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Yamaha 02R96 Owner's Manual

Digital mixing console version 2.0.
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DIGITAL MIXING CONSOLE
Owner's Manual
Owner's Manual
Owner's Manual
Keep This Manual For Future Reference.
E

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   Summary of Contents for Yamaha 02R96

  • Page 1

    DIGITAL MIXING CONSOLE Owner’s Manual Owner’s Manual Owner’s Manual Keep This Manual For Future Reference.

  • Page 2

    300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

  • Page 3: Important Information

    The 02R96 has four rear-panel slots for installing mini-YGDAI cards. For technical reasons, certain card combinations are not supported. Before installing any cards, check the Yamaha web site to if your card is compatible. Installing cards that are not endorsed by Yamaha may cause electrical shock, fire, or damage to the unit.

  • Page 4

    This unit is heavy. Use two or more people to carry it. • When you transport or move the 02R96 with the MB02R96 attached, do not permit impact or stress on the cable connector that connects the MB02R96 to the 02R96. Otherwise, mal- function may occur.

  • Page 5: Yamaha Web Site

    Media Technologies GmbH. All other trademarks are the property of their respective hold- ers and are hereby acknowledged. Copyright No part of the 02R96, its software, or this Owner’s Manual may be reproduced or distrib- uted in any form or by any means without the prior written authorization of Yamaha Cor- poration.

  • Page 6: Conventions Used In This Manual

    New Functions in 02R96 Version 2 The following functions have been added to the 02R96 as part of the upgrade of the firm- ware from version 1.2 to version 2.0. Control Surface •...

  • Page 7: New Functions In 02r96 Version 2

    Touching the faders can punch parameter values in and out if the corresponding OVER- WRITE button is set to on. → page 171 A parameter related to timecode synchronization has been added. → page 234 • New Functions in 02R96 Version 2 02R96 Version 2—Owner’s Manual...

  • Page 8

    • Yamaha’s proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and General DAW. This enables you to control these devices using the 02R96’s SELECTED CHANNEL section. (Controllable functions vary depending on the DAW software and ver- sion you are using.) You can now assign any of 174 functions to the USER DEFINED KEYS.

  • Page 9: Table Of Contents

    Turning On & Off the 02R96 ........

  • Page 10

    Naming the Stereo Out ..........94 02R96 Version 2—Owner’s Manual...

  • Page 11

    Naming Aux Send Masters ..........106 Contents 02R96 Version 2—Owner’s Manual...

  • Page 12

    Editing Plug-Ins ........... . 160 02R96 Version 2—Owner’s Manual...

  • Page 13

    MIDI & the 02R96 ........

  • Page 14

    Configuring the 02R96 ........

  • Page 15

    Index ........338 Contents 02R96 Version 2—Owner’s Manual...

  • Page 16: Welcome

    1 Welcome Thank you for choosing the Yamaha 02R96 Digital Mixing Console. The 02R96 Digital Mixing Console offers 24-bit/96 kHz digital audio processing without compromise, comprehensive surround mixing and monitoring, including bass manage- ment, and hands-on control of popular DAW (Digital Audio Workstation) systems.

  • Page 17

    Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters • Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes • Offline event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert Welcome 02R96 Version 2—Owner’s Manual...

  • Page 18

    Surround monitor library with 32 user memories Remote Control • Control and manage your 02R96 from your Mac or PC by using the bundled Studio Man- ager software • Remote Layers for external equipment control, including predefined targets for controlling DAW systems, and user defined targets for controlling MIDI equipment, with Learn func-...

  • Page 19: Control Surface & Rear Panel

    Control Surface & Rear Panel 2 Control Surface & Rear Panel Control Surface 02R96 Version 2—Owner’s Manual...

  • Page 20: Channel Strips

    See “Selecting Channels” on page 48 for more information. The [SEL] buttons can also be used to pair channels, and to add and remove channels to and from the EQ, Comp, Fader, and Mute groups. 02R96 Version 2—Owner’s Manual...

  • Page 21

    Using these buttons along with the LAYER buttons enables you to copy the corresponding channel levels to the Aux Send levels. These buttons are also used to turn the Aux Out Solo function on and off when Aux/Solo Link is turned on (page 121). AUX SELECT DISPLAY 02R96 Version 2—Owner’s Manual Control Surface...

  • Page 22

    This button selects the Aux Fader mode, in which the faders control Aux Send levels. Its indicator lights up when this mode is selected. See “Selecting Fader Modes” on page 49 for more information. 02R96 Version 2—Owner’s Manual ENCODER MODE DISPLAY...

  • Page 23

    Equalizer Link, Input Comp Link, Output Comp Link, Input Fader Group Master, and Output Fader Group Master. Control Surface 1 2 3 4 DISPLAY ACCESS AUTOMIX SETUP UTILITY MIDI REMOTE METER VIEW PAIR GROUP INPUT OUTPUT PATCH PATCH J K L 02R96 Version 2—Owner’s Manual...

  • Page 24

    Up to 16 parameters can be displayed at a time. If more are available, an up or down arrow is displayed. See “Editing Effects” on page 156 and “Editing Plug-Ins” on page 160 for more information. 02R96 Version 2—Owner’s Manual CHANNEL INSERTS...

  • Page 25: Display Section

    This button, which is active only when the right Tab Scroll arrow is displayed, is used to dis- play the tabs of pages available to the right of the currently selected page. See “Selecting Dis- play Pages” on page 45 for more information. Control Surface 02R96 Version 2—Owner’s Manual...

  • Page 26

    These buttons are used to route the currently selected Input Channel to the Bus Outs. The button indicators of Bus Outs to which the Input Channel is routed light up. See “Routing Input Channels” on page 82 for more information. 02R96 Version 2—Owner’s Manual SELECTED CHANNEL ROUTING...

  • Page 27

    Compressor. See “Gating Input Channels” on page 74 and “Com- pressing Channels” on page 116 for more information. Control Surface DISPLAY ACCESS PHASE / DELAY INSERT GATE / COMP GATE THRESHOLD RANGE ATTACK DECAY COMP THRESHOLD RATIO ATTACK RELEASE 02R96 Version 2—Owner’s Manual HOLD GAIN...

  • Page 28

    This button is used to select the Joystick for parameter control of the Reverb 5.1 effect. Its indicator lights up when Reverb 5.1 effect control is on, and the Joystick cannot be used for surround panning. See “REVERB 5.1” on page 276 for more information. 02R96 Version 2—Owner’s Manual PAN / SURROUND DISPLAY...

  • Page 29

    When the Q is adjusted, the Q value is displayed. If the gain or Q is not adjusted for two seconds, the frequency value reappears. See “Using EQ” on page 111 for more information. Control Surface LOW MID HIGH MID FREQUENCY FREQUENCY GAIN GAIN GAIN 1.00 4.00 02R96 Version 2—Owner’s Manual HIGH FREQUENCY GAIN 10.0...

  • Page 30

    It can also be used to select the Stereo Out, see “Auto Channel Select & Touch Sense Select” on page 49, or to punch the Stereo Out in and out during Automix recording. See “Punching In & Out Individual Parameters” on page 183 for more information. 02R96 Version 2—Owner’s Manual LAYER 1 24 REMOTE...

  • Page 31: Scene Memory

    User Defined Keys” on page 229 for more information. These buttons have specific func- tions when the DAW Remote Layer is selected. See “About the Remote Layer” on page 219 for more information. SCENE MEMORY DISPLAY STORE RECALL 23 4 USER DEFINED KEYS DISPLAY 02R96 Version 2—Owner’s Manual Control Surface...

  • Page 32: Machine Control

    This button is used in conjunction with the [PLAY] button to start recording on the target machine (DAW, MMC). Its indicator lights up while recording is in progress. See “Trans- port Buttons” on page 223. 02R96 Version 2—Owner’s Manual MACHINE CONTROL LOCATE MEMORY...

  • Page 33

    The cursor appears as a flashing box, making it easy to see which parameter or option is currently selected. Holding down a cursor button moves the cursor continuously in the respective direction. Control Surface SHUTTLE SCRUB ENTER 02R96 Version 2—Owner’s Manual...

  • Page 34: Monitor Section

    This button selects the Control Room Monitor signal as the Studio Monitor signal source. Its indicator lights up when this source is selected. See “Studio Monitor- CONTROL ROOM LEVEL ing” on page 137 for more information. DIMMER TALKBACK 02R96 Version 2—Owner’s Manual TALKBACK LEVEL PHONES STUDIO PHONES LEVEL LEVEL 1/4"...

  • Page 35: Control Room

    This button selects the 2TR IN ANALOG 1 as the Control Room Monitor sig- nal source. Its indicator lights up when this source is selected. See “Control Room Monitoring” on page 136 for more information. Control Surface 02R96 Version 2—Owner’s Manual...

  • Page 36

    This button is used to turn on the Talkback function, which distributes the Talkback mic signal to the Studio Monitor Outs, Slot Inputs and Omni Outputs specified on the Talkback Setup page. See “Using Talkback” on page 142 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 37: Rear Panel

    Rear Panel Rear Panel 02R96 Version 2—Owner’s Manual...

  • Page 38

    The nominal signal level is +4 dB. Inserts can be turned on and off individually by using the INSERT ON/OFF switches. See “AD Input Sec- tion” on page 53 for more information. 02R96 Version 2—Owner’s Manual 1 (ground) Male XLR plug...

  • Page 39

    Channels or Insert Ins. See “2TR Analog INs” on page 54. Rear Panel 1/4" TRS phone plug Female XLR plug 1/4" TRS phone plug 1/4" TRS phone plug 02R96 Version 2—Owner’s Manual Tip (hot) Ring (cold) Sleeve (ground) 2 (hot) 3 (cold)

  • Page 40

    See “Selecting the Timecode Source & Frame Rate” on page 177. USB TO HOST port This USB port is for MIDI communication between the 02R96 and a host computer with a USB port. See “MIDI I/O” on page 190 for more information.

  • Page 41

    See “2TR Digital Ins” on page 58 for more information. WORD CLOCK OUT connector This BNC connector outputs a wordclock signal at the same clock rate as the 02R96. See “Wordclock Connections” on page 55 for more information.

  • Page 42

    Chapter 2—Control Surface & Rear Panel Power Section POWER ON/OFF switch This switch is used to turn on the power to the 02R96. See “Turning On & Off the 02R96” on page 43 for more information. Grounding screw For electrical safety reasons, and correct operation of the touch-sensitive faders, it’s impor- tant that the 02R96 is grounded properly.

  • Page 43: Operating Basics

    3 Operating Basics Connecting the Power Cord Warning: Turn off all equipment connected to the 02R96 before making any power connec- tions. Connect the socket-end of the supplied power cord to the AC IN on the rear panel of the 02R96. Connect the plug-end to a suitable AC wall outlet, one that conforms to the power supply require- ments stated on the 02R96’s rear panel.

  • Page 44: About The Display

    164 for more information. If the selected Scene is write-protected, a padlock icon appears. See “Using the Scene Memory Page” on page 165 for more information. MIDI indicator: This indicator appears when the 02R96 is receiving MIDI data via the MIDI IN port, USB TO HOST port, or SERIAL TO HOST port.

  • Page 45: Selecting Display Pages

    Tab Scroll arrow appears. Pressing either the Left or Right Tab Scroll button displays the tabs of these pages, which can then be selected by using the F1–F4 buttons. 02R96 Version 2—Owner’s Manual...

  • Page 46: Parameter Windows

    If the Auto Display preference for the adjusted parameter is on, the page containing that parameter appears instead of this parameter window. Confirmation Messages For certain functions, the 02R96 prompts you for confirmation before executing them, as shown here. Press YES to execute the function, or press NO to can- cel.

  • Page 47: Selecting Layers

    Input Channels 25–48 Aux Send masters 1–8 Operation depends on the selected target. See “About the Remote Layer” on page 219 for more information. Selecting Layers LAYER 1 24 REMOTE 25 48 MASTER 17–24 Bus Out masters 1–8 02R96 Version 2—Owner’s Manual...

  • Page 48: Selecting Channels

    For example, if a Delay page for the Input Channels is currently selected when the Stereo Out [SEL] button is pressed, the Delay page showing the Stereo Out Delay parameter is selected automatically. 02R96 Version 2—Owner’s Manual [SEL] Button 1–8 9–16...

  • Page 49: Selecting Fader Modes

    Input Channels 49–56 No operation: faders fixed at –∞ Aux Send level Operation depends on the selected target. See “About the Remote Layer” on page 219 for more information. 17–24 Bus Outs 1–8 master level 02R96 Version 2—Owner’s Manual...

  • Page 50: Selecting Encoder Modes

    1. When Alt Layer is assigned, the Encoders enable you to control a parameter that is assigned to the cor- responding channel fader in the partner layer. (A partner layer would be the layer of channels 25-48 if the layer of channels 1-24 is currently selected.) 02R96 Version 2—Owner’s Manual ENCODER MODE DISPLAY Mode 1–8...

