55: Tape Echo; Tape Echo; 56: Lofi Noise; Lofi Noise - Roland JUNO-Gi Owner's Manual

55: TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape
echo section of a Roland RE-201 Space Echo.
L in
Direct Level

Tape Echo

R in
Direct Level
Parameter Value
S, M, L, S+M, S+L,
Mode
M+L, S+M+L
Repeat Rate # 0–127
Intensity # 0–127
Bass
-15–+15 dB
Treble -15–+15 dB
Head S Pan
Head M Pan
L64–63R
Head L Pan
Tape Distortion 0–5
Wow/Flutter Rate 0–127
Wow/Flutter Depth
0–127
Echo Level # 0–127
Direct Level #
0–127
Level 0–127
68
L out
Echo Level
Echo Level
R out
Explanation
Combination of playback heads
to use Select from three different
heads with different delay times.
S: short
M: middle
L: long
Tape speed
Increasing this value will shorten
the spacing of the delayed
sounds.
Amount of delay repeats
Boost/cut for the lower range of
the echo sound
Boost/cut for the upper range of
the echo sound
Independent panning for the
short, middle, and long playback
heads
Amount of tape-dependent
distortion to be added
This simulates the slight tonal
changes that can be detected
by signal-analysis equipment.
Increasing this value will increase
the distortion.
Speed of wow/flutter (complex
variation in pitch caused by tape
wear and rotational irregularity)
Depth of wow/flutter
Volume of the echo sound
Volume of the original sound
Output Level

56: LOFI NOISE

In addition to a lo-fi effect, this adds various types of noise such as white noise and disc
noise.
L in
Lo-Fi
Noise Gen.
Lo-Fi
R in
Parameter Value
LoFi Type
1–9
Type of filter that follows the LoFi effect
OFF
Post Filter Type
LPF
HPF
Post Filter Cutoff 200–8000 Hz
W/P Noise Type
WHITE, PINK
W/P Noise LPF
200–8000 Hz, BYPASS
W/P Noise Level # 0–127
Disc Noise Type LP, EP, SP, RND
Disc Noise LPF
200–8000 Hz, BYPASS
Disc Noise Level #
0–127
Hum Noise Type 50 Hz, 60 Hz
Hum Noise LPF 200–8000 Hz, BYPASS
Hum Noise Level #
0–127
Low Gain -15–+15 dB
High Gain
-15–+15 dB
Balance # D100:0W–D0:100W
Level 0–127
2-Band
L out
EQ
2-Band
R out
EQ
Explanation
Degrades the sound quality. The
sound quality grows poorer as
this value is increased.
No filter is used
Cuts the frequency range above
the Cutoff.
Cuts the frequency range below
the Cutoff.
Center frequency of the filter
Switch between white noise and
pink noise.
Center frequency of the low pass
filter applied to the white/pink
noise (BYPASS: no cut)
Volume of the white/pink noise
Type of record noise
The frequency at which the noise
is heard depends on the selected
type.
Adjusts the cutoff frequency of
the low pass filter applied to the
record noise. If you don't want to
filter out any high frequencies,
set this parameter to BYPASS.
Volume of the record noise
Frequency of the hum noise
Center frequency of the low pass
filter applied to the hum noise
(BYPASS: no cut)
Volume of the hum noise
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the effect
sound (W)
Output Level