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Yamaha 02R96 Owner's Manual

Yamaha digital mixing console owner's manual.
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DIGITAL MIXING CONSOLE
Owner's Manual
Owner's Manual
Owner's Manual
Keep This Manual For Future Reference.
E

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   Summary of Contents for Yamaha 02R96

  • Page 1

    DIGITAL MIXING CONSOLE Owner’s Manual Owner’s Manual Owner’s Manual Keep This Manual For Future Reference.

  • Page 2

    300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

  • Page 3: Important Information

    The 02R96 has four rear-panel slots for installing mini-YGDAI cards. For technical reasons, certain card combinations are not supported. Before installing any cards, check the Yamaha web site to if your card is compatible. Installing cards that are not endorsed by Yamaha may cause electrical shock, fire, or damage to the unit.

  • Page 4

    This unit is heavy. Use two or more people to carry it. • When you transport or move the 02R96 with the MB02R96 attached, do not permit impact or stress on the cable connector that connects the MB02R96 to the 02R96. Otherwise, mal- function may occur.

  • Page 5: Yamaha Web Site

    Yamaha Corporation. All other trademarks are the property of their respective holders and are hereby acknowledged. Copyright No part of the 02R96, its software, or this Owner’s Manual may be reproduced or distrib- uted in any form or by any means without the prior written authorization of Yamaha Cor- poration.

  • Page 6: Conventions Used In This Manual

    Channel Functions” chapter. Conventions Used in this Manual The 02R96 features two types of button: physical buttons that you can press (e.g., ENTER and DISPLAY) and buttons that appear on the display pages. References to physical buttons are enclosed in square brackets, for example, “press the [ENTER] button.” References to dis- play page buttons are not emphasized, for example, “press the ENTER button.”...

  • Page 7: Table Of Contents

    Turning On & Off the 02R96 ........

  • Page 8

    Naming the Stereo Out ..........75 02R96—Owner’s Manual...

  • Page 9

    Naming Aux Send Masters ..........86 02R96—Owner’s Manual...

  • Page 10

    Sorting Scenes ............144 02R96—Owner’s Manual...

  • Page 11

    Configuring the 02R96 ........

  • Page 12

    Initializing the 02R96 ........

  • Page 13

    Index ........291 02R96—Owner’s Manual...

  • Page 14: Welcome

    1 Welcome Thank you for choosing the Yamaha 02R96 Digital Mixing Console. The 02R96 Digital Mixing Console offers 24-bit/96 kHz digital audio processing without compromise, comprehensive surround mixing and monitoring, including bass manage- ment, and hands-on control of popular DAW (Digital Audio Workstation) systems.

  • Page 15

    Scene and library recalls • Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters • Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes • Offline event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert 02R96—Owner’s Manual...

  • Page 16

    Surround monitor library with 32 user memories Remote Control • Control and manage your 02R96 from your Mac or PC by using the bundled Studio Man- ager software • Remote Layers for external equipment control, including predefined targets for controlling DAW systems, and user defined targets for controlling MIDI equipment, with Learn func-...

  • Page 17: Control Surface & Rear Panel

    Chapter 2—Control Surface & Rear Panel 2 Control Surface & Rear Panel Control Surface 02R96—Owner’s Manual...

  • Page 18: Channel Strips

    Layer. The [SEL] button indicator of the currently selected channel lights up. See “Selecting Channels” on page 34 for more information. The [SEL] buttons can also be used to pair channels, and to add and remove channels to and from the EQ, Comp, Fader, and Mute groups. Control Surface 02R96—Owner’s Manual...

  • Page 19

    Layer is selected. While the Master Layer is selected, Encoders 1–8 function as Input Chan- nel 49–56 Pan controls, and Encoders 9–24 are inactive. See “Selecting Encoder Modes” on page 36 for more information. 02R96—Owner’s Manual AUX SELECT DISPLAY ENCODER MODE...

  • Page 20

    MIDI/TO HOST Setup, GPI Setup, Input Port Name, Output Port Name, Time Reference, and Time Signature. Control Surface FADER MODE FADER 1 2 3 4 DISPLAY ACCESS AUTOMIX SETUP UTILITY MIDI REMOTE METER VIEW PAIR GROUP INPUT OUTPUT PATCH PATCH J K L 02R96—Owner’s Manual...

  • Page 21

    This button is used to select the following pages: Slot Output Patch, Omni Out Patch, Out- put Insert In Patch, Input Channel Direct Out Destination, 2TR Out Digital, Output Chan- nel Name, and Output Patch Library. See “Output Patching” on page 54 for more information. 02R96—Owner’s Manual...

  • Page 22

    The push switches are used to punch the Effects or Plug-In parameters currently being con- trolled by the rotary controls in and out during Automix recording. See “Punching In & Out Individual Parameters” on page 156 for more information. Control Surface 02R96—Owner’s Manual...

  • Page 23: Display Section

    This button, which is active only when the right Tab Scroll arrow is displayed, is used to dis- play the tabs of pages available to the right of the currently selected page. See “Selecting Dis- play Pages” on page 31 for more information. 02R96—Owner’s Manual...

  • Page 24

    GATE / COMP GATE THRESHOLD RANGE ATTACK COMP THRESHOLD RATIO ATTACK RELEASE LOW MID HIGH MID FREQUENCY FREQUENCY GAIN GAIN GAIN 1.00 4.00 ROUTING DISPLAY FOLLOW PAN STEREO DIRECT LINK GRAB EFFECT DECAY HOLD GAIN HIGH FREQUENCY GAIN 10.0 02R96—Owner’s Manual...

  • Page 25

    GATE/COMP indicators These indicators show whether the rotary controls are set to control a Gate or Compressor. The GATE indicator lights up when they’re set to control a Gate; the COMP indicator, when 02R96—Owner’s Manual DISPLAY ACCESS PHASE / DELAY...

  • Page 26

    [LINK] button indicator is lit), Grab is turned off if the PAN control is adjusted. If the Joy- stick is set to control effects (i.e., the [EFFECT] button indicator is lit), this button is dis- abled. Control Surface PAN / SURROUND LINK GRAB EVEN 5 6 7 EFFECT 02R96—Owner’s Manual...

  • Page 27

    When the Q is adjusted, the Q value is displayed. If the gain or Q is not adjusted for two seconds, the frequency value reappears. See “Using EQ” on page 91 for more information. 02R96—Owner’s Manual EQUALIZER LOW MID...

  • Page 28

    Stereo Out, see “Auto Channel Select & Touch Sense Select” on page 34, or to punch the Stereo Out in and out during Automix recording. See “Punch- ing In & Out Individual Parameters” on page 156 for more information. Control Surface LAYER 1 24 REMOTE 25 48 MASTER 02R96—Owner’s Manual...

  • Page 29: Scene Memory

    Up to 16 functions, from a list of over 150, can be assigned to these buttons. See “Using the User Defined Keys” on page 196 for more information. These buttons have specific func- tions when the DAW Remote Layer is selected. See “About the Remote Layer” on page 189 for more information. 02R96—Owner’s Manual SCENE MEMORY DISPLAY STORE...

  • Page 30: Machine Control

    This button is used in conjunction with the [PLAY] button to start recording on the target machine (DAW, MMC). Its indicator lights up while recording is in progress. See “Trans- port Buttons” on page 193. Control Surface MACHINE CONTROL LOCATE MEMORY DISPLAY STOP PLAY 02R96—Owner’s Manual...

  • Page 31

    These buttons are used to move the cursor around the display pages, selecting parameters and options. The cursor appears as a flashing box, making it easy to see which parameter or option is currently selected. Holding down a cursor button moves the cursor continuously in the respective direction. 02R96—Owner’s Manual SHUTTLE SCRUB ENTER...

  • Page 32

    This control is used to set the level of the built-in talkback microphone. See “Using Talk- back” on page 121 for more information. Control Surface TALKBACK LEVEL PHONES STUDIO PHONES LEVEL LEVEL 1/4" TRS phone plug 02R96—Owner’s Manual Tip (left) Ring (right) Sleeve (ground)

  • Page 33: Monitor Section

    This indicator flashes when one or more Channels are soloed, indicating that the Solo func- tion is active. See “Soloing Channels” on page 102 for more information. CLEAR button This button can be used to unsolo all soloed Channels. See “Soloing Channels” on page 102 for more information. 02R96—Owner’s Manual MONITOR DISPLAY STUDIO CONTROL...

  • Page 34: Control Room

    This control is used to adjust the level of the Control Room Monitor signal. See “Control Room Monitoring” on page 114 for more information. STEREO 2TR D1 button STEREO 2TR D2 button STEREO 2TR D3 button STEREO 2TR A1 button Control Surface 02R96—Owner’s Manual...

  • Page 35

    This button turns on the Talkback function, which distributes the Talkback mic signal to the Studio Monitor Outs and any Slot or Omni Outputs specified on the Talkback Setup page. See “Using Talkback” on page 121 for more information. 02R96—Owner’s Manual...

  • Page 36: Rear Panel

    Rear Panel Rear Panel 02R96—Owner’s Manual...

  • Page 37

    The source, which is selected by using the STUDIO buttons in the MONITOR section, can be Aux Send #7, Aux Send #8, the Stereo Out, or Control Room. The output 02R96—Owner’s Manual 1 (ground) Male XLR plug...

  • Page 38

    Female XLR plug 3 (cold) 1 (ground) Tip (hot) 1/4" TRS phone plug Ring (cold) Sleeve (ground) Tip (hot) 1/4" TRS phone plug Ring (cold) Sleeve (ground) Phono plug Tip (hot) Sleeve (ground) Phono plug Tip (hot) Sleeve (ground) 02R96—Owner’s Manual...

  • Page 39

    See “Selecting the Timecode Source & Frame Rate” on page 152. USB TO HOST port This USB port is for MIDI communication between the 02R96 and a host computer with a USB port. See “MIDI I/O” on page 163 for more information.

  • Page 40

    See “2TR Digital Ins” on page 44 for more information. WORD CLOCK OUT connector This BNC connector outputs a wordclock signal at the same clock rate as the 02R96. See “Wordclock Connections” on page 41 for more information.

  • Page 41

    Chapter 2—Control Surface & Rear Panel Power Section POWER ON/OFF switch This switch is used to turn on the power to the 02R96. See “Turning On & Off the 02R96” on page 29 for more information. Grounding screw For electrical safety reasons, and correct operation of the touch-sensitive faders, it’s impor- tant that the 02R96 is grounded properly.

  • Page 42: Operating Basics

    3 Operating Basics Connecting the Power Cord Warning: Turn off all equipment connected to the 02R96 before making any power connec- tions. Connect the socket-end of the supplied power cord to the AC IN on the rear panel of the 02R96. Connect the plug-end to a suitable AC wall outlet, one that conforms to the power supply require- ments stated on the 02R96’s rear panel.

  • Page 43

    Page tabs: These tabs are used when selecting pages. Up to four tabs are visible at a time. See “Selecting Display Pages” on page 31 for more information. Page tab scroll arrows: These arrows indicate that there are more pages available. See “Selecting Display Pages” on page 31 for more information. 02R96—Owner’s Manual...

  • Page 44: Selecting Display

    Tab Scroll arrow appears. Pressing either the Left or Right Tab Scroll button displays the tabs of these pages, which can then be selected by using the F1–F4 buttons. 02R96—Owner’s Manual...

  • Page 45: Confirmation Messages

    Chapter 3—Operating Basics Confirmation Messages For certain functions, the 02R96 prompts you for confirmation before executing them, as shown here. Press YES to execute the function, or press NO to can- cel. If no action is taken for awhile, the confirmation window closes automatically and the function is not executed.

  • Page 46: Selecting Layers

    35 and “Selecting Encoder Modes” on page 36 for more information. [REMOTE] Channel Strips 1–8 9–16 Input Channels 1–24 Input Channels 25–48 Aux Send masters 1–8 189 for more information. Selecting Layers LAYER 1 24 REMOTE 25 48 MASTER 17–24 Bus Out masters 1–8 02R96—Owner’s Manual...

  • Page 47: Selecting Channels

    Encoder, or by turning on the corresponding [AUTO], [SOLO], or [ON] button. While the Touch Sense Select preference is on (see page 199), channels can be selected simply by touching the fader knobs. 02R96—Owner’s Manual [SEL] Button 1–8 9–16...