  • Page 51: Assigning Parameters To The Encoder Mode Assign Buttons

    When channels that do not feature the currently assigned parameter are selected, the Encoders are inactive. For example, if the assigned Encoder parameter is “Phase,” and the Master Layer is selected, Encoders 9–24 are inactive, because the Aux Sends and Bus Outs do not feature Phase parameters. 02R96 Version 2—Owner’s Manual...

  • Page 52

    Surr L/R Pan Surr F/R Pan Surr Front DIV Surr Rear DIV Surr. LFE Level Surr. Pan Wheel Scene Fade Time Alt Layer 02R96 Version 2—Owner’s Manual Parameter Encoder Operation — Attenuator Input Channel patch Insert In patch Insert Out patch...

  • Page 53: Analog I/o & The Ad Input Section

    4 Analog I/O & the AD Input Section AD Input Section The 02R96 features 24 AD Inputs for connecting microphone and line-level sources. AD Inputs can be patched to Input Channels or Input Channel Insert Ins (see page 66). They can also be patched to Output Channel Insert Ins (see page 69).

  • Page 54: Stereo Out

    See page 137 for information on the Studio Monitor output. Omni Outs The 02R96 features assignable Omni Outs on balanced 1/4-inch TRS phone jacks. Omni Outs can be patched to Bus Outs, Aux Sends, the Stereo Out, Input or Output Channel Insert Outs, or Surround Monitor Channels (see page 69).

  • Page 55: Digital I/o & Cascading

    If you’re connecting to the 02R96 using only analog inputs and outputs, no special word- clock settings are required, and the 02R96 can be set to use its own internally generated wordclock. If you’re connecting other equipment digitally, however, you must decide which device to use as the wordclock master and which devices to use as slaves.

  • Page 56: Selecting The Wordclock Source

    A usable wordclock signal is present at this input. No wordclock signal is present at this input. A wordclock signal is present, but it’s out of sync with the current 02R96 clock. This is the currently selected wordclock source. This input was selected as the wordclock source, but no usable signal was received.

  • Page 57: 2tr Digital Outs

    Termination = ON Wordclock slave 2TR Digital Outs The 02R96 features three sets of 2-track digital outputs: 2TR OUT DIGITAL AES/EBU 1 uses an XLR-3-32-type connector and outputs AES/EBU format digital audio. 2TR OUT DIGITAL COAXIAL 2 and 3 use phono connectors and output consumer format (IEC-60958) dig- ital audio.

  • Page 58: 2tr Digital Ins

    Output Channel Insert Ins (see page 69). Digital audio signals received at sampling rates other than the current 02R96 rate can be converted by the internal sampling rate converters (see page 58). You can monitor the Channel Status of digital signals present at these inputs on the Channel Status Monitor page (see page 62).

  • Page 59: Slot I/o

    Slot I/O The 02R96 features four Slots for installing optional mini-YGDAI (Yamaha General Digital Audio Interface) I/O Cards, which offer various analog I/O options and digital I/O inter- faces in all the popular digital audio interconnect formats, including AES/EBU, ADAT, and Tascam.

  • Page 60

    Secure the card using the attached thumbscrews. Do not leave them loose, as the card will not be grounded correctly, which may cause the 02R96 to malfunction. You can check which I/O Cards are installed on the Word Clock Select page (see page 56).

  • Page 61: Setting The Transfer Format For Higher Sampling Rates

    Slot Inputs. When on, the sampling rate of the received digital audio is converted to the 02R96’s current sampling rate. The original sampling rate is displayed. These parame- ters are available only when an I/O Card with onboard sampling rate converters is installed, such as the MY8-AE96S.

  • Page 62: Dithering Digital Outputs

    Use the cursor buttons to select the SLOT 1–4 and 2TR IN buttons, and the press [ENTER]. Displayed Channel Status information includes sampling rate (FS), emphasis, category, and copy protection. However, if a mini-YGDAI I/O card other than AES/EBU format is installed, Channel Status information will be grayed out. 02R96 Version 2 Owner’s Manual...

  • Page 63: Cascading Consoles

    Total four 02R96s or DM2000s can be cascaded, offering a maximum of 224 Input Chan- nels. Several functions are linked between all cascaded consoles, including Solo, Scene Recall and Store, so that all consoles work just like one big console. A single Yamaha 02R Digital Recording Console can be included in the cascade system.

  • Page 64

    02R96 #1 CASCADE IN Final signals can be output by the Slot Outputs or Omni Outs. Cascading an 02R Digital Recording Console CASCADE OUT 02R96 Version 2—Owner’s Manual Master: On Bi-directional: On CASCADE OUT CASCADE IN 02R96 #2 CASCADE IN...

  • Page 65

    CASCADE IN FROM: This is used to specify the type of device connected to the CAS- CADE IN port, either 02R96 or 02R. When a 02R96 or DM2000 is connected to the CAS- CADE IN port, 02R96 is specified automatically.

  • Page 66: Input & Output Patching

    When Vertical Input Channel pairing mode is selected, patch parameters for ver- tical partners are displayed, for example, CH1, CH25, CH2, CH26, and so on. In addition to using the cursor buttons, Patch parameters can also be selected by using the LAYER and [SEL] buttons. 02R96 Version 2—Owner’s Manual...

  • Page 67

    5.1 Channel systems, the surround bus setting for 5.1 surround mode will be used. : Press this button repeatedly until an Effect Edit (1–4) page for the effects processor you wish to edit appears. Input Patching 02R96 Version 2—Owner’s Manual...

  • Page 68: Output Patching

    Input Channel Routing page, the Slot Output patch cannot be changed here. If the higher sampling rate (88.2 kHz/96 kHz) data format is set to Double Channel mode, the Slot’s even channel patch is disabled and cannot be changed. 02R96 Version 2—Owner’s Manual...

  • Page 69

    Output Channel Insert Ins. The left and right channels of the Stereo Out can be patched individually. In addition to using the cursor buttons, Patch parameters can also be selected by using the [SEL] buttons. Output Patching 02R96 Version 2—Owner’s Manual...

  • Page 70: Patching Direct Outs

    Digital Output can be patched individually. When a 2TR Digital Output is patched to a Direct out (see page 70), and that Direct Out is assigned on an Input Channel Routing page, the 2TR Digital Output patch cannot be changed here. 02R96 Version 2—Owner’s Manual...

  • Page 71: Naming Input & Output Ports

    Parameter wheel or INC/DEC buttons to select the top level item. Then move the cursor to the center pane, and select an item at the next level. Select an item in the right pane, if avail- able, and then select the YES button and press [ENTER]. Naming Input & Output Ports 02R96 Version 2—Owner’s Manual...

  • Page 72: Patching With The Encoders

    Use the Encoders to select ports, and press the Encoder push switches to set them. The coresponding Patch page appears when an Encoder is operated. If you operate another Encoder, the selection is cancelled and the patch is left unchanged. 02R96 Version 2—Owner’s Manual...

  • Page 73: Input Channels

    [ENTER] button and INC/DEC buttons to set them. The NOR/REV buttons can also be selected by using the [SEL] buttons. GLOBAL NOR/REV: These buttons allow you to set the phase of all Input Channels simultaneously. Input Channels 02R96 Version 2—Owner’s Manual...

  • Page 74: Gating Input Channels

    Use the SELECTED CHANNEL DYNAMICS [DISPLAY] button to locate the Gate Library page, and then recall a Gate preset that contains the gate type that you want. See “Gate Library” on page 148 for more information. 02R96 Version 2—Owner’s Manual Type GATE Gate template...

  • Page 75: Attenuating Input Channels

    Input Channels signals can be attenuated pre-EQ. See “Attenuating Signals” on page 110 for more information. EQ’ing Input Channels Each Input Channel features 4-band parametric EQ. See “Using EQ” on page 111 for more information. Attenuating Input Channels 02R96 Version 2—Owner’s Manual...

  • Page 76: Grouping Input Channel Eqs

    Internal effects processors and external signal processors can be patched into the Input Channels by using the Inserts. See “Using Inserts” on page 115 for more information. Compressing Input Channels Each Input Channel features a Compressor. See “Compressing Channels” on page 116 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 77: Grouping Input Channel Compressors

    Input Channels can be muted as follows. Use the LAYER buttons to select the Layers. Use the [ON] buttons to mute the Input Channels. The [ON] button indicators of channels that are on are lit. Grouping Input Channel Compressors 02R96 Version 2—Owner’s Manual...

  • Page 78: Grouping Input Channel Mutes (on/off)

    When the Input Mute Master check box is unchecked, pressing the Input Channel [ON] button mutes or unmutes the channels in the corresponding Mute group (Mute On chan- nels turn off and Mute Off channels turn on). 02R96 Version 2—Owner’s Manual...

  • Page 79: Input Channel Mute Master

    Input Channel Mute Master The 02R96 features a Mute Master function that enables you to mute all channels in the Mute group using the MASTER button, much like a Mute group on an analog mixing con- sole. When the Mute Group Master function is enabled, the channel [ON] button status does not link to the corresponding Mute group.

  • Page 80: Group Master For Input Channel Faders

    See “Selecting Fader Modes” on page 49 for more information. Group Master for Input Channel Faders The 02R96 features a Fader Group Master function that enables you to control the level of all channels using the Group Master level while maintaining the relative balance between channels, much like a VCA group on an analog mixing console.

  • Page 81

    [SOLO] buttons: These buttons turn the Solo function of each Fader group on and off. You can monitor all the channels in each Fader group. Channel Faders: The channel faders enable you to set the master level for each Fader group. Group Master for Input Channel Faders 02R96 Version 2—Owner’s Manual...

  • Page 82: Routing Input Channels

    [ENTER] button or INC/DEC buttons to set them. Channels can also be selected by using the LAYER buttons and [SEL] buttons. ALL STEREO: This button assigns all Input Channels that are currently displayed to the Stereo Out. 02R96 Version 2—Owner’s Manual ROUTING DISPLAY FOLLOW PAN...

  • Page 83: Panning Input Channels

    This setting applies only to Input Channels that are currently selected. For this to work, the [EFFECT] button indicator must be off and the [GRAB] and [LINK] button indicators must be on. Panning Input Channels Bus Outs PAN / SURROUND DISPLAY EVEN LINK GRAB EFFECT 02R96 Version 2—Owner’s Manual...

  • Page 84

    Note: While the PAN/SURROUND [LINK] button is turned on, the Pan mode is automati- cally set to Individual. When the Pan mode is switched from Gang mode to Inverse Gang mode, the [LINK] button is turned off. 02R96 Version 2—Owner’s Manual...

  • Page 85: Using Surround Pan

    +3 dB when the preference is turned off. Note: If you have saved a scene with the Follow Pan function turned off on a 02R96 that is older than Version 2.0, the surround setting may not be reproduced The following table shows how Surround channels are handled by the Bus Outs.

  • Page 86

    Bus Setup page, which enables you to change the Surround Channel to Bus Out assignment. See “Assigning Surround Channels to Buses” on page 87 for more information on the Surround Bus Setup page. 02R96 Version 2—Owner’s Manual 5.1 Surround...

  • Page 87: Assigning Surround Channels To Buses

    Input Channel. If the Joystick is set to control effects (i.e., the [EFFECT] button indicator is lit), the [GRAB] button is disabled. Assigning Surround Channels to Buses PAN / SURROUND DISPLAY LINK EVEN GRAB EFFECT 02R96 Version 2—Owner’s Manual...

  • Page 88

    WIDTH OFFSET: This can be used to offset the left-to-right direction of the selected pat- tern. DEPTH OFFSET: This can be used to offset the front-to-rear direction of the selected pat- tern. LFE: This sets the level of the LFE (Low Frequency Effects) Channel (5.1 and 6.1 mode only). 02R96 Version 2—Owner’s Manual...

  • Page 89

    F/R: These parameters are used to set the front/rear surround position. While selected, they can quickly be set to center by pressing [ENTER]. You can jump to the more detailed Surround Edit page by pressing [ENTER] while an Input Channel’s surround graph is selected. Assigning Surround Channels to Buses 02R96 Version 2—Owner’s Manual...

  • Page 90: Sending Input Channels To Aux Sends

    “Viewing Channel Parameter Settings” on page 129 and “Viewing Channel Fader Settings” on page 130 for more information. Naming Input Channels Input Channels can be named for easy identification. See “Naming Channels” on page 134 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 91: Using The Ms Stereo Microphone

    Signals from the MS microphone are input from the L and R connectors. To use an MS microphone with the 02R96, connect the L connector to the input jack of an odd Input Channel, and connect the R connector to the input jack of the partner channel.

  • Page 92: Stereo Out

    The Stereo Out features 4-band parametric EQ. See “Using EQ” on page 111 for more infor- mation. Grouping Master EQs The Stereo Out EQ can be grouped with the EQs of other Output Channels. See “Grouping Output Channel EQs” on page 114 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 93: Stereo Out Inserts

    Layers or Fader modes. Grouping Master Faders The Stereo Out fader can be grouped with the faders of other Output Channels. See “Grouping Output Channel Faders” on page 126 for more information. Stereo Out Inserts STEREO 02R96 Version 2—Owner’s Manual...

