Roland RSS M-300 Owner's Manual page 46

Input channel operations
6 Insert indication
fig.ScrChIns.eps
1 2
FX INS
1
If FX1–FX4 are inserted, the number of the inserted FX is
shown here.
If the number is shown in white, the effect insertion is
enabled. If it is shown in gray, effect insertion is bypassed.
If you move the cursor to FX INS and press [ENTER], the
EFFECTS screen will appear.
Inserting an effect into a channel is done in the EFFECTS screen.
For details, refer to "Inserting an effect into a channel" (p. 101).
Up to four effects can be inserted into one channel. In this case,
they will be inserted in series, in order of the FX number.
EXT FX
2
If an external effects processor is inserted, this shows the
number of the inserted EXT FX.
By moving the cursor to EXT FX and pressing [ENTER], you
can access the EXTERNAL INSERT screen.
Inserting an external effects processor into a channel is done in
the EXTERNAL INSERT screen. For details, refer to "Inserting an
EXT FX into a channel" (p. 107).
7 4-band EQ
fig.ScrChEQ.eps
1
2
4
6
7
8
EQ button
1
This turns the 4-band EQ on/off.
46
4-band EQ graph
2
This shows the approximate response of the 4-band EQ.
OL (Overload) indicator
3
This will light red when the output of the 4-band EQ exceeds
the OVER Lev setting specified in the METER SETUP popup
(p. 96).
LO shelving button
4
HI shelving button
5
When turn this on, LO/HI band becomes lo-shelving/hi-
shelving.
Q knobs
6
These adjust the Q of the
0.36–16. Higher values will produce a sharper curve.
When LO shelving button or HI shelving button is on, Q knob is
not shown in these bands.
FREQ knobs
7
These adjust the center frequency of the
bands in a range of 20 Hz–20.0 kHz.
GAIN knobs
8
These adjust the gain of the
of -15.0 dB– +15.0 dB.
For details, refer to "4-band EQ operations (CH1–32)" (p. 80).
8 DIRECT OUT point
fig.ScrChDirGuide.eps
3
You can choose one of the following as the position from
which the channel's signal is taken as the direct out signal:
PRE PHASE
PRE EQ
PRE FADER
5
POST FADER
corresponding bands in a range of
corresponding
corresponding bands in a range
Take the pre-phase signal.
Take the pre-EQ signal
Take the pre-fader signal
Take the post fader signal