  • Page 48: Selecting Fader Modes

    Aux Sends 1–8 master level level Input Channels 49–56 No operation: faders fixed at – Aux Send level Operation depends on the selected target. See “About the Remote Layer” on page 189 for more information. 17–24 Bus Outs 1–8 master level 02R96—Owner’s Manual...

  • Page 49: Selecting Encoder Modes

    Layer 1-24 Assign 1/2 25–48 Assign 1/2 Master Assign 1/2 Remote Assign 1/2 02R96—Owner’s Manual ENCODER MODE DISPLAY Mode 1–8 Input Channels 1–24 pan Input Channels 1–24 Aux Send level Input Channels 1–24 assigned parameter Input Channels 25–48 pan Input Channels 25–48 Aux Send level Input Channels 25–48 assigned parameter...

  • Page 50: Assigning Parameters To The Encoder Mode Assign Buttons

    When channels that do not feature the currently assigned parameter are selected, the Encoders are inactive. For example, if the assigned Encoder parameter is “Phase,” and the Master Layer is selected, Encoders 9–24 are inactive, because the Aux Sends and Bus Outs do not feature Phase parameters. 02R96—Owner’s Manual...

  • Page 51

    Comp Ratio Comp Attack Comp Release Comp Out Gain Comp Knee/Width Surr. LFE Level Surr. Pan Wheel Scene Fade Time 02R96—Owner’s Manual Encoder Operation Push Switch Operation — Attenuator Input Channel patch Confirm patch selection Insert In patch Confirm patch selection Insert Out patch Confirm patch selection...

  • Page 52: Analog I/o & The Ad Input Section

    4 Analog I/O & the AD Input Section AD Input Section The 02R96 features 24 AD Inputs for connecting microphone and line-level sources. AD Inputs can be patched to Input Channels or Input Channel Insert Ins (see page 52). They can also be patched to Output Channel Insert Ins (see page 55).

  • Page 53: Stereo Out

    See page 115 for information on the Studio Monitor output. Omni Outs The 02R96 features assignable Omni Outs on balanced 1/4-inch TRS phone jacks. Omni Outs can be patched to Bus Outs, Aux Sends, the Stereo Out, Input or Output Channel Insert Outs, or Surround Monitor Channels (see page 55).

  • Page 54: Digital I/o & Cascading

    If you’re connecting to the 02R96 using only analog inputs and outputs, no special word- clock settings are required, and the 02R96 can be set to use its own internally generated wordclock. If you’re connecting other equipment digitally, however, you must decide which device to use as the wordclock master and which devices to use as slaves.

  • Page 55: Selecting The Wordclock Source

    A usable wordclock signal is present at this input. No wordclock signal is present at this input. A wordclock signal is present, but it’s out of sync with the current 02R96 clock. This is the currently selected wordclock source. This input was selected as the wordclock source, but no usable signal was received.

  • Page 56: 2tr Digital Outs

    Termination = ON Wordclock slave 2TR Digital Outs The 02R96 features three sets of 2-track digital outputs: 2TR OUT DIGITAL AES/EBU 1 uses an XLR-3-32-type connector and outputs AES/EBU format digital audio. 2TR OUT DIGITAL COAXIAL 2 and 3 use phono connectors and output consumer format (IEC-60958) dig- ital audio.

  • Page 57: 2tr Digital Ins

    Output Channel Insert Ins (see page 55). Digital audio signals received at sampling rates other than the current 02R96 rate can be converted by the internal sampling rate converters (see page 44). You can monitor the Channel Status of digital signals present at these inputs on the Channel Status Monitor page (see page 48).

  • Page 58: Slot I/o

    For technical reasons, certain I/O Card combinations are not supported. If you use an unsupported combination, you run the risk of damaging the 02R96 , in which case Yamaha will not take responsibility for any such damage. See the Yamaha Professional Audio Web site at the following URL for more details: <http://www.yamaha.co.jp/product/proau-...

  • Page 59

    Secure the card using the attached thumbscrews. Do not leave them loose, as the card will not be grounded correctly, which may cause the 02R96 to malfunction. You can check which I/O Cards are installed on the Word Clock Select page (see page 42).

  • Page 60: Setting The Transfer Format For Higher Sampling Rates

    Slot Inputs. When on, the sampling rate of the received digital audio is converted to the 02R96’s current sampling rate. The original sampling rate is displayed. These parame- ters are available only when an I/O Card with onboard sampling rate converters is installed, such as the MY8-AE96S.

  • Page 61: Dithering Digital Outputs

    Use the DISPLAY ACCESS [UTILITY] button to locate the Channel Status Mon- itor page. Use the cursor buttons to select the SLOT 1–4 and 2TR IN buttons, and the press [ENTER]. Displayed Channel Status information includes sampling rate (FS), emphasis, category, and copy protection. 02R96—Owner’s Manual...

  • Page 62: Cascading Consoles

    Up to four 02R96s can be cascaded, offering a maximum of 224 Input Channels. Several functions are linked between all cascaded consoles, including Solo, Scene Recall and Store, so that all consoles work just like one big console. A single Yamaha 02R Digital Recording Console can be included in the cascade system.

  • Page 63

    Chapter 5—Digital I/O & Cascading Cascade Hookup Examples Cascading Two 02R96s Master: Off Bi-directional: - 02R96 #1 Final signals can be output by the Slot Outputs or Omni Outs. Cascading Three or More 02R96s Master: Off Bi-directional: - CASCADE OUT...

  • Page 64

    CASCADE MASTER option on the last 02R96 to make it the master console. CASCADE IN FROM: This is used to specify the type of device connected to the CAS- CADE IN port, either 02R96 or 02R. When a 02R96 is connected to the CASCADE IN port, 02R96 is specified automatically.

  • Page 65: Input & Output Patching

    When Vertical Input Channel pairing mode is selected, patch parameters for ver- tical partners are displayed, for example, CH1, CH25, CH2, CH26, and so on. In addition to using the cursor buttons, Patch parameters can also be selected by using the LAYER and [SEL] buttons. 02R96—Owner’s Manual...

  • Page 66

    In addition to using the cursor buttons, Patch parameters can also be selected by using the LAYER and [SEL] buttons. Patching Effects Inputs Aux Sends, internal effects processor outputs, or Output Channel Insert Outs can be patched to the internal effects processor inputs on the Effect 1–4 Input Patch page. Input Patching 02R96—Owner’s Manual...

  • Page 67: Output Patching

    1–2 Output Patch page is shown below. The layout of the other page is the same. When a Slot Output is patched to a Direct Out (see page 56), and that Direct Out is assigned on an Input Channel Routing page, the Slot Output patch cannot be changed here. 02R96—Owner’s Manual...

  • Page 68

    Output Channel Insert Ins. The left and right channels of the Stereo Out can be patched individually. In addition to using the cursor buttons, Patch parameters can also be selected by using [SEL] buttons 9–24 and the STEREO [SEL] button while the Master Layer is selected. Output Patching 02R96—Owner’s Manual...

  • Page 69: Patching Direct Outs

    Digital Output can be patched individually. When a 2TR Digital Output is patched to a Direct out (see page 56), and that Direct Out is assigned on an Input Channel Routing page, the 2TR Digital Output patch cannot be changed here. 02R96—Owner’s Manual...

  • Page 70: Naming Input & Output Ports

    Parameter wheel or INC/DEC buttons to select the top level item. Then move the cursor to the center pane, and select an item at the next level. Select an item in the right pane, if avail- able, and then select the YES button and press [ENTER]. Naming Input & Output Ports 02R96—Owner’s Manual...

  • Page 71: Patching With The Encoders

    Use the Encoders to select ports, and press the Encoder push switches to set them. The coresponding Patch page appears when an Encoder is operated. If you operate another Encoder, the selection is cancelled and the patch is left unchanged. 02R96—Owner’s Manual...

  • Page 72: Input Channels

    [ENTER] button and INC/DEC buttons to set them. The NOR/REV buttons can also be selected by using the LAYER and [SEL] buttons. GLOBAL NOR/REV: These buttons allow you to set the phase of all Input Channels simultaneously. Input Channels 02R96—Owner’s Manual...

  • Page 73: Gating Input Channels

    Use the SELECTED CHANNEL DYNAMICS [DISPLAY] button to locate the Gate Library page, and then recall a Gate preset that contains the gate type that you want. See “Gate Library” on page 127 for more information. 02R96—Owner’s Manual Type GATE Gate template...

  • Page 74: Attenuating Input Channels

    Input Channels signals can be attenuated pre-EQ. See “Attenuating Signals” on page 90 for more information. EQ’ing Input Channels Each Input Channel features 4-band parametric EQ. See “Using EQ” on page 91 for more information. Attenuating Input Channels 02R96—Owner’s Manual...

  • Page 75: Grouping Input Channel Eqs

    Internal effects processors and external signal processors can be patched into the Input Channels by using the Inserts. See “Using Inserts” on page 95 for more information. Compressing Input Channels Each Input Channel features a Compressor. See “Compressing Channels” on page 97 for more information. 02R96—Owner’s Manual...

  • Page 76: Grouping Input Channel Compressors

    Input Channels can be muted as follows. Use the LAYER buttons to select the Layers. Use the [ON] buttons to mute the Input Channels. The [ON] button indicators of channels that are on are lit. Grouping Input Channel Compressors 02R96—Owner’s Manual...

  • Page 77: Grouping Input Channel Mutes (on/off)

    When an Input Channel is added to a Mute group, its [SEL] button indicator lights up. ENABLE: These buttons are used to enable and disable the groups. Mute groups may contain a combination of channels that are on and channels that are off. 02R96—Owner’s Manual...

  • Page 78: Setting Input Channel Levels

    [SEL] button. Fader groups are active only in Fader mode (i.e., when the FADER MODE [FADER] button indicator is on). See “Selecting Fader Modes” on page 35 for more information. Setting Input Channel Levels 02R96—Owner’s Manual...

  • Page 79: Routing Input Channels

    Channels can also be selected by using the LAYER buttons and [SEL] buttons. ALL STEREO: This button assigns all Input Channels to the Stereo Out. ALL BUS: This button assigns all Input Channels to all Bus Outs ALL CLEAR: This button clears all routing assignments. 02R96—Owner’s Manual ROUTING DISPLAY FOLLOW PAN...

  • Page 80: Panning Input Channels

    It’s a global setting that applies to all Input Channels. For this to work, the [EFFECT] button indicator must be off and the [GRAB] and [LINK] button indicators must be on. Panning Input Channels Bus Outs PAN / SURROUND DISPLAY EVEN LINK GRAB EFFECT 02R96—Owner’s Manual...

  • Page 81

    Aux Send Pan controls can be linked to Input Channel Pan controls so that operating an Input Channel Pan control also operates the corresponding Aux Send Pan control, and vice versa (see page 84). While linked, the Pan mode can be set on the Aux Pan page or the Input Channel Pan page. 02R96—Owner’s Manual...

  • Page 82: Using Surround Pan

    Using Surround Pan The 02R96 supports 3-1 and 5.1 Surround modes. Surround pan is independent of normal panning. Normal panning determines how an Input Channel signal is panned between the left and right channels of the Stereo out, whereas surround panning determines how an Input Channel signal is panned among the Surround channels (i.e., the Bus Outs).

  • Page 83

    The number of speaker icons and meters around the surround graph depends on the cur- rently selected Surround mode. The meters indicate Bus Out signal levels. 02R96—Owner’s Manual PAN / SURROUND DISPLAY LINK...

  • Page 84

    Parameter wheel and INC/DEC buttons to set them. Input Channels can also be selected by using the LAYER buttons and [SEL] buttons. The graph for the currently selected Input Channel displays a small square, which indicates the current position of the Joystick. Using Surround Pan 02R96—Owner’s Manual...

  • Page 85: Sending Input Channels To Aux Sends

    “Viewing Channel Parameter Settings” on page 108 and “Viewing Channel Fader Settings” on page 109 for more information. Naming Input Channels Input Channels can be named for easy identification. See “Naming Channels” on page 112 for more information. 02R96—Owner’s Manual...

  • Page 86: Stereo Out

    The Stereo Out features 4-band parametric EQ. See “Using EQ” on page 91 for more infor- mation. Grouping Master EQs The Stereo Out EQ can be grouped with the EQs of other Output Channels. See “Grouping Output Channel EQs” on page 94 for more information. Stereo Out 02R96—Owner’s Manual...

