Hammond XK-5 Owner's Manual
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VALUE
UPPER
PEDAL
LOWER
BANK KEY
PATCH
ENTER
MASTER
VIBRATO
VOLUME
V-3
UPPER
LOWER
DRAWBAR
MENU/EXIT
C-2
C-3
V-2
V-1
CONTROL
PLAY
C-1
UPPER A
C
C
D
D
E
F
F
G
G
A
A
B
PRESET SELECTOR
UPPER
LOWER
RECORD
PEDAL
PEDAL TO
SPLIT
BANK
SUSTAIN
LOWER
OCTAVE
TRANSPOSE
DOWN
UP
LOWER
LESLIE
STOP
FAST
BYPASS
Ownerʼs Manual
Model:XK-5
Th ank you, and congratulations on your choice of the Hammond Draw-
bar Keyboard XK-5.
Th e XK-5 Drawbar Keyboard is condensed the sound and playability of
the legendary Hammond Tone Wheel organ, "solid state" combo organ,
and pipe organ.
Please take the time to read this manual completely to take full advantage
of the many features of your XK-5; and please retain it for future refer-
ence.
UPPER B
LOWER A
MASTER EQUALIZER
BASS
FREQUENCY
GAIN
TREBLE
DEPTH
AMOUNT
DEPTH
MID
ON
SOFT
FAST
THIRD
OVERDRIVE
EFFECT
REVERB
SECOND
LOWER B
PERCUSSION

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Summary of Contents for Hammond XK-5

  • Page 1 Hammond Tone Wheel organ, “solid state” combo organ, and pipe organ. Please take the time to read this manual completely to take full advantage of the many features of your XK-5; and please retain it for future refer- ence. VALUE...
  • Page 2: Important Safety Instructions

    IMPORTANT SAFETY INSTRUCTIONS Read these instructions. Only use attachments/accessories specifi ed by the manufacturer. Keep these instructions. Use only with the cart, stand, tripod, bracket, or table specifi ed by the manufacturer, or sold Heed all warnings. with the apparatus. When cart is used: use cau- tion when moving the cart/apparatus combi- Follow all instructions.
  • Page 3 If the fuse cover is lost, the plug must not be used until a replacement cover is obtained. A replacement fuse cover can be obtained from your local Hammond Dealer. IF THE FITTED MOULDED PLUG IS UNSUITABLE FOR THE SOCKET OUTLET IN YOUR HOME, THEN THE FUSE SHOULD BE REMOVED AND THE PLUG CUT OFF AND DISPOSED OF SAFELY.
  • Page 4: Important - Please Read

    Placement of data that was stored in another MIDI device (e.g., a se- quencer) once it has been lost. Hammond assumes no li- Using the unit near power amplifi ers (or other equipment containing large power transformers) may induce hum. To ability concerning such loss of data.
  • Page 5: Introduction

    INTRODUCTION...
  • Page 6: Table Of Contents

    Table Of Contents USING CONTROLLERS ................32 EXPRESSION PEDAL ..................32 FOOT SWITCH ....................32 IMPORTANT SAFETY INSTRUCTIONS ..........2 LESLIE MODE SWITCH ................32 IMPORTANT - PLEASE READ ..............4 TEMPORARY EQUALIZING (MASTER EQUALIZER) ......33 TRY TO MAKE YOUR OWN SOUND ...........34 INTRODUCTION ......5 SELECT [B] PRESET KEY ................34 Column: Initializing Adjust Presets ............34 MAIN FEATURES ..................
  • Page 7 PRESET KEYS ......................60 PHYSICAL CONTACT ..................93 NAME THE PRESENT SETTING ..............61 RECORD THE CUSTOM CONTACTS ............94 RECORD TO THE PATCH ................62 Column: CONTACTS OF THE B-3/C-3 AND VIRTUAL CONTACTS..95 PED. REG (Pedal Registration Sub Drawbars) ......96 USING THE CONTROL PANEL ..63 RECORD THE SUB DRAWBARS ..............97 PIPE ......................98 WHAT YOU CAN DO ON THE CONTROL PANEL ......64...
  • Page 8 SAVE THE SETUP ....131 CUSTOM PIPES ................... 161 MIDI IMPLEMENTATION CHART ............. 164 SAVE YOUR SETUP ................132 MIDI CHANNEL AND MESSAGE ............. 165 WHAT YOU CAN DO WITH THE USB FLASH DRIVE ......132 SPECIFICATIONS .................. 166 ABOUT USB FLASH DRIVE ..............132 USABLE USB FLASH DRIVE .................
  • Page 9: Main Features

    MAIN FEATURES AUTHENTIC HAMMOND DRAWBAR ORGAN Th e XK-5 is fi rst and foremost a genuine HAMMOND organ with Virtual Tone Wheels to provide its traditional sound. Also available are the tones of vintage “combo” organs, and a variety of pipe organ ranks to provide church and classical organ voices.
  • Page 10: Names And Functions

    NAMES AND FUNCTIONS TOP PANEL ❽ VALUE UPPER PEDAL LOWER ❹ ❶ ❾ BANK KEY PATCH ENTER MASTER VIBRATO ❷ VOLUME ❻ ❼ UPPER LOWER DRAWBAR MENU/EXIT ❸ ❺ CONTROL PLAY UPPER A UPPER B ❿ ⓬ PRESET SELECTOR UPPER LOWER RECORD ⓮...
  • Page 11 MASTER EQUALIZER BASS FREQUENCY GAIN TREBLE DEPTH AMOUNT DEPTH SOFT FAST THIRD OVERDRIVE EFFECT REVERB SECOND PERCUSSION LOWER A LOWER B VIBRATO AND CHORUS PERCUSSION UPPER button ON button Switches the Vibrato & Chorus eff ect on the Upper part. (P. 53) Adds percussion (decay) to the UPPER part.
  • Page 12: Angled Recess

    12 NAMES AND FUNCTIONS - continued REVERB ON button Switches the Reverb eff ect. (P. 56) REVERB DEPTH knob Adjusts the depth of the Reverb eff ect. (P. 56) KEYBOARD KEYBOARD 61 notes of musical keys, 12 notes of Preset keys, water-fall type, non-weighted, virtual multi-contact keyboard.
  • Page 13: Rear Panel

    NORM. REV. NORM. REV. /OTHER ONLY POLARITY POLARITY POWER HAMMOND FS-9H, EXP-50, EXP-20, VFP1, V-20H, V-20R: NORM ❶ AC inlet KORG EXP-2, XVP-10: REV Connect the attached AC cord. Roland ❷ POWER switch EV-5, EV-7: NORM Switches the power of this unit.
  • Page 14 Owner’s Manual...
  • Page 15: Hook-Up

    HOOK-UP...
  • Page 16: Basic Hook-Up

    BASIC HOOK-UP Attach cables and accessories as illustrated. Th ere is no on-board amplifi cation or speaker system. An external amp/speaker is required. When the stereo headphones are connected to the PHONES jack, you can enjoy playing it or practising by yourself. Switch this keyboard, and any external equipment OFF before connecting amps or headphones.
  • Page 17: Connecting The Controllers

    CONNECTING THE CONTROLLERS CONNECTING THE EXPRESSION PEDAL USING EXP-100F 1. Connect the EXP-100F to the “EXP. PEDAL” jack. LESLIE 11 PIN FOOT CONTROLLER LINE OUT 2. Set the CONTROL - EXP. SOURCE at “PEDAL” or EXP. PEDAL CTRL 1 CTRL 2 L / MONO “BOTH”...
  • Page 18: Connecting The Leslie Speaker

