Power Connections; Mounting; Power Requirements; Changing The Fuse - evertz 9025TR Series Instruction Manual

Film footage encoders
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timecode, the AUDIO LTC IN connector is usually connected to the LTC output of your audio
play back device. (Nagra or DAT)

2.1.9. Power Connections

LINE:
The 9025TR Film Footage Encoder has a universal power supply operating on either 115v/60
Hz or 230v/50 Hz AC operation.
2.2.

MOUNTING

The 9025TR is equipped with rack mounting angles and fits into a standard 19 inches by 1.75 inches by
17.75 inches (483 mm x 45 mm x 451mm) rack space. The mounting angles may be removed if rack
mounting is not desired.
2.3.

POWER REQUIREMENTS

Power requirements are 115 or 230 volts AC at 50 or 60 Hz. The 9025TR has a universal power supply
that automatically senses the input voltage. Power should be applied by connecting a 3-wire grounding
type power supply cord to the power entry module on the rear panel. The power cord should be minimum
18 AWG wire size; type SVT marked VW-1, maximum 2.5 m in length.
The power entry module combines a standard power inlet connector, two 5 x 20 mm fuse holders and an
EMI line filter.

2.3.1. Changing the Fuse

The fuse holder is located inside the power entry module. To change the fuses, disconnect the line cord
from the power entry module and pull out the fuse holder from the power entry module using a small
screwdriver. The fuse holder contains two fuses, one for the line and one for the neutral side of the mains
connection. Pull out the blown fuse and place a fuse of the correct value in its place. Use slo blo (time
delay) 5 x 20 mm fuses rated for 250 Volts with a current rating of 1 amp. Carefully reinsert the fuseholder
into the power entry module.
Never replace with a fuse of greater value.
2.4.

SAMPLE CONFIGURATIONS

Several sample installation setups are shown in Figure 2-6 to Figure 2-8 to aid the user in properly
connecting the 9025TR into his system. Contact Evertz technical support for other applications.
Figure 2-6 shows the typical connections required for 1080P/24 video transfers when synchronising
production audio using a telecine edit controller during the telecine transfer. Figure 2-7 shows the typical
connections required for 1080i/60 video transfers when synchronising production audio using a telecine
edit controller during the telecine transfer. In these configurations, the downconverted offline copy of the
video tape will be made in a separate dubbing process.
INSTALLATION
9025TR Series Film Footage Encoders Manual
Revision 1.3
Page 2-7

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