Korg TRITON Extreme Manual page 134

Fade In
1 Use "Sample Select" (1–1b) to select the sample that you
wish to edit, and use "Edit Range Start" and "Edit Range
End" to specify the editing range.
You can press the SAMPLING [START/STOP] key to
hear the portion on which "Volume Ramp" will be exe-
cuted.
2 Select "Volume Ramp" to access the dialog box.
3 The range to be edited is shown by Range "Start" and
"End."
4 Use the radio buttons to select the type of volume ramp.
Fade In: The volume at Range "Start" will be zero, and
will gradually increase toward "End."
Fade Out: The volume will gradually decrease from the
Range "Start" volume until it reaches zero at "End."
5 In "Curve," specify the way in which the volume will
change.
Linear: The volume will change linearly. For normal
fade-in or fade-out, select Linear.
Power: The volume will change non-linearly. When you
use "Mix" (1–1F) to combine a faded-in waveform with a
different faded-out waveform (i.e., crossfade), using a
Linear fade-in/out may produce an impression that the
volume has dropped in the middle of the curve. In such
cases, use Power to perform the fade-in/out.
6 In "Save to No.," specify the save destination sample
number. By default, an unused sample number will be
selected.
The sample number cannot be specified if "Overwrite" is
checked (☞p.119).
For stereo samples, use "Save to No.(L)" and
"(R)" to specify the save-destination of the L and R chan-
nels.
7 To execute the Volume Ramp command, press the OK
button. To cancel, press the Cancel button.
1–1K: Rate Convert
This command lowers the sampling rate (frequency) of the
sampled data by 2/3, 1/2, 1/3, 1/4, or 1/6. The sampling
frequency of input is fixed at 48 kHz, but you can use this
command to create "down-sampling" effects. The sample
data is thinned to convert it into sample data of a lower sam-
pling frequency.
The "Rate Convert" command is always executed on all
waveform data of the selected sample, regardless of the
"Edit Range Start" and "Edit Range End" settings.
1 Use "Sample Select" (1–1b) to select the sample that you
wish to edit.
Fade Out
2 Select "Rate Convert" to access the dialog box.
3 The sampling rate of the selected sample is shown at the
right of "Rate." At the right of the "->" you can select the
desired amount of the sampling rate conversion: 2/3, 1/2,
1/3, 1/4 1/6. The sampling rate following conversion will
be displayed in Hz.
4 In "Save to No.," specify the save destination sample
number. By default, an unused sample number will be
selected.
The sample number cannot be specified if "Overwrite" is
checked (☞p.119).
For stereo samples, use "Save to No.(L)" and
"(R)" to specify the save-destination of the L and R chan-
nels.
5 To execute the Insert Zero command, press the OK but-
ton. To cancel, press the Cancel button.
This command cannot be executed on a sample whose
sampling rate is 11.025 kHz or less.
Stereo samples must have the same sampling rate.
Although it is possible to select mono multisamples for
-L and -R and convert their sampling rate separately,
they can no longer be handled as a stereo sample in this
case.
1–1L: Reverse
This command reverses the sample data (i.e., exchanges the
beginning and end).
The "Reverse" command is always executed on all wave-
form data of the selected sample, regardless of the "Edit
Range Start" and "Edit Range End" settings.
1 Use "Sample Select" (1–1b) to select the sample that you
wish to edit.
2 Select "Reverse" to access the dialog box.
3 In "Save to No.," specify the save destination sample
number. By default, an unused sample number will be
selected.
The sample number cannot be specified if "Overwrite" is
checked (☞p.119).
For stereo samples, use "Save to No.(L)" and
"(R)" to specify the save-destination of the L and R chan-
nels.
4 To execute the Reverse command, press the OK button.
To cancel, press the Cancel button.
When you execute this command, all of the sample data
will be rewritten to reverse its direction. The P2: Loop
Edit also contains a "Rev" (2–1c) command, which sim-
ply reverses the playback direction without affecting
the sample data itself.
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