    2. Set the keyboard channel - UPPER and the Leslie MIDI channel to the same channel (P. 128). When this unit detects that the Leslie speaker is connected, the Leslie parameters sent through MIDI from this unit are switched from the XK-5 original to those for the Leslie speaker. Owner’s Manual...
  • Page 19: Connecting The 1 Channel Leslie Speaker

    CONNECTING THE 1 CHANNEL LESLIE SPEAKER LESLIE 11 PIN ONTROLLER LINE OUT CTRL 2 L / MONO NORM. REV. POLARITY UPPER PEDAL LOWER BANK KEY PATCH BASIC CONNECTION OF THE LESLIE SPEAKER STATIONARY SPEAKER The word “Stationary Speaker” means ordinary Connect the Leslie Speaker #981/#3300/#122XB and the Leslie 11-PIN jack on this no rotating speaker.
  • Page 20: Expand The Keyboard

    EXPAND THE KEYBOARD Th is instrument can be upgraded to dual keyboards by connecting an external keyboard and pedalboard. 3 KEYBOARDS (USING XLK-5 AND XPK-250) Regardless MIDI jack or templates. MIDI IN 1 IN 2 XLK-3R PK-25R ONLY HEAD CU-1 PHONES KEYBOARD FLASH DRIVE...
  • Page 21: Keyboards (Using Midi Keyboards)

    PER” (P. 128 #2). Refer to the operation manual of the MIDI keyboards, as required. RECOMMENDABLE MIDI KEYBOARD Th e following HAMMOND MIDI pedalboards (compliant with the XK-5) are avail- able from our sales dealers: MIDI pedalboard XPK-100 (13 keys)
  • Page 22: Manuals (With Xlk-5)

    22 EXPAND THE KEYBOARD - continued 2 MANUALS (WITH XLK-5) Regardless MIDI jack or templates. MIDI IN 1 IN 2 XLK-3R PK-25R ONLY HEAD CU-1 PHONES KEYBOARD FLASH DRIVE HOST PEDAL LOWER /OTHER KEYBOARD XLK-5 1. Hook up illustrated as above. NOTE: This illustration shows only the keyboard expansion See P.
  • Page 23: Manuals (With Midi Keyboard)

    2 MANUALS (WITH MIDI KEYBOARD) MIDI MIDI LESLIE 11 PIN LESLIE 11 PIN FOOT CONTROLLER FOOT CONTROLLER LINE OUT LINE OUT IN 1 IN 1 IN 2 IN 2 EXP. EXP. PEDAL PEDAL CTRL 1 CTRL 1 CTRL 2 CTRL 2 L / MONO L / MONO FLASH DRIVE...
  • Page 24: Manual + Pedalboard (With Midi Pedalboard)

    EXPAND THE KEYBOARD - continued 1 MANUAL + PEDALBOARD (WITH MIDI PEDALBOARD) MIDI LESLIE 11 PIN FOOT CONTROLLER LINE OUT IN 1 IN 2 EXP. PEDAL CTRL 1 CTRL 2 L / MONO FLASH DRIVE HOST PEDAL LOWER EXP-100F NORM. REV.
  • Page 25: Power On And Play

    POWER ON AND PLAY...
  • Page 26: Power On

    HOW TO POWER ON After making the necessary connections, follow the procedures below for powering on your XK-5. Please be sure to adhere to the procedure, to prevent malfunction or damage. PROCEDURES 1. Before switching the power ON, set the [MASTER VOLUME] knob to minimum.
  • Page 27: Play With The Patches

    Lower U01 Upper U01 Lower U00 Upper U00 Th e HAMMOND ORGAN’s typical functions such Lower Patch Name (ex: “Cello”) Upper Patch Name (ex: “Stopped Fl”) as “Drawbar Registrations” or the “Leslie Eff ects” are recorded.
  • Page 28: Play With Preset Keys

    PLAY WITH PRESET KEYS Play with “Patches” which assigned on the Preset Keys. WHAT IS “PRESET KEYS”? Th e Preset Keys are the key group which select the Patch (vari- Bank A ous setting) quickly, a Preset Key assigned a Patch. Bank ~ Upper Preset Key NOTE: It explained on “Favorites”...
  • Page 29: Assign Favorite Patches (Favorites)

    Th e function around Preset Keys will changed with “On” and “Off ” of the Favorites. Favorites is “Off” Th e Preset Keys of this keyboard works as similar as recent Hammond organs. Th e Preset Keys “C-C” to “A-A” corresponding patches “U00” to “U99” respectively.
  • Page 30: Switching Favorite On And Off

    ASSIGN FAVORITE PATCHES (FAVORITES) - continued SWITCHING FAVORITE ON AND OFF 1. LOCATE THE MENU MODE 4. LOCATE THE PRESET KEY PAGE VALUE VALUE UPPER PEDAL LOWER UPPER PEDAL LOWER BANK KEY PATCH BANK KEY PATCH ENTER ENTER MASTER MASTER VIBRATO VIBRATO VOLUME...
  • Page 31: Assign A Patch To A Preset Key

    ASSIGN A PATCH TO A PRESET KEY Assignment Patches to the 100 Preset Bank/Key (“C-C” to “A-A”, except A and B) regarding your playlist or changing scene in the song. 1. SWITCH ON THE FAVORITE Switch the Favorite “On” refer to the previous page. 2.
  • Page 32: Using Controllers

    EXPRESSION PEDAL Th e Expression Pedal controls the overall volume or loudness of the XK-5. Th e further you depress the pedal, the louder the sound becomes; the more you pull back on the pedal, the softer it. NOTE: The Expression pedal has specifi c parameters to adjust. (P. 79)
  • Page 33: Temporary Equalizing (Master Equalizer)

    Every room has a diff erent acoustic profi le, and it is often necessary to compensate for this. Th e XK-5’s Master Equalizer allo ws you to tailor the overall tonal profi le of your instrument without changing the contents of the Patches.
  • Page 34: Try To Make Your Own Sound

    UPPER LOWER DRAWBAR MENU/EXIT CONTROL PLAY Go to the page F by pressing [ ] button at 5 times. Th e item DEFAULT will selected. Press the [PLAY] button. Th is returns the XK-5 to the Play mode. Owner’s Manual...
  • Page 35: Pull Out The "B" Drawbars

    Organ terms: Upper, Lower, and Pedal. Th ese parts can be individually played with diff erent sounds. Th e XK-5 has a single keyboard. Plural parts are available simultaneously, by splitting the keyboards or expanding them using a MIDI keyboard.
  • Page 36: Add Effects

    TRY TO MAKE YOUR OWN SOUND - continued ADD EFFECTS VIBRATO AND CHORUS Adding the Classic Hammond Vibrato & Chorus to the sound. [UPPER], [LOWER] buttons VALUE UPPER PEDAL LOWER Switches the Vibrato & Chorus eff ect ON(LED lit)/OFF. BANK KEY...
  • Page 37: Split - Divide The Keyboard By Parts

    NOTE: The Pedal To Lower can be set to play in Lowest, Polyphonic, and Chord modes (P. 126 #1). You can change the playing range of the Pedal To Lower (the upper limit) (P. 126 #2). NOTE: When the XK-5 is expanded to 2 manual, the Pedal To Lower function appears on the inverted physically LOWER keyboard (P.
  • Page 38: Record The Patch To Memory