  • Page 94: Balancing The Stereo Out

    See “Viewing Channel Parameter Settings” on page 129 and “Viewing Channel Fader Set- tings” on page 130 for more information. Naming the Stereo Out The Stereo Out can be named for easy identification. See “Naming Channels” on page 134 for more information. 02R96 Version 2—Owner’s Manual PAN / SURROUND DISPLAY EVEN...

  • Page 95: Bus Outs

    Channels” on page 116 for more information. Grouping Master Compressors Bus Out Compressors can be grouped with the Compressors of other Output Channels. See “Grouping Output Channel Compressors” on page 119 for more information. Bus Outs 02R96 Version 2—Owner’s Manual...

  • Page 96: Muting Bus Outs (on/off)

    Soloing Bus Outs Bus Outs can be soloed. See page 121 for more information. Pairing Bus Outs Bus Outs can be paired for stereo operation. See “Pairing Channels” on page 123 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 97: Sending Bus Outs To The Stereo Out

    “Viewing Channel Parameter Settings” on page 129 and “Viewing Channel Fader Settings” on page 130 for more information. Naming Bus Outs Bus Outs can be named for easy identification. See “Naming Channels” on page 134 for more information. Sending Bus Outs to the Stereo Out 02R96 Version 2—Owner’s Manual...

  • Page 98: 10 Aux Sends

    (see page 99) or the Aux View pages (see page 102). If Aux Sends are configured as pre-fader, you can position the send points before or after the [ON] buttons. 02R96 Version 2—Owner’s Manual Change from Variable to Fixed...

  • Page 99: Setting Aux Send Levels

    Use the AUX SELECT [AUX 1]–[AUX 8] buttons to select Aux Sends 1–8. Use the cursor buttons to select the Input Channel Aux Send controls. Input Channels can also be selected by using the LAYER buttons and [SEL] buttons. Setting Aux Send Levels 02R96 Version 2—Owner’s Manual...

  • Page 100

    Input Channel for the currently selected Aux Send. For Aux Sends that are on, faders move to the nominal position. Aux Sends that are off, they move to the –∞ position. On/Off settings cannot be changed by using the faders. 02R96 Version 2—Owner’s Manual...

  • Page 101: Viewing Aux Send Settings

    “LEVEL: –2.0 dB ON/OFF: ON.” In Fixed Aux mode, the On/Off parameter values for the selected Aux Send are displayed in the lower-right corner of the page, for example, “LEVEL: FIXED ON/OFF: ON.” Viewing Aux Send Settings 02R96 Version 2—Owner’s Manual...

  • Page 102

    The various Aux View page indicators are as follows: Aux Send configured pre-fader. Aux Send configured post-fader. Fixed mode Aux Send. Fixed mode Aux Sends can be turned on and off by using the [ENTER] or INC/DEC but- tons. 02R96 Version 2—Owner’s Manual...

  • Page 103: Panning Aux Sends

    Aux Sends. While linked, the Pan mode can be set from either the Aux Pan page or the Input Channel Pan page (see page 84). The Pan mode setting for Aux Sends is linked to the Pan mode setting for Input Channels. Panning Aux Sends 02R96 Version 2—Owner’s Manual...

  • Page 104: Excluding Certain Channels From Aux Sends (mix Minus)

    Note: If you release the button in the LAYER section before you proceed to Step 2, you will be unable to complete the Copy operation. Press one of the AUX SELECT [AUX 1]–[AUX 8] buttons to select the desired Aux Send copy destination. The confirmation message appears. 02R96 Version 2—Owner’s Manual...

  • Page 105: Metering Aux Send Masters

    Press the LAYER [MASTER] button to select the Master Layer. Use channel strip [ON] buttons 9–16 to mute the Aux Send Masters. The [ON] button indicators of Aux Send Masters that are on light up. Metering Aux Send Masters 02R96 Version 2—Owner’s Manual...

  • Page 106: Grouping Master Mutes (on/off)

    See “Viewing Channel Parameter Settings” on page 129 and “Viewing Channel Fader Settings” on page 130 for more information. Naming Aux Send Masters Aux Send Masters can be named for easy identification. See “Naming Channels” on page 134 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 107: 11 Common Channel Functions

    Input and Output Channels, can be set on the Metering Position page shown below, or any of the Input and Output Channel Meter pages. PRE EQ: Channels are metered pre-EQ. PRE FADER: Channels are metered pre-fader. POST FADER: Channels are metered post-fader. 02R96 Version 2—Owner’s Manual...

  • Page 108

    COMP GR: The meters indicate the gain reduction being applied by the Compressor. There are two 48-channel Meter pages. The Input Channel 1–48 Meter page is shown below. The layout of the other page is the same. 02R96 Version 2—Owner’s Manual...

  • Page 109

    #1, and 2 input and output meters for effects 2 through 4. Metering the Stereo out The Stereo Out can be metered on the Stereo Meter page. Peak signal levels for the left and right channels are displayed numerically. Metering 02R96 Version 2—Owner’s Manual...

  • Page 110: Attenuating Signals

    Input Attenuator and Output Attenuator pages, regardless of paired channels. The changes made on the Attenuator pages, along with the level balance between channels, will be reflected in the settings in the SELECTED CHANNEL section, in the EQUALIZER [ATT] controls, and on the EQ Edit page. 02R96 Version 2—Owner’s Manual...

  • Page 111: Using Eq

    Use on a stereo mix during mixdown. Sounds even better when used with a compressor. A variation on preset 30. A variation on preset 30. Can also be used with paired Input or Output Chan- nels. Using EQ 02R96 Version 2—Owner’s Manual...

  • Page 112

    The initial EQ parameter settings are as follows. Parameter Gain Frequency 02R96 Version 2—Owner’s Manual A variation on preset 1, with low and mid range reduced. A variation on preset 3, creating a thicker sound. A variation on preset 5, emphasizing the mid and high ranges.

  • Page 113

    EQ on and off so long as any parameter other than TYPE is selected. TYPE: This selects the type of EQ: TYPE I (the EQ type used on legacy Yamaha digital mix- ing consoles) or TYPE II (a newly developed algorithm).

  • Page 114: Grouping Output Channel Eqs

    The EQ settings of the first Output Channel added to the group are applied to all subse- quently added Output Channels. When an Output Channel is added to a group, its [SEL] button indicator lights up. 02R96 Version 2—Owner’s Manual...

  • Page 115: Using Inserts

    Select window (see page 71), which is accessed by pressing [ENTER] while this parameter is selected. Insert Outs can also be patched on the Output Patch pages. See “Output Patch- ing” on page 68 for more information. Using Inserts 02R96 Version 2—Owner’s Manual...

  • Page 116: Compressing Channels

    A. Dr. SN A. Dr. SN A. Dr. Tom A. Dr. OverTop E. B. Finger 02R96 Version 2—Owner’s Manual Type Compressor intended to reduce the overall volume level. Use COMP it on the stereo output during mixdown, or with paired Input or Output Channels.

  • Page 117

    A soft-kneed compander with a slow release. A “peak-stop” compressor. Compressor for reducing the overall volume level. Use it on the stereo output during mixdown, or with paired Input or Output Channels. A variation on preset 35, but with more compression. 02R96 Version 2—Owner’s Manual...

  • Page 118

    STEREO LINK: This allows you to pair Comps for stereo operation even when channels are not paired. Input Channel Comps are paired either horizontally or vertically depending on the Pair mode setting for the currently selected Input Channel. See “Pairing Channels” 02R96 Version 2—Owner’s Manual DYNAMICS DISPLAY...

  • Page 119: Grouping Output Channel Compressors

    The Compressor settings of the first Output Channel added to the group are applied to all subsequently added Output Channels. When an Output Channel is added to a group, its [SEL] button indicator lights up. Grouping Output Channel Compressors 02R96 Version 2—Owner’s Manual...

  • Page 120: Delaying Channel Signals

    DELAY SCALE but- tons. You can copy the currently selected Input or Output Channel delay setting to all Input or Output Channels respectively by double-clicking the [ENTER] button. 02R96 Version 2—Owner’s Manual...

  • Page 121: Soloing Channels

    Control Room Outputs. Other buses are unaffected by this mode. If the Listen parameter is set to AFTER PAN, the signal source for Input Channels that are off, is pre fader. Soloing Channels SOLO CLEAR 02R96 Version 2—Owner’s Manual...

  • Page 122

    – ∞ , you cannot solo the corresponding channel. This function is disabled in Mixdown Solo mode and for the Output Channels. Note: When the AUX/SOLO LINK or FADER/SOLO RELEASE check box is checked, the solo setting is cancelled. 02R96 Version 2—Owner’s Manual...

  • Page 123: Pairing Channels

    When Aux Send Mode is set to Fixed, Aux Send On/Off is not controlled together. Check the Routing ST Pair Link check box to link the routing from the paired channels to the Stereo Bus. See “Setting Preferences” on page 230 for more information. Pairing Channels 02R96 Version 2—Owner’s Manual...

  • Page 124

    The Pair mode can be set independently for Input Channels 1–48 and Input Channels 49–56. The Input Channel 1–48 Pair page in Vertical mode is shown below. Pair parameters for the Bus Outs and Aux Sends appear on the Output Pair page. 02R96 Version 2—Owner’s Manual...

  • Page 125

    F.S buttons that appear below the Aux Send Pair buttons. When a pair of Aux Sends are set to follow Surround Pan, their Aux Send Pair button is unavailable, and their Aux Pan parameters (see page 103) are unavailable. Pairing Channels Bus Out/Aux Send — 02R96 Version 2—Owner’s Manual — — — — —...

  • Page 126: Grouping Output Channel Faders

    Fader group, which is convenient if you want to adjust the relative balance between channels. When the Output Fader Master check box is not checked, fader groups are active only in Fader mode. See “Selecting Fader Modes” on page 49 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 127: Group Master For The Output Channel Faders

    Group Master for the Output Channel Faders The 02R96 also features a Fader Group Master function that enables you to control the level of all channels using the Group Master level while maintaining the balance between the channels, much like a VCA Group on an analog mixing console. While this function is enabled, channel fader operation will not affect the channel levels of the corresponding Fader group.

  • Page 128: Grouping Output Channel Mutes (on/off)

    When the Output Mute Master check box is unchecked, pressing the Output Channel [ON] button mutes or unmutes the channel in the corresponding Mute group (Mute On channels are turned off and Mute Off channels are turned on). 02R96 Version 2—Owner’s Manual...

  • Page 129: Output Channel Mute Master

    Output Channel Mute Master The 02R96 features a Mute Group Master function that enables you to mute all channels in the Mute group using the MASTER button, much like a Mute group on an analog mixing console. When this function is enabled, the channel [ON] buttons do not control the chan- nels in the group collectively.

  • Page 130: Viewing Channel Fader Settings

    Use the cursor buttons to select the parameters, and use the Parameter wheel, INC/DEC buttons, and [ENTER] buttons to set them. Pan and Balance controls can be set to center by pressing [ENTER] while they’re selected. 02R96 Version 2—Owner’s Manual...

  • Page 131

    Meters: These meters indicate the levels of the currently selected Input Channel and its horizontal or vertical partner. The metering position is displayed below them. GROUP: These buttons indicate which Fader, Mute, EQ, or Comp group, if any, the cur- rently selected Input Channel is in. 02R96 Version 2—Owner’s Manual...

  • Page 132

    0.0 dB. The fader position is displayed numer- ically below the fader. See “Settings Aux Send Master Levels” on page 106. Meters: These meters indicate the levels of the currently selected Aux Send and its partner. The metering position is displayed below them. 02R96 Version 2—Owner’s Manual...

  • Page 133

    Meters: These meters indicate the levels of the Stereo Out. The metering position is dis- played below them. GROUP: These buttons indicate which Fader, Mute, EQ, or Comp group, if any, the Stereo Out is in. 02R96 Version 2—Owner’s Manual...

  • Page 134: Naming Channels

    If the Name Input Auto Copy check box in the upper right corner is checked, the first four characters of the name entered in the LONG column are automatically copied to the SHORT column. Also, a name entered in the SHORT column is automatically copied to the LONG column. 02R96 Version 2—Owner’s Manual...

  • Page 135: Output Channels

    If the Name Input Auto Copy check box in the upper right corner is checked, the first four characters of the name entered in the LONG column are automatically copied to the SHORT column. Also, a name entered in the SHORT column is automatically copied to the LONG column. Naming Channels 02R96 Version 2—Owner’s Manual...

  • Page 136: 12 Monitoring & Talkback

    The Control Room Monitor signal is also fed to the PHONES jack, the level of which is set by using the PHONES LEVEL control. PHONES PHONES LEVEL 02R96 Version 2—Owner’s Manual CONTROL ROOM 2TR D1 2TR A1 2TR D2 2TR A2...

  • Page 137: Studio Monitoring

    [STEREO]: Selects the Stereo Out. [AUX 7]: Selects Aux Send #7. [AUX 8]: Selects Aux Send #8. The level of the Studio Monitor signal can be set by using the STUDIO LEVEL control. STUDIO LEVEL Studio Monitoring 02R96 Version 2—Owner’s Manual...

