play speed positional changes from the DAW. Mix data is saved to the internal flash memory as part of AWS elta’s Project system, but may be backed up on your computer via the AWS elta Browser.
  • Page 190 Setup Guide: Console Config ORKING WITH ROJECTS AND ITLES At least one Project and Title must be present before you can store an automated Mix. Select SSL followed by Proj. Now select New Proj and the system will create a new Project and Title; logically these will be named Project 1 and Title 1 (if no previous projects exist).
  • Page 191 Automation UTOMATION ANAGEMENT VIA THE EMOTE The Mixes tab in the AWS Remote Browser will show you a list of all current mix passes associated with your current project. To rename one of your Mix passes, highlight the one which you would wish to change and press the Rename Mix button.

  • Page 192: Activating The Automation System

    Automation PERATION Activating the Automation System Use the softkeys below the centre section TFT to select SSL then Auto. This calls up the main automation display with its associated soft key menu (see next page). List Mix Menu The List Mix menu is the main file menu for the automation system, and shows a list of stored Mix Passes. New Mix Passes are auto-numbered starting at ‘1’.

  • Page 193: Creating A New Mix Pass

    Automation Creating A New Mix Pass To create a new automated Mix Pass, enter the List Mix menu (shown below) and use the left-hand encoder to highlight the New Mix entry. Now press the encoder switch or the Select soft key to select the New Mix Setup page. Press Protect to access the protection options Press Execute to continue...
  • Page 194 Automation To start a mix, press Execute. The screen switches to show level bargraphs for the 24 (16 for AWS 916) channel faders and the two main faders, (for the MIX and REC busses). Stereo Bus Channel Faders Master Faders Press End to save Press Discard the current Mix...
  • Page 195 Automation Mix Review At any time you can rewind the system, and as soon as the DAW is located to an earlier time and valid MTC or a MMC locate position command is received, the mix system enters ‘Mix Review’. All faders will switch to Replay status (all LEDs are off).

  • Page 196: Discard

    Automation OIN AND EVISE At any time during Mix Review, the Join key can be used to switch all channels originally in write at the last rollback point back to write at the levels or state they were at the rollback point. This is useful, for example, when balancing a chorus level.

  • Page 197: Cut Automation

    Automation Cut Automation Pressing a Cut switch will toggle its state and automatically start writing data. It can be returned to replay either by rolling back or by selecting the soft Play key, then pressing the cut switch. The state of the channel Cut switch is stored separately from the fader data. Cut data is stored regardless of the current fader status unless channel Safe mode is selected.
  • Page 198 Automation ELECTING ROTECTION Each component which is included in the automation can be protected globally, on a per-channel basis, or individually. This is done in the Protection Mode page, accessed by pressing the Protect softkey. When you update a previously stored Mix, three different data protection modes become available: Auto, Safe and Manual.

  • Page 199: Summary Of Fader Status And Fsm Functions

    Automation To display which controls are in each mode, press the Display softkey – the three Protection Modes will be shown in the lower left-hand softkeys. Pressing one of these mode softkeys will cause the LEDs for all controls which are in that mode become lit.

  • Page 200: Trim

    Automation UTOMATION PTIONS Trim A method of updating fader data is to Trim the previous Mix Pass data. Trim mode originates from VCA (non-moving fader) automation systems and uses the fader to add or subtract level from the existing moves. It achieved this by setting up a ‘null’...

  • Page 201: Tlock

    Automation TLock TLock (Trim Lock) defeats the auto nulling feature of the standard Trim function and ‘locks’ the null point to the position that the fader was in when Trim was first enabled in the current Mix Pass. This enables a defined trim offset to be repeatedly punched in and out throughout the subsequent Mix Pass.

  • Page 202: Snap Mode

    Automation Snap Mode Snap mode uses the fader touch sensor to control both the start and end of a fader update for fast hands on changes to mix levels. When the fader is released it ramps back to the previous mix level at a user determined rate, then returns to replay.
  • Page 203 Automation UTOMATION ETUP PTIONS The SSL>MISC>SETUP contains various options for the mix system. Scroll to the option to be edited and select using the Left V-pot push switch. Once the option is active, the left V-pot will increment/decrement a numerical value as it is turned or page through the various option states.
  • Page 204 Automation ADER INKS Fader Links are a useful method of ganging channels without the complexity of a Master/Slave style grouping system. In a Fader Link, operating any Fader, Cut, Solo or Status switch will apply the same action to all the channels in the Link. Fader retain any level offsets provided no fader in the Link reaches the upper or lower extremes of the fader scale.
  • Page 205 Automation MIDI S For legacy purposes, it is possible to load Automation setups which have been saved via a MIDI SysEx dump. The AWS uses MIDI port 4 for loading mixes. Note that MIDI port 4 is also used for MTC. SysEx data will interfere with MTC transmission, so ensure these tracks are muted while mixing.
  • Page 206 Automation AWS elta Operator’s Manual Page 7-32...
  • Page 207 AWS elta 916-924-948 ’ WNER ANUAL TECHNICAL APPENDICES...
  • Page 208 Appendices This page is intentionally almost blank AWS elta Owner’s Manual Appendices Page A-ii...