    TRY TO MAKE YOUR OWN SOUND - continued RECORD THE PATCH TO MEMORY All the previous settings can be recorded to any Patch within Th e Patch can be recorded by using Preset Keys when the Fa- the range of U00 to U99. vorite is “Off ”...
  • Page 39: Setting Up

    SETTING UP...
  • Page 40: Sound Engine Structure

    SOUND ENGINE STRUCTURE Pedal Virtual Exclusive Tonewheel Set Oscillator Upper Keyboard Pedalboard Lower Keyboard Percussion Pedal Lower Upper Drawbars Drawbars Drawbars Pedal V&C Pre Amplifier Multi Effect 1 Vibrato & Chorus Expression Exp. switched if Leslie on Reverb Master Reverb Leslie TC &...
  • Page 41 PEDAL OSCILLATOR There is individual oscillator for Pedal part. This Th e sound source or “engine” of the classic Hammond Organ are the electro-magnetic is for reproduce the Pedal sound which made Tone Wheel generators. On this keyboard, the Tone Wheel engine is replicated digitally.
  • Page 42: Organ Type

    ORGAN TYPE WHAT IS “ORGAN TYPE”? Th ere are various “Organ” types: the Hammond Tone Wheel organs used in everywhere rock, jazz, and Gospel, the transistor organ frequently heard in pop music of 60’s. Clas- sical pipe organ used in classical music or church services. All organs have characteristic sounds.
  • Page 43: Column: Selecting The Organ Types

    Column: SELECTING THE ORGAN TYPES Use the control panel for switching the organ types. Example: Switching the manual part to “Pipe” Press the [DRAWBAR] button. Th e DRAWBAR function mode is displayed and the organ type (“C-3” etc.) of the man- VALUE UPPER PEDAL...
  • Page 44: Harmonic Drawbars

    HARMONIC DRAWBARS™ Th e 9 Drawbars on this keyboard are used to create the basic “Hammond” sounds. Each Drawbar is marked with the register numbers 1 - 8 along the fl at part of the Drawbar. When the Drawbars are fully pushed in, no sound is heard; as the Drawbars are “pulled”...
  • Page 45: Drawbars For The Upper And Lower Parts

    DRAWBARS FOR THE UPPER AND LOWER PARTS PRESET KEYS AND DRAWBARS Th ere are 2 sets of Drawbars for Upper part on the left, Lower part on the right. Use Preset Keys [A ] and [B] to engage each one. Th e operation of the Drawbars is disabled when the other Preset Key is selected, basically.
  • Page 46: Drawbar Registration Patterns

    HARMONIC DRAWBARS™ - continued DRAWBAR REGISTRATION PATTERNS Th e Drawbar Registration is matched by digits. It is easy to remember the typical combinations of the 9 Drawbars by their forms. Th e Drawbar Registrations are grouped into the following 4 patterns: Flute family (2 step pattern) Diapason family (check mark pattern) Accompaniment Flute 8´...
  • Page 47: Modern Drawbar Registrations

    Th e Drawbar registrations introduced on the previous page are typically for classical mu- sic. Th ey were created at the dawn of the Hammond Organ, when it was intended to sound like a pipe or church organ. Later on, as the Hammond Organ spread throughout Jazz, Pop, Rock and (especially) Gospel music, Some timeless registrations become common.
  • Page 48: Drawbars (Vx)

    4´ 2´ 8´ equipped with Drawbars, but the function was diff erent from that of the Hammond Organ. Th e vintage arrangement has been re-created here. Each of the 4 bars on the left functions sim- ilarly to the Hammond Organ. II, III and IV on the right are “Mixture”...
  • Page 49: Drawbars (Farf)

    DRAWBARS (Farf) Th e original Italian Farf type organ was Strings 8´ tablet-equipped with diff erent sounds at Trumpet 8´ Strings 4´ various footages. On this keyboard the op- Strings 16´ Oboe 8´ Piccolo 4´ eration is made with Drawbars instead of Bass 16´...
  • Page 50: Drawbars (Pipe)

    HARMONIC DRAWBARS™ - continued DRAWBARS (PIPE) Open Viole Flauto UPPER: Bourdon Gedeckt Hautbois Diapason Celeste Octave Dolce Flute Mixture 16´ 8´ 8´ 8´ 4´ 4´ 2´ Rohr Super Trom- LOWER: Principal Melodia Octave pette Principal Flute Prestant Flute Mixture 16´ 8´...
  • Page 51: Match The Registration To Drawbars

    MATCH THE REGISTRATION TO DRAWBARS When you recall a patch, the Drawbar registration of the recorded patch is heard, instead of the physical Drawbar setting. If you move any Drawbar, its position takes precedence over the recorded registration by CONTROL - CONTROL MODE is set at “ALWAYS A ”, although the recorded preset is not altered.
  • Page 52: Percussion

    PERCUSSION One of the most importan t features introduced with the Classic B-3 was “Touch- Response” Percussion, which added a distinctive and bright percussive highlight to the top of the Drawbar tone. SOFT FAST THIRD SECOND PERCUSSION [ON] button DECAY Switches the percussion “ON”(LED lit) and “OFF”.
  • Page 53: Vibrato & Chorus

    VIBRATO & CHORUS Th e Hammond Vibrato & Chorus is another hallmark of the Classic Hammond sound. Vibrato alters the pitch slightly, as a violinist, singer, or guitarist might do. Chorus combines a slightly detuned signal with the original for a lush tone.
  • Page 54: Overdrive

    OVERDRIVE Th e Overdrive gives distortion to the sound by increasing the pre-amplifi er input gain. TREBLE DEPTH AMOUNT DEPTH THIRD OVERDRIVE EFFECT REVERB [OVERDRIVE] button Switches ON(LED lit) or OFF the Overdrive eff ect. [OVERDRIVE DEPTH] knob Adjusts depth of the Overdrive eff ect. NOTE: The Overdrive eff ect aff ects all organ types except “Pipe”.
  • Page 55: Leslie

    LESLIE Th e rotating sound of the Leslie Speaker is the natural partner of the Ham- mond Organ. A digital version is built-in to the XK-5; and the controls will also function with a connected external Leslie speaker. LESLIE STOP...
  • Page 56: Multi Effects, Reverb

    MULTI EFFECTS, REVERB Th e XK-5 has on-board Digital Multi Eff ects and Reverb to enhance the playing. Multi Eff ects Reverb TREBLE DEPTH AMOUNT DEPTH THIRD OVERDRIVE EFFECT REVERB MULTI EFFECTS [EFFECT ON] button Toggles “ON”(LED lit) and “OFF” the Multi Eff ects.
  • Page 57: Transpose

    For example, if you set Transpose at [+5], the note “F” sounds when you play the “C” key. (By playing in the key of C the XK-5 sounds in the key of F.) OCTAVE...
  • Page 58: Split, Octave

    SPLIT, OCTAVE Th e XK-5 normal range is the UPPER Keyboard. A split is optional to place the LOWER keyboard parts on the left side of the single keyboard. Th e keyboard can be shifted up or down one octave to facilitate easier play.
  • Page 59: Pedal To Lower, Pedal Sustain

    Th e keyboard that functions as the Pedal To Lower is the Lower range itself if it is on the XK-5 stand-alone, and the Lower keyboard if the Lower keyboard is added to the XK-5. Th e default range of the Pedal To Lower is up to the middle “B”.
  • Page 60: Patch