  • Page 138: Surround Monitoring

    Surround monitor speakers can be aligned by using the individual Attenuator and Delay parameters on each Surround Monitor Channel. In addition to the standard Ls and Rs speakers, the 02R96 supports Ls2 and Rs2 speakers, with independent Attenuator and Delay parameters, for a more diffused surround monitoring environment. See “Configuring Sur- round Monitoring”...

  • Page 139

    3-1, or ST. In 3-1 Surround mode, you can select 3-1 or ST. When a down mix Monitor Matrix is selected, you can attenuate signals by using the ATT parameters. You can use the Surround Monitor settings in Stereo mode, but Monitor Matrix is fixed to Surround Monitoring 02R96 Version 2—Owner’s Manual...

  • Page 140

    HPF1–2: Cut the high range so that the subwoofer’s supporting frequency ranges will not interfere with other speakers’ signals. Tip: If you select 3-1 Monitor Matrix mode, use Presets 1 or 2 to establish an appropriate mon- itoring environment. 02R96 Version 2—Owner’s Manual Title HPF 1, 2, 3 LPF1 80–12...

  • Page 141

    SLOT/CH: This patching matrix is used to patch Inputs 1–16 from each of the four Slots to the Surround Monitor Channels. Each Slot Input can be patched to only one Surround Monitor Channel. LEVEL: These parameters are used to set the monitor level of each Slot. Surround Monitoring Range 02R96 Version 2—Owner’s Manual...

  • Page 142: Using Talkback

    AD Input. The signal from the specified AD Input is mixed with the Talkback mic signal. Turn down the TALKBACK LEVEL if you do not want to use the Talkback mic. NEVER LATCH TALKBACK: This options allows you to disable latching for the Talkback function. 02R96 Version 2—Owner’s Manual...

  • Page 143: 13 Libraries

    13 Libraries About the Libraries The 02R96 features 10 libraries for storing Automix, Effects, Channel, Input Patch, Output Patch, Bus to Stereo, Gate, Comp, EQ, and Surround Monitor data. Library data can be stored to an external MIDI device, such as a MIDI data filer, by using MIDI Bulk Dump (see page 195).

  • Page 144: Channel Library

    If the currently selected channel is an Input channel, Pan mode and Aux pairing information is also displayed. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. 02R96 Version 2—Owner’s Manual...

  • Page 145: Input Patch Library

    Library page. When storing, the current Output Patch settings are stored to the selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. Input Patch Library 02R96 Version 2—Owner’s Manual...

  • Page 146: Effects Library

    EFFECT TYPE: This is the effects type in the selected memory. Its I/O configuration is shown below this. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. 02R96 Version 2—Owner’s Manual...

  • Page 147: Bus To Stereo Library

    If the Bus Out pairing configuration does not match the current configuration, the word “CONFLICT” will appear in the LIBRARY CONFIGURATION box. In this case, if you recall such a memory, the 02R96 will apply the current Bus Out pairing configuration and related parameter settings to the recalled memory settings.

  • Page 148: Gate Library

    TYPE/CURVE: The type (Gate or Ducking) and curve of the currently selected memory is displayed to the right of the memory list. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. 02R96 Version 2—Owner’s Manual...

  • Page 149: Comp Library

    TYPE/CURVE: The type (Comp, Expand, Comp Hard, Comp Soft) and curve of the cur- rently selected memory is displayed to the right of the memory list. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. Comp Library 02R96 Version 2—Owner’s Manual...

  • Page 150: Eq Library

    CURVE: This displays the EQ curve in the currently selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. 02R96 Version 2—Owner’s Manual...

  • Page 151: Automix Library

    A padlock icon appears next to the titles of memories that are write-protected. Automixes cannot be stored to write-protected memories. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. 02R96 Version 2—Owner’s Manual...

  • Page 152: Surround Monitor Library

    Use the MONITOR [DISPLAY] button to select the Surround Monitor Library page. When storing, the current Surround Monitor settings are stored to the selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 143. 02R96 Version 2—Owner’s Manual...

  • Page 153: 14 Internal Effects & Plug-ins

    14 Internal Effects & Plug-Ins About the Effects The 02R96 features four internal multi-effects processors, offering a whole host of effects types, including reverbs, delays, modulation-based effects, combination effects, and multi- channel effects designed especially for use with surround sound.

  • Page 154: Dynamic Effects

    38 Delay+Rev 39 Delay->Rev 40 Dist->Delay 02R96 Version 2—Owner’s Manual Type CHORUS Chorus FLANGE Flanger Proprietary Yamaha effect that produces a richer and more SYMPHONIC complex modulation than normal chorus PHASER 16-stage stereo phase shifter AUTO PAN Auto-panner TREMOLO Tremolo HQ.PITCH...

  • Page 155

    6-channel symphonic effect for 5.1 surround Multi-band dynamics processor Multi-band compressor for 5.1 surround Multi-band compander for 5.1 surround — — — — — — — — — 02R96 Version 2—Owner’s Manual — — — — — — — — —...

  • Page 156: Editing Effects

    Use these parameters along with the SYNC and NOTE parameters. When you turn on the SYNC parameter, the 02R96 recalculates the delay time or modula- tion frequency based on the TEMPO parameter value (tempo) and the NOTE parameter value (note).

  • Page 157: Adding Optional Add-on Effects

    Tip: • If you turn on the SYNC parameter and edit the TEMPO or NOTE parameter, the 02R96 recalculates the delay time or modulation frequency. • If you turn on the SYNC parameter and edit the delay time or modulation frequency, the NOTE parameter value changes based on the TEMPO parameter setting.

  • Page 158: About Plug-ins

    Y56K card in Slot #4, it’s automatically configured as Plug-In #4. 02R96 signals are patched through to the Y56K card’s effect chains just like any other sig- nal is patched through to a Slot Input or Output. Slot Outputs (i.e., effect chain inputs) can be fed from the Bus Outs, Aux Sends, Stereo Out, or the Input and Output Channel Insert Outs.

  • Page 159: Configuring Plug-ins

    Configuring Plug-Ins Plug-Ins can be configured as follows. If you’ve installed a Y56K card into one of the Slots, the 02R96 configures itself automati- cally and no further configuration settings are required. Press the EFFECTS/PLUG INS [PLUG-INS] button. Use the EFFECTS/PLUG INS [DISPLAY] button to locate the Plug-In Setup page.

  • Page 160: Editing Plug-ins

    MIDI messages are transmitted by external MIDI devices when their controls or parameters are adjusted. When on, received MIDI messages are displayed by the DATA parameter. Only the first 16 bytes of data, starting with a Status bit, are displayed. 02R96 Version 2—Owner’s Manual...

  • Page 161

    REMOTE parameter is set to ENABLED). If the Target is not the same, the parameters are set accordingly but no MIDI data is transmitted. Editing Plug-Ins Description Parameter controls 1–4 02R96 Version 2—Owner’s Manual VAL count Up to one VAL Up to two VAL’s Up to two VAL’s Up to two VAL’s...

  • Page 162: 15 Scene Memories

    15 Scene Memories About Scene Memories Scene memories allow you to store a snapshot of virtually every 02R96 mix setting in a Scene. There are 99 Scene memories, and they can be titled for easy identification. Scenes can be linked to Input and Output Patch library memories, so that input and output patches are recalled along with Scenes.

  • Page 163: Auto Scene Memory Update

    When recalling Scenes in an Automix, only the Original memories can be recalled. When recalling Scenes via MIDI Program Change messages, Original and Shadow memories can be recalled, and operation is the same as for recalling Scenes by using the 02R96’s SCENE MEMORY buttons or the Scene Memory page.

  • Page 164: Storing & Recalling Scenes With The Scene Memory Buttons

    If the Recall Confirmation preference is on, a confirmation window appears before a Scene is recalled. You can undo Scene recalls, reverting to the previous mix settings, by recalling Scene mem- ory #U (“Ud” on the SCENE MEMORY display). 02R96 Version 2—Owner’s Manual...

  • Page 165: Using The Scene Memory Page

    When you recall that scene, this library number will also be automatically recalled. You can also move the cursor to the parameter boxes and change the library numbers. Using the Scene Memory Page 02R96 Version 2—Owner’s Manual...

  • Page 166: Fading Scenes

    You can reset all Input Channel Fade Time parameters to zero by selecting the ALL INPUT CLEAR buttons, then pressing the [ENTER] button. You can reset all Output Channel Fade Time parameters to zero by selecting the [ALL CLEAR] buttons, then pressing the [ENTER] button. 02R96 Version 2—Owner’s Manual...

  • Page 167: Recalling Scenes Safely

    GLOBAL RECALL SAFE: When this check box is checked, a Scene is recalled using the settings that are applied globally to all Scenes. The settings stored in the recalled Scene are temporarily ignored. Recall Safe settings are stored in Scene memories. Recalling Scenes Safely 02R96 Version 2—Owner’s Manual...

  • Page 168: Sorting Scenes

    This function is useful when you want to apply edited parameter settings in the cur- rent scene to other scenes. Use the SCENE MEMORY [DISPLAY] button to locate the Global Paste Source CH Select page. 02R96 Version 2—Owner’s Manual...

  • Page 169

    (such as by saving, clearing, or sorting the scene, or receiving scene data via MIDI Bulk Dump), the UNDO function is dis- abled. Copying and Pasting a Scene (Global Paste) 02R96 Version 2—Owner’s Manual...

  • Page 170: 16 Automix

    16 Automix About Automix The 02R96’s Automix function allows dynamic automation of virtually all mix parameters, including Levels, Mutes, Pan, Surround Pan, Aux Sends, Aux Send Mutes, EQ, effects, and Plug-Ins. You can specify which of these parameters will be recorded, and punch channels in and out of recording on-the-fly.

  • Page 171: Automix Main Page

    Absolute. If the Fader Edit mode is set to Relative, and the Edit Out mode is set to either Takeover or Off, the fader will remain at a position relative to the position at which recording is stopped. Automix Main Page 02R96 Version 2—Owner’s Manual...

  • Page 172

    Existing data Fader edit Time Punch in Punch out 02R96 Version 2—Owner’s Manual Return At the point at which recording is stopped, the fader remains at the same position until the next Fader event in the existing data occurs. Return time...

  • Page 173

    Automix. Without it, mix parameters would remain the same as when Automix playback was stopped. Automix Main Page Relative Fader edits are rerecorded relative to the existing fader data. Existing data Fader edit Time Punch in Punch out Description 02R96 Version 2—Owner’s Manual Time...

  • Page 174: Channel Strip [auto] Buttons

    Undo buffer, from which it can be retrieved by pressing UNDO while Automix is stopped. The Undo buffer is cleared when the 02R96 is turned off. If you want to save the contents of the Undo buffer, perform the undo, and then store the Automix (see page 151).

  • Page 175: Automix Memory Page

    Use the DISPLAY ACCESS [AUTOMIX] button to locate the Fader Edit pages. The Fader Edit 1 page is shown here. Automix Memory Page 02R96 Version 2—Owner’s Manual...

  • Page 176

    Automix data when the Edit Out mode is set to Return. It can be set from 0.0 to 30.0 seconds in 0.1 second steps. 02R96 Version 2—Owner’s Manual...

  • Page 177: Selecting The Timecode Source & Frame Rate

    The MIDI CLOCK source supports Song position Pointers, F8 TIMING CLOCK (timing info), FA START (starts Automix from beginning), FB CONTINUE (starts Automix from current position), and FC STOP (stops Automix). Selecting the Timecode Source & Frame Rate 02R96 Version 2—Owner’s Manual...

  • Page 178: Creating A Time Signature Map

    To insert a time signature change, use the cursor buttons to select the next available entry, and press [ENTER], or turn the Parameter wheel. To delete a time signature change, select it, and then press [ENTER]. The initial time signa- ture entry at measure #1 cannot be deleted. 02R96 Version 2—Owner’s Manual...

  • Page 179: Recording An Automix

    Automix Main or Memory page. When the Mix Update Confirmation preference is on (see page 233), a confirmation mes- sage appears asking if you want to update the existing Automix data (i.e., keep the edits just recorded). Recording an Automix 02R96 Version 2—Owner’s Manual...

  • Page 180: Inserting Mix Parameters Into Automix

    If MIDI clock is selected as a timecode source, these parameters indicate the position in bar:beats:clocks and use the IN and OUT parameter values in the TIME SETTING section on the Event Job page. In this case, the Insert Time Link preference is disabled. 02R96 Version 2—Owner’s Manual No event Event...

  • Page 181: Rerecording Events

    Use the cursor buttons to select YES, then press [ENTER]. The 02R96 enters Insert mode, and the INSERT button is highlighted. The fader positions, mute function and other parameters are updated to the settings speci- fied for the time value of the IN parameter.

  • Page 182: Parameter Recording

    User Defined Plug-Ins Plug-Ins 1–4 (parameters 1–4) Faders User Defined Remote [ON] buttons Layers Encoders 02R96 Version 2—Owner’s Manual OVER- Operation WRITE Set Layer to input, Fader mode to Fader, use faders Set Layer to Master, Fader mode to Fader, use faders...

