50: Reverse Delay; Reverse Delay; 51: Shuffle Delay; Shuffle Delay - Roland JUNO-Gi Owner's Manual

Mobile synthesizer with digital recorder
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50: REVERSE DELAY

This is a reverse delay that adds a reversed and delayed sound to the input sound. A
tap delay is connected immediately after the reverse delay.
L in
Feedback
Rev
Rev. Delay
R in
Parameter
Value
Threshold
0–127
Rev Delay Time
0–1300 msec, note
Rev Delay Feedback
-98–+98%
#
Rev Delay HF Damp
200–8000 Hz, BYPASS
Rev Delay Pan
L64–63R
Rev Delay Level
0–127
Delay 1 - 3 Time
0–1300 msec, note
Delay 3 Feedback #
-98–+98%
Delay HF Damp
200–8000 Hz, BYPASS
Delay 1 Pan,
L64–63R
Delay 2 Pan
Delay 1 Level,
0–127
Delay 2 Level
Low Gain
-15–+15 dB
High Gain
-15–+15 dB
Balance #
D100:0W–D0:100W
Level
0–127
66
2-Band
EQ
D1

Delay

D2
D3
2-Band
EQ
Explanation
Volume at which the reverse
delay will begin to be applied
Delay time from when sound is
input into the reverse delay until
the delay sound is heard
Proportion of the delay sound
that is to be returned to the input
of the reverse delay (negative
values invert the phase)
Frequency at which the
high-frequency content of the
reverse-delayed sound will be
cut (BYPASS: no cut)
Panning of the reverse delay
sound
Volume of the reverse delay
sound
Delay time from when sound is
input into the tap delay until the
delay sound is heard
Proportion of the delay sound
that is to be returned to the input
of the tap delay (negative values
invert the phase)
Frequency at which the
hi-frequency content of the tap
delay sound will be cut (BYPASS:
no cut)
Panning of the tap delay sounds
Volume of the tap delay sounds
Gain of the low range
Gain of the high range
Volume balance of the original
sound (D) and delay sound (W)
Output Level

51: SHUFFLE DELAY

Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing
feel.
L out
L in
Feedback
Delay
R out
R in
Parameter
Delay Time #
Shuffle Rate #
Acceleration
Feedback #
HF Damp
Pan A/B
Level A/B
Low Gain
High Gain
Balance #
Level

52: 3D DELAY

This applies a 3D effect to the delay sound. The delay sound will be positioned 90
degrees left and 90 degrees right.
L
3D Delay L
3D Delay C
Feedback
3D Delay R
R
Parameter
Delay Left
Delay Right
Delay Center
Center Feedback #
A
Delay A
B
Delay B
Value
Explanation
Adjusts the time until the delay
0–2600 msec, note
sound is heard.
Adjusts the ratio (as a percent-
age) of the time that elapses
before Delay B sounds relative to
0–100
the time that elapses before the
Delay A sounds.
When set to 100, the delay times
are the same.
Adjusts the speed which the
Delay Time changes from the
0–15
current setting to its specified
new setting.
Adjusts the amount of the delay
that's feedback into the effect.
-98–+98%
Negative (-) settings invert the
phase.
Adjusts the frequency above
which sound fed back to the
effect is filtered out. If you don't
200–8000 Hz, BYPASS
want to filter out any high
frequencies, set this parameter
to BYPASS.
L64–63R
Stereo location of Delay A/B
0–127
Volume of delay A/B
-15–+15 dB
Gain of the low range
-15–+15 dB
Gain of the high range
Volume balance between the
D100:0W–D0:100W
direct sound (D) and the effect
sound (W)
0–127
Output Level
2-Band
EQ
Level
2-Band
EQ
Value
Explanation
Adjusts the delay time from
0–2600 msec, note
the direct sound until the delay
sound is heard.
Adjusts the proportion of the
delay sound that is fed back into
-98–+98%
the effect. Negative (-) settings
will invert the phase.
2-Band
L out
EQ
2-Band
R out
EQ
L out
R out

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