    PATCH Th e settings you have prepared can be recorded to User Patches. USER AND FACTORY Bank A Th e PATCHES consist of “User’s Patch- es” from U00 to U99 and “Factory Patches” from F00 to F99 as shown left Bank D fi gure.
  • Page 61: Name The Present Setting

    NAME THE PRESENT SETTING GO TO PATCH FUNCTION MODE LOCATE THE MENU MODE VALUE VALUE UPPER PEDAL LOWER UPPER PEDAL LOWER BANK KEY PATCH BANK KEY PATCH ENTER ENTER MASTER MASTER VIBRATO VIBRATO VOLUME VOLUME UPPER LOWER UPPER LOWER DRAWBAR MENU/EXIT DRAWBAR MENU/EXIT...
  • Page 62: Record To The Patch

    PATCH - continued RECORD TO THE PATCH Example: RECORD TO “U32” ENTER THE NAME Enter the name of your Patch. (P. 54) LOCATE THE RECORD MODE PRESET SELECTOR UPPER LOWER RECORD PEDAL PEDAL TO SPLIT BANK SUSTAIN LOWER Press the [RECORD] button. Th e Record mode is displayed. OCTAVE TRANSPOSE DOWN...
  • Page 63: Using The Control Panel

    USING THE CONTROL PANEL...
  • Page 64: What You Can Do On The Control Panel

    WHAT YOU CAN DO ON THE CONTROL PANEL Your access to deep-editing the XK-5. All of the parameters and all of the controls not cov- ered by the top panel knobs and switches are here. VALUE UPPER PEDAL LOWER BANK KEY...
  • Page 65: Play Mode

    PLAY MODE Th e Play mode is basic for all operations. All information necessary for ordinary performance is displayed here. To locate this mode 1. “Play mode” is the default mode at power-up. 2. If the Play mode is not displayed, touch the [PLAY] button. HOW TO READ THE DISPLAY Drawbar Registration UPPER / PEDAL / LOWER...
  • Page 66: Menu Mode

    MENU MODE Th e Menu mode provides a directory of all the various functions. To locate this mode: Press the [MENU/EXIT] button. Th ere are many pages functions available to edit. A menu page has up to four items. Search for the item you wish to edit using the direction buttons, then press the [ENTER] button and enter each Function mode.
  • Page 67: Menu And The Contents

    MENU AND THE CONTENTS ory. (P. 138) 3. DELETE PAGE A For delete a set-up fi le (P. 140) 1. DRAWBAR 4. FORMAT Sets the parameters for the Drawbars of each part. (P. 74) For initializing the USB Flash drive. (P. 133) 2.
  • Page 68: Function Mode

    FUNCTION MODE Th ese modes are for selecting and controlling the function. All modes can be navigated the same way. HOW TO READ THE DISPLAY There is another page above (or below) this page. PARAMETER このページより右(または左)にもページがあ (ITEM) name ることを表します。 PAGE name CURSOR CURSOR VALUE...
  • Page 69: Short Cut To Function Mode

    SHORT CUT TO FUNCTION MODE Each button on the top panel has a built in shortcut-making programming and edit- ing easier. Pressing and holding any of the buttons on the top panel automatically jumps the display to the related function menu item. EXAMPLE OF OPERATION: LOCATE THE PERCUSSION FUNCTION MODE If you wish to edit the percussion settings, press and hold ei-...
  • Page 70: Parameter Operation Example

    FUNCTION MODE - continued PARAMETER OPERATION EXAMPLE: ADJUST THE [FAST] PERCUSSION DECAY TIME ENTER THE FUNCTION MODE LOCATE THE MENU MODE VALUE VALUE UPPER PEDAL LOWER UPPER PEDAL LOWER BANK KEY PATCH BANK KEY PATCH ENTER ENTER MASTER MASTER VIBRATO VIBRATO VOLUME VOLUME...
  • Page 71 RETURN TO THE PLAY MODE VALUE UPPER PEDAL LOWER BANK KEY PATCH ENTER MASTER VIBRATO VOLUME UPPER LOWER DRAWBAR MENU/EXIT CONTROL PLAY Press the [PLAY] button. Th e display returns to the PLAY mode. RECORD TO THE PATCH IF DESIRED VALUE UPPER PEDAL...
  • Page 72: Locking The Display

    LOCKING THE DISPLAY You can lock the display to avoid mistake while playing. To lock the display, switch [POWER] on with pressing [ ] and [ ] until “Display LOCKED” is displayed. To unlock this, repeat the operation above until “Display VALUE UPPER PEDAL...
  • Page 73: Setting The Parameters

    SETTING THE PARAMETERS...
  • Page 74: Drawbar

    DRAWBAR Drawbar sound parameters for each keyboard are set in this mode. To locate this mode: DRAWBARS MENU/EXIT ENTER See “Function mode” (P. 68) for operation details. ⓮ ⓯ ⓰ ⓱ ⓲ ⓳ ⓴ ❶ ❷ ❸ ❹ ❺ ❻ ❼...
  • Page 75: Pedal Part

    Set the sounding range for the PEDAL part with these two parameters. The keyboard on the XK-5 is used in two sec- tions: the organ section (as explained on this See page 118 for details of #19 to 21.
  • Page 76: Patch

    PATCH In this mode you a name your Patch, set which parameters load, and how to link to the Preset Keys. To locate this mode: ENTER MENU/EXIT See “Function mode” (P. 68) for operation details. ⓰ ⓱ ⓲ ⓳ ⓴ ⓯...
  • Page 77: Preset Keys

    ⓬ PATCH LOAD - ANIMATION (B) Th e parameters which relation with Leslie and Vibrato eff ects. ⓭ PATCH LOAD - REVERB (B) Th e parameters which relation with Reverb eff ect. NOTE: Each Patch Load parameter (B) is a Bank parameter. Common for each patch in the cur- rent Bank.
  • Page 78: Control

    FAVORITE FWD, REV: Advance the Favorite Forward or Reverse it. SPRING REVERB SPRING: The Hammond Organ company actually in- This generates the sound of the spring reverb being shaken. vented the spring reverb for its organs in the DELAY TIME: 1940’s.
  • Page 79: Expression

    PEDAL TO LOWER: PROCHORD Triggers the Pedal to Lower note of Pedal part. “PROCHORD” function which adds complex BASS 1C - BASS 3C harmonic voicing to single notes played on Triggers the specifi ed note of Pedal part. BASS 1C - 3C. the UPPER manual based on chord structures P.
  • Page 80: Damper

    CONTROL - continued ⓳ ⓴ ⓱ ⓲ ⓮ ⓯ ⓰ ⓫ ⓬ ⓭ ❹ ❺ ❻ ❼ ❽ ❾ ❿ ❶ ❷ ❸ to total silence. DAMPER Or “Sustain” pedal-analogous to the RIGHT DAMPER pedal on a piano. Sounds are held when this ⓮...
  • Page 81: Display

    footage of the Drawbar group [B] ASSIGNABLE DRAWBARS This keyboard can control the external MIDI ASSIGN - EXTERNAL ZONE (G) equipment using the External Zone (P. 126). Th is is for setting the External Zone corresponding with the footage selected in In that case, the function to use the LOWER [B] Drawbar as the controller for sending various ASSIGN - CONTROL CHANGE NUMBER (G)
  • Page 82: Column: Expression, Leslie Mode