  • Page 183: Punching In & Out Individual Parameters

    Select the desired the desired parameter on the parameter on the Plug-in Edit page, Plug-in Edit page, then press then press [ENTER] [ENTER] Touch fader knob Release fader and adjust knob Press Encoder Press Encoder and adjust 02R96 Version 2—Owner’s Manual...

  • Page 184: Playing Back An Automix

    However, they are not deleted. When you rerecord effects parameter edits, it’s recommended that you delete the existing effects events offline. See “Editing Events Offline” on page 185 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 185: Editing Events Offline

    TIME SETTING section. ERASE: The ERASE button erases specified Automix data. COPY: The COPY button copies specified Automix data. This Job features a SOURCE sec- tion and COPY TO section (below the TIME SETTING section). Editing Events Offline 02R96 Version 2—Owner’s Manual...

  • Page 186

    The OUT parameter determines the amount of time required for the faders to return to the previous levels. The LEVEL parameter specifies the fader trim amount in the range of –96 dB to +96 dB. 02R96 Version 2—Owner’s Manual Existing data Trim: – x dB...

  • Page 187

    When you select a parameter, its button is highlighted. You can specify multiple parameters. Double-clicking a non-highlighted parameter button will display a message confirming that you wish to highlight all parameter buttons. Double-clicking a highlighted parameter button will display a message that you wish to unhighlight all parameter buttons. 02R96 Version 2—Owner’s Manual...

  • Page 188: Event Edit Page

    When an event’s timecode value is edited, the list is resorted automatically. 02R96 Version 2—Owner’s Manual Events Channel Fader events (Inputs Channels, Bus Out masters, Aux Send masters,...

  • Page 189

    TIME CODE, CH, dB TIME CODE, CH, DIV TIME CODE, CH, DIV TIME CODE, CH, ON/OFF TIME CODE, CH, BAND/Hz TIME CODE, CH, BAND/Q TIME CODE, CH, BAND/dB TIME CODE, CH, AUX, dB TIME CODE, CH, AUX, ON/OFF 02R96 Version 2—Owner’s Manual...

  • Page 190: 17 Midi

    SLOT1 (for use with an optional mLAN I/O Card installed in Slot #1) TO HOST SERIAL and TO HOST USB are multiport interfaces, with eight ports each. When the 02R96 receives MIDI data via any of these interfaces, the MIDI indicator appears on the display (see page 44).

  • Page 191: Midi Port Setup

    Studio Manager: These parameters are used to select a port for use with the Studio Manager software and to assign the 02R96 an ID from 1 to 8. Available ports include: MIDI, SERIAL 1–8, USB 1–8, and SLOT1. See the Studio Manager documentation for more infor- mation.

  • Page 192: Midi Channel Setup

    PARAMETER CHANGE This parameter row enables or disables transmission and reception of Parameter Changes. Tx ON/OFF: Transmission of Parameter Change messages is enabled or disabled. Rx ON/OFF: Reception of Parameter Change messages is enabled or disabled. 02R96 Version 2—Owner’s Manual...

  • Page 193: Assigning Scenes To Program Changes

    02R96’s faders. To transfer fader value data between two cascaded 02R96s, or to record the 02R96 operation to or play it back from a sequencer, select the HIGH button. When the LOW button is selected, the fader resolution switches to 256 steps.

  • Page 194: Assigning Parameters To Control Changes

    02R96 parameters can be controlled in real time by using Parameter Change messages, which are System Exclusive messages. When a parameter is adjusted on the 02R96, a Param- eter Change message is transmitted. Likewise, when a Parameter Change message is received, a 02R96 parameter is adjusted.

  • Page 195: Using Bulk Dump

    Using Bulk Dump 02R96 data can be stored to an external MIDI device, such as a MIDI data filer, by using MIDI Bulk Dump. Use the DISPLAY ACCESS [MIDI] button to locate the Bulk Dump page. To transmit data, use the CATEGORY parameters to select the type of data you want to transmit, select the TRANSMIT button, and then press [ENTER].

  • Page 196: 18 Pro Tools Remote Layer

    Install Yamaha USB MIDI driver 1.04 or later. If you are using the TO HOST USB port, you must also install the Yamaha USB MIDI driver included on the 02R96 CD-ROM. See the included documentation for more information.

  • Page 197: Configuring The 02r96

    When the Pro Tools Remote Layer is selected, the 02R96’s control surface controls Pro Tools, not the 02R96. In order to control the 02R96, you need to select an Input Channel Layer or the Master Layer. Audio mixing on the other Layers and Automix continues while the Pro Tools Layer is selected.

  • Page 198

    Select the Receive From and Send To ports, and then click OK. The 02R96 can emulate up to three typical 8-channel Pro Tools MIDI controllers. A single MIDI port is required for every eight channels. So, you must configure MIDI Controller #1 to use channels 1 through 8, MIDI Controller #2 to use channels 9 through 16, and MIDI Controller #3 to use channels 17 through 24.

  • Page 199: Control Surface Operation With The Pro Tools Remote Layer

    This section explains the operation of the 02R96 control surface when the Pro Tools Remote Layer is selected. 02R96 buttons and controls are referred to by the names printed on the 02R96 with the name of the corresponding Pro Tools function in parenthesis. For example, “Press the AUX SELECT [AUX 1] (SEND A) button.”...

  • Page 200

    Encoder icons. Automation mode settings, aux send destinations, and aux send pre/post settings can also be displayed here. See “Viewing the Automation Mode” on page 216, “Viewing Send Destinations” on page 210, and “Configuring Sends as Pre or Post” on page 210 respectively for more information. 02R96 Version 2—Owner’s Manual...

  • Page 201

    Post” on page 210 respectively for more information. Channel Strips 02R96 channel strips correspond to Pro Tools channels from left to right, with the leftmost Pro Tools channel being handled by 02R96 channel strip #1. You can change the order of channel strips by dragging the channel select buttons in Pro Tools, in which case the 02R96 automatically reorders its channel strips.

  • Page 202: Fader Mode Section

    [FADER] & [AUX] buttons These buttons are used to select Flip mode, in which faders, Encoders, and [ON] buttons can be used to control sends. See “Flip Mode” on page 211 for more information. 02R96 Version 2—Owner’s Manual AUX SELECT DISPLAY...

  • Page 203

    These buttons are used to scroll parameters when assigning inserts and editing plug-ins. See “Assigning Inserts/Plug-ins” on page 212 and “Editing Plug-ins” on page 213 for more information. ( SCROLL) (SCROLL ) SCROLL) & Parameter Down (SCROLL ) buttons 02R96 Version 2—Owner’s Manual...

  • Page 204

    [8] button Mutes or unmutes the selected track. The [8] button indicator lights up while the track is muted. [DIRECT] button Functions the same as the [SHIFT] key on the computer keyboard. 02R96 Version 2—Owner’s Manual ROUTING DISPLAY FOLLOW PAN STEREO...

  • Page 205

    Joystick Operating the Joystick while the [GRAB] button indicator is turned on enables you to quickly set the pan position. THRESHOLD RANGE ATTACK DECAY HOLD THRESHOLD RATIO ATTACK RELEASE GAIN LINK GRAB EFFECT EVEN 02R96 Version 2—Owner’s Manual...

  • Page 206

    [11] (FADER), [12] (MUTE), [13] (PAN), [14] (SEND), [15] (SEND MUTE), [16] (PLUG-IN) buttons These buttons are used to select parameters for automation recording and playback. See “Arming Parameters for Automation” on page 217 for more information. 02R96 Version 2—Owner’s Manual USER DEFINED KEYS DISPLAY (AUTO...

  • Page 207

    CONTROL option is turned on either on the Locate Memory page (see page 224) or on the Machine Configuration page (see page 222), regardless of which layer is currently selected. MACHINE CONTROL LOCATE MEMORY DISPLAY (MEM-LOC) STOP PLAY 02R96 Version 2—Owner’s Manual...

  • Page 208: Data Entry Section

    These buttons can be used to navigate the Edit window (see page 214), zoom waveforms (see page 215), and to make fine adjustments to the selected region (see page 215). Their exact operation depends on the currently selected cursor mode. 02R96 Version 2—Owner’s Manual (ESC) (CURSOR MODE)

  • Page 209: Selecting Channels

    SELECT ASSIGN section of the display shows “Pan.” When the right panpot is active, the ENCODER MODE [PAN] (PAN) button indicator flashes and the SELECT ASSIGN section of the display shows “PanR.” Selecting Channels 02R96 Version 2—Owner’s Manual...

  • Page 210: Soloing Channels

    Sends can be muted by using the [ON] buttons in Flip mode. See “Flip Mode” on page 211 for more information. Panning Sends Only sends assigned to stereo destinations can be panned. Sends can be panned by using the Encoders in Flip mode. See “Flip Mode” on page 211 for more information. 02R96 Version 2—Owner’s Manual...

  • Page 211: Flip Mode

    (PAN) button indicator flashes. Normal mode Channel level Channel pan/send level Encoder mode is Pan, inactive Encoder mode is Send level, Send pre/post Channel mute Flip Mode Flip mode Send level Send pan Send pre/post Send mute 02R96 Version 2—Owner’s Manual...

  • Page 212: Assigning Inserts/plug-ins

    To assign inserts/plug-ins to other channels, use the [SEL] buttons to select them. You’ll need to press the EFFECTS/PLUG-INS [1] (ASSIGN) button each time you select another channel. You can cancel this function by pressing the [DEC] (ESC) button. 02R96 Version 2—Owner’s Manual...

  • Page 213: Editing Plug-ins

    To edit another plug-in, press the EFFECTS/PLUG-INS [4] (INSERT/PARAM) button (its indicator goes out), use the [SEL] buttons to select the channel (same as step #2), and use the Parameter control 1–4 push-switches to select the plug-in (same as step #3). Editing Plug-ins 02R96 Version 2—Owner’s Manual...

  • Page 214: Bypassing Plug-ins

    To move the edit cursor to the next region boundary, or to the next marker, press the Right cursor button. To select the track above, press the Up cursor button. To select the track below, press the Down cursor button. 02R96 Version 2—Owner’s Manual Do this! EFFECTS PLUG-INS [PLUG-INS]+[SEL] [PAN], EFFECTS PLUG-INS [PLUG-INS]+[ENCODER push] AUX SELECT [AUX 1]–[AUX 5], EFFECTS PLUG-INS...

  • Page 215: Zooming

    Press the left cursor button to move to the in point. Press the right cursor button, to move to the out point. You can toggle between scrub and shuttle by pressing the [SCRUB] and [SHUTTLE] but- tons, in which case scrub or shuttle continues from the current position. Zooming 02R96 Version 2—Owner’s Manual...

  • Page 216: Automation

    If you press the [REW], [FF], or [PLAY] button, scrub/shuttle operation is stopped before rewind, fast forward, or playback commences. While scrub/ shuttle is active, only the following Pro Tools/02R96 controls can be used: [SCRUB] and [SHUTTLE] buttons, Parameter wheel, transport buttons, faders, [ON] but- tons, and [SOLO] buttons.

  • Page 217: Panner

    Plug-in Use these buttons: ROUTING [1] button ROUTING [2] button ROUTING [3] + [1] buttons ROUTING [3] + [2] buttons ROUTING [3] + [5] buttons ROUTING [3] + [7] buttons ROUTING [5] + [7] buttons 02R96 Version 2—Owner’s Manual Panner...

  • Page 218

    Use the appropriate control to adjust the parameter. Pressing and holding down the [Command] key on the keyboard and rotating the controls reduces the change in the parameter values. 02R96 Version 2—Owner’s Manual ROUTING [6] indicator is off ROUTING [6] indicator is on...

  • Page 219: 19 Remote Control

    The 02R96’s Remote Layer allows you to control external MIDI equipment directly from the 02R96. The type of device to be controlled (i.e., the target) can be specified for each Remote Layer. There are six types of target: User Defined, Pro Tools, Nuendo, Cubase SX, General DAW, and User Assignable Layer.

  • Page 220

    ENCODER: These parameters are used to specify the MIDI message (up to 16 bytes) to be transmitted when an Encoder is operated. Use the [SEL] buttons to select the channel strips, and then edit as necessary. When a value from 00 to FF is specified, that value is transmitted 02R96 Version 2—Owner’s Manual...

  • Page 221

    [ON] buttons are set accordingly and the corresponding MIDI data is transmitted (so long as the TRANSMIT parameter is set to ENABLED). If the target is not the same, the faders, Encoders, and [ON] buttons are set accordingly, but no MIDI data is transmitted. 02R96 Version 2—Owner’s Manual...

  • Page 222: About Machine Control

    Chapter 19—Remote Control About Machine Control The 02R96 can control the transport and locate functions of up to eight external recording machines that support MMC (MIDI Machine Control). Machines that support MMC can be controlled by connecting them to the 02R96’s MIDI, SERIAL, USB, or SLOT1 (with optional mLAN I/O Card installed in Slot #1).

  • Page 223: Transport Buttons

    Transport Buttons The 02R96’s transport can be used to control external machines. The machine that is to be controlled can be selected on the Machine Configuration page (see page 222). [REW] button This button starts rewind on the external machines.

