Korg Krome Parameter Manual page 370

Appendices
Using the joystick to apply modulation
Modulation 1 depth (CC#01) [Bn, 01, vv]
When you move the KROME's joystick in the +Y direction
(Vertical upward), Modulation 1 Depth messages will be
transmitted. When these messages are received, the same
effect will be applied as when the KROME's joystick is
operated. Normally this will apply a vibrato effect (pitch
LFO).
• In Combination and Sequencer modes, transmission/
reception can be turned on/off for each timbre/track
(Enable JS+Y Combi/Seq 5–3(4)c).
Modulation 2 depth (CC#02) [Bn, 02, vv]
When you move the KROME's joystick in the –Y direction
(Vertical downward), Modulation 2 Depth messages will be
transmitted. When these messages are received, the same
effect will be applied as when the KROME's joystick is
operated. Normally this will apply a wah effect (filter LFO).
• In Combination and Sequencer modes, transmission/
reception can be turned on/off for each timbre/track
(Enable JS–Y Combi/Seq 5–3(4)c).
Other manufacturers use this message for other purposes
(e.g., breath controller, etc.)
Controlling portamento
Portamento time (CC#05) [Bn, 05, vv]
If you assign the above CC# to an Assignable Pedal or knobs
1–4 when the Realtime Controls USER is selected, rotating
that knob will transmit Portamento Time messages, and will
modify the speed at which the portamento pitch changes.
When this message is received, the result will be the same as
when the controller is operated.
Portamento switch (CC#65) [Bn, 41, vv]
When the above CC# is assigned to SW1, SW2 or the
Assignable Switch, operating that switch will transmit
vv=127 [7F] for ON or vv=0 [00] for OFF, and the portamento
effect will be switched on/off. When this message is
received, the result will be the same as when the controller is
operated. (vv of 63 [3F] or less will be OFF, and 64 [40] or
greater will be ON.) (See "SW1/2 Assignments" on page 348)
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (Enable Portamento
SW Combi 5–1(2)c/Seq 3–1a).
• In Sequencer mode, portamento time/switch messages
will be transmitted by each track whose Status is BTH,
EXT, or EX2 when you set Portamento (Seq 3–3(4)c), re‐
select a song or SMF, or return to the beginning of a
measure. For more information, please see "Portamento"
on page 126.
Controlling volume
Volume (CC#07) [Bn, 07, vv]
When the above CC# is assigned to the Assignable Pedal or
knobs 1–4 when the Realtime Controls USER is selected,
operating that controller will transmit Volume messages,
and the volume will change. When this message is received,
the result will be the same as when the controller is
operated.
Expression (CC#11) [Bn, 0B, vv]
When the above CC# is assigned to the Assignable Pedal or
knobs 1–4 when the Realtime Controls USER is selected,
operating that controller will transmit Expression messages,
and the volume will change. When this message is received,
the result will be the same as when the controller is
operated.
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The volume of the KROME is determined by multiplying
the value of the Volume message with the value of the
Expression message.
If adjusting the Volume message does not increase the
volume as you expect, or if there is no sound, transmit MIDI
messages from an external device to reset the value of the
Expression message (set vv to 127).
Note: In Sequencer mode, this will be reset when the
Location of the song is moved to 001:01.000.
• In Combination mode, Volume messages will be
transmitted by each timbre whose Status is EXT or EX2
when you re‐select the combination.
• When you change the Volume setting (Seq 0–3(4)b) in
Sequencer mode, or when you re‐select the song or return
to the beginning of the song in Sequencer mode, volume
messages will be transmitted by each track whose Status
is BTH, EXT, or EX2. See Global P1: MIDI "Track MIDI
Out" on page 200.
Note: Regardless of the Status settings, re‐selecting a song,
or returning to the beginning will reset the internal Volume
value to the value specified by each track (the starting
settings), and will reset the Expression value to the
maximum.
Note: This message can be used to control the volume of
each MIDI track. Normally, you will include a Volume
message in the MIDI track setting data (the settings at the
beginning of the track) to set the initial volume, and use
Expression to create changes in dynamics as the song
progresses.
By using the universal exclusive Master Volume message,
you can adjust the overall volume without changing the
volume balance between timbres or tracks. ("About system
exclusive messages" on page 365)
Controlling pan (stereo position)
Pan (CC#10) [Bn, 0A, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the Assignable Pedal or
knobs 1–4 when the Realtime Controls USER is selected,
operating that controller will transmit Pan messages, and
the panning will change. When this message is received, the
result will be the same as when the controller is operated.
• When you set the Pan (Seq 0–3(4)b) in Sequencer mode, or
when you re‐select the song or return to the beginning of
the measure in Sequencer mode, Panpot messages (except
for RND) will be transmitted by each track whose Status
is BTH, EXT, or EX2. See "Pan" on page 113, Global P1:
MIDI "Track MIDI Out" on page 200.
Post insert effect pan (CC#08) [Bn, 08, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the Assignable Pedal or
knobs 1–4 when the Realtime Controls USER is selected,
operating that controller will transmit Post Insert Effect
Panpot messages, and the panning of the sound following
the insert effect will change. When this message is received,
the result will be the same as when the controller is
operated.
• In Program mode, this message is transmitted/received on
the global MIDI channel. In Combination, and Sequencer
modes, this message is transmitted/received on the MIDI
channel specified for each insert effect.
• When you set Pan: #8 (Seq 8–3b) in Sequencer mode, or
when you re‐select the song or return to the beginning of
the measure in Sequencer mode, Post Insert Effect Panpot