  • Page 87: Stereo Out Inserts

    Layers or Fader modes. Grouping Master Faders The Stereo Out fader can be grouped with the faders of other Output Channels. See “Grouping Output Channel Faders” on page 106 for more information. 02R96—Owner’s Manual STEREO...

  • Page 88: Balancing The Stereo Out

    109 for more information. Naming the Stereo Out The Stereo Out can be named for easy identification. See “Naming Channels” on page 112 for more information. Balancing the Stereo Out PAN / SURROUND DISPLAY EVEN 02R96—Owner’s Manual...

  • Page 89: Bus Outs

    Signal dynamics can be controlled by using the Bus Out Compressors. See “Compressing Channels” on page 97 for more information. Grouping Master Compressors Bus Out Compressors can be grouped with the Compressors of other Output Channels. See “Grouping Output Channel Compressors” on page 100 for more information. 02R96—Owner’s Manual...

  • Page 90: Muting Bus Outs (on/off)

    Soloing Bus Outs Bus Outs can be soloed. See page 102 for more information. Pairing Bus Outs Bus Outs can be paired for stereo operation. See “Pairing Channels” on page 104 for more information. Muting Bus Outs (ON/OFF) 02R96—Owner’s Manual...

  • Page 91: Sending Bus Outs To The Stereo Out

    “Viewing Channel Parameter Settings” on page 108 and “Viewing Channel Fader Settings” on page 109 for more information. Naming Bus Outs Bus Outs can be named for easy identification. See “Naming Channels” on page 112 for more information. 02R96—Owner’s Manual...

  • Page 92: 10 Aux Sends

    (see page 80) or the Aux View pages (see page 83). Change from Variable to Fixed All set to nominal All set to Post All turned off Aux Sends Change from Fixed to Variable All set to – All turned on 02R96—Owner’s Manual...

  • Page 93: Setting Aux Send Levels

    Use the AUX SELECT [1–8] buttons to select Aux Sends 1–8. Use the cursor buttons to select the Input Channel Aux Send controls. Input Channels can also be selected by using the LAYER buttons and [SEL] buttons. 02R96—Owner’s Manual...

  • Page 94

    Input Channel for the currently selected Aux Send. For Aux Sends that are on, faders move to the nominal position. Aux Sends that are off, they move to the – position. On/Off settings cannot be changed by using the faders. Aux Send Pages 02R96—Owner’s Manual...

  • Page 95: Viewing Aux Send Settings

    “LEVEL: –2.0 dB ON/OFF: ON.” In Fixed Aux mode, the On/Off parameter values for the selected Aux Send are displayed in the lower-right corner of the page, for example, “LEVEL: FIXED ON/OFF: ON.” 02R96—Owner’s Manual...

  • Page 96

    The various Aux View page indicators are as follows: Aux Send configured pre-fader. Aux Send configured post-fader. Fixed mode Aux Send. Fixed mode Aux Sends can be turned on and off by using the [ENTER] or INC/DEC but- tons. Viewing Aux Send Settings 02R96—Owner’s Manual...

  • Page 97: Panning Aux Sends

    When a link is established, the pan positions and Pan mode of the Input Channels are copied to the Aux Sends. While linked, the Pan mode can be set from either the Aux Pan page or the Input Channel Pan page (see page 67). 02R96—Owner’s Manual...

  • Page 98: Metering Aux Send Masters

    The [ON] button indicators of Aux Send Masters that are on light up. Grouping Master Mutes (ON/OFF) Aux Send Master Mutes can be grouped with the Mutes of other Output Channels. See “Grouping Output Channel Mutes (ON/OFF)” on page 107 for more information. Metering Aux Send Masters 02R96—Owner’s Manual...

  • Page 99: Settings Aux Send Master Levels

    See “Viewing Channel Parameter Settings” on page 108 and “Viewing Channel Fader Settings” on page 109 for more information. Naming Aux Send Masters Aux Send Masters can be named for easy identification. See “Naming Channels” on page 112 for more information. 02R96—Owner’s Manual...

  • Page 100: 11 Common Channel Functions

    The layout of the other two pages is the same. These pages feature two level meters for each Input Channel. When Input Channels are vertically paired, both meters operate. When Input Channels are horizontally paired, only the left-hand meter operates. Common Channel Functions 02R96—Owner’s Manual...

  • Page 101

    Bus Outs, Aux Sends, and the Stereo Out can all be metered on the Master Meter page. Metering Effects Effects inputs and outputs are metered on the Effect 1–4 page. There are eight input and output meters for effect #1, and 2 input and output meters for effects 2 through 4. 02R96—Owner’s Manual...

  • Page 102

    Metering Metering the Stereo out The Stereo Out can be metered on the Stereo Meter page. Peak signal levels for the left and right channels are displayed numerically. 02R96—Owner’s Manual...

  • Page 103: Attenuating Signals

    For Input Channels, you can also set the amount of attenuation in bits from +2 bits to –24 bits. Use the cursor buttons to select the bit shift parameters, and use the Parameter wheel or INC/DEC buttons to set them. The rotary attenuators and the bit shift parameters can be set independently. 02R96—Owner’s Manual...

  • Page 104: Using Eq

    Use on a stereo mix during mixdown. Sounds even better when used with a compressor. A variation on preset 30. A variation on preset 30. Can also be used with paired Input or Output Chan- nels. Using EQ 02R96—Owner’s Manual...

  • Page 105

    The initial EQ parameter settings are as follows. Parameter Gain Frequency 02R96—Owner’s Manual A variation on preset 1, with low and mid range reduced. A variation on preset 3, creating a thicker sound. A variation on preset 5, emphasizing the mid and high ranges.

  • Page 106

    EQ on and off so long as any parameter other than TYPE is selected. TYPE: This selects the type of EQ: TYPE I (the EQ type used on legacy Yamaha digital mix- ing consoles) or TYPE II (a newly developed algorithm).

  • Page 107: Grouping Output Channel Eqs

    The EQ settings of the first Output Channel added to the group are applied to all subse- quently added Output Channels. When an Output Channel is added to a group, its [SEL] button indicator lights up. 02R96—Owner’s Manual...

  • Page 108: Using Inserts

    2TR Digital or Analog Input, or the output of an internal effects processor. See page 204 for a list of Input Channel Insert In sources; page 208 for a list of Output Channel Insert In sources. The Port ID of the currently selected source is displayed below the currently Using Inserts 02R96—Owner’s Manual...

  • Page 109

    flashes. If it’s an internal effects processor, the [INTERNAL EFFECTS] button indicator also flashes. This applies only to effects that are inserted into channels. If there’s nothing inserted in the currently selected channel, a message appears. 02R96—Owner’s Manual...

  • Page 110: Compressing Channels

    Compressor for making sampled percussion sound like real COMPAND-S acoustic percussion. A variation on preset 24, intended for sampled bass drum COMP sounds. A variation on preset 25, intended for sampled snare drum COMP sounds. Description 02R96—Owner’s Manual...

  • Page 111

    Use the SELECTED CHANNEL DYNAMICS [DISPLAY] button to locate the Comp Library page, and recall a preset Compressor that contains the comp type that you want. See “Comp Library” on page 128 for more information. 02R96—Owner’s Manual Type A variation on preset 26, intended for sampled loops and COMPAND-S phrases.

  • Page 112

    ON/OFF: This turns the currently selected channel’s Compressor on and off. It works in unison with the SELECTED CHANNEL DYNAMICS [COMP ON] button. PARAMETER: These controls are used to set the Threshold, Ratio, Attack, Release, Out Gain, and Knee parameters. Compressing Channels 02R96—Owner’s Manual...

  • Page 113: Grouping Output Channel Compressors

    Use the [SEL] buttons to add and remove Output Channels to and from the selected group. The Compressor settings of the first Output Channel added to the group are applied to all subsequently added Output Channels. When an Output Channel is added to a group, its [SEL] button indicator lights up. 02R96—Owner’s Manual...

  • Page 114: Delaying Channel Signals

    DELAY SCALE but- tons. You can copy the currently selected Input or Output Channel delay setting to all Input or Output Channels respectively by double-clicking the [ENTER] button. Delaying Channel Signals 02R96—Owner’s Manual...

  • Page 115: Soloing Channels

    In Mixdown Solo mode, soloed Input Channel signals are fed to the Stereo bus and output via the Stereo Out and Control Room Outputs. Unsoloed Input Channels are muted and their [ON] button indicators flash (unless they are Solo Safe enabled). Only Input Channels 02R96—Owner’s Manual SOLO CLEAR...

  • Page 116

    Use the [ENTER] or INC/DEC buttons to set Solo Safe for each Input Channel. These settings do not affect Recording Solo mode. You can clear all Solo Safe settings by selecting the ALL CLEAR button and pressing [ENTER]. 02R96—Owner’s Manual...

  • Page 117: Pairing Channels

    Use the DISPLAY ACCESS [PAIR] button to locate the Pair pages. The Pair parameters for the 56 Input Channels are divided between two pages. The Input Channel 1–48 Pair page is shown below. The layout of the other page is the same. 02R96—Owner’s Manual...

  • Page 118

    5.1), which can be set on the Surround Mode page (see page 69). When a Surround mode other than Stereo is selected, the names of the Surround channels are shown below the Bus Out and Aux Send pair buttons, as shown in the following table. Surround Mode Pairing Channels Bus Out/Aux Send 02R96—Owner’s Manual — —...

  • Page 119: Grouping Output Channel Faders

    [SEL] button. Fader groups are active only in Fader mode. See “Selecting Fader Modes” on page 35 for more information. 02R96—Owner’s Manual...

  • Page 120: Grouping Output Channel Mutes (on/off)

    When an Output Channel is added to a Mute group, its [SEL] button indicator lights up. ENABLE: These buttons are used to enable and disable the groups. Mute groups may contain a combination of channels that are on and channels that are off. Grouping Output Channel Mutes (ON/OFF) 02R96—Owner’s Manual...

  • Page 121: Viewing Channel Parameter Settings

    DELAY: The currently selected channel’s Delay function can be set. See “Delaying Channel Signals” on page 101 for more information. PAIR: This heart icon indicates whether or not channels are paired. See “Pairing Channels” on page 104 for more information. 02R96—Owner’s Manual...

  • Page 122: Viewing Channel Fader Settings

    Input Channels (ON/OFF)” on page 63 for more information. Fader: This indicates the fader position of the currently selected Input Channel. The fader knob appears highlighted when the fader is set to 0.0 dB. The fader position is displayed Viewing Channel Fader Settings 02R96—Owner’s Manual...

  • Page 123

    Meters: These meters indicate the levels of the currently selected Bus Out and its partner. The metering position is displayed below them. GROUP: These buttons indicate which Fader, Mute, EQ, or Comp group, if any, the cur- rently selected Bus Out is in. 02R96—Owner’s Manual...

  • Page 124

    Meters: These meters indicate the levels of the Stereo Out. The metering position is dis- played below them. GROUP: These buttons indicate which Fader, Mute, EQ, or Comp group, if any, the Stereo Out is in. Viewing Channel Fader Settings 02R96—Owner’s Manual...

  • Page 125: Naming Channels

    finished. See “Title Edit Window” on page 32 for more information. You can reset all Input Channel names back to their initial values by pressing the INITIAL- IZE button. Output Channels Use the DISPLAY ACCESS [OUTPUT PATCH] button to locate the Output Channel Name page 02R96—Owner’s Manual...

  • Page 126

    When the Title Edit window appears, edit the Output Channel name, and press OK when you’ve finished. See “Title Edit Window” on page 32 for more information. You can reset all Output Channel names back to their initial values by pressing the INI- TIALIZE button. Naming Channels 02R96—Owner’s Manual...

  • Page 127: 12 Monitoring & Talkback

    Talkback or Oscillator function is active. The Control Room Monitor signal is also fed to the PHONES jack, the level of which is set by using the PHONES LEVEL control. PHONES PHONES LEVEL 02R96—Owner’s Manual CONTROL ROOM 2TR D1 2TR A1 2TR D2 2TR A2...

  • Page 128: Studio Monitoring

    AUX8 [STEREO]: Selects the Stereo Out. [AUX 7]: Selects Aux Send #7. [AUX 8]: Selects Aux Send #8. The level of the Studio Monitor signal can be set by using the STUDIO LEVEL control. STUDIO LEVEL Studio Monitoring 02R96—Owner’s Manual...