  • Page 209: A Specifications

    Appendices ECTION ONTENTS Specifications Console Dimensions 1/4" TRS Jack DIN 5-Pin 180° XLR 3-Pin Connector Details Connector Pinouts Environmental Specification Notes Relating to Console Location and Air Conditioning MIDI (HUI) Implementation Chart Service & Warranty Information A-11 Introduction A-11 Warranty A-11 Out of Warranty Repairs A-11...
  • Page 210 Appendices Glossary Of Terms A-23 Link Options A-25 AFADA A-26 SNAP A-26 Converting AFADA Mixes A-26 AFADA Setup Guidelines A-27 Block Diagrams A-28 AWS elta Owner’s Manual Appendices Page A-iv...

  • Page 211: Specifications

    Appendices APPENDICES PECIFICATIONS AWS Performance Specifications Parameter Path Value Notes Headroom >+26dBu Onset of clipping Frequency Microphone input – Insert Send 20Hz–20kHz ±0.2dB 0dB applied, Mic gain at minimum Response Line input – Direct out 20Hz–20kHz ±0.1dB 0dB applied, Line gain at detent (unity gain) Line input –...

  • Page 212: Console Dimensions

    Appendices ONSOLE IMENSIONS AWS elta Owner’s Manual Appendices Page A-2...

  • Page 213: 1/4" Trs Jack

    Appendices ONNECTOR ETAILS XLR 3-P Plug Socket Dimensions: 19 x 60mm (approx) Cable Dia: 4mm - 8mm (typical) Pinout for balanced audio: Pin 1 Screen Pin 2 Hot (+ve) Pin 3 Cold (–ve) Connectors Viewed From Wiring Side 1/4" TRS J Stereo Plug Pinout for balanced audio inputs and outputs: Hot (+ve)
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  • Page 215: C Connector Pinouts

    Appendices ONNECTOR INOUTS Ext A 1–4 / Ext B / Meter Out / Monitor Insert Location: Center section rear panel Connector Type: 25-way D-type female Cold Screen Ext A In 1–4 Ext B input Meter Output Mon Ins Send Mon Ins Ret Left 1-Left Left...
  • Page 216 Appendices Connector Pinouts . . . continued Red Light / Talkback / GP IO Location: Centre Section Top Rear Panel Connector Type: 25-way D-type female Description Notes: Red Light Relay contact ‘A’ Normally open – follows Red Light switch. See Note below. Red Light Relay contact ‘B’...
  • Page 217 Appendices NVIRONMENTAL PECIFICATION Temperature Operating: 5 to 30 Deg. C Non-operating: -20 to 50 Deg. C Max. Gradient: 15 Deg. C/Hour Relative Humidity Operating: 30 to 80 % Non-operating: 5 to 90 % Max. Wet bulb: 29 Deg. C (non-condensing) Vibration Operating: <...
  • Page 218 Appendices This page is intentionally almost blank AWS elta Owner’s Manual Appendices Page A-8...

  • Page 219: Emidi (Hui) Implementation Chart

    Appendices MIDI (HUI) I MPLEMENTATION HART Function Transmitted Recognised Remarks Basic Channel Default Changed Channel 1 only Mode Default Not Applicable Messages Altered Note Number True Voice 90 00 7F Echoed – Sent 90 00 00 active sensing only Velocity Note ON Note OFF After–touch...
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  • Page 221: F Service & Warranty Information

    State Logic’s recommended operating conditions, as outlined in Sections 1 and 3 of this manual, are not covered by this warranty. Further details may be found in Solid State Logic’s Conditions of Trading (printed on the reverse of all Solid State Logic invoices).
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  • Page 223: G Troubleshooting

    Troubleshooting ROUBLESHOOTING NTRODUCTION The following pages are not intended to teach you how to repair any fault on your AWS console, they are merely designed to guide you through the basic principles of locating and, where possible, working around faults until a replacement part can be obtained.

  • Page 224: Control Faults

    Troubleshooting Again for the sake of the example, we will assume that the level on the Track Bus meters was different. Halving the signal path again, de-assign Channel 24 from the Track Busses, route the same signal to Channel 23 and assign it to Track Busses 1 and 2.

