Audio Monitoring
Audio Bar Mapping Versus
Dolby E Metadata Program
Configuration
158
If your instrument has Option DPE installed and is decoding Dolby E audio,
the bars in the Audio display are mapped as shown in the following table. The
mapping derives from the Dolby E Program Configuration detected in the
metadata of the Dolby input. If you select a Downmix Program, the two downmix
level bars in the Audio display reflect that program selection.
Dolby E program
configuration
5.1 + 2
5.1 + 2x1
4 + 4
4 + 2 + 2
4 + 2 + 2x1
4 + 4x1
2 + 2 + 2 + 2
2 + 2 + 2 + 2x1
2 + 2 + 4x1
2 + 6x1
8x1 = 1+1+1+1+1+1+1+1
5.1
4 + 2
4 + 2x1
2 + 2 + 2
2 + 2 + 2x1
2 + 4x1
6x1
4
2 + 2x1
4x1
7.1
7.1 Screen
1
L = Left, R = Right, C = Center, M = Mono, S = Surround, e = extra (Le and Re and Ex encoded channels),
b = back, L
= Low Frequency Effects
FE
Audio bar mapping
1
L, C, R, Ls, Rs, L
L1, R1
FE
L, C, R, Ls, Rs, L
M2, M3
FE
L1, C1, R1, S, L2, R2, C2, S
L1, C1, R1, S, L1, R1, L2, R2
L1, C1, R1, S, L1, R1, M1, M2
L1, C1, R1, S, M2, M3, M4, M5
L1, R1, L2, R2, L3, R3, L4, R4
L1, R1, L2, R2, L3, R3, M4, M5
L1, R1, L2, R2, M3, M4, M5,
M6
L1, R1, M2, M3, M4, M5, M6,
M7
M1, M2, M3, M4, M5, M6, M7,
M8
L, C, R, Ls, Rs, L
FE
L1, C1, R1, S, L2, R2
L1, C1, R1, S, M2, M3
L1, R1, L2, R2, L3, R3
L1, R1, L2, R2, M3, M4
L1, R1, M2, M3, M4, M5
M1, M2, M3, M4, M5, M6
L1, C1, R1, S
L1, R1, M2, M3
M1, M2, M3, M4
L, C, R, Ls, Rs, L
Lb, Rb
FE,
L, C, R, Ls, Rs, L
Le, Re
FE,
WFM8200 and WFM8300 Waveform Monitors
Number of programs
available
2
3
2
3
4
5
4
6
6
7
8
1
2
3
3
4
5
6
1
3
4
1
1
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