  • Page 129: Surround Monitoring

    Surround monitor speakers can be aligned by using the individual Attenuator and Delay parameters on each Surround Monitor Channel. In addition to the standard Ls and Rs speakers, the 02R96 supports Ls2 and Rs2 speakers, with independent Attenuator and Delay parameters, for a more diffused surround monitoring environment. See “Configuring Sur- round Monitoring”...

  • Page 130

    ROTATE is on, the Oscillator signal is output by each speaker in turn in a clockwise direc- tion (3 second signal, 2 second pause). SURR. MODE: This indicates the currently selected Surround mode, which is set on the Surround Mode page (see page 69). Surround Monitoring 02R96—Owner’s Manual...

  • Page 131

    0 to –12 dB (1 dB steps) 0 to +12 dB (1 dB steps) “80-12” means a cutoff frequency of 80 Hz and a filter response of –12 dB/octave. “L” means Linkwitz filter. Other filters are Butterworth. 02R96—Owner’s Manual 3-1 to ST 5.1 to 3-1 Parameters...

  • Page 132

    Surround Channels as necessary. The Attenuator parameters can be set from –12 dB to +12 dB in 0.1 dB steps. The Delay parameters can be set from 0.0 to 30.0 msec in 0.02 msec steps. 02R96—Owner’s Manual...

  • Page 133

    SLOT/CH: This patching matrix is used to patch Inputs 1–8 from each of the four Slots to Surround Monitor Channels 1–8. Each Slot Input can be patched to only one Surround Monitor Channel. LEVEL: These parameters are used to set the monitor level of each Slot. 02R96—Owner’s Manual...

  • Page 134: Using Talkback

    AD Input. The signal from the specified AD Input is mixed with the Talkback mic signal. Turn down the TALKBACK LEVEL if you do not want to use the Talkback mic. NEVER LATCH TALKBACK: This options allows you to disable latching for the Talkback function. Using Talkback 02R96—Owner’s Manual...

  • Page 135: 13 Libraries

    13 Libraries About the Libraries The 02R96 features 10 libraries for storing Automix, Effects, Channel, Input Patch, Output Patch, Bus to Stereo, Gate, Comp, EQ, and Surround Monitor data. Library data can be stored to an external MIDI device, such as a MIDI data filer, by using MIDI Bulk Dump (see page 168).

  • Page 136: Channel Library

    If the currently selected channel is an Input channel, Pan mode and Aux pairing information is also displayed. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. Channel Library 02R96—Owner’s Manual...

  • Page 137: Input Patch Library

    Use the DISPLAY ACCESS [OUTPUT PATCH] button to select the Output Patch Library page. When storing, the current Output Patch settings are stored to the selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. 02R96—Owner’s Manual...

  • Page 138: Effects Library

    EFFECT TYPE: This is the effects type in the selected memory. Its I/O configuration is shown below this. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. Effects Library 02R96—Owner’s Manual...

  • Page 139: Bus To Stereo Library

    When the current configuration and the selected memory don’t match, the word “CONFLICT” appear in the LIBRARY CONFIGURATION box. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. 02R96—Owner’s Manual...

  • Page 140: Gate Library

    The type (Gate or Ducking) and curve of the currently selected memory is displayed to the right of the memory list. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. Gate Library 02R96—Owner’s Manual...

  • Page 141: Comp Library

    The type (Comp, Expand, Comp Soft, Comp Hard) and curve of the currently selected memory is displayed to the right of the memory list. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. 02R96—Owner’s Manual...

  • Page 142: Eq Library

    CURVE: This displays the EQ curve in the currently selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. EQ Library 02R96—Owner’s Manual...

  • Page 143: Automix Library

    Use the MONITOR [DISPLAY] button to select the Surround Monitor Library page. When storing, the current Surround Monitor settings are stored to the selected memory. For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper- ation” on page 122. 02R96—Owner’s Manual...

  • Page 144: 14 Internal Effects & Plug-ins

    14 Internal Effects & Plug-Ins About the Effects The 02R96 features four internal multi-effects processors, offering a whole host of effects types, including reverbs, delays, modulation-based effects, combination effects, and multi- channel effects designed especially for use with surround sound.

  • Page 145: Dynamic Effects

    37 Delay->ER. 38 Delay+Rev 39 Delay->Rev 40 Dist->Delay 02R96—Owner’s Manual Type CHORUS Chorus FLANGE Flanger Proprietary Yamaha effect that produces a richer and more SYMPHONIC complex modulation than normal chorus PHASER 16-stage stereo phase shifter AUTO PAN Auto-panner TREMOLO Tremolo HQ.PITCH...

  • Page 146: Editing Effects

    FLANGE 5.1 6-channel flanger for 5.1 surround SYMPHO. 5.1 6-channel symphonic effect for 5.1 surround M. BAND DYNA. Multi-band dynamics processor Multi-band compressor for 5.1 surround COMP 5.1 Multi-band compander for 5.1 surround COMPAND 5.1 Editing Effects Description 02R96—Owner’s Manual...

  • Page 147

    flashes. If it’s an internal effects processor, the [INTERNAL EFFECTS] button indicator also flashes. This applies only to effects that are inserted into channels. If there’s nothing inserted in the currently selected channel, a message appears. 02R96—Owner’s Manual Parameter Up/Down Parameter controls 1–4...

  • Page 148: About Plug-ins

    Y56K card in Slot #4, it’s automatically configured as Plug-In #4. 02R96 signals are patched through to the Y56K card’s effect chains just like any other sig- nal is patched through to a Slot Input or Output. Slot Outputs (i.e., effect chain inputs) can be fed from the Bus Outs, Aux Sends, Stereo Out, or the Input and Output Channel Insert Outs.

  • Page 149: Editing Plug-ins

    MIDI messages are transmitted by external MIDI devices when their controls or parameters are adjusted. When on, received MIDI messages are displayed by the DATA parameter. Only the first 16 bytes of data, starting with a Status bit, are displayed. 02R96—Owner’s Manual...

  • Page 150

    REMOTE parameter is set to ENABLED). If the Target is not the same, the parameters are set accordingly but no MIDI data is transmitted. Editing Plug-Ins Description Parameter controls 1–4 02R96—Owner’s Manual VAL count Up to one VAL Up to two VAL’s Up to two VAL’s Up to two VAL’s...

  • Page 151: 15 Scene Memories

    15 Scene Memories About Scene Memories Scene memories allow you to store a snapshot of virtually every 02R96 mix setting in a Scene. There are 99 Scene memories, and they can be titled for easy identification. Scenes can be linked to Input and Output Patch library memories, so that input and output patches are recalled along with Scenes.

  • Page 152: Auto Scene Memory Update

    When recalling Scenes in an Automix, only the Original memories can be recalled. When recalling Scenes via MIDI Program Change messages, Original and Shadow memories can be recalled, and operation is the same as for recalling Scenes by using the 02R96’s SCENE MEMORY buttons or the Scene Memory page.

  • Page 153: Storing & Recalling Scenes With The Scene Memory Buttons

    If the Recall Confirmation preference is on, a confirmation window appears before a Scene is recalled. You can undo Scene recalls, reverting to the previous mix settings, by recalling Scene mem- ory #U (“Ud” on the SCENE MEMORY display). 02R96—Owner’s Manual...

  • Page 154: Using The Scene Memory Page

    If the linked Input or Output Patch library memory contains no data, only the specified Scene is recalled, the input and output patch- ing remains the same. Using the Scene Memory Page 02R96—Owner’s Manual...

  • Page 155: Fading Scenes

    Long name also appears in the upper-right corner of the display. The Fade Time can be set from 0 to 30 seconds in 0.1 second steps. You can reset all Fade Time parameters to zero by selecting the ALL CLEAR button, and then pressing [ENTER]. 02R96—Owner’s Manual...

  • Page 156: Recalling Scenes Safely

    COMP (Comp parameters), GATE (Gate parameters), AUX (Aux Send levels), AUX ON (Aux Send On/Off parameters). The EFFECT button operates independently of the MODE buttons and can be used to make the effects Safe. Recall safe settings are stored in Scenes memories. Recalling Scenes Safely 02R96—Owner’s Manual...

  • Page 157: Sorting Scenes

    INC/DEC buttons to select the position to which you want to move the source Scene memory. Press [ENTER] to move the source Scene memory to the specified destina- tion. The [ENTER] button executes the Sort function regardless of its position. 02R96—Owner’s Manual...

  • Page 158: 16 Automix

    16 Automix About Automix The 02R96’s Automix function allows dynamic automation of virtually all mix parameters, including Levels, Mutes, Pan, Surround Pan, Aux Sends, Aux Send Mutes, EQ, effects, and Plug-Ins. You can specify which of these parameters will be recorded, and punch channels in and out of recording on-the-fly.

  • Page 159: Automix Main Page

    Absolute. If the Fader Edit mode is set to Relative, and the Edit Out mode is set to either Takeover or Off, the fader will remain at a position relative to the position at which recording is stopped. 02R96—Owner’s Manual...

  • Page 160

    Fader edit Time Punch in Punch out Actual punch out In this example, punch out was per- formed by pressing the [AUTO] button, and the fader was moved manually between the punch out and actual punch out points. 02R96—Owner’s Manual...

  • Page 161

    Undo buffer, from which it can be retrieved by pressing UNDO while Automix is stopped. The Undo buffer is cleared when the 02R96 is turned off. If you want to save the contents of the Undo buffer, perform the undo, and then store the Automix (see page 130).

  • Page 162: Channel Strip [auto] Buttons

    Flashing red: Takeover in progress • Flashing green: indicates that a fader is inactive, for example, when you continue touching a fader after actual punch out has occurred when using the Takeover Edit Out mode. Channel Strip [AUTO] Buttons 02R96—Owner’s Manual AUTO...

  • Page 163: Automix Memory Page

    INC/DEC buttons, and [ENTER] button to set them. The Automix library functions are explained in “Automix Library” on page 130. The remaining items are the same as on the Main page and are explained on page 146. 02R96—Owner’s Manual...

  • Page 164: Fader Edit Pages

    Automix data when the Edit Out mode is set to Return. It can be set from 0.0 to 30.0 seconds in 0.1 second steps. Fader Edit Pages 02R96—Owner’s Manual...

  • Page 165: Selecting The Timecode Source & Frame Rate

    The MIDI CLOCK source supports Song position Pointers, F8 TIMING CLOCK (timing info), FA START (starts Automix from beginning), FB CONTINUE (starts Automix from current position), and FC STOP (stops Automix). 02R96—Owner’s Manual Description Internally generated timecode SMPTE timecode received via the SMPTE TIME CODE INPUT...

  • Page 166: Creating A Time Signature Map

    To insert a time signature change, use the cursor buttons to select the next available entry, and press [ENTER], or turn the Parameter wheel. To delete a time signature change, select it, and then press [ENTER]. The initial time signa- ture entry at measure #1 cannot be deleted. Creating a Time Signature Map 02R96—Owner’s Manual...

  • Page 167: Recording An Automix

    Update To End option to determine how existing events are handled when rerecording is stopped (see page 146). Use the Edit Out (see page 147) and Fader Edit (see page 148) options to determine how Fader events are rerecorded. 02R96—Owner’s Manual...

  • Page 168: Parameter Recording

    Aux Send is paired, the send level to both Aux Sends is recorded.) Aux send mutes of paired channels recorded together (If the selected Aux Send is paired, mutes for both Aux Sends recorded.) — — — — — — — 02R96—Owner’s Manual...

  • Page 169: Punching In & Out Individual Parameters

    Fader Edit page is on) puts all the corresponding channels into Record mode and all the [AUTO] button indicators light up red. The same applies to Mute (OVERWRITE ON but- ton) and EQ (OVERWRITE EQ button) groups. 02R96—Owner’s Manual OVER Operation...

  • Page 170: Playing Back An Automix

    However, they are not deleted. When you rerecord effects parameter edits, it’s recommended that you delete the existing effects events offline. See “Editing Events Offline” on page 158 for more information. 02R96—Owner’s Manual...

  • Page 171: Editing Events Offline

    For example, if Input Channels 1 though 8 are speci- fied as the source, then the number of destination channels will be eight. Destination chan- nels are contiguous and only the first channel in the range can be specified. 02R96—Owner’s Manual...

