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• Try different diffusion settings for your preset (the slider on the right of the Re-
• When monitoring your preset, try switching from Dry solo, Wet solo, and a
• The Positioning panel is generally only needed for automation. Ignore these
• Often when you've got a really great preset designed, all it takes are a few
Tips for designing a natural environment sound:
• Make timing proportional. As the size of the simulated environment in-
• Place the ER timing preceding/leading into the LF
• ER amplitude naturally decays. Slope the amplitude down from left to right.
• Use ER filtering, as this improves the reverb sound in almost all situations.
• Try a gradual Lf or Hf roll-off (or boost) with the EQ section. The left and
• Try natural materials and air densities before the unnatural custom or in-
• Try adding onset (slope) to the LF, as many environments naturally have an
For additional info:
• Read
UAD Powered Plug-Ins Manual
verberation panel). Diffusion radically alters the reverberation sound and is
source dependent. Higher diffusion values yield a fuller sound, good for
percussive sounds; lower diffusion values yield a less dense sound, good for
vocals, synths, etcetera.
useful mix. Solo the reflections and reverberation, and disable/enable EQ.
Try different sources and mixes. Reach for the headphones every now and
then. In general just keep things moving, as ear fatigue can be particularly
deceiving with reverb sounds.
settings for preset design unless going for a panning effect or monitoring
real-world use.
subtle changes to make a number of other great presets.
creases, the length of the pre-delay for the EF, LF, and LF tail should increase
proportionally. Typically, ER and LF pre-delay should be not too far apart,
with LF starting shortly after ER.
right-most EQ bands are shelf filters, which are perfect for this job. The ad-
jacent bands can be used to shape the roll-off.
verse materials and air densities.
LF onset.
Chapter 48, "RealVerb Pro" (page
484) of this manual.
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Chapter 17: DreamVerb
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