About This Manual; Conventions In This Manual - Korg TRITON Extreme Manual

Music workstation/sampler
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About this manual

This "Parameter Guide" contains explanations and other
information regarding the operations of the parameters and
settings on the TRITON Extreme. The explanations are orga-
nized by mode, and page. Explanations and other informa-
tion on the effects and their parameters are also provided for
each effect.
Refer to this guide when an unfamiliar parameter appears in
the display, or when you need to know more about a partic-
ular function.

Conventions in this manual

References to the TRITON Extreme
The TRITON Extreme is available in 88-key, 76-key and 61-
key models, but both models are referred to without distinc-
tion in this manual as "the TRITON Extreme." Illustrations
of the front and rear panels in this manual show the 61-key
model, but the illustrations apply equally to the 88-key and
76-key models.
Keys and knobs [ ]
References to the switches, dials, and knobs on the TRITON
Extreme's panel are enclosed in square brackets [ ]. Refer-
ences to buttons or tabs indicate objects in the LCD display
screen.
Parameters in the LCD display screen " "
Parameters displayed in the LCD screen are enclosed in
double quotation marks " ".
How to read the "Parameter Guide"
(example)
Mode name
Here you can make settings for the LFO that can be used to
cyclically modulate the Pitch, Filter, and Amp of oscillators 1
and 2. There are two LFO units for each oscillator. By setting
Page No.
the LFO1 or LFO2 Intensity to a negative (–) value for Pitch,
Filter, or Amp, you can invert the LFO waveform.
5–1: OSC1 LFO1
Tab No.
Make settings for the "OSC1 LFO1," which is the first LFO
that can be used for oscillator 1.
Tab name
Parameter
number
5–1a: OSC1 LFO1
Parameter
Waveform
name
Select the LFO waveform.
Program P5: Edit-Common LFO
Page menu command
(
)
5–1a
5–1b
5–1c
[Triangle 0...Random6 (Vector)]
Range of possible
parameter values
Boldface type
Parameter values are printed in boldface type.
Content that is of particular importance is also printed in
boldface type.
Procedure steps 1 2 3 ...
Steps in a procedure are listed as 1 2 3 ...
☞ p. ■ , ☞■ – ■
These indicate pages or parameter numbers to which you
can refer.
Symbols
,
These symbols respectively indicate cautions, advice, MIDI-
related explanations, a parameter that can be selected as an
alternate modulation source, a parameter that can be
selected as a dynamic modulation source, and a parameter
that can use the BPM/MIDI Sync function.
Example screen displays
The values of the parameters shown in the example screens
of this manual are only for explanatory purposes, and may
not necessary match the values that appear in the LCD
screen of your instrument.
MIDI-related explanations
CC# is an abbreviation for Control Change Number.
In explanations of MIDI messages, numbers in square
brackets [ ] always indicate hexadecimal numbers.
▼ 5–1: Page Menu Command
5–1A: Swap LFO 1&2
This command exchanges the settings of LFO1 and 2. If LFO2
has been selected as Frequency Modulation AMS1 or 2 of
LFO1, that setting will be cancelled for LFO2 after the LFO1
and 2 settings have been exchanged. If this is selected from
the OSC1 LFO1 or OSC1 LFO2 tab, the LFO1 and LFO2 of
OSC1 will be exchanged.
Page name
1 Select this command to open the dialog box.
5–1
2 Press the OK button.
5–2: OSC1 LFO2
Here you can make settings for the OSC1 LFO2, which is the
second LFO that can be applied to oscillator 1. (☞"5–1: OSC1
LFO1") However in "Frequency Modulation" (5–1b), the
LFO cannot be selected as a modulation source in "AMS1" or
"AMS2."
5–3: OSC2 LFO1
This can be used when "Oscillator Mode" (1–1a) is set to
Double.
Here you can make settings for the OSC2 LFO1, which is the
first LFO that can be applied to oscillator 2. (☞"5–1: OSC1
LFO1")
,
,
,
,
Page menu command No.
Page menu
0–1A
command name
5–1A
iii

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