  • Page 172

    Use the IN and OUT parameters to specify the region to be erased. Use the PARAMETERS window to specify which Automix events are to be erased. Then select the ERASE button and press [ENTER]. Editing Events Offline Existing data Trimmed data Time TRIM OUT Events 02R96—Owner’s Manual...

  • Page 173

    FADER (i.e., Inputs Channels, Bus Out masters, Aux Send masters, and the Stereo Out), AUX 1–8 (i.e., Aux Send levels 1–8). UNDO button: This button works the same as the UNDO button on the Automix Main page. See “UNDO” on page 148 for more information. 02R96—Owner’s Manual...

  • Page 174

    Editing Events Offline Events Listed TIME CODE, CH, SCENE/LIB TIME CODE, CH, dB, SEC TIME CODE, CH, ON/OFF TIME CODE, CH, L-C-R TIME CODE, CH, SURR TIME CODE, CH, AUX, dB TIME CODE, CH, AUX, ON/OFF List Format 02R96—Owner’s Manual...

  • Page 175

    INSERT button: This button is used to insert new events. Use the Event select buttons to select the type of event that you want to insert. Use the Captured timecode counter to spec- ify the point at which you want to insert the new event. Select the INSERT button, and then press [ENTER]. 02R96—Owner’s Manual...

  • Page 176: 17 Midi

    TO HOST SERIAL, TO HOST USB, and SLOT1 are multiport interfaces, with eight ports each. When the 02R96 receives MIDI data via any of these interfaces, the MIDI indicator appears on the display (see page 29). If you are connecting a Windows computer to the TO HOST USB or TO HOST SERIAL port, you must install and use the YAMAHA CBX Driver for Windows and the YAMAHA USB Driver for Windows, which are included on the supplied CD-ROM.

  • Page 177: Midi Port Setup

    Studio Manager: These parameters are used to select a port for use with the Studio Manager software and to assign the 02R96 an ID from 1 to 8. Available ports include: MIDI, SERIAL 1–8, USB 1–8, and SLOT1 1–8. See the Studio Manager documentation for more information.

  • Page 178: Midi Channel Setup

    The Enable buttons are used to turn on and off transmission of Program Change, Parameter Change, and Control Change messages. OMNI: These buttons determine whether the 02R96 responds to Program Change and Control Change messages only on the specified MIDI Receive Channel or on all Channels.

  • Page 179: Assigning Scenes To Program Changes

    Chapter 17—MIDI Assigning Scenes to Program Changes 02R96 Scenes can be assigned to MIDI Program Changes for remote recall. When a Scene is recalled on the 02R96, the assigned Program Change number is transmitted. If that Scene is assigned to more than one Program Change, the lowest Program Change is transmitted.

  • Page 180: Assigning Parameters To Control Changes

    02R96 parameters can be controlled in real time by using Parameter Change messages, which are System Exclusive messages. When a parameter is adjusted on the 02R96, a Param- eter Change message is transmitted. Likewise, when a Parameter Change message is received, a 02R96 parameter is adjusted.

  • Page 181: Using Bulk Dump

    Chapter 17—MIDI Using Bulk Dump 02R96 data can be stored to an external MIDI device, such as a MIDI data filer, by using MIDI Bulk Dump. Use the DISPLAY ACCESS [MIDI] button to locate the Bulk Dump page. To transmit data, use the CATEGORY parameters to select the type of data you want to transmit, select the TRANSMIT button, and then press [ENTER].

  • Page 182: 18 Pro Tools Remote Layer

    Install Yamaha USB MIDI driver 1.04 or later. If you are using the TO HOST USB port, you must also install the Yamaha USB MIDI driver included on the 02R96 CD-ROM. See the included documentation for more information.

  • Page 183: Configuring Pro Tools

    Select the Receive From and Send To ports, and then click OK. The 02R96 can emulate up to three typical 8-channel Pro Tools MIDI controllers. A single MIDI port is required for every eight channels. So you must configure MIDI Controller #2 to use channels 9 through 16, and configure MIDI Controller #3 to use channels 17 through...

  • Page 184: Control Surface Operation With The Pro Tools Remote Layer

    This section explains the operation of the 02R96 control surface when the Pro Tools Remote Layer is selected. 02R96 buttons and controls are referred to by the names printed on the 02R96 with the name of the corresponding Pro Tools function in parenthesis. For example, “Press the AUX SELECT [AUX 1] (SEND A) button.”...

  • Page 185

    Encoder icons. Automation mode settings, aux send destinations, and aux send pre/post settings can also be displayed here. See “Viewing the Automation Mode” on page 187, “Viewing Send Destinations” on page 180, and “Configuring Sends as Pre or Post” on page 180 respectively for more information. 02R96—Owner’s Manual...

  • Page 186

    Post” on page 180 respectively for more information. Channel Strips 02R96 channel strips correspond to Pro Tools channels from left to right, with the leftmost Pro Tools channel being handled by 02R96 channel strip #1. You can change the order of channel strips by dragging the channel select buttons in Pro Tools, in which case the 02R96 automatically reorders its channel strips.

  • Page 187: Fader Mode Section

    [FADER] & [AUX] buttons These buttons are used to select Flip mode, in which faders, Encoders, and [ON] buttons can be used to control sends. See “Flip Mode” on page 181 for more information. 02R96—Owner’s Manual AUX SELECT DISPLAY (SEND A)

  • Page 188

    These buttons are used to scroll parameters when assigning inserts and editing plug-ins. See “Assigning Inserts/Plug-ins” on page 182 and “Editing Plug-ins” on page 183 for more information. ( SCROLL) (SCROLL ) SCROLL) & Parameter Down (SCROLL ) buttons 02R96—Owner’s Manual...

  • Page 189

    [11] (FADER), [12] (MUTE), [13] (PAN), [14] (SEND), [15] (SEND MUTE), [16] (PLUG-IN) buttons These buttons are used to select parameters for automation recording and playback. See “Arming Parameters for Automation” on page 188 for more information. 02R96—Owner’s Manual USER DEFINED KEYS DISPLAY (AUTO...

  • Page 190

    Locate Memory page (see page 194) or the Machine Configuration page (see page 192), the MACHINE CONTROL section can be used to control Pro Tools regardless of which Layer is currently selected. MACHINE CONTROL LOCATE MEMORY DISPLAY (MEM-LOC) STOP PLAY 02R96—Owner’s Manual...

  • Page 191: Data Entry Section

    These buttons can be used to navigate the Edit window (see page 184), zoom waveforms (see page 185), and to make fine adjustments to the selected region (see page 185). Their exact operation depends on the currently selected cursor mode. 02R96—Owner’s Manual (ESC) (CURSOR MODE)

  • Page 192: Selecting Channels

    Use the [SOLO] buttons to solo channels. The [SOLO] button indicators of soloed channels light up and the [ON] button indicators of unsoloed channels flash. Press the [SOLO] buttons again to unsolo channels. Grouped channels are soloed together. Selecting Channels 02R96—Owner’s Manual...

  • Page 193: Viewing Send Destinations

    Sends can be muted by using the [ON] buttons in Flip mode. See “Flip Mode” on page 181 for more information. Panning Sends Only sends assigned to stereo destinations can be panned. Sends can be panned by using the Encoders in Flip mode. See “Flip Mode” on page 181 for more information. 02R96—Owner’s Manual...

  • Page 194: Flip Mode

    When the right panpot is active, the ENCODER MODE [PAN] (PAN) button indicator flashes. Normal mode Channel level Channel pan/send level Encoder mode is Pan, inactive Encoder mode is Send level, Send pre/post Channel mute Flip Mode Flip mode Send level Send pan Send pre/post Send mute 02R96—Owner’s Manual...

  • Page 195: Assigning Inserts/plug-ins

    To assign inserts/plug-ins to other channels, use the [SEL] buttons to select them. You’ll need to press the EFFECTS/PLUG-INS [1] (ASSIGN) button each time you select another channel. You can cancel this function by pressing the [DEC] (ESC) button. 02R96—Owner’s Manual...

  • Page 196: Editing Plug-ins

    To edit another plug-in, press the EFFECTS/PLUG-INS [4] (INSERT/PARAM) button (its indicator goes out), use the [SEL] buttons to select the channel (same as step #2), and use the Parameter control 1–4 push-switches to select the plug-in (same as step #3). Editing Plug-ins 02R96—Owner’s Manual...

  • Page 197: Bypassing Plug-ins

    To move the edit cursor to the next region boundary, or to the next marker, press the Right cursor button. To select the track above, press the Up cursor button. To select the track below, press the Down cursor button. 02R96—Owner’s Manual Do this! EFFECTS PLUG-INS [PLUG-INS]+[SEL] [PAN], EFFECTS PLUG-INS [PLUG-INS]+[ENCODER push] AUX SELECT [AUX1–5], EFFECTS PLUG-INS...

  • Page 198: Zooming

    To select the track below, press the Down cursor button. To move the cursor to the in point of the selected region, double-click the Left cursor button. To move the cursor to the out point of the selected region, double-click the Right cursor button. Zooming 02R96—Owner’s Manual...

  • Page 199: Scrub & Shuttle

    If you press the [REW], [FF], or [PLAY] button, scrub/shuttle operation is stopped before rewind, fast forward, or playback commences. While scrub/ shuttle is active, only the following Pro Tools/02R96 controls can be used: [SCRUB] and [SHUTTLE] buttons, Parameter wheel, transport buttons, faders, [ON] but- tons, and [SOLO] buttons.

  • Page 200: Automation

    If Channel Display mode or Meter Display mode is currently selected, the channel’s Auto- mation mode is displayed while the [AUTO] button is pressed. Grouped channels are set together. Display [AUTO] Button Indicators Flashing red (Record Ready) Red (Recording) Ltch Read Green Automation 02R96—Owner’s Manual...

  • Page 201

    USER DEFINED KEYS [11] (FADER) [12] (MUTE) [13] (PAN) [14] (SEND) [15] (SEND MUTE) [16] (PLUG-IN) The button indicators for armed parameters light up. 02R96—Owner’s Manual Display [AUTO] Button Indicators TWrt Flashing red/orange (Record Ready) TTch Orange (Recording) TLch Flashing green/orange...

  • Page 202: 19 Remote Control

    The 02R96’s Remote Layer allows you to control external MIDI equipment directly from the 02R96. The type of device to be controlled (i.e., the target) is specified on the Remote page. There are three types of target: User Defined, Nuendo, and Pro Tools. The User Defined target allows you to specify the MIDI data that will be transmitted when the 24...

  • Page 203: Configuring The User Defined Remote Layer

    ENCODER: These parameters are used to specify the MIDI message (up to 16 bytes) to be transmitted when an Encoder is operated. Use the [SEL] buttons to select the channel strips, and then edit as necessary. When a value from 00 to FF is specified, that value is transmitted 02R96—Owner’s Manual...

  • Page 204: Using The User Defined Remote Layer

    [ON] buttons are set accordingly and the corresponding MIDI data is transmitted (so long as the TRANSMIT parameter is set to ENABLED). If the target is not the same, the faders, Encoders, and [ON] buttons are set accordingly, but no MIDI data is transmitted. 02R96—Owner’s Manual...

  • Page 205: About Machine Control

    Chapter 19—Remote Control About Machine Control The 02R96 can control the transport and locate functions of up to eight external recording machines that support MMC (MIDI Machine Control). Machines that support MMC can be controlled by connecting them to the 02R96’s MIDI, SERIAL, USB, or SLOT1 (with optional mLAN I/O Card installed in Slot #1).

  • Page 206: Transport Buttons

    Transport Buttons The 02R96’s transport can be used to control external machines. The machine that is to be controlled can be selected on the Machine Configuration page (see page 192). [REW] button This button starts rewind on the external machines.

  • Page 207: Using The Locator

    [SET] button, press a LOCATE MEMORY [1–8] button. The 02R96 must be receiving timecode in order to do this. Once set, the stored position can be located by pressing the corresponding button. If the button is pressed while the machine is stopped, the stored position is located.

  • Page 208: Gpi (general Purpose Interface)

    When the [REC] button indicator is lit, the assigned GPI Output goes High (+5 V). POWER ON: While the 02R96 is powered up, the assigned GPI output is High (+5 V). The 02R96 also features two fixed GPI inputs for use with talkback and dimmer. Each time the GPI0 input goes Low (ground), the TALKBACK button is turned on or off.