  • Page 225: Replacing Modules

    Troubleshooting Unlike the Multidrop Bus which allows modules to be added and removed from the bus without effecting its integrity, the Live Bus passes through one module to the next. Therefore the removal of a Live Bus module may potentially disrupt other modules, depending on its position in the data chain.

  • Page 226: The Channel Strip (629921X1 - 629994X1/X2

    Troubleshooting (629921X1 - 629994X1/X2) HANNEL TRIP First, remove the scribble strip (three screws). Now remove the Solos and Cuts Panel (629922X1) that fits across the bottom of each bay of eight channels; remove the two countersunk screws, then carefully lift the panel clear onto a piece of foam or bubble-wrap.

  • Page 227: The Channel Fader (629924X1

    Troubleshooting (629924X1) HANNEL ADER First remove all of the fader knobs from the faders in that bay. Do this by simply pulling firmly on each one until it separates from the fader tang. Then, unscrew the six countersunk screws and remove the top plate. Each fader can then be lifted clear from its connector on the bus card.

  • Page 228: The Channel Meter Panel (629923X1 / X2

    Troubleshooting (629923X1 / X2) HANNEL ETER ANEL First remove the top trim by unscrewing the five screws that secure it to the console frame, and lift it clear. Now refer to the illustration on Page A-16. Each meter panel is secured by four screws across the top. Remove these and lift the meter panel clear, taking care to disconnect the ribbon connectors.

  • Page 229: Centre Section Cards

    Troubleshooting ENTRE ECTION ARDS Four centre section cards are located beneath the large panel that contains the Talkback and Oscillator controls, LCD display, and DAW soft keys. These are: • 629651X3 6-Track Select • 629652X3 2-Track Select & Monitor Inserts •...

  • Page 230: Troubleshooting Chart - Channel Bays

    Troubleshooting – C ROUBLESHOOTING HART HANNEL BAYS Problem Problem Check Check Solution Solution Channel Meter Panels do not Are the ribbon connectors in the rear of If no, re-seat as required. function correctly. the Meter Panels seated correctly? Swap Meter Panels 1 and 3. Do the meters If yes, replace the Meter in Bays 2 and 3 now work? Note: Channel Panel in Bay 1.
  • Page 231 Troubleshooting Problem Check Solution Motion Control Panel does Is the connector labelled IN on the Motion If no, re-seat as required. not function. Control Panel seated correctly? Workstation Panel does not Is the connector labelled WSINOUT on the If no, re-seat as required. function.
  • Page 232 Appendices This page is intentionally almost blank AWS elta Owner’s Manual Appendices Page A-22...
  • Page 233 Appendices LOSSARY ERMS Analogue Focus Mode Channel faders control the channel audio; channel meters show analogue input levels. Channel Rotary Encoders control DAW parameters. Bass Management A system designed to ensure that all the bass recorded on your DAW tracks is reproduced correctly on the monitor speakers.
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  • Page 235: I Link Options

    Appendices PTIONS There are a number of internal link options that may require adjustment. Refer to page A-14, 15 for information on accessing the relevant PCB. 629653X1/2 S/A GAIN & MDAC CONTROL / TB & LISTEN Link Position Default Function Fitted •...

  • Page 236: Afada

    Appendices AFADA A-FADA (Analogue Fader Accesses DAW Automation) utilizes the automation system of a DAW to control the analogue channel levels by linking the DAW fader and mute data to the console’s channel level and cut functions. It has been superseded by -Control which offers far more flexibility and operational benefits than A-FADA without any of the limitations such as being limited to 32 console channels (Pro Tools HUI) and having to use only the standard DAW mix commands available from a MIDI connected hardware control surface.

  • Page 237: Afada Setup Guidelines

    Appendices AFADA S ETUP UIDELINES When moving the faders, there is a good chance that you will be affecting the track output from the DAW and the channel output within the AWS simultaneously, thus duplicating all of the level changes – an effect which is probably unwanted. There are a number of potential solutions to this duplication: 1: U SE PRE...

  • Page 238: K Block Diagrams

    Appendices LOCK IAGRAMS Following this page you should find four block diagrams. Two show signal flow in the AWS channel strip and centre section; two cover the power and control circuits. If any drawing is missing, please contact your local SSL distributor for a replacement.
  • Page 239 Solid State Logic Solid State Logic S O U N D V I S I O N S O U N D V I S I O N AWS elta AWS elta 916-924-948 916-924-948 71mm 71mm Owner's Owner's Manual Manual...

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