    82 CONTROL - continued Column: EXPRESSION, LESLIE MODE Expression and Leslie Mode are operable with plural means. Sometimes the status of a certain controller diff ers from the actual status. Th is keyboard uses the value last operated as actual. (See “Last Event Priority” in the fi gure below.) Th e actual status of Expression and Leslie Mode is checked on the EXPRESSION MONITOR in the CONTROL function mode and with the lamp of the LESLIE but-...
  • Page 83: Tune

    TUNE In this mode, the entire keyboard is tuned. To locate this mode: MENU/EXIT See “Function mode” (P. 68) for operation details. ❶ MASTER TUNE ❶ MASTER TUNE Th is is for tuning the entire keyboard. Th e setting range is A = 430 to 450 Hz. NOTE: Master Tune is a global parameter.
  • Page 84: Percuss (Percussion)

    PERCUSS (Percussion) Th is mode is for setting the parameters of the Percussio n sounds. To locate this mode: MENU/EXIT Or, holding the either of the [ON], [THIRD], [FAST], [SOFT] buttons for a moment. See “Function mode” (P. 68) for operation details. ❽...
  • Page 85: Vib&Cho (Vibrato & Chorus)

    VIB&CHO (Vibrato & Chorus) In this mode, the settings specifi c to Vibrato & Choru s are adjusted. To locate this mode: MENU/EXIT or, keep pressing either of the [ON UPPER], [ON LOWER] buttons for a few seconds. See “Function mode” (P. 68) for operation details. ❸...
  • Page 86: Leslie

    Leslie 145, small rotary speaker system 147: Leslie 147, large rotary speaker system 122: Leslie 122, large rotary speaker system PR-40: Hammond PR-40, stationary speaker system ❹ / ⓭ SLOW SPEED - HORN / DRUM (L) Sets the rotor speed on the Slow mode. Owner’s Manual...
  • Page 87: External Leslie Speaker

    Th e setting range is 0, 24 to 318 rpm. ❺ / ⓮ FAST SPEED - HORN / DRUM (L) Mode: SLOW FAST SLOW FAST STOP Sets the rotor speed on the Fast mode. Th e setting range is 0, 375 to 453 rpm. ❻ / ⓯...
  • Page 88: Record The Custom Cabinet

    LESLIE - continued 3ch: This is for connecting a 3 channel Leslie cabinet such as the #2101/#2101mk2, 3300/3300W (with stationary speakers). The Drawbar and the percussion sounds are output from the rotary channel, the Pipe voices and bypassed Drawbar and percussion sounds are from the station- ary channel of the Left (or Main) and Right (or Aux, Sub, Animation).
  • Page 89: Cust. Tw (Custom Tone Wheels)

    CUST. TW ( Custom Tone Wheels) In this mode, you select or edit the characteristics of each Tone Wheel set. To locate this mode: ENTER MENU/EXIT See “Function mode” (P. 68) for operation details. WHAT IS CUSTOM TONE WHEELS? On the Tone Wheel organ (ex. “B-3”) the Tone Wheel set consists ❹...
  • Page 90 They has same pitch but diff erent timbre be- tween Tone Wheel F01 and 01 (below fi gure). They are 91 wheels at all on the B-3/C-3. XK-5 has 96 wheels by adding 12 + 5 wheels for ex- tend the fold back (F01 to F12, F92 to F96).
  • Page 91: Record The Custom Tone Wheels

    RECORD THE CUSTOM TONE WHEELS Th e Tone Wheel parameters (= 3 - 10 of the previous page) are for determining the Custom Number for recording. Th e Custom Number is selected and used, when you play. Enter the Custom Name if necessary. PRESET SELECTOR Press the [RECORD] button at any page for Tone Wheel pa- UPPER...
  • Page 92: Contact

    “CHATTERING”. The so-commonly-called “KEY CLICK” on the NOTE: This parameter is a Patch parameter only in this function pages. It is recorded into the Hammond Organs is due to such complicated Patch. phenomena combined. ❷ CUSTOM NAME (CT)
  • Page 93: Physical Contact

    Th is is for selecting at which physical contact number to sound the selected Virtual Con- tact on the keyboard of the XK-5 or XLK-5. Th e setting value is 1--3. Th e larger the value is, the key sounds at the deeper point.
  • Page 94: Record The Custom Contacts

    94 CONTACT - continued RECORD THE CUSTOM CONTACTS Th e Contact parameters (= 2 - 11 of the previous page) are for de- termining the Custom Number for recording. Th e Custom Num- ber is selected and used, when you play. Enter the Custom name if necessary.
  • Page 95: Column: Contacts Of The B-3/C-3 And Virtual Contacts

    As the heights of the actuators and bus bars are uneven (not the same), all footages do not make sound at the same time. Th e so-called “Key-Click” on Hammond Organs is due to the complication of these phenomena.
  • Page 96: Ped. Reg (Pedal Registration Sub Drawbars)

    PED. REG ( Pedal Registration Sub Drawbars) In this function mode, selects and edits the “Sub Drawbars” of the Pedal part. To locate this mode: MENU/EXIT See “Function mode” (P. 68) for operation details. 51⁄3 11⁄3 WHAT IS SUB-DRAWBAR? ❹ 16 22⁄3 13⁄5 The Drawbars 8´...
  • Page 97: Record The Sub Drawbars

    RECORD THE SUB DRAWBARS Th e Pedal Registration parameters (= 2 - 4 of the previous page) are for determining the Custom Number for recording. Th e Cus- tom Number is selected and used, when you play. Enter the Custom name if necessary. PRESET SELECTOR Press the [RECORD] button at any page for Pedal Registration UPPER...
  • Page 98: Pipe

    PIPE In this function mode, adjusts the characteristics of the each pipe stop which used on the organ type “Pipe”. To locate this mode: MENU/EXIT ENTER See “Function mode” (P. 68) for operation details..omitted ... ❸ ❹ ❺ ❻...
  • Page 99 ❽ PAN - DIRECTION (Pi) Adjusts the basic direction of the pipe. Th e setting range is L64 - C - R63 (Left - Center - Right). ❾ PAN - IMAGING (Pi) Sets the arrangement of the pipe. FIX: Sounds the FIXed direction which set by #8 for all notes. L-R: Sounds Left to Right which according to the keys.
  • Page 100: Record The Custom Pipes

    RECORD THE CUSTOM PIPES Th e Pipe parameters (= 2 - 9 of the previous page) are for deter- mining the Custom Number for recording. Th e Custom Number is selected and used, when you play. Enter the Custom name if necessary. PRESET SELECTOR Press the [RECORD] button at any page for Pedal Registration ❷...
  • Page 102: Amp / Eff (Pre-Amplifier / Multi-Effects)

