Table of Contents
Advertisement
Standard vs. Mastering Versions
The layout and function of the Massive Passive controls are essentially identi-
cal for both the Standard and Mastering versions. The exact control differ-
ences between the controls are detailed in
Table 24. Control differences between Massive Passive versions
Channel Gain Range
Band Gain Range
High Pass Filter Values (Hz)
Low Pass Filter Values (kHz)
Low Pass Filter Slope
Channel Gain, Band Gain, Bandwidth
Massive Passive Band Controls
Massive Passive has two identical channels
(left and right). Each channel has four EQ
bands, with five controls in each band.
Because both UAD Massive Passive plug-ins
operate the same way (and the bands of
each channel are identical), the control de-
scriptions for each band are only detailed
once.
Important:
exact differences between the Massive Passive parameters.
Boost/Cut/Out
When Boost or Cut is selected, its label illuminates (green for Boost, red for
Cut). When the switch is in the OUT position, the band is disabled.
Note:
UAD Powered Plug-Ins Manual
See
"Standard vs. Mastering Versions" on page
This three-position toggle switch determines whether the frequency
band will be boosted, cut, or disabled altogether. The amount of
boost or cut to be applied to the band is determined by the
Gain
control.
When set to OUT, the other band controls have no effect.
Table 24
Standard
-6 dB to +4 dB
±20 dB
22, 39, 68, 120, 220
6, 7.5, 9, 12, 18
18 dB/oct (6K, 7K5, 9K)
30 dB/oct (12K)
Modified Elliptical (18K)
Continuous
- 322 -
Chapter 30: Manley Massive Passive EQ
below.
Mastering
±2.5 dB (0.5 dB steps)
±11dB (16 steps)
12, 16, 23, 30, 39
15, 20, 27, 40, 52*
18 dB per octave*
(*30 dB/oct @ 52K)
Stepped
322" for the
Band
Advertisement
Table of Contents
