Global P6: User Arpeggio; 6-1: Pattern Setup - Korg TRITON Extreme Manual

Enable Note Off Receive
On (checked): Note-off messages will be received. Normally
you will uncheck this. This parameter is valid when "Hold"
(Program P1: 1–1b) is checked (Hold On). In the case of a
drum program, you will normally select Hold On. In this
case if "Enable Note Off Receive" is checked, note-off mes-
sages will be received, and the sound will stop (the release
segment of the EG will begin) when the key is released.
5–2b: Mixer
Drum kits will sound using the settings of the program
that is selected in Program mode. These settings are
valid when you have checked "Use DKit Setting"
(Program P4: 4–1b) or "Use DKit Setting" (Program P8:
8–1b). Be aware that while editing a drum kit, the
edited results will not be reflected unless these settings
have been made.
BUS Select (IFX/Indiv.Out Assign)
[L/R, IFX1...5, 1, 2, 3(Tube), 4(Tube), 1/2, 3/4(Tube), Off]
For each key, specify the bus to which the sound will be sent.
For example you might send Snare sounds to IFX1 and Kick
sounds to IFX2 to apply separate insert effects, and send the
remaining sounds to L/R without applying insert effects.
Pan
Specifies the panning for each key.
With a setting of Random, the drum sample will be panned
randomly at each note-on.
Send1 (to MFX1)
Send2 (to MFX2)
For each key, specify the send levels to master effects 1 and
2. These settings are valid when "BUS Select" (5–2b) is set to
L/R or Off.
If "BUS Select" is set to IFX1–5, the send level to master
effects 1 and 2 will be determined by the Program, Combi-
nation, Sequencer, or Song Play mode P8: Insert FX page
parameters "Send 1" and "Send 2" which are located after
the sound passes through IFX1, 2, 3, 4, or 5.
170
[Off, On]
(Bus Select)
[Random, L001...C064...R127]
[000...127]
[000...127]

Global P6: User Arpeggio

Here you can create user arpeggio patterns.
In this page, the TRITON Extreme will sound as it did in the
mode you were in before entering Global mode.
If you entered Global mode from Program mode: Your
editing will apply to the arpeggio pattern that is selected by
the program. Even if you moved from a program in which
the arpeggiator is turned off, it can be turned on by the
ARPEGGIATOR [ON/OFF] key.
If you entered Global mode from Combination mode:
Your editing will apply to the arpeggio pattern that is
selected by the combination. Even if you moved from a com-
bination in which the arpeggiator is turned off, it can be
turned on by the ARPEGGIATOR [ON/OFF] key.
However, it is not possible to turn on an arpeggiator for
which the "Arpeggiator Run" (Combination P0: 0–3a, P7: 7–
1c) parameter A or B is not checked. Also, if the arpeggiator
is not assigned to a timbre by "Arpeggiator Assign" (Com-
bination P7: 7–1b), the arpeggiator will not run.
If you entered Global mode from Sequencer or Song Play
mode: Your editing will apply to the arpeggio pattern speci-
fied for the selected song.
Even if you moved here from settings in which the arpeggia-
tor was turned off, you can use the ARPEGGIATOR [ON/
OFF] key to turn it on. However, it is not possible to turn on
an arpeggiator for which the "Arpeggiator Run" (P7: 7–1a/
2a) parameter A or B is not checked. Also, the arpeggiator
will not operate if it has not been assigned to a timbre in
"Arpeggiator Assign" (P7: 7–1a/2a).
In each of the above cases, you can modify the settings of the
arpeggio pattern even if the arpeggiator is not turned on.
When editing a pattern, it is a good idea to turn on the
arpeggiator and make sure that it is the pattern that you
wish to edit.
If you entered Global mode from Sampling mode:
The arpeggiator will not turn on, nor will it be possible
to edit the arpeggio pattern.
If you want the edited user arpeggio pattern settings to
be backed up even when the power is turned off, you
must write them into memory. Select the "Write Arpeg-
gio Pattern" page menu command to access the Write
Arpeggio Pattern dialog box. Alternatively, press the
SEQUNECER [REC/WRITE] key to access the "Update
Arpeggio Patterns" dialog box. Then press the OK but-
ton to write the edited data.
☞For details on creating an arpeggio pattern, refer to OG
p.94.
6–1: Pattern Setup
6–1a
6–1b
6–1