Od/Ds - Roland JUNO-Gi Owner's Manual

FX
Parameter Value
On/Off OFF, ON
FX Explanation
This effect distorts the sound to create long sustain.

OD/DS

Select the type of distortion with TYPE, then use DRIVE to
adjust the amount of distortion.
If you set "Control Pedal Assign" (p. 81) to "INSERT FX CTRL, "
WAH
you can use an expression pedal connected to the PEDAL
CONTROL jack to control wah.
This is an effect that produces a long sustain by evening out
the volume level of the input signal.
COMPRESSOR
Use the Sustain parameter to adjust the length of the effect
and Attack to adjust the strength of the picking attack (p. 113).
The limiter attenuates loud input levels to prevent distortion.
LIMITER
Adjust Threshold to match the guitar input signal.
This adds a note one octave lower, creating a richer sound.
OCTAVE
Play a single tone while completely muting the other strings.
This processor allows you to change the sound produced by
the pickup on an acoustic electric guitar, creating a richer
AC.PROCESSOR
sound similar to that obtained with a microphone placed
(AC.PRO)
close to the guitar.
You can select the acoustic guitar type.
By adding varied-phase portions to the direct sound, the
phaser effect gives a whooshing, swirling character to the
PHASER
sound.
You can select the phaser configuration.
The flanging effect gives a twisting, jet-airplane-like character
FLANGER
to the sound.
TREMOLO Tremolo is an effect that creates a cyclic change in volume.
This produces an effect like the sound of a rotary speaker.
If you set "Control Pedal Assign" (p. 81) to "INSERT FX CTRL, "
ROTARY
you can use an expression pedal or a foot switch to change
SLOW/FAST of the speaker's rotating speed.
This models a Uni-Vibe. Although this resembles a phaser
UNI-V effect, it also provides a unique modulation that you can't get
with a regular phaser.
Alternately changes the volume level of the left and right
channels. When monitoring the sound in stereo, this effect
PAN
makes the guitar sound "fly" back and forth between the
speakers.
OD/DS
BOOSTER
This is a booster with unique characteristics in the midrange.
MID BOOST
This produces a great sound for solos.
This not only functions as a booster, but also produces a clean
CLEAN BOOST
tone that has punch even when used alone.
TREBLE BOOST This is a booster that has bright sound characteristics.
112
Explanation
Turns FX OFF/ON.
BLUES
This is the crunch sound of the BOSS BD-2. This produces
BLUES OD
distortion that faithfully reproduces the nuances of picking.
CRUNCH A crunch sound with an added element of amp distortion.
This provides the natural sounding distortion of a slightly
NATURAL OD
overdriven amp.
OD
The sound of the BOSS OD-1.
OD-1
This produces sweet, mild distortion.
T-SCREAM This models an Ibanez TS-808.
TURBO OD This is the high-gain overdrive sound of the BOSS OD-2.
WARM OD This is a warm overdrive.
DIST
DISTORTION This gives a basic, traditional distortion sound.
MILD DS This produces a mild distortion sound.
MID DS This distortion sound features a boosted midrange.
CLASSIC
RAT This models a Pro Co RAT.
GUV DS This models a Marshall GUV' NOR.
DST+ This models an MXR DISTORTION+.
MODERN
MODERN DS This is the deep distortion sound of a large stack-type amp.
SOLID DS This is a distortion sound featuring an edge effect.
STACK A fat sound with an added element of a stack amp's distortion.
METAL
LOUD This distortion sound is ideal for performing heavy riffs.
This is the sound of the BOSS MT-2.
METAL ZONE
It produces a wide range of metal sounds, from old style to slash
metal.
Produces a distortion sound with the smoothness of an
LEAD
overdrive along with a deep distortion.
FUZZ
60s FUZZ
This models a FUZZFACE. It produces a fat fuzz sound.
OCT FUZZ
This models an ACETONE FUZZ.
MUFF FUZZ This models an Electro-Harmonix Big Muff π.
Parameter Value
Drive
0–120
Tone
-50–+50
Effect Level 0–100
Explanation
Adjusts the depth of distortion.
Adjusts the tone.
Adjusts the volume of the OD/DS sound.