    AMP / EFF (Pre-Amplifi er / Multi-Eff ects) In this function mode, sets the Pre-Amplifi er and Multi-Eff ects. Makes overdrive eff ect by excessive gain of pre-amplifi er. Th e sound made various changed by Multi-Eff ects. To locate this mode: ENTER MENU/EXIT Or, holding either [OVERDRIVE], [EFFECT] button for a while.
  • Page 103   T remolo Th e tremolo modulates the amplitude at cyclically. Level ❻ ❼ ❽ ❾ Depth ❼ TREMOLO - WAVEFORM Sets which waveform is used to modulate the volume. Tri: Triangle wave. The volume changes smoothly. Sqr: Square wave. The volume suddenly rises and falls. Saw: Sawtooth wave.
  • Page 104 AMP / EFF (Pre-Amplifi er / Multi-Eff ects) - continued Wah-Wah Wah-Wah imposes a “speech-like” dynamic to the sound. ❻ ❼ ❽ ❾ ❿ ⓫ ⓬ ❼ Wah-Wah - SOURCE Selects the source of the WAH control. Waveform, EXP: Uses the Expression Pedal like a “Wah Wah pedal”. Rate LFO: Auto-Wah using the built-in ‘LFO - Low Frequency Oscillator’...
  • Page 105 Ring Mod. Th e Ring Modulator creates complex, metallic-like sounds by taking the sum and diff er- ence of the fundamental tone and a second “ring” frequency. ❻ ❼ ❽ ❾ ❿ ⓫ ⓬ ❼ RING MODULATOR - SOURCE Waveform, Selects what to use to modulate the ring frequency.
  • Page 106 AMP / EFF (Pre-Amplifi er / Multi-Eff ects) - continued Phaser Th is eff ect adds a twisting character to the sound by shifting phase. ❻ ❼ ❽ ❾ ❿ ⓫ ⓬ ❼ PHASER - RATE Adjusts the frequency speed. Th e setting range is 0 to 127.
  • Page 107 Flanger Th is eff ect adds the sweeping “Jet Airplane” characteristic, adjustable from a mild shim- mer to a deep “swoosh”. ❻ ❼ ❽ ❾ ❿ ⓫ ⓬ ❼ FLANGER - RATE Adjusts the modulation speed. Th e setting range is 0 to 127. Th e cycle becomes faster as the value increases. Rate ❽...
  • Page 108 AMP / EFF (Pre-Amplifi er / Multi-Eff ects) - continued Chorus Th is “Chorus” is NOT the same as Hammond’s proprietary “Chorus-Vibrato”. Th is ef- fect is the familiar Chorus as heard widely on electric pianos, guitars, etc. ❻ ❼...
  • Page 109 Delay Th is is for adding echo eff ects. ❻ ❼ ❽ ❾ ❿ ❼ DELAY - TYPE Level TYPE = MONO Original Signal Select the type of delay here. Effect Signal MONO: A simply monophonic “echo”. RtoL, LtoR: The delay is alternated in the stereo fi eld. At RtoL the delayed sound comes from the right, and Feedback at LtoR from the left.
  • Page 110: Equaliz (Equalizer)

    In this mode, you adjust the settings for the Equalizer. An Equalizer is used to adjust the tonal quality. Th e XK-5’s built-in Equalizer consists of 3 bands and a recreation of the unique “tone” control that was part of the B-3/C-3.
  • Page 111: Reverb

    REVERB In this function mode, adjusts the reverb eff ect. To locate this mode: MENU/EXIT ENTER Or, holding the [REVERB] button a while. See “Function mode” (P. 68) for operation details. To locate this mode: ❻ ❸ ❹ ❺ ❶ ❷...
  • Page 112: Default

    DEFAULT In this mode, you can go back totally or partially to the factory default settings. To locate this mode: ENTER MENU/EXIT ❾ ❺ ❻ ❼ ❽ ❶ ❷ ❸ ❹ ❼ PEDAL REGISTRATION To initialize each parameter, select the parameter you want to initialize with the [ ][ ] button and press the [ENTER] but- Th is is for initializing the contents of all Pedal Sub Drawbars.
  • Page 113: System

    SYSTEM In this function mode, sets and shows the system parameters. MENU/EXIT ENTER See “Function mode” (P. 68) for operation details. ❿ ❸ ❹ ❺ ❻ ❼ ❽ ❾ ❷ ❶ system is active, Leslie channel is at single, besides [BYPASS] button is “On”.
  • Page 114 Owner’s Manual...
  • Page 115: Midi/Usb

    MIDI/USB...
  • Page 116: Midi/Usb

    MIDI/USB WHAT IS “ MIDI”? MIDI is an acronym of ‘Musical Instrument Digital Interface’. MIDI is the musical instrument industry standard for exchanging performance informa- tion between electronic musical instruments and a sequencer, eff ects, lighting, and sound reinforcement gear, etc. Th e MIDI standard allows instruments made by diff erent manufacturers to eff ectively communicate with each other.
  • Page 117: Main Midi Message

    MIDI CHANNEL MIDI has 16 “Channels”. All channels transmitted through one MIDI cable. Th e channel must match between the sender and the receiver. If not, the machines can not “hear” what the other “says”. MAIN MIDI MESSAGE Th e MIDI information is grouped into a channel message per each of the 16 channels and a system message for all channels.
  • Page 118: Midi Structure

    MIDI STRUCTURE Th is keyboard has “Keyboard Channels” to transmit playing information of the key- boards and “External Zone Channels” to control external MIDI equipment on the keyboards. Map of the Organ Section MIDI structure Octave Shift (part) to USB to MIDI Octave Shift (int.
  • Page 119 Organ Section Map of the MIDI structure Octave Shift (part) Octave Shift (int. zone) Sounding Zone(part) to USB to MIDI HOST Local Control Keyboard Extended Upper Kbd. Contacts Upper Keyboard ExZone U1 ExZone U2 ExZone U3 Upper Keyboard Lower Kbd. Contacts Lower Keyboard Pedal Kbd.
  • Page 120: Using An External Sequencer

    USING AN EXTERNAL SEQUENCER Th is is to record/playback the performance by connecting an external sequencer or computer with DAW to this keyboard. Recording a organ performance to an Sequencer/DAW It requires re-hook up by record/playback if the MIDI FOOT CONTROLLER LINE OUT IN 1 IN 2...
  • Page 121: Recording A Performance To An Computer Daw Over Usb

    Recording a performance to an computer DAW over USB By hooked up with USB cable to computer, it re- MIDI FOOT CONTROLLER LINE OUT IN 1 IN 2 EXP. duce re-hook up the MIDI cables by record and PEDAL CTRL 1 CTRL 2 L / MO playback.
  • Page 122: Using A Midi Synthesizer

    USING A MIDI SYNTH ESIZER You can control an external MIDI sound module with the built-in keyboard and the expanded MIDI keyboard. BASIC HOOK UP 1. Hook up as left fi gure. MIDI FOOT CONTROLLER LINE OUT IN 1 IN 2 EXP.
  • Page 123: Record And Playback

    RECORD AND PLAYBACK Recording a performance to a sequencer/DAW 1. Select the MIDI template “Use Ex...” in ac- MIDI FOOT CONTROLLER LINE OUT IN 1 IN 2 EXP. PEDAL cording to your environment. CTRL 1 CTRL 2 L / MO FLASH DRIVE HOST 2.
  • Page 124: Recording The Performance Including External Zones Over Usb

    Recording the performance including External Zones over USB It does not necessary the re-hook up the MIDI cables Record and Playback your performance with controlling the when switching record/playback by connecting this key- External Zones from / to the external sequencer via USB board to the computer with USB cable.
  • Page 125: H-Bus

    H-BUS Th e [KEYBOARD] jack of this keyboard is our exclusive standard which transmitting both performance information and power supply. cable only for this jack. Th e connectors of this cable are diff erent style between upstream or downstream like the microphone cable. Upstream Downstream...
  • Page 126: Zones

    ZONES To control external MIDI equipment, ranges on the keyboard of this instrument are assigned. Th ey are called “External Zones”. Th e range of the built-in sound engine on this keyboard (called “In- ternal Zone”) is set at the same time. You can use each separately on a single manual keyboard.
  • Page 127: Switch On/Off The Messages