  • Page 209: 20 Other Functions

    You can initialize the assignments of the currently selected bank by selecting the INITIAL- IZE button, and pressing [ENTER]. User Defined Keys banks can be stored to an external MIDI device, such as a MIDI data filer, by using MIDI Bulk Dump (see page 168). 02R96—Owner’s Manual USER DEFINED KEYS DISPLAY...

  • Page 210: Setting Preferences

    Setting Preferences You can customize the operation of the 02R96 by using the preferences pages. Preferences 1 Use the DISPLAY ACCESS [SETUP] button to locate the Preferences 1 page. Use the cursor buttons or Parameter wheel to select the preferences, and use the INC/DEC buttons or [ENTER] button to set them.

  • Page 211

    If they are too sensitive, try reducing it. It’s important that the 02R96 is grounded properly for Touch Select to work correctly. See “Grounding screw” on page 28 for more information.

  • Page 212

    Clear Edit Channel after REC: When this preference is on, when using Auto Rec, channels are automatically unarmed (i.e., [AUTO] buttons are turned off) when Automix recording stops. When this preference is off, channels remain armed when recording stops. Setting Preferences 02R96—Owner’s Manual...

  • Page 213: Using The Oscillator

    Use the DISPLAY ACCESS [UTILITY] button to locate the Battery Check page. If the Status is “Okay,” the battery is okay. If the Status is “Getting Low,” ask your Yamaha dealer to replace the battery as soon as possible. Do not attempt to replace the battery your- self.

  • Page 214: Initializing The 02r96

    Initializing the 02R96 The 02R96 can be initialized as follows. Warning: This procedure will clear all user memories and reset all settings to their initial val- ues. You may want to back up any important data beforehand via MIDI Bulk Dump (see page 168).

  • Page 215: Appendix A: Parameter Lists

    SURR. MONI SLOT1 ON/OFF SURR. MONI SLOT2 ON/OFF SURR. MONI SLOT3 ON/OFF SURR. MONI SLOT4 ON/OFF SURR. MONI BASS MANAGE ON/OFF 02R96—Owner’s Manual Input Fader Group Enable A Display Input Fader Group Enable B No Assign Input Fader Group Enable C...

  • Page 216

    Surr Lib+1 RCL Surr Lib. Recall –1 Surr Lib–1 RCL Surr Lib. Recall No. XX Surr LibXX RCL CH Copy Channel Copy CH Paste Channel Paste Display Back Display Back Display Forward Display Forward Display USER DEFINED KEYS 02R96—Owner’s Manual...

  • Page 217: User Defined Keys Initial Assignments

    AD IN 24 S1-1 Slot1 CH1 IN S1-2 Slot1 CH2 IN S1-3 Slot1 CH3 IN 02R96—Owner’s Manual Bank B Bank C IN Fader Group A IN Fader Group B IN Fader Group C IN Fader Group D IN Fader Group E...

  • Page 218

    INSCH52 InsertOut-CH52 INSCH53 InsertOut-CH53 INSCH54 InsertOut-CH54 INSCH55 InsertOut-CH55 INSCH56 InsertOut-CH56 INSBUS1 InsertOut-BUS1 INSBUS2 InsertOut-BUS2 INSBUS3 InsertOut-BUS3 INSBUS4 InsertOut-BUS4 INSBUS5 InsertOut-BUS5 INSBUS6 InsertOut-BUS6 INSBUS7 InsertOut-BUS7 INSBUS8 InsertOut-BUS8 INSAUX1 InsertOut-AUX1 INSAUX2 InsertOut-AUX2 INSAUX3 InsertOut-AUX3 INSAUX4 InsertOut-AUX4 INSAUX5 InsertOut-AUX5 INSAUX6 InsertOut-AUX6 02R96—Owner’s Manual...

  • Page 219

    AUX2 AUX3 AUX3 AUX4 AUX4 AUX5 AUX5 AUX6 AUX6 AUX7 AUX7 AUX8 AUX8 02R96—Owner’s Manual Input Channel insert Ins Port ID Description S4-7 Slot4 CH7 IN S4-8 Slot4 CH8 IN S4-9 Slot4 CH9 IN S4-10 Slot4 CH10 IN S4-11 Slot4 CH11 IN...

  • Page 220: Initial Input Patch Settings

    NONE AUX3 NONE AUX4 NONE Source S1-05 S1-06 S1-07 S1-08 S2-01 S2-02 S2-03 S2-04 S2-05 S2-06 S2-07 S2-08 S3-01 S3-02 S3-03 S3-04 S3-05 S3-06 S3-07 S3-08 S4-01 S4-02 S4-03 S4-04 S4-05 S4-06 S4-07 S4-08 Initial Input Patch Settings 02R96—Owner’s Manual...

  • Page 221: Output Patch Parameters

    InsertOut-CH16 INSCH17 InsertOut-CH17 INSCH18 InsertOut-CH18 INSCH19 InsertOut-CH19 INSCH20 InsertOut-CH20 INSCH21 InsertOut-CH21 INSCH22 InsertOut-CH22 INSCH23 InsertOut-CH23 INSCH24 InsertOut-CH24 INSCH25 InsertOut-CH25 02R96—Owner’s Manual Omni Outs Source Description NONE NONE BUS1 BUS1 BUS2 BUS2 BUS3 BUS3 BUS4 BUS4 BUS5 BUS5 BUS6 BUS6 BUS7...

  • Page 222

    Slot4 CH13 IN S4-14 Slot4 CH14 IN S4-15 Slot4 CH15 IN S4-16 Slot4 CH16 IN FX1-1 Effect1 OUT 1 FX1-2 Effect1 OUT 2 FX1-3 Effect1 OUT 3 FX1-4 Effect1 OUT 4 FX1-5 Effect1 OUT 5 FX1-6 Effect1 OUT 6 02R96—Owner’s Manual...

  • Page 223

    Surround Monitor C Surr LFE Surround Monitor LFE Surr LFE Surr Ls2 Surround Monitor Ls2 Surr Ls2 Surr Rs2 Surround Monitor Rs2 Surr Rs2 02R96—Owner’s Manual Omni Outs Source Description Surr Ls Surround Monitor Ls Surr Rs Surround Monitor Rs...

  • Page 224

    AUX6 AUX7 AUX8 STEREO L STEREO R InsertOut-CH1 InsertOut-CH2 InsertOut-CH3 InsertOut-CH4 InsertOut-CH5 InsertOut-CH6 InsertOut-CH7 InsertOut-CH8 InsertOut-CH9 InsertOut-CH10 InsertOut-CH11 InsertOut-CH12 InsertOut-CH13 InsertOut-CH14 InsertOut-CH15 InsertOut-CH16 InsertOut-CH17 InsertOut-CH18 InsertOut-CH19 InsertOut-CH20 InsertOut-CH21 InsertOut-CH22 InsertOut-CH23 InsertOut-CH24 InsertOut-CH25 InsertOut-CH26 InsertOut-CH27 InsertOut-CH28 InsertOut-CH29 InsertOut-CH30 InsertOut-CH31 02R96—Owner’s Manual...

  • Page 225

    2TR OUT Dig.1 L 2TD1R 2TR OUT Dig.1 R 2TD2L 2TR OUT Dig.2 L 2TD2R 2TR OUT Dig.2 R 2TD3L 2TR OUT Dig.3 L 2TD3R 2TR OUT Dig.3 R 02R96—Owner’s Manual Description Source INSCH32 INSCH33 INSCH34 INSCH35 INSCH36 INSCH37 INSCH38 INSCH39...

  • Page 226: Initial Output Patch Settings

    BUS3 BUS4 BUS5 BUS6 BUS7 BUS8 Source AUX1 AUX2 AUX3 AUX4 AUX5 AUX6 AUX7 AUX8 Destination SLOT1-01 SLOT1-02 SLOT1-03 SLOT1-04 SLOT1-05 SLOT1-06 SLOT1-07 SLOT1-08 SLOT2-01 SLOT2-02 SLOT2-03 SLOT2-04 SLOT2-05 SLOT2-06 SLOT2-07 SLOT2-08 SLOT3-01 SLOT3-02 SLOT3-03 SLOT3-04 SLOT3-05 SLOT3-06 02R96—Owner’s Manual...

  • Page 227: Initial Input Channel Names

    CH05 CH06 CH06 CH07 CH07 CH08 CH08 CH09 CH09 CH10 CH10 CH11 CH11 CH12 CH12 CH13 CH13 CH14 CH14 02R96—Owner’s Manual Input Channel ID CH15 CH16 CH17 CH18 CH19 CH20 CH21 CH22 CH23 CH24 CH25 CH26 CH27 CH28 CH29 CH30...

  • Page 228: Initial Input Port Names

    Slot4 CH7 IN S4-08 S408 Slot4 CH8 IN S4-09 S409 Slot4 CH9 IN S4-10 S410 Slot4 CH10 IN S4-11 S411 Slot4 CH11 IN S4-12 S412 Slot4 CH12 IN S4-13 S413 Slot4 CH13 IN S4-14 S414 Slot4 CH14 IN 02R96—Owner’s Manual...

  • Page 229: Initial Output Port Names

    S2-11 S211 SLOT2-12 S2-12 S212 SLOT2-13 S2-13 S213 SLOT2-14 S2-14 S214 SLOT2-15 S2-15 S215 02R96—Owner’s Manual Port Long Name SLOT2-16 S2-16 Slot4 CH15 IN SLOT3-01 S3-01 Slot4 CH16 IN SLOT3-02 S3-02 2TR IN Dig.1 L SLOT3-03 S3-03 2TR IN Dig.1 R...

  • Page 230: Gpi Trigger Source List

    CH22 FADER OFF CH23 FADER OFF CH24 FADER OFF CH25 FADER OFF CH26 FADER OFF CH27 FADER OFF CH28 FADER OFF CH29 FADER OFF CH30 FADER OFF CH31 FADER OFF CH32 FADER OFF CH33 FADER OFF CH34 FADER OFF 02R96—Owner’s Manual...

  • Page 231

    UDEF7 LATCH UDEF8 LATCH UDEF9 LATCH UDEF10 LATCH UDEF11 LATCH UDEF12 LATCH UDEF13 LATCH UDEF14 LATCH UDEF15 LATCH UDEF16 LATCH 02R96—Owner’s Manual Source UDEF1 UNLATCH UDEF2 UNLATCH UDEF3 UNLATCH UDEF4 UNLATCH UDEF5 UNLATCH UDEF6 UNLATCH UDEF7 UNLATCH UDEF8 UNLATCH UDEF9 UNLATCH...

  • Page 232: User Defined Remote Layer Initial Bank Settings

    END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP 10 11 12 13 14 15 16 02R96—Owner’s Manual...

  • Page 233

    RM24 GM24 NO ASSIGN ENCODER FADER 02R96—Owner’s Manual Data Format END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP...

  • Page 234

    END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP END NOP NOP NOP NOP NOP NOP 02R96—Owner’s Manual...

  • Page 235

    RM24 CH24 VST MIXER CH24 ENCODER FADER 02R96—Owner’s Manual Data Format SW END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP ENC END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP FAD END NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP NOP...

  • Page 236: Effects Parameters

    Early reflections decay characteristics (0 = dead, 10 = live) Initial delay before reverb begins Reflection diffusion (left–right reflection spread) Reflection density Number of early reflections Feedback gain High-frequency feedback ratio High-pass filter cutoff frequency Low-pass filter cutoff frequency 02R96—Owner’s Manual...

  • Page 237: Mono Delay

    One input, one output basic repeat delay. Parameter DELAY FB. GAIN HI. RATIO SYNC NOTE setting) 02R96—Owner’s Manual Range Description Type-A, Type-B Type of early reflection simulation 0.1–20.0 Reflection spacing 0–10 Early reflections decay characteristics (0 = dead, 10 = live) 0.0–500.0 ms...

  • Page 238: Stereo Delay

    Modulation speed Modulation depth Modulation waveform High-pass filter cutoff frequency Low-pass filter cutoff frequency Tempo parameter sync on/off Used in conjunction with TEMPO to determine DELAY Used in conjunction with TEMPO to determine FREQ (Maximum value depends on 02R96—Owner’s Manual...

