Selecting How Tones Are Combined (Patch Structure Screen) - Roland SonicCell User Manual

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Selecting how tones are combined (Patch Structure screen)

Parameter
Str (Structure) Type 1&2, 3&4
Booster 1&2, 3&4
Type 1
TONE 1 (3)
WG
TONE 2 (4)
WG
Type 2
TONE 1 (3)
WG
TVA
TONE 2 (4)
WG
Type 3
TONE 1 (3)
WG
TVA
TONE 2 (4)
WG
Type 4
TONE 1 (3)
WG
TVA
B
TONE 2 (4)
WG
Type 5
TONE 1 (3)
WG
TVA
R
TONE 2 (4)
WG
Type 6
TONE 1 (3)
WG
TVA
R
TONE 2 (4)
WG
Value
1–10
0, +6, +12, +18
With this type, tones 1 and 2 (or 3 and 4) are independent. Use this type when
you want to preserve PCM sounds or create and combine sounds for each
tone.
TVF
TVA
TVF
TVA
This type stacks the two filters together to intensify the characteristics of the fil-
ters. The TVA for tone 1 (or 3) controls the volume balance between the two
tones.
TVF
TVF
TVA
This type mixes the sound of tone 1 (3) and tone 2 (4), applies a filter, and
then applies a booster to distort the waveform.
TVF
B
TVF
TVA
This type applies a booster to distort the waveform, and then combines the two
filters. The TVA for tone 1 (or 3) controls the volume balance between the two
tones and adjusts booster level.
TVF
TVF
TVA
This type uses a ring modulator to create new overtones, and combines the
two filters. The tone 1 (3) TVA will control the volume balance of the two tones,
adjusting the depth of ring modulator.
TVF
TVF
TVA
This type uses a ring modulator to create new overtones, and in addition mixes
in the sound of tone 2 (4) and stacks the two filters. Since the ring-modulated
sound can be mixed with tone 2 (4), tone 1 (3) TVA can adjust the amount of
TVF
the ring-modulated sound.
TVF
TVA
Using the SonicCell in Patch Mode
Explanation
Determines how Tone 1 and 2, and Tone 3 and 4 are connected.
The displayed symbols have the following meanings.
B:
Booster
R:
Ring Modulator
When TYPE05–TYPE10 is selected, the SonicCell can play a maximum of
64 sounds simultaneously.
When a Structure Type of TYPE 3 or TYPE 4 is selected, you can adjust the
depth of the booster.
Higher settings will produce more distortion.
93

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