    Sets the range to “compress” the expression information to send to this zone. In the XK-5 default, if the expression pedal is pulled fully back, the output does not perfectly silent. If a GM sound generator is used, the volume would go to zero. Th is is a parameter to balance the two.
  • Page 128: Midi

    MIDI In this mode, you make the basic MIDI settings and the memory dump operation. To locate this mode: MENU/EXIT ENTER See “Function mode” (P. 68) for operation details. ⓳ ⓴ ⓫ ⓬ ⓭ ⓮ ⓯ ⓰ ⓱ ⓲ ❷ ❸...
  • Page 129: Keyboard Channel

    ❿ EXTERNAL ZONES - CONTROL CHANGE On this keyboard the total onboard memory can be transmit- ted as a Memory Dump, as system exclusive messages. To pre- Th is switches the transmission of the Volume and Pan for Ex- vent reception of Memory Dump, select OFF. ternal Zones.
  • Page 130 Owner’s Manual...
  • Page 131: Save The Setup

    SAVE THE SETUP...
  • Page 132: Save Your Setup

    PATCH The patch fi les are saved here. NOTE: If your USB drive is formatted so the XK-5 cannot read it, the XK-5 will initialize your drive automatically. Do NOT use this USB drive for anything else than your XK-5.
  • Page 133: Initialize The Usb Flash Drive

    INITIALIZE THE USB FLASH DRIVE A “fresh” Th e USB fl ash drive must be “initialized”. Th e initializing procedure is as follows: When initializing is completed, all the contents of the USB fl ash drive are erased. VALUE UPPER PEDAL LOWER FLASH DRIVE...
  • Page 134: A Setup File

    A SETUP FILE Th e various setting is saved a fi le which called “Setup File”. A Setup fi le contains shown below; A SETUP FILE Upper U99 Upper U02 Upper U01 Upper U00 Upper Patch Name (ex: “Stopped Fl”) Custom Tone Wheels Custom Cabinets Upper...
  • Page 135: Usb Mass Storage

    USB MASS STORAGE WHAT IS USB MASS-STORAGE? SWITCHING THE FUNCTION OF Th is unit has, in addition to the USB Flash Drive, a built-in USB-TO-HOST JACK “INTERNAL MEMORY” for saving the Set Up Files. Th e USB TO HOST jack is usually used for transmitting Th e Internal Memory can, not only save/read, same as the USB (sending and receiving) the MIDI and the Audio Stream to Flash Drive does, exchange the fi les via the computer and the...
  • Page 136: Save The Setup

    SAV E THE SETUP In this mode, save the Setup fi le into the USB Flash Drive or Internal Memory. To locate this mode: ENTER MENU/EXIT HOW TO READ THE DISPLAY SETUP Name Type of File This indicates there is another SET: SETup SETUP fi le above (or below).
  • Page 137 If you wish to change the Setup name, do not rename on the computer. Please save with new name on the XK-5. The XK-5 saves a Setup fi le which named as same as Setup name for File name. You can read the fi le name by computer, but the Setup name does not visible by computer.
  • Page 138: Load The Setup

    LOAD THE SETUP Load the Setup from USB Flash Drive or Internal Memory into user area. To locate this mode: MENU/EXIT ENTER HOW TO READ THE DISPLAY SETUP Name Type of File This indicates there is another SET: SETup SETUP fi le above (or below). This indicates there is another What your are going to operate page on the right (or on the left).
  • Page 139 VALUE VALUE UPPER PEDAL LOWER UPPER PEDAL LOWER BANK KEY PATCH BANK KEY PATCH ENTER ENTER MASTER MASTER VIBRATO VIBRATO VOLUME VOLUME UPPER LOWER UPPER LOWER DRAWBAR MENU/EXIT DRAWBAR MENU/EXIT CONTROL PLAY CONTROL PLAY Select the parameter which wish to load (see P. 134) by [VALUE] knob.
  • Page 140: Delete The Setup

    DEL ETE THE SETUP To delete the Setup fi le in the USB Flash Drive or Internal Memory at DELETE function mode. To locate this mode: MENU/EXIT ENTER HOW TO READ THE DISPLAY SETUP Name Type of File This indicates there is another SET: SETup SETUP fi le above (or below).
  • Page 141 VALUE UPPER PEDAL LOWER BANK KEY PATCH ENTER MASTER VIBRATO VOLUME UPPER LOWER DRAWBAR MENU/EXIT CONTROL PLAY Press again the [ENTER] button to delete. NOTE: Press the [MENU/EXIT] to exit. VALUE UPPER PEDAL LOWER BANK KEY PATCH ENTER MASTER VIBRATO VOLUME UPPER LOWER...
  • Page 142: Update

    UPDATE In this mode, update the system software (hereinafter, system) in this keyboard from USB fl ash drive, or internal memory. Th e system may updated for improving the quality or stability. To update the system, download the updator and load into this keyboard. To locate this mode: MENU/EXIT ENTER...
  • Page 143 VALUE UPPER PEDAL LOWER BANK KEY PATCH ENTER MASTER VIBRATO VOLUME UPPER LOWER DRAWBAR MENU/EXIT CONTROL PLAY Th e updating process is completed when “Please power off .” is displayed. Once turn off the power and switch on again, the unit will start up with the updated system software.
  • Page 144 Owner’s Manual...
  • Page 145: Frequently Asked Questions

    FREQUENTLY ASKED QUESTIONS...
  • Page 146: Troubleshooting

    TROUBLESHOOTING Malfunction of the buttons, the keys, etc. Turn off the POWER switch once, then turn it on again. If this procedure is not suc- cessful, turn off the POWER switch. While pressing the [RECORD] button, turn the POWER switch on again. (Note that in this case, all parameters all parameters return to their factory-preset status.) No sound is produced when the keys are pressed.
  • Page 147: Appendix

    APPENDIX...
  • Page 148: Midi Template

    MIDI TEMPLATE MIDI TEMPLATE Template Basic 2or3 KBD SeqMContact Messages MIDI IN Sequence Lower Sequence Local Control NRPN Program Change Drawbar Registration External Zone Transmit Channel Tx. Upper 1(disregarded) Tx. Lower 4(disregarded) Tx. Pedal 7(disregarded) Tx. Multi Rx. Upper 1(disregarded) 1(disregarded) Rx.
  • Page 149: Factory Patches

    FACTORY PATCHES Category Name Category Name Vintage B-3 Classic Gospel Purple Smoke Slow Gospel SQUABBLE Contemp.Gospel Open Th e Doors Shout Gospel ChurchPipeOrgan Quiet Praise Drawbars Dimed Refl ctiv Praise Vintage BV 31H Dramatic Praise RetroLounge B-3 Quiet Prayer Full Gospel new Model A &...
  • Page 150: Midi Information

    MIDI INFORMATION MIDI IMPLEMENTATION Leslie Fast (CC#92) Status 2nd Byte 3rd Byte CHANNEL VOICE MESSAGE n=MIDI Channel Number: 0H - FH (Ch. 1 - 16) vv=Control Value: 00H - 7FH (0 - 127) Note Off 0 - 63=Off, 64 - 127=On Status 2nd Byte 3rd Byte This control change is only for receive.
  • Page 151: Drawbars Data List 1

