and "Send2 (MFX2)" will be effective. (At this time, the
actual send levels use these Send 1 and 2 values multiplied
by the Send1 and 2 settings for Program oscillators 1 and 2.)
If drum Programs are selected for timbres in Combination
mode and for tracks in Sequencer mode and Song Play
mode, you can select "DKit" for "BUS Select." If you select
"DKit," the "BUS Select" (Global P5: 5–2b) settings for each
key become effective, and each drum instrument sound will
be routed to the corresponding buses. At this time, the
actual send levels use these Send 1 and 2 values, multiplied
by the Send1 and 2 settings for each DrumKit key. (Use the
"Send1" and "Send2" parameters for the post-IFX1–5 signal
to set the send levels for the DrumKit keys for which the
"BUS Select" parameters are set to IFX1–5.) If "BUS Select"
is set to L/R or Off, the actual send levels use the Send 1 and
2 values set here, multiplied by the send levels set for "OSC1
Send1 (to MFX1)" and "Send2 (to MFX2)" (Program P8: 8–
1d) of the Program P8: "Routing" tab. If "BUS Select" is set
to IFX1–5, use "Send1" and "Send2" for the post-IFX signal.
If "BUS Select" is set to 1, 2, 3, 4, 1/2, or 3/4, the Send 1 and 2
settings will be ignored.
2–3. Sampling Mode
You cannot use the Master Effects and Master EQ in Sam-
2–4. Audio Input
In Program, Combination, Sequencer and Song Play modes,
you can apply the Insert Effects, Master Effects and Master
EQ to the signals input from AUDIO INPUTs 1 and 2. These
signals are routed to the TRITON's effects, according to the
"Audio Input (COMBI, PROG, SEQ, S.PLAY)" (Global P0: 0–
Set the send level of the Input 1 and 2 signals routed to the
Master Effects, using "Send 1 (to MFX1)" and "Send 2 (to
MFX2) (Global P0: 0–3a). These settings become effective
only when "BUS Select" is set to L/R or Off. If IFX1–5 is
selected, use the "Send1" and "Send2" parameters ( "3.
Mixer"). If 1, 2, 3, 4, 1/2, or 3/4 is selected, the Send 1 and
Send 2 settings are ignored.
These settings are ignored in Sampling mode.
Use P9: Master Effect in Program, Combination, Song, and
Song Play modes to set the Master Effects and Master EQ.
The send levels determine the input levels of oscillators
(Program), timbres (Combination), tracks (Use the Global
P0: Audio Input tab in all modes), and audio inputs (sam-
pling) that are routed to the Master Effects. The P9: "Master
FX" tabs in all modes enable you to set the output levels and
Master EQ gain values, and connect the Master Effects in
3–1. Return1, Return2
These parameters determine the level of signals output from
MFX1 and MFX2. A value on the left side of the "Wet/Dry"
parameter of a target effect for MFX 1 and 2 is used as the
output level (25% with the "Wet/Dry" parameter setting of
25:75, 100% with the Wet setting, and 0% with the Dry set-
ting). The signals with the "Return1" and "Return2" settings
are multiplied by these output levels, and sent to the L/R
bus, then mixed with the output signals for which "BUS
Select" is set to L/R or for which "BUS Select" of the "Insert
FX" tab is set to L/R. For example, with MFX1 "Wet/Dry"
set to 50:50 (50%) and "Return1" set to 64 (50%), the result-
ant effect level will be 25%. The effect level is maximum
(100%) when "Wet/Dry" is set to "Wet" and "Return1" is set
3–2. Chain check box
Press this box to chain MFX1 and MFX2 to each other.
The following ﬁgure indicates that the output from
"MFX1:016: Stereo Chorus" is added to "MFX2: 052: Reverb
3–3. Chain Direction
If you have checked the "Chain" box, you can set the direc-
tion of the connection here. You can also visually conﬁrm the
direction on the LCD.
3–4. Chain Signal
This parameter enables you to select signals routed between
MFX1 and 2. If the chain direction (order) is from MFX1 to
MFX2, selecting LR Mix will cause the stereo L/R outputs
from MFX1 to be mixed and input to MFX2. This setting is
useful when you wish to serially connect delays that are
panned to L and R (e.g., "043: L/C/R Delay"). Selecting L
Only or R Only will cause only one channel of stereo out-
puts from MFX1 to be input to MFX2. This setting is suitable
for a chain connection of a reverb effect and a modulation
effect such as 016: Stereo Chorus.