  • Page 239

    LEVEL R FB. GAIN HI. RATIO SYNC NOTE L NOTE C NOTE R NOTE FB the tempo setting) 02R96—Owner’s Manual Range 0.0–2730.0 ms Left channel delay time 0.0–2730.0 ms Center channel delay time 0.0–2730.0 ms Right channel delay time 0.0–2730.0 ms Feedback delay time –100 to +100%...

  • Page 240

    Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96—Owner’s Manual...

  • Page 241

    WAVE LSH F LSH G EQ F EQ G EQ Q HSH F HSH G NOTE SYNC 02R96—Owner’s Manual Range Description 0.05–40.00 Hz Modulation speed 0–100% Modulation depth 0.0–500.0 ms Modulation delay time Feedback gain (plus values for normal-phase feedback, –99 to +99%...

  • Page 242

    Low shelving filter frequency Low shelving filter gain EQ (peaking type) frequency EQ (peaking type) gain EQ (peaking type) bandwidth High shelving filter frequency High shelving filter gain Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96—Owner’s Manual...

  • Page 243

    One input, two output high-quality pitch shifter. Parameter PITCH FINE DELAY FB. GAIN MODE SYNC NOTE tempo setting) 02R96—Owner’s Manual Range Description 0.05–40.00 Hz Modulation speed 0–100% Modulation depth Sine, Tri, Square Modulation waveform 21.2 Hz–8.00 kHz Low shelving filter frequency –12 to +12 dB...

  • Page 244

    Used in conjunction with TEMPO to determine Channel #2 delay (Maximum value depends on the Description Rotation stop, start Rotation speed (see SLOW and FAST parameters) SLOW rotation speed FAST rotation speed Overdrive level Acceleration at speed changes Low-frequency filter High-frequency filter 02R96—Owner’s Manual...

  • Page 245: Ring Mod

    SYNC NOTE DISTORTION One input, two output distortion effect. Parameter DST TYPE DRIVE MASTER TONE N. GATE 02R96—Owner’s Manual Range Description OSC, SELF Modulation source: oscillator or input signal 0.0–5000.0 Hz Oscillator frequency 0.05–40.00 Hz Oscillator frequency modulation speed 0–100%...

  • Page 246

    Parametric equalizer gain Parametric equalizer bandwidth Noise reduction Description Control source: input signal or MIDI Note On velocity Sensitivity Upward or downward frequency change Filter frequency change decay speed Filter type Filter frequency offset Filter resonance Output Level 02R96—Owner’s Manual...

  • Page 247

    HSH F HSH G 1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz) 02R96—Owner’s Manual Range Description INPUT, MIDI Control source: input signal or MIDI Note On velocity 0–100...

  • Page 248

    Reverb and chorused reverb balance (0% = all chorused reverb, 100% = all reverb) Modulation speed Amplitude modulation depth Pitch modulation depth Modulation delay time Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96—Owner’s Manual...

  • Page 249

    REV TIME HI. RATIO DIFF. DENSITY REV BAL. FREQ. DEPTH MOD. DLY FB. GAIN WAVE SYNC NOTE 02R96—Owner’s Manual Range Description 0.0–500.0 ms Initial delay before reverb begins 0.3–99.0 s Reverb time 0.1–1.0 High-frequency reverb time ratio 0.1–1.0 Spread 0–100% Reverb density THRU, 21.2 Hz–8.00...

  • Page 250

    Low-pass filter cutoff frequency Reverb and symphonic reverb balance (0% = all symphonic reverb, 100% = all reverb) Modulation speed Modulation depth Modulation delay time Modulation waveform Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96—Owner’s Manual...

  • Page 251

    DIFF. DENSITY REV BAL. FREQ. DEPTH DIR. WAVE SYNC NOTE 1. L<–>R, L–>R, L<–R, Turn L, Turn R 02R96—Owner’s Manual Range Description 0.0–500.0 ms Initial delay before reverb begins 0.3–99.0 s Reverb time 0.1–1.0 High-frequency reverb time ratio 0.1–1.0 Spread 0–100%...

  • Page 252

    Tempo parameter sync on/off Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right chan- nel DELAY R Used in conjunction with TEMPO to determine FB. DLY (Maximum value depends on 02R96—Owner’s Manual...

  • Page 253

    INI. DLY DIFF. DENSITY ER NUM. SYNC NOTE L NOTE R NOTE FB tempo setting) 02R96—Owner’s Manual Range Description 0.0–1000.0 ms Left channel delay time 0.0–1000.0 ms Right channel delay time 0.0–1000.0 ms Feedback delay time Feedback gain (plus values for normal-phase feedback, –99 to +99%...

  • Page 254

    Tempo parameter sync on/off Used in conjunction with TEMPO to determine left channel DELAY L Used in conjunction with TEMPO to determine right chan- nel DELAY R Used in conjunction with TEMPO to determine FB. DLY (Maximum value depends on the 02R96—Owner’s Manual...

  • Page 255

    REV TIME REV HI DIFF. DENSITY SYNC NOTE L NOTE R NOTE FB tempo setting) 02R96—Owner’s Manual Range Description 0.0–1000.0 ms Left channel delay time 0.0–1000.0 ms Right channel delay time 0.0–1000.0 ms Feedback delay time Feedback gain (plus values for normal-phase feedback, –99 to +99%...

  • Page 256

    Filter 2 type: high pass, low pass, band pass Filter 3 type: high pass, low pass, band pass Filter 1 frequency Filter 2 frequency Filter 3 frequency Filter 1 level Filter 2 level Filter 3 level Filter 1 resonance Filter 2 resonance Filter 3 resonance 02R96—Owner’s Manual...

  • Page 257

    INI. DLY HI. RATIO LO. RATIO DIFF. DENSITY E/R BAL. 02R96—Owner’s Manual Range Description In MANUAL mode, recording is started by pressing the REC and PLAY buttons. In INPUT mode, Record-Ready mode is MANUAL, INPUT engaged by pressing the REC button, and actual recording is triggered by the input signal.

  • Page 258

    High-frequency reverb time ratio Low-frequency reverb time ratio Reverb diffusion (left–right reverb spread) Reverb density High-pass filter cutoff frequency Low-pass filter cutoff frequency Balance of early reflections and reverb (0% = all reverb, 100% = all early reflections) 02R96—Owner’s Manual...

  • Page 259: Auto Pan

    AM DEPTH PM DEPTH MOD. DLY WAVE SYNC NOTE 02R96—Owner’s Manual Range Description When set to OFF, the TRIGGER button is used to start auto- pan. When set to HOLD, autopan runs continuously. When OFF, HOLD, INPUT, set to INPUT, the input signal triggers autopan. When set to...

  • Page 260

    Used in conjunction with TEMPO to determine FREQ. Description Modulation speed Modulation depth Modulation delay time Modulation waveform High-pass filter cutoff frequency Low-pass filter cutoff frequency Tempo parameter sync on/off Used in conjunction with TEMPO to determine FREQ. 02R96—Owner’s Manual...

  • Page 261

    M–H XOVR SLOPE CEILING 1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz) 02R96—Owner’s Manual Range Description –96.0 to +12.0 dB Low band level –96.0 to +12.0 dB Mid band level –96.0 to +12.0 dB...

  • Page 262

    When set to 0, all three bands are affected the same. Compressor threshold Compressor ratio Compressor attack Expander release time Compressor knee Lookup delay Specifies the maximum output level Low/mid crossover frequency Mid/high crossover frequency Filter slope Key-in linking 02R96—Owner’s Manual...

  • Page 263

    1. 5.1: key-in of all inputs are linked. 5.0: key-in of the L, C, R, LS, and RS are linked (LFE is indepen- dent). 3+2: key-in of L, C, and R are linked, and LS and RS are linked. 2+2: key-in of L and R are linked, and LS and RS are linked. 02R96—Owner’s Manual Range Description –96.0 to +12.0 dB...

  • Page 264: Preset Eq Parameters

    2.80 kHz 7.50 kHz — PEAKING H.SHELF +2.0 dB 0.0 dB 2.80 kHz 17.0 kHz 0.56 — PEAKING H.SHELF +2.5 dB 0.0 dB 2.00 kHz 4.00 kHz — PEAKING H.SHELF +2.5 dB +0.5 dB 2.24 kHz 4.00 kHz — 02R96—Owner’s Manual...

  • Page 265

    Piano 2 E. G. Clean E. G. Crunch 1 E. G. Crunch 2 E. G. Dist. 1 E. G. Dist. 2 A. G. Stroke 1 A. G. Stroke 2 02R96—Owner’s Manual Parameter L-MID PEAKING PEAKING +3.5 dB +8.5 dB 85 Hz...

  • Page 266

    +3.0 dB 2.12 kHz 4.50 kHz PEAKING H.SHELF +3.0 dB +6.5 dB 2.12 kHz 16.0 kHz — PEAKING H.SHELF +2.0 dB +6.0 dB 1.80 kHz 18.0 kHz — PEAKING H.SHELF +2.0 dB +4.0 dB 1.90 kHz 15.0 kHz — 02R96—Owner’s Manual...

  • Page 267

    Appendix A: Parameter Lists Title Bass Drum 3 Snare Drum 3 Tom-tom 2 Piano 3 Piano Low Piano High Fine-EQ Cass Narrator 02R96—Owner’s Manual Parameter L-MID PEAKING PEAKING +3.5 dB –10.0 dB 118 Hz 315 Hz L.SHELF PEAKING 0.0 dB +2.0 dB...

  • Page 268: Preset Gate Parameters (fs = 44.1 Khz)

    Width (dB) Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Width (dB) Release (ms) Value –26 –56 2.56 –19 –22 1.20 S 6.32 S –11 –53 1.93 –8 –23 0.63 Value –8 –23 –10 –8 02R96—Owner’s Manual...

  • Page 269

    A. Dr. SN EXPAND A. Dr. SN COMPAND-S A. Dr. Tom EXPAND A. Dr. OverTop COMPAND-S E. B. Finger COMP 02R96—Owner’s Manual Parameter Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1)

  • Page 270

    Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Value –12 hard –10 hard –9 hard –18 –8 –10 –11 –12 1.35 S 02R96—Owner’s Manual...

  • Page 271

    COMP SamplingPerc COMPAND-S Sampling BD COMP Sampling SN COMP Hip Comp COMPAND-S Solo Vocal1 COMP 02R96—Owner’s Manual Parameter Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB)

  • Page 272

    Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Threshold (dB) Ratio ( :1) Attack (ms) Out gain (dB) Knee Release (ms) Value –8 –9 –33 –14 –2.5 –9 –3.0 3.90 s hard –18 hard –16 02R96—Owner’s Manual...

  • Page 273: Appendix B: Specifications

    AD converter Analog Input AD converter (2TR IN ANALOG 1, 2) 02R96—Owner’s Manual 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz Normal rate: 44.1 kHz–10% to 48 kHz+6% Double rate: 88.2 kHz–10% to 96 kHz+6% Less than 2.0 ms CH INPUT to STEREO OUT (fs=48 kHz) Less than 1.1 ms CH INPUT to STEREO OUT (fs=96 kHz)

  • Page 274

    I N ANALOG 1, 2TR IN ANALOG 2, ASSIGN 1, 2 (BUS 1–8/AUX 1–8) On/off On/off 24-bit linear, 128-times oversampling Analog rotary potentiometer Analog rotary potentiometer CONTROL ROOM, STEREO, AUX 7, AUX 8, TALKBACK 24-bit linear, 128-times oversampling Analog rotary potentiometer General Spec 02R96—Owner’s Manual...

  • Page 275

    Attenuator AUX1–8 On/off Fader Delay Metering 02R96—Owner’s Manual On/off Word length 16, 20, 24-bit STEREO, BUS1–8, AUX 1–8, DIRECT OUT 1–56, INSERT OUT, CON- TROL ROOM Optional digital interface card (MY8, MY4 series) SURROUND MONITOR, STEREO, BUS1–8, AUX1–8, DIRECT OUT 1–56, INSERT OUT (CH1–56, BUS1–8, AUX1–8, STEREO)

  • Page 276

    PEAK METER BRIDGE: MB02R96 SIDE PANEL: SP02R96 L-MID H-MID 0.1–10.0 (41 points) 21.2 Hz–20 kHz (1/12 oct step) ±18 dB (0.1 dB step) General Spec HIGH /LPF 0.1–10.0 (41 points) high shelving ±18 dB (0.1 dB step) LPF: on/off 02R96—Owner’s Manual...

