Korg TRITON Extreme Manual page 70

This function makes adjustments depending on the
ARPEGGIATOR [ON/OFF] state of the combination.
When you copy a combination that was written with
the arpeggiator turned off, it is assumed that you will
leave the arpeggiator off in the song as well. If you
want to use the arpeggiator in the song, you should
write the combination with the arpeggiator turned on,
and then copy it to the song.
If this is checked, the MIDI channels etc. of the tracks
will be corrected. "Multi REC" (0–8a) and "PLAY/
MUTE/REC" (0–1c/2c) will also be set automatically.
In addition, "Recording Setup" Over Write (0–8a) will be
selected. (Note that the automatically-set "Multi REC"
and "PLAY/MUTE/REC" will be reset when you re-
select the song.)
For details on the data that will be adjusted, see below.
The content described here will be corrected automati-
cally. Depending on the settings of the combination, it
may be necessary to make additional changes to the
track settings in addition to the settings here.
6 Press the OK button to execute the Copy From Combina-
tion command, or press the Cancel button to cancel
without executing.
When you execute the command, the song setting data of
the currently selected song will be erased, and overwrit-
ten by the settings of the combination.
If the recorded performance is not reproduced cor-
rectly during playback
If you use the page menu command "Copy From Combi" to
copy the settings of a combination, and then perform multi-
track recording with the arpeggiator turned on, there may
be cases in which the performance during recording is not
reproduced correctly during playback.
Multiple tracks that are set to the same MIDI channel are com-
bined into a single stream of performance data during record-
ing. If there is a track with the same MIDI channel as the track
being played by the arpeggiator, the data played by the arpeg-
giator will be combined with the performance data that was
played manually, and all of this data will be sounded by each
track of the same channel (if "Status" is INT).
In such cases, you can solve the problem by changing the
MIDI channel of the track that is played by the arpeggiator,
and then creating a track that will drive the arpeggiator.
If the recorded performance is not reproduced by the play-
back, check the following conditions.
These settings can be executed automatically if you check
"Auto adjust Arp setting for Multi REC" in the page menu
command "Copy From Combi." Normally, you will check
this to execute the settings. In this case, these adjustments
will not be necessary, but you can verify here that the auto-
matic adjustments have been made.
• Sequencer P7: Arpeggiator, Setup T01–08 page
"Arpeggiator Run" A, B, and "Arpeggiator Assign" settings
• Sequencer P2: Trk Param, MIDI Ch T01–08 page "MIDI
Channel" settings
If "Arpeggiator Run" A and B are checked, and the arpeg-
giator is assigned to a track, make sure that "MIDI Channel"
(Global P1: MIDI) is set to other than 01.
Make sure that the global MIDI channel (Global P1: MIDI,
"MIDI Channel") is set to 01.
Arpeggiator Run MIDI Channel
01 only
If either "A" or "B" are
checked
01 02, 01 03, etc.
01 only
If both "A" and "B" 01 02, 01 03, etc.
are checked
01 02 03, etc.
*1
If the "MIDI Channel" of multiple tracks operated by the arpeggiator
is set only to 01, refer to the lines for "01 only." If the "MIDI Channel"
settings are 01 and one other channel, such as 01 and 02, or 01 and
03, then refer to the lines for "01 02, 01 03 etc." If the "MIDI Channel"
settings are 01 and multiple other MIDI channels, such as 01 and 02
and 03, then refer to the line for "01 02 03, etc."
*2
Correction is necessary only if the tracks operated by a single
arpeggiator are using only "MIDI Channel" 01. In some cases, cor-
rection may also be necessary if the two arpeggiators use the same
MIDI channel.
Depending on the combination settings, it may also be
necessary to change the track settings as well.
The preceding illustration shows the example of copying the
combination J005: "In the Pocket" with "Auto adjust Arp
setting for Multi REC" un-checked in "Copy From Combi."
Select a new song, and actually execute the copy to see the
result. (For more about the arpeggiator settings in this com-
bination, refer to OG p.97)
Using these settings as an example, determine whether cor-
rection is necessary, and if so, what needs to be corrected.
"Arpeggiator Run" A and B are checked, and "MIDI Chan-
nel" 01 and 02 are selected. Corrections must be made. Cor-
rection is necessary for one of the arpeggiators. If you
perform multi-track recording with these settings, the MIDI
channels of T01, 02, 03, 04, 05, and 06 are the same, so the
low-register bass (T01 and T02), the high-register synth
brass/pad (T03, T04 and T06), and the synth mallet played
by arpeggiator B (T05) will have their performance data
combined into one stream, and the performance will not be
reproduced at playback. (T08 is a dummy track used to trig-
ger arpeggiator A.)
1 So that the synth mallet played by arpeggiator B can be
recorded separately, change the MIDI channel of T05.
Select the Sequencer P2: Trk Param, MIDI Ch T01–08
page, and change the T05 "MIDI Channel" to 03.
2 Add settings for triggering arpeggiator B.
Select the Sequencer P2: Trk Param, MIDI Ch T09–10
page, and for track 9 (or any unused track), turn "Status"
Off, and set the "MIDI Channel" to 01. (T09 will be a
dummy track used to trigger arpeggiator B.)
3 Select the Sequencer P7: Arpeggiator, Setup T09–16 page.
Set the track 9 Assign to B.
This will produce the following settings.
Track T01 T02 T03 T04
Assign Off Off Off Off
Status INT INT INT INT
MIDI Ch. 01 01 01 01
This completes the corrections. In the Sequencer P0:
Play/REC, Preference page, set "Track Select" to any
track whose MIDI channel is 01. Check the "Multi REC"
check box and perform multi-track recording.
*1
Correction
Correction required
No correction required
Correction required
Correction required for
only one
No correction required/
*2
Correction required
T05 T06 T07 T08 T09
B Off A A B
INT INT INT Off Off
03 01 02 01 01
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