ENSONIQ DP/4 Musician's Manual page 87

LEVEL
ENVELOPE LEVEL 1
--' 1
03 - Envelope Level 1
04 - Envelope Level 2
05 - Envelope Level 3
09 - Envelope Level 4
07 - Envelope Level 5
08 - Envelope Level 6
09 - Envelope Level 7
10 - Envelope Level 8
11 - Envelope Level 9
Section 4 - Algorithms
TIME
Ranges: 00 to 99
These parameters control the output tap levels sequenced in time across the density from input to
output. Envelope Levell is tapped right after the diffusers and before the echoes (see the
topology). If this is undesirable, set Envelope Levell to 00. Envelope Levels 8 and 9 are
positioned at the very end of the Density; setting these too high can cause excessive ringing.
Envelope Levels 8 and 9 are also very dry. Set all nine tap levels to find the envelope for your
application. We recommend the average Envelope Level not to exceed a value of 45 to prevent
overdriving these two reverbs.
12 - NonLin HF Damping
Range: 00 to 99
The HF Damping is located within the density. This parameter selects the amount of high
frequency energy to be filtered out.
13 - NonLin HF Bandwidth
Range: 01 to 99
The high frequency bandwidth parameter acts as a low pass filter on the output signal,
controlling the amount of high frequencies that will be heard. The higher the setting the more
high frequencies are heard. This works the same way that a tone control would work on a guitar.
14 - NonLin Diffusion1
Range: 00 to 99
This parameter smears the input signal transients of higher frequency ranges. Higher values are
recommended for smoother percussion. Very low values will give a highly repetitive echo-like
sound. Diffusionl and 2 exist within each diffuser block (see diagram).
15 - NonLin Diffusion2
Range: 00 to 99
Diffusion2 is similar to Diffusionl, but offers control of lower frequencies. In general a setting of
50 can be considered an equal mix of dry / diffused sound; this setting is a good starting point.
ENSONIQ DP/4 Musician's Manual
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