  • Page 277

    Out gain Knee Expander Attack Release 02R96—Owner’s Manual –54 dB to 0 dB (0.1 dB step) –70 dB to 0 dB (1 dB step) 0 ms–120 ms (1 ms step) 0.02 ms–1.96 s (216 points) @ 48 kHz 0.02 ms–2.13 s (216 points) @ 44.1 kHz 0.01 ms–981 ms (216 points) @ 96 kHz...

  • Page 278: Controls

    INTERNAL EFFECTS, PLUG-INS, CHANNEL INSERTS, 1, 2, 3, 4 Parameter control: 1, 2, 3, 4 , F1, F2, F3, F4, √ LCD contrast control Controls ON/OFF 0/26 dB –16 to –60 dB ON/OFF +10 to –34 dB buttons ® 02R96—Owner’s Manual...

  • Page 279

    LAYER MASTER Section STEREO Buttons DATA ENTRY Section Encoder 02R96—Owner’s Manual DISPLAY button 1, 2, 3, 4, 5, 6, 7, 8, STEREO, DIRECT, FOLLOW PAN buttons (w/LED) PHASE/INSERT, DELAY buttons DISPLAY, GATE /COMP buttons GATE ON, COMP ON buttons (w/LED)

  • Page 280: Indicators

    LED x1 2-digit numeric LED x1 Presets 52 (EFFECT 2–4: 44) User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Presets User memories Indicators 02R96—Owner’s Manual...

  • Page 281: Analog Input Spec

    STEREO OUT [L, R], 0 dBV is referenced to 1.00 Vrms. In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms. All output DA converters (except INSERT OUT 1–16) are 24-bit, 128-times oversampling. 02R96—Owner’s Manual Input level For Use...

  • Page 282: Digital Input Spec

    Consumer use — — Digital Input Spec Connector XLR-3-31 type (Balanced) Phono Phono D-SUB Half Pitch Connector 68P (Female) Level Connector RS422 XLR-3-32 type (Balanced) 0.5V pp/75 Phono 0.5V pp/75 Phono D-SUB Half Pitch Connec- RS422 tor 68P (Female) 02R96—Owner’s Manual...

  • Page 283: I/o Slot Spec

    TIME CODE IN SMPTE WORD CLOCK CONTROL METER 1. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD). 2. This switch is on the rear panel. 02R96—Owner’s Manual Accept Input Output 8 OUT (depends on output 8 IN patch) 8 OUT (depends on output...

  • Page 284: Connector Pin Assignments

    54 OUTPUT 19-20(–) 55 OUTPUT 21-22(–) 56 OUTPUT 23-24(–) 57 RESERVED 58 RESERVED 59 RESERVED 60 RESERVED 61 ID1 OUT 62 ID3 OUT 63 ID5 OUT 64 ID1 IN 65 ID3 IN 66 ID5 IN 67 2CH/LINE OUT 68 FG 02R96—Owner’s Manual...

  • Page 285: Dimensions

    Appendix B: Specifications Dimensions Specifications and external appearance subject to change without notice. For European Model Purchaser/User Information specified in EN55103-1 and EN55103-2. Inrush Current: 70 A Conformed Environment: E1, E2, E3 and E4 02R96—Owner’s Manual 697 mm...

  • Page 286: Appendix C: Midi

    Scene # Program Initial User Change# Scene # Scene # — — — — — — — — — — — — — — — — — — — — — — — — — — — — 02R96—Owner’s Manual...

  • Page 287: Initial Parameter To Control Change Table

    FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL FADER L CHANNEL 02R96—Owner’s Manual High FADER L FADER L INPUT1 FADER L INPUT2 FADER L INPUT3 INPUT4 INPUT5 INPUT6 INPUT7 INPUT8...

  • Page 288: Midi Data Format

    Key remote tx/rx remote meter tx/rx remote counter ** tx means that the data can be transmitted from the 02R96. rx means that the data can be received by the 02R96. Format Details 1. NOTE OFF (8n) Reception Received when the [Rx CH] matches.

  • Page 289: Bulk Dump

    Device Number DATA COUNT (the number of bytes that follow this, ending cc cc before the checksum) Model ID (for the 02R96, this is 4C 4D 20 20 38 43 35 34) <Model ID> DATA TYPE DATA NUMBER mm mm...

  • Page 290

    11110111 F7 Format Details 12.2.3 Setup memory bulk dump format Of the setup memory of the 02R96, this bulk-dumps data other than the User define layer, User define plug-in, User define keys, Control change ta- ble, and Program change table.

  • Page 291

    12.2.6 User define layer bulk dump request format The second and third bytes of the DATA NAME indicate the bank num- ber. System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No. 01000011 43 n=0-15 (Device number=MIDI Channel) SUB STATUS 0010nnnn 2n Universal bulk dump FORMAT No.

  • Page 292

    0:Library no.1 - 199:Library no.200, 256:CH1 - 311:CH56, 384:BUS1 - 391:BUS8, 512:AUX1 - 519:AUX8, 768:STEREO L - 769:STEREO R 256 and following are data for the corresponding channel of the edit buff- For reception by the 02R96, only the user area is valid. (40-199, 256-) System exclusive message STATUS...

  • Page 293

    0:Library no.1 - 199:Library no.200, 256:CH1 - 311:CH56, 384:BUS1 - 391:BUS8, 512:AUX1 - 519:AUX8, 768:STEREO L - 769:STEREO R 256 and following are data for the corresponding channel of the edit buff- For reception by the 02R96, only the user area is valid. (36-127, 256-) System exclusive message STATUS...

  • Page 294

    256:CH1 - 311:CH56, 384:BUS1 - 391:BUS8, 512:AUX1 - 519:AUX8, 768:STEREO L - 769:STEREO R 256 and following are the data for the corresponding channel of the edit buffer. For reception by the 02R96, only the user area is valid. (2-128, 256-) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No.

  • Page 295

    The second and third bytes of the DATA NAME indicate the library num- ber. 0:Library no.0 - 32:Library no.32, 256:current output patch data For reception by the 02R96, only the user area is valid. (1-32, 256) System exclusive message STATUS...

  • Page 296: Parameter Change

    The second and third bytes of the DATA NAME indicate the library num- ber. 0:Library no.0 - 32:Library no.32, 256:current data System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No. 01000011 43 n=0-15 (Device number=MIDI Channel) SUB STATUS 0010nnnn 2n Universal bulk dump FORMAT No.

  • Page 297

    Appendix C: MIDI 12.3.4 Parameter request basic format (Universal format) System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No. 01000011 43 n=0-15 (Device number=MIDI Channel) SUB STATUS 0011nnnn 3n MODEL ID (digital mixer) GROUP ID 00111110 3E...

  • Page 298

    If the store destination is 16383 (0x3FFF), this indicates that the library data has been changed by a external cause (only transmitted by the 02R96) *2) This is also transmitted when a program that has not been assigned to the [Program change table] is recalled.

  • Page 299

    Appendix C: MIDI Refer to the above table for the Functions and Numbers. System exclusive message STATUS 11110000 F0 Manufacture's ID number (YAMAHA) ID No. 01000011 43 n=0-15 (Device number=MIDI Channel) SUB STATUS 0011nnnn 3n MODEL ID (digital mixer) GROUP ID...

  • Page 300

    Request must be transmitted continuously minimum within 10 seconds interval. The data is transmitted continuously while the transmission is en- abled, even when the Automix Status on the 02R96 has been changed. Reception This is echoed if [Parameter change ECHO] is ON.

  • Page 301: Appendix D: Options

    Unscrew the four fixing screws meter bridge will be attached. Using the four supplied 8 mm screws bridge, as shown below. Align the meter bridge with the 02R96, and, using two of the supplied 12 mm screws fully. Screw in the bottom two screws Fully tighten the top two screws Connect the meter bridge cable to the 02R96’s METER port.

  • Page 302

    These button are used to select Layers for metering. The button indicator for the currently selected Layer lights up. If the Meter Follow Layer preference is on (see page 198), these Layers are selected automatically when the LAYER buttons on the 02R96 are pressed. OUTPUT METERING POSITION button & indicators This button is used to set the metering position for Output Chan- nels to pre-EQ, pre-fader, or post-fader.

  • Page 303: Sp02r96 Wooden Side Panels

    Appendix D: Options SP02R96 Wooden Side Panels Attach the side panels as shown below. 02R96—Owner’s Manual...

  • Page 304: Index

    Aux sends chapter 79 AUX, fader mode 7 Balance, stereo out 75 Bars, time signature map 153 BASS MANAGE 118 Battery check 200 BATTERY CHECK page 200 BI-DIRECTIONAL, cascade setting 51 Bulk dump 168 BULK DUMP page 168 02R96—Owner’s Manual...

  • Page 305

    CH SURROUND EDIT page 70 Channel display mode, Pro Tools 172 Channel ID/Channel preference 198 CHANNEL INSERTS button 9 CHANNEL LIBRARY page 123 Channel names, assigning 112 02R96—Owner’s Manual Channel status monitor 48 CHANNEL STATUS MONITOR page Channel strips about 5 Pro Tools 173...

  • Page 306

    GRAB button 13 Grounding screw 28 GROUP button 8 Grouping features 2 input channel compressors 63 input channel EQs 62 input channel faders 65 input channel mutes 64 output channel compressors 100 output channel EQs 94 output channel faders 106 02R96—Owner’s Manual...

  • Page 307

    Individual mode aux send pan 84 input channel pan 68 Initial Data Nominal preference 198 Initializing the 02R96 201 Input & output patching chapter 52 INPUT A & B (BAL) connectors 24 INPUT CH AUX VIEW pages 82 INPUT CH DELAY pages 101...

  • Page 308

    124 outputs 54 patch select window 57 scene memory links 141 slot outputs 54 surround monitor 120 with the encoders 58 Patterns 71 configuring for Pro Tools 169 MIDI port setup 164 USB driver 163 Peak hold 87 02R96—Owner’s Manual...

  • Page 309

    Port IDs 57 Port names 57 Position, compressors 96 Position, inserts 95 Post/pre. See Pre/post Power cord 29 POWER switch 28 Powering up the 02R96 29 Pre/post aux sends 79 metering 87 solo 103 PREFERENCES1 page 197 PREFERENCES2 page 198...

  • Page 310

    145 aux send pan 105 channel page 71 edit page 70 features 3 joystick 70 selecting modes 69 using 69 Switching on the 02R96 29 SYMPHO 5.1 247 SYMPHONIC 228 Tabs, pages 30 Takeover mode, automix 147 Talkback 02R96—Owner’s Manual...

  • Page 311

    Transmitting bulk dump 168 Transport. See Data entry section TREMOLO 230 Trimming automix events 159 Turning channels on or off. See Muting Turning on the 02R96 29 Type I/II EQ 93 Undo automix 148 Undo scene memory 139 UPDATE 146...

  • Page 312

    02R96 Block Diagram x 16 +48V PHANTOM PEAK INPUT 1( . ..56) SIGNAL GAIN INPUT (Gain Reduction) METER (1-16) (Out Meter) METER METER INSERT 4BAND GATE INSERT I/O INSERT AD IN 1( ...16) (1-16) AD Input Keyin 1-16 12ch Group(1-12,13-24...)

  • Page 313

    02R96 Level Diagram Analog Digital Analog Digital INPUT GAIN INSERT PHASE PATCH dBFS Max. Input [+24dBu] [+18dBu] –10 [+10dBu] Nominal [+4dBu] Input –20 GAIN MIN., PAD ON –30 –10 –40 –20 –50 –30 –60 Max. –40 Input [–46dBu] –70 –50 Nominal –80...

  • Page 314: Midi Implementation Chart

    YAMAHA [Digital Mixing Console-Internal Parameters] Model: 02R96 Function... Basic Default Channel Changed Default Mode Messages Altered Note True Voice Number Note On Velocity Note Off Key’s After Ch’s Pitch Bend Control 0-95,102-119 Change Prog Change :True# System Exclusive :Song Pos...

  • Page 315

    YAMAHA CORPORATION V868730 R0 1 IP 320 Pro Audio & Digital Musical Instrument Division P.O. Box 3, Hamamatsu, 430-8651, Japan 02 04 830 AP Printed in Japan...

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