ENSONIQ DP/4 Musician's Manual page 80

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Section 4 - Algorithms
06 - Trigger Threshold
Range: -96 to +00 dB
Set this parameter as low as possible to work with your particular sound source. To eliminate
false triggering, it should not be set too low. When the input signal rises above this threshold, the
reverse envelope will begin.
07 - HF Damping
Range: 00 to 99
This parameter sounds best when set to low values. It has the same function as in the Plate
Reverb, which is to filter out more and more high frequency energy. For the most natural
sounding reverse effect, we recommend a setting of
00.
08 - Diffusion 1
Range: 00 to 99
Diffusion 1 smears the input signal making a smoother sounding reverb. This parameter controls
the high frequency ranges. For percussion sounds, high values are recommended.
09 - Diffusion 2
Range: 00 to 99
Similar to and in series with Diffusion I, this parameter controls lower frequency ranges.
10 - Decay Definition
Range: 00 to 99
The Decay Definition controls the rate at which echo density is increased with time. If set too
high, the echo density will build at a rate that exceeds the decay rate. This can be used for a
special effect.
11 - Siapback
Range: 0 to 530ms
This parameter controls the delay time of an internal dry signal to create a slapback. This effect
helps to simulate a backwards reverb, since now the dry signal appears at the end. In general we
recommend the Mix (parameter 01) be set all wet (99) for this effect. Rule of thumb: Set this at
about the same value as the Envelope Hold Time (parameter
03).
12 - Siapback Level
Range: 00 to 99
This parameter adjusts the volume of the slapback (internal dry) signal. A value of 00 would
eliminate audible slapback.
13 - Mod1 Source
14 - Mod1 Destination
15 - Mod1 Param Range Min
16 - Mod1 Param Range Max
17 - Mod2 Source
18 - Mod2 Destination
19 - Mod2 Param Range Min
20 - Mod2 Param Range Max
See the descriptions under the Algorithm Modulators, in the beginning of thls section.
ENSONIQ DP/4 Musician's Manual
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