Korg Krome Parameter Manual page 17

Per‐Oscillator parameters apply to OSC1 and 2 individually,
and are marked as such: OSC1 and OSC2.
Each slider can be assigned to only one parameter, and each
parameter can be assigned to only one slider.
To swap a parameter from one slider to another, you'll need
to first un‐assign it from the old slider, and then assign it to
the new slider.
Value
This shows the current value of the parameter. The range of
values will depend on the parameter assigned to the slider.
Common Tone Adjust Parameters
These parameters affect both Oscillators 1 and 2.
Unless otherwise noted, all of the Common Tone Adjust
parameters are Relative.
Note: At the right of each parameter, the (value range and
CC#) are shown in parentheses.
Off. This means that the Tone Adjust control has no effect.
Filter Cutoff. (–99...+99, CC#74)
This scales the cutoff frequency of all of the filters at once. It
affects both Filters A and B.
Filter Resonance. (–99...+99, CC#71)
This scales the resonance of all of the filters at once. It affects
both Filters A and B.
Filter EG Intensity. (–99...+99, CC#79)
This scales the effect of the Filter EG on the cutoff frequency.
It affects Filters A and B simultaneously.
–99 means no modulation. +99 means maximum.
Modulation is in the same direction, positive or negative, as
the original Program. For instance, if the original Program's
EG Intensity was set to –25, then setting the Tone Adjust to
+99 moves the EG Intensity to –99.
Amp Velocity Intensity. (–99...+99)
This scales the effect of velocity on the Amp level.
–99 removes the velocity modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
F/A EG Attack Time. (–99...+99, CC#73)
This scales the attack times of the Filter and Amp EGs, along
with other related parameters.
When the value is +1 or more, this also affects the Amp EG's
Start and Attack Levels, Start Level AMS, and Attack Time
AMS, as described below:
Between values of +1 and +25, the Start Level, Start Level
AMS, and Attack Time AMS will change from their
programmed values to 0. Over the same range, the Attack
Level will change from its programmed value to 99.
F/A EG Decay Time. (–99...+99, CC#75)
This scales the decay and slope times of the Filter and Amp
EGs. It interacts with CC# 75.
F/A EG Sustain Level. (–99...+99, CC#70)
This scales the sustain levels of the Filter and Amp EGs.
F/A EG Release Time. (–99...+99, CC#72)
This scales the release times of the Filter and Amp EGs.
Filter EG Attack Time. (–99...+99)
This scales the attack times of the Filter EGs.
Filter EG Decay Time. (–99...+99)
This scales the decay and slope times of the Filter EGs.
Filter EG Sustain Level. (–99...+99)
This scales the sustain levels of the Filter EGs.
Filter EG Release Time. (–99...+99)
This scales the release times of the Filter EGs.
PROG P0: Play 0–7: Tone Adjust
Amp EG Attack Time. (–99...+99)
This scales the attack times of the Amp EGs.
Amp EG Decay Time. (–99...+99)
This scales the decay and slope times of the Amp EGs.
Amp EG Sustain Level. (–99...+99)
This scales the sustain levels of the Amp EGs.
Amp EG Release Time. (–99...+99)
This scales the release times of the Amp EGs.
Pitch EG Attack Time. (–99...+99)
This scales the attack times of the Pitch EG.
Pitch EG Decay Time. (–99...+99)
This scales the decay and slope times of the Pitch EG.
Pitch EG Sustain Level (N/A). (–99...+99)
This scales the sustain levels of the Pitch EG.
Pitch EG Release Time. (–99...+99)
This scales the release times of the Pitch EG.
Pitch LFO1 Intensity. (–99...+99, CC#77)
This scales the effect of LFO1 on the Pitch.
–99 removes the LFO modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
LFO1 Speed. (–99...+99, CC#76)
This scales LFO1's frequency. When the LFO is in MIDI/
Tempo mode, this adjusts the Base Note. For more
information, please see "Frequency" on page 42.
LFO1 Fade. (–99...+99)
This scales LFO1's fade‐in time. For more information,
please see "Fade" on page 43.
LFO1 Delay. (–99...+99, CC#78)
This scales LFO1's delay time ‐ the time between note‐on
and the onset of the LFO. For more information, please see
"Delay" on page 43.
This parameter interacts with CC# 78.
LFO1 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO1 is stopped
or running. For more information, please see "Stop" on
page 42.
The PROG setting restores the Program's original values.
For example, if you set this to PROG when the oscillator 1
LFO is stopped and oscillator 2 is playing, the original
setting of the parameter will be used.
LFO2 Speed. (–99...+99)
This scales LFO2's frequency. When the LFO is in MIDI/
Tempo mode, this adjusts the Base Note. For more
information, please see "Frequency" on page 42.
LFO2 Fade. (–99...+99)
This scales LFO2's fade‐in time. For more information,
please see "Fade" on page 43.
LFO2 Delay. (–99...+99)
This scales LFO2's delay time ‐ the time between note‐on
and the onset of the LFO. For more information, please see
"Delay" on page 43.
LFO2 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO2 is stopped
or running. For more information, please see "Stop" on
page 42.
Common LFO Speed. (–99...+99)
This scales the Common LFO's frequency. When the LFO is
in MIDI/Tempo mode, this adjusts the Base Note.
Unison. (Off/On, Absolute)
This Absolute parameter turns Unison on and off. For more
information, please see "Unison" on page 13.
Number Of Voices. (2...6, Absolute)
This Absolute parameter sets the number of Unison voices.
If Unison is not On, this parameter has no effect. For more
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