ENSONIQ DP/4 Musician's Manual page 118

102
Section 4 - Algorithms
06 - Tremolo Sample & Hold Rate
Range: 001 to 100, or Off
This parameter controls the sample rate of a sample and hold network applied to the LFO within
the tremolo. When in "Hold," the effect will be to fix the instantaneous amplitude (if the depth is
not 00). A setting of 001 will have the largest space between holds. Lower settings create a
staccato effect, whereas higher values will increase the amount of samples, making the tremolo
flow more smoothly. This parameter can also be turned off.
07 - Tremolo Left Delay Time
Range: 0 to 1500 ms
This parameter controls the time delay for the left channel regen delay, and has nothing to do
with the tremolo effect.
08 - Tremolo Right Delay Time
Range: 0 to 1500 ms
This parameter controls the time delay for the right channel regen delay.
09 - Tremolo Delay Regen
Range: -99 to +99
This parameter controls the amount of regen applied to the delay time taps. The sign of the value
determines the polarity of the regen. A value of +00 will eliminate the audible delay.
10 - Tremolo Left Echo Time
Range: 0 to 1500 ms
Controls the tremolo echo time for the left side. Higher settings yield a deeper echo.
11 - Tremolo Right Echo Time
Range: 0 to 1500 ms
This parameter controls the tremolo echo time for the right side.
12 - Tremolo Echo Level
Range: 00 to 99
This parameter controls the volume of the discrete echo for both the left and right sides.
13 - Bass Fc
Range: 0 to 1000 Hz
This parameter selects the cutoff frequency of the lower frequency band shelving filter.
14 - Bass EO Gain
Range: -48 to +24 dB
This parameter sets the amount of boost or cut applied to the low shelving filter.
15 - Treble Fc
Range: 01 KHz to 16KHz
This parameter selects the cutoff frequency of the upper frequency band high shelving filter.
16 - Treble EO Gain
Range: -48 to +24 dB
This parameter sets the amount of boost or cut applied to the high shelving filter.
17 - EO Input Level Trim
Range: -24 to +00 dB
This parameter allows you to adjust the input volume of the EQs to eliminate the possibility of
clipping boosted signals.
18 - Mod1 Source
19 - Mod1 Destination
20 - Mod1 Param Range Min
21 - Mod1 Param Range Max
22 - Mod2 Source
23 - Mod2 Destination
24 - Mod2 Param Range Min
25 - Mod2 Param Range Max
See the descriptions under the Algorithm Modulators in the beginning of this section.
ENSONIQ DP/4 Musician's Manual