  • Page 224: Using The Locator

    [SET] button, press a LOCATE MEMORY [1–8] button. The 02R96 must be receiving timecode in order to do this. Once set, the stored position can be located by pressing the corresponding button. If the button is pressed while the machine is stopped, the stored position is located.

  • Page 225: Gpi (general Purpose Interface)

    You can assign any function to these trigger signals. In this way, for example, you can con- trol a “RECORDING” warning light outside a studio from the 02R96, or you can control the 02R96’s Talkback function or Dimmer function using an outside switch.

  • Page 226

    Input signals from the CONTROL con- nector At this point, when the 02R96 receives the trigger signal at the CONTROL connector, the selected parameter changes. Tip: Refer to the page 253 for a complete list of assignable parameters. TALKBACK - SMALL: Functions the same as the MONITOR section buttons.

  • Page 227

    The trigger signal is active while the [REC] button indicator is lit. POWER ON: The trigger signal is active while the power to the 02R96 is on. Important note: GPI outputs are open collector outputs. GPI inputs have an internal pull-up to 5 V.

  • Page 228: 20 Other Functions

    Using the User Assignable Layers If you set the Remote layer target to “USER ASSIGNABLE,” you can create a custom layer by combining any 02R96 channels (excluding the Stereo Out). Use the DISPLAY ACCESS [REMOTE] button to locate Remote page.

  • Page 229: Using The User Defined Keys

    To do this, in the left-hand box, select the number parameter next to the Assign button, and use the Parameter wheel or INC/DEC buttons to specify the number. Using the User Defined Keys USER DEFINED KEYS DISPLAY 02R96 Version 2—Owner’s Manual...

  • Page 230: Setting Preferences

    User Defined Keys banks can be stored to an external MIDI device, such as a MIDI data filer, by using MIDI Bulk Dump (see page 195). Setting Preferences You can customize the operation of the 02R96 by using the preferences pages. Preferences 1 Use the DISPLAY ACCESS [SETUP] button to locate the Preferences 1 page.

  • Page 231

    Scene #0 is recalled. Meter Follow Layer: When this preference is on, the optional MB02R96 Peak Meter Bridge automatically follows the Layer selection on the 02R96. Scene MEM Auto Update: When this preference is on, the Shadow Scene memories can be used (see page 163).

  • Page 232

    TROL button is turned on and the touch sensors are not triggered, fader operation is ignored. During Automix recording, you can “cut-in” by touching a fader. When this button is off, the 02R96 always recognizes fader movements. If the SELECT button is on, you can select channels using the Touch Sense function.

  • Page 233

    Automix Main and Memory pages. When this preference is off, the uncompressed size is displayed. Automix Store Undo: When this preference is on, Automix Store operations can be undone by using the Undo function. Setting Preferences 02R96 Version 2—Owner’s Manual...

  • Page 234: Using The Oscillator

    02R96 to recognize an error after incoming timecode messages jump. If the actual interval is shorter than the value specified by this parameter, the 02R96 continues the sync opera- tion. If the frame jump causes the recording or playback to stop during the MTC and SMPT sync operation, set the parameter value higher than the number of frames indicated in the error message.

  • Page 235: Operation Lock

    Operation Lock The 02R96 features the Operation Lock function, which avoids unintentional edits and uses a password to restrict access to panel operation. Use the DISPLAY ACCESS [UTILITY] button to locate the Operation Lock page. Use the cursor buttons to select the PASSWORD button, then press [ENTER].

  • Page 236

    The Operation Lock function is activated. To cancel Operation Lock, press [ENTER]. The Password window opens again. Enter the same password again, and Operation Lock is cancelled. 02R96 Version 2—Owner’s Manual Controls excluded from Operation Lock Channel faders (1–24, STEREO) Channel Encoders (1–24)

  • Page 237: Checking The Battery And The System Version

    Use the DISPLAY ACCESS [UTILITY] button to locate the Battery Check page. If the Status is “Okay,” the battery is okay. If the Status is “Getting Low,” ask your Yamaha dealer to replace the battery as soon as possible. Do not attempt to replace the battery your- self.

  • Page 238: Appendix A: Parameter Lists

    IN Fader Group B Input Fader Group Enable C IN Fader Group C Input Fader Group Enable D IN Fader Group D 02R96 Version 2—Owner’s Manual Display Function Input Fader Group Enable E Input Fader Group Enable F Input Fader Group Enable G...

  • Page 239

    Track Arming CLR SM Ctrl Close SM Ctrl Close All SM Ctrl Sel Ch SM Ctrl Library SM Ctrl Patch SM Ctrl Surround SM Ctrl TimeCount SM Ctrl Effect SM Ctrl Meter SM Ctrl Layer SM Ctrl Master 02R96 Version 2—Owner’s Manual...

  • Page 240: User Defined Keys Initial Assignments

    Surr.Mon Bs Scene 14 IN Mute Mute Recall Group O Surr.Mon Rs Scene –1 IN Mute Mute Recall Group P 02R96 Version 2—Owner’s Manual Bank C Bank D Bank E (Group (Automix) (Effect Enable) Library) Automix Fx 1 Lib+1 ENABLE...

  • Page 241: Input Patch Parameters

    INSCH26 InsertOut-CH26 INSCH27 InsertOut-CH27 INSCH28 InsertOut-CH28 INSCH29 InsertOut-CH29 INSCH30 InsertOut-CH30 INSCH31 InsertOut-CH31 INSCH32 InsertOut-CH32 INSCH33 InsertOut-CH33 INSCH34 InsertOut-CH34 INSCH35 InsertOut-CH35 INSCH36 InsertOut-CH36 INSCH37 InsertOut-CH37 INSCH38 InsertOut-CH38 INSCH39 InsertOut-CH39 INSCH40 InsertOut-CH40 INSCH41 InsertOut-CH41 INSCH42 InsertOut-CH42 INSCH43 InsertOut-CH43 02R96 Version 2—Owner’s Manual...

  • Page 242

    Effect3 OUT 2 FX4-1 Effect4 OUT 1 FX4-2 Effect4 OUT 2 2TD1L 2TR IN Dig.1 L 2TD1R 2TR IN Dig.1 R 02R96 Version 2—Owner’s Manual Input Channel insert Ins Port ID Description S2-12 Slot2 CH12 IN S2-13 Slot2 CH13 IN S2-14...

  • Page 243

    2TR IN Dig.2 R 2TD3L 2TR IN Dig.3 L 2TD3R 2TR IN Dig.3 R 2TA1L 2TR IN Analog1 L 2TA1R 2TR IN Analog1 R 2TA2L 2TR IN Analog2 L 2TA2R 2TR IN Analog2 R Input Patch Parameters 02R96 Version 2—Owner’s Manual...

  • Page 244: Initial Input Patch Settings

    AD20 S3-08 AD21 S4-01 AD22 S4-02 AD23 S4-03 AD24 S4-04 S1-01 S4-05 S1-02 S4-06 S1-03 S4-07 S1-04 S4-08 02R96 Version 2—Owner’s Manual Effects Processors Inputs Source AUX1 NONE NONE NONE NONE NONE NONE NONE AUX2 NONE AUX3 NONE AUX4 NONE...

  • Page 245: Output Patch Parameters

    S1-13 Slot1 CH13 IN S1-14 Slot1 CH14 IN S1-15 Slot1 CH15 IN S1-16 Slot1 CH16 IN S2-1 Slot2 CH1 IN S2-2 Slot2 CH2 IN S2-3 Slot2 CH3 IN S2-4 Slot2 CH4 IN S2-5 Slot2 CH5 IN 02R96 Version 2—Owner’s Manual...

  • Page 246

    Surr R Surround Monitor R Surr Ls Surround Monitor Ls Surr Rs Surround Monitor Rs Surr C Surround Monitor C Surr LFE Surround Monitor LFE 02R96 Version 2—Owner’s Manual Omni Outs Source Description INSCH28 InsertOut-CH28 INSCH29 InsertOut-CH29 INSCH30 InsertOut-CH30 INSCH31...

  • Page 247

    2TR IN Dig.2 L 2TD2R 2TR IN Dig.2 R 2TD3L 2TR IN Dig.3 L 2TD3R 2TR IN Dig.3 R 2TA1L 2TR IN Analog1 L 2TA1R 2TR IN Analog1 R 2TA2L 2TR IN Analog2 L 2TA2R 2TR IN Analog2 R 02R96 Version 2—Owner’s Manual...

  • Page 248

    S3-16 Slot3 CH16 OUT INSCH30 S4-1 Slot4 CH1 OUT INSCH31 S4-2 Slot4 CH2 OUT INSCH32 S4-3 Slot4 CH3 OUT INSCH33 02R96 Version 2—Owner’s Manual Direct Outs Description Source Description NONE S4-4 Slot4 CH4 OUT BUS1 S4-5 Slot4 CH5 OUT BUS2...

  • Page 249: Initial Output Patch Settings

    SLOT3-06 SLOT3-07 SLOT3-08 SLOT4-01 SLOT4-02 SLOT4-03 SLOT4-04 Destination SLOT4-05 SLOT4-06 SLOT4-07 SLOT4-08 NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE NONE 02R96 Version 2—Owner’s Manual...

  • Page 250: Initial Input Channel Names

    CH51 CH52 CH52 CH52 CH53 CH53 CH53 CH54 CH54 CH54 CH55 CH55 CH55 CH56 CH56 CH56 02R96 Version 2—Owner’s Manual Initial Output Channel Names Output Long Name Channel ID BUS1 BUS2 BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 AUX1 AUX2 AUX3...

  • Page 251: Initial Input Port Names

    2TD3L 2D3L 2TR IN Dig.3 L 2TD3R 2D3R 2TR IN Dig.3 R 2TA1L 2A1L 2TR IN Analog1 L 2TA1R 2A1R 2TR IN Analog1 R 2TA2L 2A2L 2TR IN Analog2 L 2TA2R 2A2R 2TR IN Analog2 R 02R96 Version 2—Owner’s Manual...

  • Page 252: Initial Output Port Names

    S316 SLOT4-01 S4-1 S4-1 SLOT4-02 S4-2 S4-2 SLOT4-03 S4-3 S4-3 SLOT4-04 S4-4 S4-4 02R96 Version 2—Owner’s Manual Long Name Port Slot1 CH1 OUT SLOT4-05 Slot1 CH2 OUT SLOT4-06 Slot1 CH3 OUT SLOT4-07 Slot1 CH4 OUT SLOT4-08 Slot1 CH5 OUT SLOT4-09...

  • Page 253: Gpi Trigger Source & Target List

    AUX3 ON UNLATCH AUX4 ON UNLATCH AUX5 ON UNLATCH AUX6 ON UNLATCH AUX7 ON UNLATCH AUX8 ON UNLATCH ST ON UNLATCH UDEF1 UDEF2 UDEF3 UDEF4 UDEF5 UDEF6 UDEF7 UDEF8 UDEF9 UDEF10 UDEF11 UDEF12 UDEF13 UDEF14 UDEF15 UDEF16 02R96 Version 2—Owner’s Manual...

  • Page 254

    BUS1 FADER ON BUS2 FADER ON BUS3 FADER ON BUS4 FADER ON BUS5 FADER ON BUS6 FADER ON BUS7 FADER ON 02R96 Version 2—Owner’s Manual Target Target BUS8 FADER ON CH55 FADER OFF AUX1 FADER ON CH56 FADER OFF AUX2 FADER ON...

  • Page 255: User Defined Remote Layer Initial Bank Settings

    END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP 10 11 12 13 14 15 16 02R96 Version 2—Owner’s Manual...

  • Page 256

    NO ASSIGN ENCODER FADER 02R96 Version 2—Owner’s Manual Data Format END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP...

  • Page 257

    END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP 02R96 Version 2—Owner’s Manual...

  • Page 258

    RM24 CH24 VST MIXER CH24 ENCODER FADER 02R96 Version 2—Owner’s Manual Data Format SW END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP...

  • Page 259: Effects Parameters

    Early reflections decay characteristics (0 = dead, 10 = live) Initial delay before reverb begins Reflection diffusion (left–right reflection spread) Reflection density Number of early reflections Feedback gain High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency Effects Parameters Description Description 02R96 Version 2—Owner’s Manual...

  • Page 260: Mono Delay

    THRU, 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, THRU SYNC OFF/ON NOTE L NOTE R 02R96 Version 2—Owner’s Manual Range Type of early reflection simulation Reflection spacing Early reflections decay characteristics (0 = dead, 10 = live) Initial delay before reverb begins Reflection diffusion (left–right reflection spread)

  • Page 261

    Used in conjunction with TEMPO to determine DELAY L Used in conjunction with TEMPO to determine DELAY C Used in conjunction with TEMPO to determine DELAY R Used in conjunction with TEMPO to determine FB. DLY (Maximum value depends on the tempo 02R96 Version 2—Owner’s Manual...

  • Page 262

    50.0 Hz–16.0 kHz HSH G –12 to +12 dB SYNC OFF/ON NOTE 02R96 Version 2—Owner’s Manual Range Left channel delay time Right channel delay time Left channel feedback delay time Right channel feedback delay time Left channel feedback gain (plus values for normal-phase feedback,...

