Creating songs (Sequencer mode)
6. Set the number of measures in the pattern to a
"Length" of 04 (four measures), and set "Meter" to
a time signature of 4/4. Press the OK button.
7. As necessary, set "REC Resolution" to apply
8. Begin realtime recording.
You can record in the same way as you did when
recording tracks with Loop All Tracks. (See "Loop
All Tracks" on page 93.)
Press the SEQUENCER REC/WRITE switch, and
then press the SEQUENCER START/STOP switch.
After the pre‐count, pattern recording will begin.
Play the keyboard and operate the joystick and
other controllers to record your performance.
Control data in pattern recording
To record control data in a pattern, you should restore
the control data to its normal value within the pattern.
If you fail to restore the normal value, unnecessary
control data may remain in a "stuck" position when
you place the pattern in a song or use the RPPR
function to play the pattern. However, the following
control data will be automatically reset to the
following values when the song or RPPR function
finishes playing the pattern, or when playback is
Modulation 1 (CC#01)
Modulation 2 (CC#02)
Ribbon controller (CC#16)
Damper switch (CC#64)
When you reach the end of the pattern, the
sequencer will return to the beginning of the pattern
and continue recording. If you continue recording,
the newly recorded data will be added to the
9. If you want to delete specific data while you
continue pattern recording, you can press the
SEQUENCER REC/WRITE switch or check the
"Remove Data" check box.
For details refer to step 6 of "Loop All Tracks" on
10.Press the SEQUENCER START/STOP switch to
If you made a mistake or decide to re‐record, press
the SEQUENCER START/STOP switch to stop
recording, and press the COMPARE switch. Then
begin the pattern recording procedure again as in
Sostenuto switch (CC#66)
Soft switch (CC#67)
EG sustain level (CC#70)
Resonance level (CC#71)
EG release time (CC#72)
EG attack time (CC#73)
Low pass filter cutoff (CC#74)
EG decay time (CC#75)
LFO1 speed (CC#76)
LFO1 depth (pitch) (CC#77)
LFO1 delay (CC#78)
Filter EG intensity (CC#79)
SW1 modulation (CC#80)
SW2 modulation (CC#81)