Korg Krome Parameter Manual page 352

Appendices
level falls. With negative (–) values of Intensity to A and
Intensity to B, the phase of the LFO will be inverted.
• If you use a controller such as SW1 or 2 as the AMS, you
can apply the auto‐wah effect when desired by pressing
the SW1 or SW2 switch.
Filter Common LFO (Prog 3–4b)
You can use the EG, LFO, keyboard tracking, controllers, or
tempo etc. to control the Common LFO filter modulation
intensity. You can use Intensity to A and Intensity to B to
specify the intensity separately for Filter A and B.
• You can set AMS to a controller, and operate the
controller only when desired to control the depth of the
filter sweep produced by the Common LFO.
Driver Drive (Prog 4–1a)
Driver Low Boost (Prog 4–1a)
You can use the EG, LFO, keyboard tracking, controllers,
and tempo etc. to control the driver's boost and low boost.
Although you can use separate AMS to control these two
parameters, it is also effective to control them
simultaneously by using controllers such as the knobs etc. (It
is particularly effective to control the filter resonance at the
same time. This is also nice for synth bass sounds.)
• If you choose Knob Mod.1 (CC#17) as the AMS, set
Intensity to a positive (+) value, and set Realtime Controls
to USER, turning knob 1 toward the right of center will
raise the drive or low boost level, while turning the knob
toward the left of center will lower the drive or low boost
level. If Intensity is set to a negative (–) value, the
opposite will occur.
• If you set AMS to Common LFO, LFO 1, or 2, the drive
amount will be controlled cyclically by the LFO.
Amp (Prog 4–2b)
The volume can be controlled by the pitch/filter EG,
Common LFO, controllers, or tempo etc.
• If an EG or controller that changes with a positive (+)
value (EXT(+)) is selected as the AMS, setting the
Intensity to +99 will allow you to increase the volume to a
maximum of eight times that of the current volume.
• If an EG, LFO, or controller that changes with a ± value
(Pitch EG, Filter EG, LFO, KT, EXT(+–) is selected as the
AMS, setting the Intensity to +99 will allow you to
increase the volume to a maximum of eight times that of
the current volume (for positive (+) changes of the AMS),
or to decrease the volume to zero (for negative (–)
changes of the AMS).
• In addition to the time‐variant changes in volume
produced by the amp EG, you can also make the volume
change in synchronization with the pitch/filter EG. Select
Pitch EG or Filter EG as the AMS, and adjust Intensity. If
you wish to cancel the effect of the Amp EG and use the
pitch/filter EG to control the volume, set all levels of the
Amp EG to +99.
Amp LFO1/2 Intensity (Prog 4–2b)
The amp modulation intensity of LFO 1/2 can be controlled
by the EG, Common LFO, keyboard tracking, controllers, or
tempo etc.
• If you select EG as the AMS, the depth of the tremolo
effect produced by LFO modulation will change in
synchronization with the changes in EG level. If you set
Intensity to a positive (+) value, the tremolo effect will
deepen as the EG level rises, and lessen as the EG level
falls. If Intensity is set to a negative (–) value, the phase of
the LFO will be inverted.
• If select a controller such as SW1 or 2 as the AMS, you
can apply the tremolo effect by pressing the SW1 or SW2
switch when desired.
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Pan (Prog 4–1c)
The oscillator pan can be controlled by the EG, LFO,
keyboard tracking, controllers, or tempo etc.
• If you select Note Number as the AMS and set Intensity
to +50, panning will be controlled by the keyboard
position: center at the C4 note, far right at C9 or above,
and far left at C–1 or below.
• If EG is selected as the AMS, the oscillator pan will be
controlled in synchronization with the changes in EG
level. If Intensity is set to a positive (+) value, the pan will
move toward the right as the EG level increases, and
toward the left as the EG level decreases. If Intensity is
set to a negative (–) value, the opposite effect will occur.
EG Reset —
Pitch EG (Prog 2–8a)
Filter EG (Prog 3–5a)
Amp EG (Prog 4–3a)
You can use the EG, LFO, keyboard tracking, controllers, or
tempo etc. to control EG Reset. Use the Threshold setting to
specify the AMS value at which result will occur.
• By setting AMS to Common LFO, you can reset the
envelope cyclically at the interval of the Common LFO.
The result is just as if the shape specified by the envelope
were being used as a special LFO.
• You can reset the envelope by setting AMS to a controller
such as JS+Y, and operating the controller when desired,
producing a one‐shot filter envelope sweep.
EG Level —
Pitch EG (Prog 2–8c)
Filter EG (Prog 3–5c)
Amp EG (Prog 4–3c)
EG levels can be controlled by the Common LFO, keyboard
tracking, controllers, or tempo etc.
You can specify an Intensity value for each EG segment
(Start, Attack, Break). If you set the Intensity value to +66,
you will be able to control the respective level over a
maximum range of ±99.
• Set AMS to Velocity for Amp EG Level Modulation,
Intensity Start to +00, Attack to +66, and Break to –66.
Set all Amp EG levels to +00. As you play with increasing
velocity, the EG levels will change more greatly. At the
maximum velocity, the Start Level will stay at +00, but the
Attack Level will change to +99 and the Break Level will
change to –99.
EG Time —
Pitch EG (Prog 2–8c)
Filter EG (Prog 3–5c)
Amp EG (Prog 4–3d)
EG times can be controlled by the Common LFO, keyboard
tracking, controllers, or tempo etc.
You can specify an Intensity value for each EG segment
(Attack, Decay, Slope, Release). EG times are determined
by the Alternate Modulation value when the preceding
point is reached. For example, the Alternate Modulation
value at the moment the envelope reaches the attack level
will determine the decay time.
If Intensity is set to a value of 8, 17, 25, 33, 41, or 49, the
corresponding time can be multiplied by a maximum of 2, 4,
8, 16, 32, or 64 times (or divided by 1/2, 1/4, 1/8, 1/16, 1/32, 1/
64).
• Select JS +Y:CC#01 for AMS, and set AMS Intensity to +8,
At to +, Dc to –, and Sl and Rl to 0. When you move the
joystick in the +Y direction, the Attack Time will be
lengthened by a maximum of 2 times. The Decay Time
will be shortened by a maximum of 1/2. The Slope and
Release times will not change.