  • Page 263

    Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96 Version 2—Owner’s Manual...

  • Page 264

    HSH G –12 to +12 dB SYNC OFF/ON NOTE 1. L<->R, L—>R, L<—R, Turn L, Turn R 02R96 Version 2—Owner’s Manual Range Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Lowest phase-shifted frequency offset...

  • Page 265

    Delay time Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Pitch shift precision Tempo parameter sync on/off Used in conjunction with TEMPO to determine DELAY (Maximum value depends on the tempo setting) 02R96 Version 2—Owner’s Manual...

  • Page 266: Ring Mod

    FM FREQ. 0.05–40.00 Hz FM DEPTH 0–100% SYNC OFF/ON NOTE FM 02R96 Version 2—Owner’s Manual Range Channel #1 pitch shift Channel #1 pitch shift fine Channel #1 level (plus values for normal phase, minus values for reverse phase) Channel #1 pan...

  • Page 267

    Distortion type (DST = distortion, OVD = overdrive) Distortion drive Master volume Bass tone control Middle tone control High tone control Speaker cabinet simulation depth EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth Noise reduction 02R96 Version 2—Owner’s Manual...

  • Page 268

    HSH G –12 to +12 dB 1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz) 02R96 Version 2—Owner’s Manual Range Control source: input signal or MIDI Note On velocity...

  • Page 269

    Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96 Version 2—Owner’s Manual...

  • Page 270

    0.0–500.0 ms FB. GAIN –99 to +99% WAVE Sine, Tri SYNC OFF/ON NOTE 02R96 Version 2—Owner’s Manual Range Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Reverb and flange balance (0% = all reverb, 100% = all flange)

  • Page 271

    Low-pass filter cutoff frequency Reverb and symphonic reverb balance (0% = all symphonic reverb, 100% = all reverb) Modulation speed Modulation depth Modulation delay time Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96 Version 2—Owner’s Manual...

  • Page 272

    DENSITY 0–100% ER NUM. 1–19 SYNC OFF/ON NOTE L NOTE R NOTE FB 02R96 Version 2—Owner’s Manual Range Reverb time Initial delay before reverb begins High-frequency reverb time ratio Spread Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency...

  • Page 273

    Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right channel DELAY Used in conjunction with TEMPO to determine FB. DLY (Maximum value depends on the tempo setting) 02R96 Version 2—Owner’s Manual...

  • Page 274

    DLY.BAL 0–100% SYNC OFF/ON DLY.NOTE MOD.NOTE setting) 02R96 Version 2—Owner’s Manual Range Left channel delay time Right channel delay time Feedback delay time Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Delay high-frequency feedback ratio High-pass filter cutoff frequency...

  • Page 275

    Number of times the sample plays Playback start point in samples Playback end point in samples Loop start point in samples Playback pitch shift Playback pitch shift fine PLAY button can be triggered by using MIDI Note on/off messages. 02R96 Version 2—Owner’s Manual...

  • Page 276

    ROUND [EFFECT] button’s indicator is on. When set to INV, the Joystick will work inversely. When set to OFF, Joystick control is off. The CTRL button on the Effect Edit page works the same as the [EFFECT] button. 02R96 Version 2—Owner’s Manual Range...

  • Page 277: Auto Pan

    Low-pass filter cutoff frequency Description Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Modulation waveform High-pass filter cutoff frequency Low-pass filter cutoff frequency Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96 Version 2—Owner’s Manual...

  • Page 278

    WAVE Sine, Tri THRU, 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, THRU SYNC OFF/ON NOTE 02R96 Version 2—Owner’s Manual Range Modulation speed Modulation depth Modulation delay time Feedback gain (plus values for normal-phase feedback, minus val- ues for reverse-phase feedback) Modulation waveform High-pass filter cutoff frequency...

  • Page 279

    Lookup delay Compressor bypass Low/mid crossover frequency Mid/high crossover frequency Filter slope Specifies the maximum output level Expander threshold Expander ratio Expander release time Expander bypass Limiter threshold Limiter attack Limiter release time Limiter bypass Limiter knee 02R96 Version 2—Owner’s Manual...

  • Page 280

    DECK, REV-X HALL, REV-X HALL, REV-X ROOM, REV-X PLATE) are optional Add-On Effects. For more information on these effects, refer to the Owner’s Manual that comes with the Add-On Effects package. 02R96 Version 2—Owner’s Manual Range Low band level Mid band level...

  • Page 281: Effects And Tempo Synchronization

    To prevent the effect from changing in this way between store and recall, the 02R96 does not update the DELAY (or FREQ.) value when an effect is recalled, even if the TEMPO is no longer the same as when that effect was stored.

  • Page 282: Preset Eq Parameters

    +8.5 dB Syn. Bass 1 85 Hz 950 Hz PEAKING PEAKING PEAKING +2.5 dB 0.0 dB Syn. Bass 2 125 Hz 180 Hz 02R96 Version 2—Owner’s Manual Title H-MID HIGH H.SHELF 0.0 dB +4.0 dB Piano 1 1.06 kHz 5.30 kHz —...

  • Page 283: Preset Gate Parameters

    Hold (ms) 1.20 S Decay (ms) 6.32 S Threshold (dB) –11 Range (dB) –53 GATE Attack (ms) Hold (ms) 1.93 Decay (ms) Threshold (dB) –8 Range (dB) –23 GATE Attack (ms) Hold (ms) 0.63 Decay (ms) 02R96 Version 2—Owner’s Manual...

  • Page 284: Preset Compressor Parameters (fs = 44.1 Khz)

    Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) A. Dr. SN COMPAND-S Out gain (dB) Width (dB) Release (ms) 02R96 Version 2—Owner’s Manual (fs = 44.1 kHz) Parameter Value Title –8 10 A. Dr. Tom –23 11 A. Dr.

  • Page 285

    COMPAND-S –2.5 –14 34 Limiter2 COMP –18 35 Total Comp1 COMP hard –23 36 Total Comp2 COMP 02R96 Version 2—Owner’s Manual Parameter Value Threshold (dB) –20 Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) –8...

  • Page 286: Dynamics Parameters

    HOLD (ms) DECAY (ms) I/O Characteristics THRESHOLD RANGE Input Level 02R96 Version 2—Owner’s Manual Range This determines the level at which the gate effect is applied. This determines the amount of attenuation when –70 to 0 (71 points) the gate closes.

  • Page 287

    The value is expressed as the duration required for the level to change by 6 dB. Time Series Analysis Input Signal RANGE Time 02R96 Version 2—Owner’s Manual Output Signal HOLD ATTACK DECAY Time...

  • Page 288: Comp Section

    KNEE I/O Characteristics (KNEE=hard, OUT GAIN=0.0dB) THRESHOLD RATIO Input Level 02R96 Version 2—Owner’s Manual Range This determines the level of input signal required to trigger the compressor. 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, This determines the amount of compression, that 3.5:1, 4.0:1, 5.0:1, 6.0:1,...

  • Page 289

    This determines how expansion is applied at the threshold. For higher knee settings, expansion is applied gradually as the signal falls below the spec- ified threshold, creating a more natural sound. Time Series Analysis (RATIO=∞:1) Input Signal Time 02R96 Version 2—Owner’s Manual Output Signal ATTACK RELEASE Time...

  • Page 290

    THRESHOLD (dB) –54.0 to 0.0 (541 points) RATIO ATTACK (ms) RELEASE (ms) OUT GAIN (dB) WIDTH (dB) 02R96 Version 2—Owner’s Manual WIDTH Range This determines the level at which compression is applied. 1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 2.5:1, 3.0:1, This determines the amount of compression.

  • Page 291: Appendix B: Specifications

    LED (green) turns on when post HA level reaches 20 dB below nomi- 24-bit linear, 128-times oversampling (fs=48 kHz) 24-bit linear, 128-times oversampling (fs=48 kHz) Optional digital interface cards (MY16, MY8, MY4 series) On/off (1:3 and 3:1 maximum input to output sample rate ratio) 02R96 Version 2—Owner’s Manual...

  • Page 292

    Dither 2TR OUT DIGITAL 1–3 Output patch Available card Output patch Option Output (SLOT 1–4) Dither 02R96 Version 2—Owner’s Manual — Normal/reverse On/off Key in: 12 ch Group (1–12, 13–24, 25–36, 37–48, 49–56)/AUX1–8 On/off Key in: self /Stereo Link Pre EQ/pre fader/post fader –96.0 to +12.0 dB (0.1 dB step)

  • Page 293

    120 V, 60 Hz 200 W 220–240 V, 50/60 Hz 200 W 239 x 697 x 667 mm (9.4" x 27.4" x 26.3") 34 kg (75 lbs) 10–35°C (50–95°F) –20 to 60°C (–4 to 140°F) General Spec 02R96 Version 2—Owner’s Manual...

  • Page 294

    Hold Gate Decay Threshold Range Attack Hold Ducking Decay 02R96 Version 2—Owner’s Manual AC Cable CD-ROM (Studio Manager) Digital interface card (MY16, MY8, MY4 series) PEAK METER BRIDGE: MB02R96 SIDE PANEL: SP02R96 L-MID 0.1–10.0 (41 points) 21.2 Hz–20 kHz (1/12 oct step) ±18 dB...

  • Page 295

    0 ms–120 ms (1 ms step) 5 ms–42.3 s (160 points) @ 48 kHz 6 ms–46.0 s (160 points) @ 44.1 kHz 3 ms–21.1 s (160 points) @ 96 kHz 3 ms–23.0 s (160 points) @ 88.2 kHz General Spec 02R96 Version 2—Owner’s Manual...

  • Page 296: Libraries

    EQ library Channel library Surround Monitor library Input patch library Output patch library Bus to Stereo library 1. Effects #53–61 are Add-On Effects. 02R96 Version 2—Owner’s Manual Presets 61 (EFFECT 2–4: 53) User memories Presets User memories Presets User memories...

  • Page 297: Analog Input Spec

    Phone Jack (TRS) +18 dB (6.16 V) (Balanced) +18 dB (6.16 V) Phone Jack (TRS) +4 dB (Balanced) (1.23 V) +18 dB Phone Jack (TRS) (6.16 V) 25 mW Stereo Phone Jack (TRS) 75 mW (Unbalanced) 02R96 Version 2—Owner’s Manual...

  • Page 298: Digital Input Spec

    Type: 2 audio channels Category code: 2 channel PCM encoder/decoder Copy prohibit: NO Emphasis: Clock accuracy: Level II (1000 ppm) Sampling rate: depends on the internal configuration 02R96 Version 2—Owner’s Manual Data length Level 24-bit RS422 0.5 Vpp/75 Ω 24-bit 0.5 Vpp/75 Ω...

  • Page 299: I/o Slot Spec (1-4)

    Connector in Console Mini DIN Connector 8P B type USB connector DIN Connector 5P DIN Connector 5P DIN Connector 5P DIN Connector 5P XLR-3-31 type (Balanced) BNC Connector BNC Connector D-SUB Connector 25P (Female) D-SUB Connector 15P (Female) 02R96 Version 2—Owner’s Manual...

  • Page 300: Connector Pin Assignments

    GPO2 N.C. GPO4 SMODE GPO6 SPARE GPO1 GPO3 GPO5 GPO7 1. For 02R SOLO control. 02R96 Version 2—Owner’s Manual CASCADE OUT Signal OUTPUT 1-2(+) OUTPUT 3-4(+) OUTPUT 5-6(+) OUTPUT 7-8(+) OUTPUT 9-10(+) OUTPUT 11-12(+) OUTPUT 13-14(+) OUTPUT 15-16(+) 10 DTR OUT(+)

  • Page 301: Dimensions

    Dimensions Dimensions 697 mm Specifications and external appearance subject to change without notice. For European Model Purchaser/User Information specified in EN55103-1 and EN55103-2. Inrush Current: 70 A Conformed Environment: E1, E2, E3 and E4 02R96 Version 2—Owner’s Manual...

  • Page 302: Appendix C: Midi

    Appendix C: MIDI Appendix C: MIDI Scene Memory to Program Change Table Program Initial User Change # Scene # Scene # 02R96 Version 2—Owner’s Manual Program Initial User Change # Scene # Scene # Program Initial User Change# Scene # Scene # —...

  • Page 303: Initial Parameter To Control Change Table

    CHANNEL INPUT8 CHANNEL INPUT9 CHANNEL INPUT10 CHANNEL INPUT11 CHANNEL INPUT12 CHANNEL INPUT13 CHANNEL INPUT14 CHANNEL INPUT15 CHANNEL INPUT16 CHANNEL INPUT17 CHANNEL INPUT18 CHANNEL INPUT19 CHANNEL INPUT20 CHANNEL INPUT21 CHANNEL INPUT22 CHANNEL INPUT23 CHANNEL INPUT24 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 304

    CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL 02R96 Version 2—Owner’s Manual HIGH INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32 INPUT33 INPUT34 INPUT35 INPUT36 INPUT37...

