Roland SonicCell User Manual page 218

Effects List
Parameter Value
Delay
-98– +98%
Feedback #
200–8000 Hz,
Delay HF Damp
BYPASS
Delay
D100:0W–D0:100W
Balance #
Level 0–127
CHORUS → FLANGER
77:
fig.MFX-77
Balance D
L in
Balance W
Chorus
Balance W
R in
Balance D
Parameter Value
Cho Pre Delay 0.0–100.0 ms
Cho Rate # 0.05–10.00 Hz, note
Cho Depth
0–127
Cho Balance # D100:0W–D0:100W
Fln Pre Delay 0.0–100.0 ms
Fln Rate # 0.05–10.00 Hz, note
Fln Depth
0–127
Fln Feedback # -98– +98%
Fln Balance # D100:0W–D0:100W
Level 0–127
218
Description
Adjusts the proportion of the de-
lay sound that is fed back into the
effect. Negative (-) settings will in-
vert the phase.
Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.
Adjusts the volume balance between
the sound that is sent through the de-
lay (W) and the sound that is not sent
through the delay (D).
Output Level
Balance D
L out
Feedback
Balance W
Flanger
Balance W
R out
Balance D
Description
Adjusts the delay time from the direct
sound until the chorus sound is heard.
Modulation frequency of the chorus
effect
Modulation depth of the chorus effect
Volume balance between the direct
sound (D) and the chorus sound (W)
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Modulation frequency of the flanger
effect
Modulation depth of the flanger effect
Adjusts the proportion of the flanger
sound that is fed back into the ef-
fect. Negative (-) settings will invert
the phase.
Adjusts the volume balance between
the sound that is sent through the
flanger (W) and the sound that is not
sent through the flanger (D).
Output Level
SYM RESONANCE
78:
(SYMPATHETIC RESONANCE)
On an acoustic piano, holding down the damper pedal allows
other strings to resonate in sympathy with the notes you play,
creating rich and spacious resonances. This effect simulates
these sympathetic resonances.
fig.MFX-78
L in
Sym. Resonance
R in
Parameter Range
Depth # 0–127
Damper # 0–127
16–15000 Hz,
Pre LPF
BYPASS
BYPASS,
Pre HPF
16–15000 Hz
Peaking Freq
200–8000 Hz
Peaking Gain -15– +15 dB
0.5, 1.0, 2.0, 4.0,
Peaking Q
8.0
16–15000 Hz,
HF Damp
BYPASS
BYPASS,
LF Damp
16–15000 Hz
Lid 1–6
EQ Low Freq 200, 400 Hz
EQ Low Gain -15– +15 dB
EQ Mid Freq 200–8000 Hz
EQ Mid Gain -15– +15 dB
0.5, 1.0, 2.0, 4.0,
EQ Mid Q
8.0
2000, 4000, 8000
EQ High Freq
Hz
EQ High Gain -15–+15 dB
Level 0–127
3-Band
L out
EQ
3-Band
R out
EQ
Explanation
Depth of the effect
Depth to which the damper pedal is
pressed (controls the resonant
sound)
Frequency of the filter that cuts the
high-frequency content of the input
sound (BYPASS: no cut)
Frequency of the filter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)
Frequency of the filter that boosts/
cuts a specific frequency region of
the input sound
Amount of boost/cut produced by
the filter at the specified frequency
region of the input sound
Width of the frequency region
boosted/cut by the 'Peaking Gain'
parameter (larger values make the
region narrower)
Frequency at which the high-fre-
quency content of the resonant
sound will be cut (BYPASS: no cut)
Frequency at which the low-frequen-
cy content of the resonant sound will
be cut (BYPASS: no cut)
This simulates the actual changes in
sound that occur when the lid of a
grand piano is set at different
heights.
Frequency of the low-range EQ
Amount of low-range boost/cut
Frequency of the midrange EQ
Amount of midrange boost/cut
Width of midrange (larger values
make the region narrower)
Frequency of the high-range EQ
Amount of high-range boost/cut
Output Level