Korg Oasys Operation Manual page 240

Appendices
PolysixEX
(Optional)
MOD-7
(Optional)
Combinations
Drum Kits
The number of ...
-Combinations
-Programs
-Drum Kits
Sampling
Effects
232
CMT Modeling Uses Korg's CMT modeling, reproducing not only the sound but also the character and response
curve of each parameter in a way that is completely faithful to the original model.
Oscillators VCO: Saw, Pulse, PWM
Sub Oscillator: Off, 1 octave below, 2 octaves below
Filter 24dB/octave Low Pass self-resonant filter
Effects Integrated Polysix Chorus, Phase, and Ensemble.
Arpeggiator Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation Original ADSR EG and MG (updated with MIDI sync).
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Waveshaping VPM Combines Variable Phase Modulation (VPM), waveshaping, ring modulation, PCM sample playback,
Synthesizer and subtractive synthesis
Oscillators 6 VPM/Waveshaper/Ring
Modulation Oscillators
PCM Oscillator
Noise generator with saturation and dedicated lowpass filter
Audio input Run real-time audio through the VPM Oscillators and filters
Filters Dual multi-mode filters per voice
Parallel and 24dB(4-Pole) configurations
Low Pass, High Pass, Band Pass, and Band Reject modes
Multi Filter mode (Filter A only)
Patch Panel Supports both 79 algorithms and free patching
Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion
Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard
AMS Mixers plus 4 simple AMS Mixers
16 Timbres Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI
devices
Master Keyboard
functionality
Advanced Vector Synthesis Control Timbre volumes and synthesis & effects parameters via the Vector Joystick and the tempo-
synchronized Vector Envelope.
Stereo and mono drum samples.
4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer).
User Combinations 1,792 Combinations/384 Preload
User Programs 1,664 Programs/1290 Preload (650 PCM + 640 EXi)
User Drum Kits 152 Drum Kits/40 Preload
General MIDI 2 Programs 256 GM2 Programs
General MIDI 2 Drum 9 GM2 Drum Programs
Programs
Open Sampling System (Resampling, In-Track Sampling)
16bit/48kHz: Stereo/Mono Sampling
Sampling time RAM: Maximum sampling time depends on the amount of RAM memory (see "PCM RAM").
In the case of 500 MB, approximately 93 minutes of monaural or 46 minutes 30 seconds of stereo
sampling is possible.
DISK: Maximum sampling time to the internal hard disk is approximately 80 minutes per sample file,
for either mono or stereo. This will use approximately 440 MB for monaural or 879 MB for stereo.
Number of samples/ 4,000 Samples/1,000 Multisamples (Max. 128 indexes per Multisample.)
multisamples
Sample directly from audio CDs (CD-DA)
Load AKAI S1000/3000, KORG Format, AIFF, and WAVE sample data
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
12 Insert Effects In-line processing; stereo in - stereo out.
2 Master Effects Two effects sends; stereo in - stereo out.
2 Total Effects For overall processing on the main outputs, such as compression, limiting, and EQ; stereo in - stereo
out.
3-band Track EQ High, low, and sweepable mid band. Per Program in Program Mode, per Timbre in Combination
mode (16 total), and per Track in Sequencer mode (32 total).
185 different Effects types Any Effect type may be used for Insert, Master, or Total Effects.
Dynamic Modulation Real-time control of effects parameters.
Common LFO Synchronized LFO modulation of multiple effects.
Effects Control Bus Stereo side-chaining for compressors, gates, vocoders, etc.
Effects Presets Up to 32 per Effect
Phase and modulatable pitch per oscillator
101 Waveshaper tables, plus modulatable Drive and Offset
Use as oscillators, or as Waveshapers or Ring Modulators for other
signals
Korg's ultra-low-aliasing technology, as introduced in the HD-1
4 velocity zones per oscillator
Uses any mono ROM, EXs, or RAM multisamples
PCM can be used as an FM modulator and/or layered with the
VPM Oscillators
Modulatable mix of Low Pass, High Pass, Band Pass, and dry
input, for creating a wide variety of unique filter types and effects