  • Page 305

    CHANNEL INPUT56 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 306

    G LOW L G LOW L G LOW L G LOW L G LOW L G LOW L G LOW L G LOW L G LOW L 02R96 Version 2—Owner’s Manual HIGH INPUT1 INPUT2 INPUT3 INPUT4 INPUT5 INPUT6 INPUT7 INPUT8...

  • Page 307

    INPUT37 Q LOW INPUT38 Q LOW INPUT39 Q LOW INPUT40 Q LOW INPUT41 Q LOW INPUT42 Q LOW INPUT43 Q LOW INPUT44 Q LOW INPUT45 Q LOW INPUT46 Q LOW INPUT47 Q LOW INPUT48 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 308

    G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L G LO-MID L 02R96 Version 2—Owner’s Manual HIGH INPUT49 INPUT50 INPUT51 INPUT52 INPUT53 INPUT54 INPUT55 INPUT56...

  • Page 309

    INPUT29 Q LO-MID INPUT30 Q LO-MID INPUT31 Q LO-MID INPUT32 Q LO-MID INPUT33 Q LO-MID INPUT34 Q LO-MID INPUT35 Q LO-MID INPUT36 Q LO-MID INPUT37 Q LO-MID INPUT38 Q LO-MID INPUT39 Q LO-MID INPUT40 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 310

    G LO-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L 02R96 Version 2—Owner’s Manual HIGH INPUT41 INPUT42 INPUT43 INPUT44 INPUT45 INPUT46 INPUT47 INPUT48...

  • Page 311

    INPUT21 Q HI-MID INPUT22 Q HI-MID INPUT23 Q HI-MID INPUT24 Q HI-MID INPUT25 Q HI-MID INPUT26 Q HI-MID INPUT27 Q HI-MID INPUT28 Q HI-MID INPUT29 Q HI-MID INPUT30 Q HI-MID INPUT31 Q HI-MID INPUT32 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 312

    G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L G HI-MID L 02R96 Version 2—Owner’s Manual HIGH INPUT33 INPUT34 INPUT35 INPUT36 INPUT37 INPUT38 INPUT39 INPUT40...

  • Page 313

    INPUT13 Q HIGH INPUT14 Q HIGH INPUT15 Q HIGH INPUT16 Q HIGH INPUT17 Q HIGH INPUT18 Q HIGH INPUT19 Q HIGH INPUT20 Q HIGH INPUT21 Q HIGH INPUT22 Q HIGH INPUT23 Q HIGH INPUT24 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 314

    G HIGH L G HIGH L G HIGH L G HIGH L G HIGH L G HIGH L G HIGH L G HIGH L G HIGH L 02R96 Version 2—Owner’s Manual HIGH INPUT25 INPUT26 INPUT27 INPUT28 INPUT29 INPUT30 INPUT31 INPUT32...

  • Page 315

    INPUT5 LPF ON INPUT6 LPF ON INPUT7 LPF ON INPUT8 LPF ON INPUT9 LPF ON INPUT10 LPF ON INPUT11 LPF ON INPUT12 LPF ON INPUT13 LPF ON INPUT14 LPF ON INPUT15 LPF ON INPUT16 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 316

    ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L ATT L 02R96 Version 2—Owner’s Manual HIGH INPUT17 INPUT18 INPUT19 INPUT20 INPUT21 INPUT22 INPUT23 INPUT24 INPUT25 INPUT26 INPUT27...

  • Page 317

    LPF ON INPUT48 LPF ON INPUT49 LPF ON INPUT50 LPF ON INPUT51 LPF ON INPUT52 LPF ON INPUT53 LPF ON INPUT54 LPF ON INPUT55 LPF ON INPUT56 INPUT9 INPUT10 INPUT11 INPUT12 INPUT13 INPUT14 INPUT15 INPUT16 NO ASSIGN 02R96 Version 2—Owner’s Manual...

  • Page 318

    NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 02R96 Version 2—Owner’s Manual HIGH NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN INPUT17...

  • Page 319: Midi Data Format

    MIDI Data Format In the following tables, “tx” means that transmission from the 02R96 is possible, and “rx” means that receiving messages at the 02R96 is possible. 1. CHANNEL MESSAGE Command rx/tx function 8n NOTE OFF Control the internal effects...

  • Page 320: Program Change

    *1) The second and subsequent STATUS need not be added during transmission. Reception must be implemented so that recep- tion occurs whether or not STATUS is present. 02R96 Version 2—Owner’s Manual 4. PROGRAM CHANGE Reception If [Program Change ECHO] is ON, these messages are echoed.

  • Page 321: Bulk Dump

    7 to 0. CHECK SUM = (-sum)&0x7F The 02R96 can transmit and receive BULK data only if the size of a MIDI packet (F0 - F7) is 4096 bytes or smaller. If large data consists of multiple MIDI packets, they can be transferred se- quentially.

  • Page 322

    11110111 F7 13.3.3 Setup memory bulk dump format Of the setup memory of the 02R96, this bulk-dumps data other than the User defined layer, User define plug-in, User defined keys, User assignable layer, Control change table, and Program change table.

  • Page 323

    SUB STATUS 0000nnnn 0n Universal bulk dump FORMAT No. 01111110 7E data count = ch * 128 + cl COUNT HIGH 0ccccccc ch COUNT LOW 0ccccccc cl 01001100 4C 01001101 4D 00100000 20 00100000 20 00111000 38 01000011 43 02R96 Version 2—Owner’s Manual...

  • Page 324

    391:BUS8, 512:AUX1 - 519:AUX8, 768:STEREO L - 769:STEREO R, 8192:UNDO 256 and up are data for the corresponding channel of the edit buffer (ex- cluding UNDO). For reception by the 02R96, only the user area is valid. (40-199, 256-) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.

  • Page 325

    391:BUS8, 512:AUX1 - 523:AUX12, 640:MATRIX1L - 647:MATRIX4R, 768:STEREO L - 769:STEREO R, 8192:UNDO 256 and following are data for the corresponding channel of the edit buff- er. For reception by the 02R96, only the user area is valid. (36-127, 256-) System exclusive message STATUS...

  • Page 326

    391:BUS8, 512:AUX1 - 519:AUX8, 768:STEREO L - 769:STEREO R, 8192:UNDO 256 and following are data for the corresponding channel of the edit buff- er. For reception by the 02R96, only the user area is valid. (2-128,256-) System exclusive message STATUS...

  • Page 327

    The second and third bytes of the DATA NAME indicate the library num- ber. 0:Library no.0 - 32:Library no.32, 256:Current data, 8192:UNDO For reception by the 02R96, only the user area is valid. (1-32,256) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.

  • Page 328: Parameter Change

    0mmmmmmm ml End of exclusive 11110111 F7 02R96 Version 2—Owner’s Manual 13.3.37 Plug-in effect card bulk dump format The second byte of the DATA NAME indicates the slot number. 0:SLOT 3 - 1:SLOT 4 The data is not received if the Developer ID and Product ID are different than the card that is installed in the slot.

  • Page 329

    [Tx CH] as the Device Number. As a response to a Parameter Request, a parameter change will be transmit- ted with [Rx CH] as the Device Number. 13.4.1 Parameter change basic format (02R96-specific) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.

  • Page 330

    02R96 MODEL ID 00001011 0B Backup data ADDRESS 00000100 04 02R96 Version 2—Owner’s Manual (Patch data) DATA 13.4.13 Parameter request Reception If [Parameter change RX] is ON and the [Rx CH] matches the Device Number included in the SUB STATUS, these messages are received. If [Pa- rameter change ECHO] is ON, these messages are echoed.

  • Page 331

    If the store destination is 16383 (0x3FFF), this indicates that the library data has been changed by a external cause (such as bulk reception) (only transmitted by the 02R96) *2) This is also transmitted when a program that is not assigned in the [Program Change Table] is recalled.

  • Page 332

    If Studio Manager performs a scene memory sort, it will transmit this data to the 02R96. Transmission When scene memory sort is executed on the 02R96, the memory sort table will be transmitted to Studio Manager. Studio Manager will sort the memories according to this data.

  • Page 333

    ADDRESS 00100010 22 0:Time code, 1:Measure.Beat.Clock 0000tttt 0t Hour / Measure H 0ddddddd dd Minute / Measure L 0ddddddd dd Second / Beat DATA 0ddddddd dd Frame / Clock 0ddddddd dd End of exclusive 11110111 F7 02R96 Version 2—Owner’s Manual...

  • Page 334

    Request must be transmitted continuously minimum within 10 seconds interval. The data is transmitted continuously while the transmission is en- abled, even when the Automix Status on the 02R96 has been changed. Reception This is echoed if [Parameter change ECHO] is ON.

  • Page 335: Appendix D: Options

    Unscrew the four fixing screws meter bridge will be attached. Using the four supplied 8 mm screws bridge, as shown below. Align the meter bridge with the 02R96, and, using two of the supplied 12 mm screws fully. Screw in the bottom two screws Fully tighten the top two screws Connect the meter bridge cable to the 02R96’s METER port.

  • Page 336

    Layer lights up. If the Meter Follow Layer preference is on (see page 231), these Layers are selected automatically when the LAYER buttons on the 02R96 are pressed. OUTPUT METERING POSITION button & indicators This button is used to set the metering position for Output Channels to pre-EQ, pre-fader, or post-fader.

  • Page 337: Sp02r96 Wooden Side Panels

    SP02R96 Wooden Side Panels SP02R96 Wooden Side Panels Attach the side panels as shown below. 02R96 Version 2—Owner’s Manual...

  • Page 338: Index

    51 program changes 193 see also Routing targets to the remote layer 219 user defined keys 229 ATTACK control 27 02R96 Version 2—Owner’s Manual Attenuating cascade inputs 65 channel signals 110 AUTO buttons about 20 in detail 174...

  • Page 339

    Display about 25 dimmer level 137 confirmation messages 46 monitoring 136 in detail 44 patching to 2TR digital outputs 70 parameter boxes 45 setup 137 parameter windows 46 Pro Tools 199 Index +4 dB (BAL) 39 02R96 Version 2—Owner’s Manual...

  • Page 340: Gate And Compressor

    EFFECT INPUT PATCH pages 67 EFFECT LIBRARY page 146 Effects about 153 automix 170 bypassing 156 editing 156 02R96 Version 2—Owner’s Manual features 17 library 146 metering 109 parameter tables 259 patching inputs 67 patching output channel insert ins patching outputs 66...

  • Page 341

    Individual mode aux send pan 103 input channel pan 84 Initial Data Nominal preference 231 Initializing the 02R96 237 Input & output patching chapter 66 INPUT A & B (BAL) connectors 38 INPUT CH AUX VIEW pages 101 INPUT CH DELAY pages 120...

  • Page 342

    Tap tempo, effects 156 MIDI SETUP page 192 MIDI Warning preference 231 MIDI/TO HOST SETUP page 191 mini YGDAI. See Slots 02R96 Version 2—Owner’s Manual Mix minus 104 Mix solo mode 122 Mix Update Confirmation preference Mixdown, solo status 121 mLAN I/O card 59 MMC.

  • Page 343

    Port IDs 71 Port names 71 Port Short Name preference 232 Position, compressors 118 Post/pre. See Pre/post Power cord 43 POWER switch 42 Powering up the 02R96 43 Pre/post aux sends 98 metering 107 solo 122 PREFERENCES1 page 230 PREFERENCES2 page 232...

  • Page 344

    163 automix 170 cascading consoles 63 current scene display 44 edit buffer 162 edit indicator 162 fading scenes 166 02R96 Version 2—Owner’s Manual memory #0 163 MIDI program changes 193 protecting 165 recalling 164 safe channels 167 sorting 168...

  • Page 345

    124 channel page 89 edit page 88 features 18 joystick 87 selecting modes 85 using 85 Switching on the 02R96 43 SYMPHO 5.1 278 SYMPHONIC 263 Tabs, pages 45 Takeover mode, automix 172 Talkback AD inputs 142...

  • Page 346

    02R96 Block Diagram x 16 PHANTOM PEAK SIGNAL INPUT GAIN (1-16) INPUT 1(...56) (Gain Reduction) METER (Out Meter) METER INSERT I/O METER (1-16) INSERT AD IN 1(...16) AD Input 4BAND 1-16 GATE Keyin TO TALKBACK SELECT 12ch Group(1-12,13-24...) PEAK AUX 1-8...

  • Page 347

    02R96 Level Diagram Analog Digital Analog Digital INPUT GAIN INSERT PHASE PATCH dBFS Max. Input [+24dBu] [+18dBu] –10 [+10dBu] Nominal [+4dBu] Input –20 GAIN MIN., PAD ON –30 –10 –40 –20 –50 –30 –60 Max. –40 Input [–46dBu] –70 –50 Nominal –80...

  • Page 348: Midi Implementation Chart

    YAMAHA [Digital Mixing Console-Internal Parameters] Model: 02R96 Function... Basic Default Channel Changed Default Mode Messages Altered Note True Voice Number Note On Velocity Note Off Key’s After Ch’s Pitch Bend Control 0-95,102-119 Change Prog Change :True# System Exclusive :Song Pos...

  • Page 349

    For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.

This manual also for:

O2r 96 version 2

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