    DRAWBARS DATA LIST 1 CONTROL NUMBER Upper: 50H(80) Lower: 51H(81) Pedal: 52H(82) Upper / Lower Pedal Level 16´ 5 1⁄3´ 8´ 4´ 2 2⁄3´ 2´ 1 3⁄5´ 1 1⁄3´ 1´ 16´ 8´ 00H(0) 09H(9) 12H(18) 1BH(27) 24H(36) 2DH(45) 36H(54) 3FH(63) 48H(72) 00H(0) 09H(9) 01H(1)
  • Page 152: System Exclusive Message

    MIDI INFORMATION - continued SYSTEM EXCLUSIVE MESSAGE MEMORY DUMP MODE SET 1. Each Packet Full Parameters Reset (Rx. only) System Exclusive System Exclusive SUZUKI ID SUZUKI ID Device ID (refer to P. 129 #19) Device ID Model ID MSB Mode ID for DT1 Model ID LSB Command: DT1 Address MSB...
  • Page 153: Global Parameters

    GLOBAL PARAMETERS Category Parameter NRPN SysEx Address SysEx Data Default Description MSB to LSB Length (62) (63) Tune Transpose 3A - 40 - 46 (-6 - 0 - 6) Master Tune 032E - 0338 - 0342 0338 (430 - 440 - 450) Expression Source 00 - 01...
  • Page 154: Patch Parameters

    MIDI INFORMATION - continued PATCH PARAMETERS Category Parameter NRPN SysEx Address SysEx Data Patch Load MSB to LSB Length (62) (63) Upper Name 10 Characters 7 bit ASCII always Lower Name 10 Characters 7 bit ASCII always Internal Zone Pedal To Lower 00, 01 (Off /On) PtoL Mode 00 - 02 (Lower, Chord, Poly)
  • Page 155 Category Parameter NRPN SysEx Address SysEx Data Patch Load MSB to LSB Length (62) (63) Percussion Percussion On 00, 01 (Off /On) DRAWB Th ird On 00, 01 (Off /On) Decay Fast 00, 01 (Off /On) Volume Soft 00, 01 (Off /On) Level On Soft 00 - 0F (1 - 16) Level On Normal...
  • Page 156 MIDI INFORMATION - continued Category Parameter NRPN SysEx Address SysEx Data Preset Load MSB to LSB Length (62) (63) Pedal Tonewheel Set 00 - 03 DRAWB 00: Normal 01: Muted 02: Synth 1 03: Synth 2 Key Attack 00 - 0F (Contact, EG 1 - 15) Key Release 00 - 0F (Contact, EG 1 - 15) Sustain On...
  • Page 157 Category Parameter NRPN SysEx Address SysEx Data Preset Load MSB to LSB Length (62) (63) Eff ects Overdrive On 00, 01 (Off /On) EFFECT p=0: DRAWB Overdrive Type 00 - 03 00: Tube 01: Stomp Box 02: Clip 03: E. Pf. Amp Overdrive Drive Level 00 - 7F Overdrive Controlled Exp.
  • Page 158: Leslie Parameters

    MIDI INFORMATION - continued LESLIE PARAMETERS Category Parameter NRPN (XK) NRPN (21) SysEx Address SysEx Data MSB to LSB Length (62) (63) (62) (63) Cabinet Name (10 Characters) Slow Speed Horn Slow Speed Bass Fast Speed Horn Fast Speed Bass  ...
  • Page 159: Tone Wheel Parameters

    TONE WHEEL PARAMETERS Category Parameter SysEx Address SysEx Data Description MSB to LSB Length T e m p o r a r y Name (10 characters) Tonewheels Level 00 - 16 s: Tonewheel set (-20 - +2 [dB]) 0 = A-100 1 = B-3  ...
  • Page 160 Owner’s Manual...
  • Page 161: Custom Pipes

    CUSTOM SETS LIST CUSTOM TONE WHEELS A-100, B-3, C-3 Real B-3 状態の良い B-3/C-3 をシミュレートしたカスタムです。 控えめなモーターハムとリーケージ ノイズを含んでいます。 80’s Clean 1980 年代に流行したクリアーな音を B-3/C-3 に求めたカスタムです。リーケージノイズは 除去されていますが、モーターの回転むらに起因する微妙な「揺れ」は残っています。 Noisy モーターハムやリーケージノイズも含めて、 B-3/C-3 から出力される全ての音が再生される カスタムです。 Mellow Full Flats 完全な正弦波、全てのトーンホイールが同じ音量で発振する「理想のトーンホイール」を シミュレートしたカスタムです。 Husky 中音域の音量を下げた特性です。 Flute Lead “Husky” とは対照的に、低音域と高音域を下げた特性です。 CUSTOM CONTACT CUSTOM SUB DRAWBARS CUSTOM CABINETS CUSTOM PIPES...
  • Page 162 Owner’s Manual...
  • Page 164: Midi Implementation Chart

    MIDI IMPLEMENTATION CHART Drawbar Keyboard MIDI Implementation Chart Date: 27-Nov-2014 Model: XK-5 Version: 1.0 Function Transmitted Recognized Remarks Basic Default *1: Upper = 1, Lower = 2, Changed 1 - 16 1 - 16 Pedal = 3 Channel Default Mode...
  • Page 165: Midi Channel And Message

    MIDI CHANNEL AND MESSAGE External Zone Upper Lower Pedal (Tx. only) Part Part Part Note Pitch Bend Modulation Volume O *1 (10) Expression (11) O *1 Hold 1 (64) Hold 2 (69) Drawbar Reg. CC#80, CC#81 CC#82 12 - 20 (Upper) 21 - 29 (Lower) 33, 35 (Pedal) Spring Shock...
  • Page 166: Specifications

    SPECIFICATIONS Sound Generator Controllers Volume MTW I(Modelled Tone Wheel I) as Tone Wheels, Transistor Organ and Pipe Organ Master Volume 61 polyphony (for manual, except Pipe Organ) Switch 3 polyphony (for pedal, except Pipe Organ) Power On/Off 64 polyphony (maximum, on Pipe Organ) Storage Keyboards USB Flash Drive...
  • Page 167 Short Cut  69 Index Sounding Point  122 Key Click  74 Split  58 Key Mode  75 Spring Reverb  78 Active Drawbars  81 Stationary Speaker  19 Adjust Preset  34 Sub Drawbar  96 Leakage Tone  74, 90 Assignable Drawbars  80 Sustain  75, 80 Leslie  55, 86 Auto Pan  103 System  113 Leslie Channel  18 Auto Power Off    26 Leslie Mode Switch  32 Leslie Speaker  18 Tone Wheels  42 L/MONO  13 Back Up  26 Transistor  42 Load  138 Transpose  57 Lock  72 Tremolo  103 Cabinet  86 Tune  83 Chorus  108.  also:  Vibrato & Chorus Master Equalizer  33 Contact  92 Match  51 Control  78 Update  142 Menu Mode  66 CONTROL  69 USB  116...
  • Page 168 Owner’s Manual...
  • Page 169: Service

    Although every attempt has been made to insure the accuracy of the descriptive contents of this Manual, total accuracy cannot be guaranteed. Should the owner require further assistance, inquiries should fi rst be made to your Authorized Hammond Dealer. If you still need further assistance, contact Hammond at the following addresses:...
  • Page 170 Printed in Japan SUZUKI MUSICAL INST. MFG. CO., LTD. Hamamatsu, Japan 00457-40195 V1.00-151006...

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